by Steven Rosen
28 hours ago
Posted In: Visual Art
at 02:01 PM | Permalink
Shinji Turner-Yamamoto's 2012 Global Tree Project: Hanging Garden — two trees suspended by wire inside Mt. Adams' deconsecrated (and crumbling) Holy Cross Church — is now generally recognized as one of the high points of public art in Cincinnati in recent years. In addition to proving inspirational for us in terms of what large-scale, site-specific art can be and what local artists can accomplish, it also has attracted ongoing international attention for him. The latest development is his inclusion in an exhibition, About Trees, opening this fall at the Zentrum Paul Klee museum in Bern, Switzerland. For his site-specific work in the museum's main hall, he will work with a dying linden tree on the museum grounds. The exhibit — part of a trilogy of related shows that continues into 2017 — is dedicated to the tree as a motif in international contemporary art. Turner-Yamamoto finds himself in some very impressive company. Others with work in the show include Paul Klee, Carlos Amorales, Louise Bourgeois, Paul McCarthy, Ana Mendieta and Shirin Neshat.Meanwhile, a large-scale photograph of the Hanging Garden installation was commissioned by Caroline Kennedy, U.S. Ambassador to Japan, for the ambassadorial residence in Tokyo as part of the Art in Embassies Program. Also, he will have a show at the Weston Gallery here next year.
0 Comments · Wednesday, January 14, 2015
Maybe because Robert Stearns’ leadership
of the Contemporary Arts Center was relatively short and long ago, his
death in early December from cancer didn’t attract much notice here.
Homeadow Song Farm brings art, spirituality and community to the farming life
0 Comments · Tuesday, November 25, 2014
Homeadow Song Farm operates in the realms of commerce,
community and creativity in ways that separate them from a traditional
The iconic John Waters brings his monologue — and more — to FotoFocus
0 Comments · Wednesday, October 8, 2014
It’s at first a bit perplexing why the FotoFocus Biennial booked John Waters to perform his This Filthy World comedic monologue at Memorial Hall on Saturday night.
by Steven Rosen
As Downtown and Over-the-Rhine continue to see a growth of walking tours related to the revived inner city's heritage (especially its brewing heritage) and architecture, a new one will soon be offered dedicated to its ever-growing collection of public murals. ArtWorks, which is responsible for many of those murals (including a just-finished one at Eighth and Main streets dedicated to Cincinnati-born Pop artist Tom Wesselmann), will launch the tours in October as part of its Mural (Celebration) Month. They will continue into November, and then take a break. Beginning in 2015, they'll run April through November. Reservations will be needed for the tours, which will run 90 minutes and cost $20 for adults. Artworks also is looking for volunteers to guide those tours. If you're interested in either, visit artworkscincinnati.org where information will be available soon. Bus tours are being discussed, too, once streetcar construction is completed.
Local art collector Sara Vance Waddell shares her collection of prominent feminist art
0 Comments · Wednesday, August 13, 2014
I go with my gut,” says Sara Vance Waddell
about her philosophical approach to collecting art. And it is clear that
trusting her instinct has done her well as the marketing and
advertising CEO/president of her own media business.
One area creative builds a pop-up gallery for all
0 Comments · Tuesday, July 15, 2014
Electronic mood music and energetic art
voices quaked out of the Crown Building during June’s Final Friday,
providing a sharp contrast to the quiet rain blowing across
by Jac Kern
Night Museum runs 5-9 p.m. Thursdays through Aug. 7
its 2014-2015 season announcement, Downtown’s Contemporary Arts Center adds a new promotion
to its calendar of exhibits, performances and special events.
gives visitors a chance to check out the CAC during evening hours every
Thursday. From 5-9 p.m., guests can view the latest exhibit, shop the CAC
Store, enjoy a cash bar and mingle with other art appreciators. Admission is
$7.50; $5.50 for seniors, students and educators; and free for children under 5
and all members. Paid visitors can park for free Thursdays in July at the
Central Parking Garage (36 E. Seventh Street).This week's Night Museum coincides with a special event from One Night One Craft, the CAC's DIY workshop series. Chef Trinidad Mac-Auliffe of Raw Intervention will demonstrate cool recipes — literally — highlighting dishes prepared without heat. Munch on raw creations, then try making some of your own fro 6-8 p.m. One Night One Craft continues Mondays through July.
The CAC is
typically open until 6 p.m. Wednesday through Sunday. The museum is closed on
Tuesdays and offers free admission from 5-9 p.m. Mondays. Find more info here.
by Jac Kern
Posted In: Events
at 12:47 PM | Permalink
It’s Pride Week in
Cincinnati, a time to celebrate and support the local LGBTQ community, promote
diversity as well as equality and just have a good time as a plethora of events
takes over the city.
The Pride party has been
going all week and the fun continues tonight with the Skyy Vodka Pub Crawl
featuring bars and clubs in Over-the-Rhine, Northside, Downtown, Newport and
Covington. Shuttles run three loops with six busses stopping at 20 bars. A $10
wristband gets you on the bus all night and into any bars that have cover
charges. Find details here.
Cincinnati Art Museum’s free
Art After Dark series also
takes a Pride theme this month. Stop by the museum before the crawl for
performances by Young Heirlooms and the Cincinnati Men’s Chorus, gallery tours,
giveaways and more from 5-9 p.m. Bar crawl wristbands can be purchased at the
museum or Millennium Hotel, Below Zero, Rosie's Tavern or Chameleon between
The much-anticipated annual
Pride Parade steps off at 2 p.m. Saturday with a slightly different route due
to streetcar construction: Seventh and Culvert streets to Vine Street to Fifth
at Fountain Square, down Eggleston Avenue. The parade will end at Sawyer Point,
where a family-friendly festival runs 3-9 p.m. There will be two entertainment
stages (be sure to swing by the CityBeat stage!), rides and games for kids,
food and drink. There will also be a public commitment/re-commitment ceremony at 6
p.m., free to all couples interested in participating. The ceremony will cap
off with a couples’ first dance. The festival ends with a fireworks display at
9 p.m. Find a full entertainment lineup here.
And be sure to check out
this week’s Pride Issue.
We’ve got interviews with local LGBTQ advocates, a calendar of events and more.
The 2014 Cincinnati Fringe
Festival is in full swing this weekend (continuing through June 7). We’ve
previewed each of the 30-plus performances and will be posting reviews of every
show as well — check them out here.
sculptor, printmaker and collector of fancy antique oddities Hunt Slonem graces Cincinnati with his colorful,
fabulous presence this week. The American artist has work showcased in more than 100
museums across the world — and now, Miller Gallery in Hyde Park. Perhaps best
known for his neo-expressionist paintings of tropical birds and other animals,
Slonem will be at the gallery for the opening Friday night. Meet the artist and
peruse his works from 6-8 p.m.; The
Exotic World of Hunt Slonem will be on display at Miller through June 29.
Jane’s Saddlebag in Union,
Ky., is a unique attraction sprawling over 35 acres of land that features a
general store, restaurant, wine shop, petting zoo, historic spaces and
recreations. Located near Big Bone Lick State Park, Jane’s is great for a
weekend getaway close to home. Visit this weekend as they host their second
annual wine festival noon-6 p.m. Saturday and Sunday. Sample wines from 20
local and regional wineries and shop handmade items from more than 40 craft
vendors. Tickets are $12 and include four tasting tickets, a wine glass and
live music. Go here
for more info.
For more art openings, parties, festivals and other
stuff to do this weekend, check out our To Do picks,
full calendar and Rick
Door for weekend theater offerings.
by Alexis O'Brien
Posted In: Visual Art
at 11:19 AM | Permalink
If you’ve been to the Cincinnati Art Museum recently, and
specifically since March 22, you’ve probably found yourself lingering among
portraits in a corner of the second floor. (Up the grand staircase and in Room
212, the space now designated as the museum’s photography gallery.)
And it might’ve been Jean Renoir’s doing. The filmmaker’s
honest, sideways smirk that’s good at whispering you in to laugh at life at or
For me, he was the one whose 77-year-old face, through the
gap of a narrow doorway, led me in to look upon his ruthlessness magnified, given
new life by Richard Avedon and brought to light by Brian Sholis, the museum’s
new curator of photography.
“It wasn’t until the 1970s when museums started taking
photography seriously,” Sholis says. “The art world stopped writing it off as
so mechanical and lacking real talent, so museums like this one began acquiring
a lot of it.”
Which explains the 4,000-field, photographical rundown Sholis
was sent before moving from New York to Cincinnati to take his curatorial
position in 2013. The database was a list of every museum-owned piece of
photography, and while studying it, Sholis noticed a pattern: two
recognizable names in one row, repeated. An artist by an artist. Portraits of the Artist. You see where
this is going.
“For people who don’t know much about the history of
photography, they’re given another chance to connect here, and I wanted my
first exhibition to be as welcoming as possible,” Sholis says. “Here, there’s
twice the chance of hitting upon someone a visitor could recognize.”
Out of four-dozen artists-by-artists photographs, Sholis narrowed
his exhibition selection to 14 of them, presenting Frida Kahlo by Bernard
Silberstein, Picasso (with his son Claude) by Robert Capa and Miles Davis by
Lee Friedlander, among others.
The dancer in me was especially drawn to modern mover Merce
Cunningham by Barbara Morgan, who took Cunningham’s photo like he crafted his
dances — with good faith in chance.
She shot the double-exposure by retrogressing her film after
an initial shot and snapping Cunningham again in another position, not
realizing the two bodies as one image until they’d been developed, much like
Cunningham frequently rolled a die to dictate his movements and their
And while, like the individual pieces themselves, the idea
of the exhibition is stimulating and timely (I don’t need to tell anyone about
the portrait-in-the-form-of-iPhone-selfie phenomenon), the placement of the
pieces is also noteworthy, and very thoroughly Sholis-thought-through.
The Mexican artist portraits are grouped together alongside
a couple of painted face performers; partners in work and life, John Cage and
Merce Cunningham share an intimate space on a portion of the gallery’s west
wall; and Miles Davis is situated alone and dominantly, glaring over onlookers
while avoiding awkward eye contact with Renoir (after being moved when Sholis
saw the staring contest).
“These are more than just casual snapshots even though they
look that way,” Sholis says. “These are kind of dialogues between the artists
themselves and their creators, the photographers.”
And, of course, you.