World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season
0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are
the thematic elements of Cincinnati Ballet artistic director and CEO
Victoria Morgan’s full-length world premiere, King Arthur’s Camelot,
opening this weekend with five performances at the Aronoff Center.
0 Comments · Wednesday, October 29, 2014
Zvi Gotheiner's modern dance company
appears this weekend for the second time in Cincinnati as part of ZviDance/Dabke,
presented by Contemporary Dance Theater.
0 Comments · Wednesday, February 4, 2015
This weekend, 14 Tribe dancers (along
with Hubbard, who will solo) will perform at the Aronoff’s Jarson-Kaplan
Theater in a mixed bill revisiting a selection of characteristic
vignettes from the past 10 years of evening-length productions.
by Rick Pender
Posted In: Theater
at 08:10 AM | Permalink
There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.Something for everyone, as they say!Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
at 10:34 AM | Permalink
I've seen The Lion King five times, on Broadway and on tour. I wrote about it in a feature this week, describing how a successful but not terribly
profound animated Disney feature became a stage musical that's a
worldwide phenomenon. A touring production is at the Aronoff through April 26;
it's the third time the show has landed in Cincinnati. Rather than
evaluate the performers — who are highly talented and extremely polished
in their presentation of the show — I decided to pay attention to the
visuals this time around. It was worth it. The Lion King has the
most inspiring opening of any show I've seen: A call and response
between Rafiki, a nervous mandrill and two others brings together a
clutch of African animals to Pride Rock where a regal pair of lions,
King Mufasa and Queen Sarabi are presenting their new cub. The animals
enter the theater from all directions — from the stage wings and down
the Aronoff's aisles, enabling the audience to see the actors in their
puppet gear up close as they sing "The Circle of Life." It's a great way
to begin the show's magic. But it's only the start: There is color and
pageantry to burn in this story — from a colony of loony hyenas to a
fatal stampede of antelopes. The second act opens with the chorus
dressed in colorful clothes with ornate puppet birds and kites sing "One
on One." I was reminded of the wonderful South African choral groups
that inspired Cincinnati audiences during the World Choir games in 2012 —
passionate harmonizing and heart-thumping rhythms. From start to
finish, The Lion King is a remarkable experience. If you've seen
it once, it's worth going again to appreciate new dimensions of this
gorgeous production. Tickets: 513-621-2781.Two
good shows onstage at the Cincinnati Playhouse this weekend, and they
couldn't be more different from one another. It's the final weekend for Peter and the Starcatcher (CityBeat review here) a prequel to Peter Pan that elaborates
in a fanciful way about the origins of the boy who refuses to grow up,
Captain Hook, the Lost Boys, Tinker Bell and more. It's driven by
imaginative theater-making — instead of special effects, audiences are
called upon to envision things like storms brewing and characters
flying. A great show for families. … On the Shelterhouse stage it's
serious drama with Tracey Scott Wilson's Buzzer (CityBeat review here),
the story of three people moving into a redeveloping urban
neighborhood. It feels like Cincinnati's Over-the-Rhine. Tensions
spurred by changing populations provide context for this story, but it's
really about the toxic dynamic between an up-and-coming black attorney,
his white schoolteacher girlfriend and his white boyhood pal who's led a
troubled life. A strong cast and Wilson's naturalistic dialogue make
this a very watchable (but very adult) show. This one is onstage through
April 19. Box office: 513-421-3888.Know Theatre opened it's production of the comic-book inspired Hearts Like Fists
last weekend. It's a two-dimensional tale of girl crime fighters
battling a dastardly villain, Doctor X, who's murdering lovers — since
his own love life is in shambles. There's humor but not a lot of depth
to this one, but if you like slam-bang action stories, you'll love the
fight choreography and the silly posing of the characters. It's around
until April 25. Tickets: 513-300-5669 … A block away from Know in Over-the-Rhine, Ensemble Theatre Cincinnati is winding down its production of Detroit ’67 (CityBeat review here),
set in a tumultuous era in the Motor City as a brother and sister
struggle to make a living while the world around them is burning.
Although it's rooted in events from nearly a half-century ago, this one
has some very prescient messages that seem like they're about more
recent events in Ferguson, Missouri, and elsewhere. Final performance is
2 p.m. Sunday. Tickets: 513-421-3555.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
Posted In: Theater
at 09:44 AM | Permalink
A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
Posted In: Theater
at 09:36 AM | Permalink
Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
0 Comments · Wednesday, January 7, 2015
Think you know the story of Cinderella — wicked stepfamily, pumpkin coach, charming prince, glass slipper, happy ending?
by Rick Pender
Posted In: Theater
at 09:51 AM | Permalink
If you're looking for good theater this weekend you have two great choices at downtown Cincinnati's Aronoff Center. It's your pick: Recent Broadway hit Once, in a touring production, or a past award-winner, Young Frankenstein, staged by one of Cincinnati's best community theaters.
The musical Once began life as an Academy Award-winning film in 2007; the song "Falling Slowly" won an Oscar. The film became an off-Broadway production as a musical in 2011 then a Broadway contender in 2012, where it won eight Tony Awards, including best musical. Since 2013 it's been a hit in London (the film is about musicians in Dublin, and the stage adaptation is set in an Irish pub) and on a national tour in the U.S. a year ago that's been much praised. It's that tour presently onstage at the Aronoff Center's big hall. It's a very contemporary love story that succeeds in part because it's unpredictable: Boy Meets Girl (yeah, that's a cliché) but despite their chemistry and potential for romance, it doesn't turn out as you might expect. Along the way, a great cast of actor/musicians play instruments onstage and sing their hearts out as the story unfolds. And it's fun: Arrive early enough and you can queue up to go onstage and order a pint from the bar there and mingle with some of the cast. If there's such a thing as a casual musical for contemporary music lovers, this is it. Through Nov. 23. Tickets ($33-$80): 513-621-2787.Don't think that you'll see something less than professional if you choose to head to the Aronoff's Jarson-Kaplan Theater to see Young Frankenstein, presented by Cincinnati Music Theatre through Sunday. This company of local theater junkies knows how to make big musicals work, and this jokey show by Mel Brooks (based on his equally jokey classic comedy from 1974) is a great vehicle for a talented cast and crew. There are great sets (designed by Rick Kramer) and visual effects (by Jeff Surber), and the talented performers milk every laugh line to the nth degree. Charlie Harper is lots of fun as the latter-day scientist Frankenstein, Alison Evans is his fetching lab assistant Inga and Kate Mock Elliott has great moments as his twitchy fiancee Elizabeth. Chuck Ingram's portrait of the Monster is spot on, and his delivery of the show's big number, "Puttin' on the Ritz," will stick that tune in your head for days in ways that Irving Berlin never imagined. Tickets ($20-$24): 513-621-2787.Broadway star Faith Prince is making a local appearance at Memorial Hall for an 8 p.m. concert tonight. It's part of a series of "Libations & Lite Bites," this one titled "Broadway & Bordeaux." The evening begins at 6:30 with hors d'oeuvres from local restaurants, wine and cocktails and concludes with dessert and more. Tickets ($47-$57): cincinnatimemorialhall.com.If you've got Broadway on the brain and you're on Cincinnati's West Side, you should definitely check out the Covedale Center's production of Stephen Sondheim's fairytale musical Into the Woods, finishing up its run on Sunday. It's an entertaining classic (in December it will be on movie screens everywhere in a new film version featuring Meryl Streep and Johnny Depp), and the Covedale has a great cast to put it across. Tickets ($21-$24): 513-241-6550.You still have a chance to catch one of our great local actresses, Dale Hodges, in Driving Miss Daisy at Covington's Carnegie through Sunday. She's playing haughty, elderly Daisy Wertham, unwillingly partnered with Hoke, an African-American chauffeur (Reggie Williams) hired by her solicitous son Boolie (Randy Lee Bailey). It's a solid ensemble and a very entertaining production. Tickets ($18-$25): 859-957-1940.And if you're looking for something that's brand new and edgy, check out All New People by contemporary writer Zach Braff. It's onstage at Clifton Performance Theatre, staged by Untethered Theatre through Nov. 30. It starts with a suicide attempt on Charlie's birthday and spirals from there. I'm going to see it this weekend. Maybe I'll see you there. Tickets ($20): 513-939-0599.Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
by Rick Pender
Posted In: Theater
at 08:13 AM | Permalink
There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo
was a runner up for the 2010 Pulitzer Prize), and it's a very timely
piece, set in 2007 in a large public high school. Just two characters: a
slightly disgruntled, tightly wound vice principal and a student of
Middle Eastern descent who's been called in on the eve of spring break
for a "conversation." What starts out as awkward but mildly amusing
takes numerous twists and turns (the show is about 85 minutes long) and
will keep you guessing as more and more is revealed. The teacher says
people are like onions: You can keep peeling, but you never quite get
down to the essence. You will arrive at a surprising — and moving —
conclusion, likely not what you'll be suspecting. That's the kind of
writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.
For lighter entertainment, I recommend Size Matters
at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who
performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs,
but he tends to be typecast — fat slobs, geeks and so on. Not great for
self-esteem, but hey, it's work. However, it can wear on one's
confidence, and when he sees his young nephew going down a similar path,
well, it's food for thought. There's nothing terribly profound about
this script, but McAnally is a very adept performer — he takes on the
roles of his father, his nephew, even his wife, with the assistance of
projections and sound effects. McAnally says that this is 95 percent
material drawn from real life, and it has the ring of truth. It's not
likely that this show will be produced elsewhere unless McAnally does it
himself, so here's a chance to see a one-of-a-kind performance that
will keep you laughing and make you like a guy you might have otherwise
dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555.
Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17).
This top-notch community theater typically does a commendable job with
big musicals, and this family-friendly piece is likely to be a big
attraction, what with flying and local actor Joshua Steele in the title
role. Tickets ($20-$24): 513-621-2782.