Beach House’s gauzy head-trips are marked
by the hypnotic voice of frontlady Victoria Legrand. Within the band’s
recorded output — which is now at four increasingly ear-pleasing albums
after the release of 2012’s Bloom, its second for SubPop
— Legrand comes off as an otherworldly figure, an ethereal being who
emits dreamy, mood-altering songs rife with ambiguous lyrics and enough
atmosphere to fill a Terrence Malick triple-bill.