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Hank Williams: Lost Highway (Review)

Reviving America's Honky-Tonk hero

0 Comments · Monday, November 12, 2012
For a guy who spent most of his mental energy on comic books, “Hillbilly” singer Hank Williams surely knew how write songs that connected with people from all walks of life.   

Cinderella (Review)

ETC offers a smart holiday production

0 Comments · Monday, December 6, 2010
Brains trump beauty in 'Cinderella,' now playing at Ensemble Theatre of Cincinnati, where every December another familiar fairy tale gets a fun musical makeover. This year's installment features a philosophy-loving heroine (exceptional homegrown talent Brooke Rucidlo) in local playwright Joe McDonough's clever script.  

The Night of the Iguana (Review)

New Edgecliff tackles Tennessee Williams' tale about people at the end of a rope

0 Comments · Friday, October 8, 2010
New Edgecliff Theatre, which has done well in two previous seasons reviving classic works, launches its 13th season with 'The Night of the Iguana,' sometimes called Williams' "last great work," with two local professionals in its leading female roles (Kate Wilford and Annie Fitzpatrick). NET has given it a strong visual production (designed by Melissa Bennett), set in a seedy Mexican hotel.  

Blithe Spirit (Review)

Annie Fitzpatrick's loony psychic tops off a summer treat at Cincy Shakespeare

0 Comments · Monday, July 19, 2010
For several summers, Cincinnati Shakespeare Company has offered shows of witty, classical fluff when most companies are on a seasonal break. This month Noel Coward's comedic ghost story 'Blithe Spirit' fills the bill nicely, featuring six CSC veteran performers as well as Annie Fitzpatrick, who provides a great dollop of loony frosting on a very tasty summer dessert.  

Dead Man's Cell Phone (Review)

A lively search for meaning at ETC

0 Comments · Thursday, October 8, 2009
Imagine one of René Magritte's paintings brought to fulminous, razzle-dazzle life. That's Sarah Ruhl's highly, wryly comic new play, 'Dead Man’s Cell Phone.' Ensemble Theatre of Cincinnati offers this regional premiere in a well conceived but mostly impenetrable production directed by Michael Evan Haney and brilliantly designed by Brian c. Mehring.  

Creative Economics

State of the arts: Tightening belts and adapting in order to continue thriving

1 Comment · Wednesday, September 2, 2009
Staff positions have taken the biggest hit as Cincinnati's arts and cultural institutions hunker down to survive the recession. Some organizations have adapted through deliberate attrition, while other belt-tightening measures have included shorter hours and curtailed programming. "It's a painful time," says Raphaela Platow, director of the Contemporary Arts Center. The bright side (surprisingly, there is one) is that attendance is up for many organizations.  

Mauritius (Review)

Make no mistake, ETC production is collectable

0 Comments · Friday, March 20, 2009
Collectors of postage stamps don't seek perfection. When something is off, that adds individuality and value. Hence the conflicts that make Theresa Rebeck's 'Mauritius' a compelling piece of theater.  

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