With the opening of 'Chewing Color,' the new exhibition of the subversive, questioning, unnervingly intimate and maddeningly beautiful fashion photography of Marilyn Minter, the Contemporary Arts Center now has three simultaneous exhibitions that prominently feature video work. That should tell you something about where contemporary art is going.
So often has it been said that the Contemporary Arts Center needs to carefully select shows to fit its unconventional Zaha Hadid-designed space that it's almost a mantra. As has been seen in the past, imported traveling exhibits (especially group shows relying on paintings) have a tendency to get lost amidst the angles, offbeat spaces, stairways and hidden corners of the downtown building's interior. But the current Anri Sala show interacts so well and so completely with its two CAC floors that the experience is transformative.
Anri Sala's solo exhibition fills two floors of the Contemporary Arts Center with sound, light and tactile objects. One work in particular confuses and simultaneously conflates the others. It's a small kinetic sculpture: a pair of hands sheathed in purple latex gloves, index fingers pointing toward each other, revolving slowly around an axis.