0 Comments · Wednesday, March 2, 2016
The 40th-annual Humana Festival of New American Plays commences this
week, presenting six shows in rotating repertory on the theater’s three
stages through April 10.
0 Comments · Tuesday, November 24, 2015
Critic's Pick: Gilbert and
Sullivan’s comic operetta H.M.S. Pinafore
was a hit in 1878. The very tongue-in-cheek tale of class distinctions in
the British Empire seems pretty creaky in 21st-century America.
0 Comments · Wednesday, April 15, 2015
I spent last weekend in Kentucky at the Humana Festival of New American Plays at Actors Theatre of Louisville watching a half-dozen brand new works. The festival is an invigorating whirl of creativity, conviviality and engaging performances.
Louisville’s annual theater festival features imaginative new plays
0 Comments · Wednesday, April 9, 2014
The 38th Humana Festival of New American
Plays, presented annually by Actors Theatre of Louisville, came to its
tumultuous conclusion last weekend, capping off ATL’s 50th anniversary
0 Comments · Wednesday, February 26, 2014
One of America’s most important
theatrical events happens annually just 100 miles south of Cincinnati
via I-71: the Humana Festival of New American Plays at the Actors
Theatre of Louisville, kicking off its 38th year this week
by Rick Pender
Posted In: Theater
at 09:53 AM | Permalink
Actors Theatre's "Pirates of Penzance" is a joyous, festive hoot from start to finish
If I could charter a
bus and offer you transportation to Louisville over the next few days to
see a production at Actors Theatre, I'd happily do so. I made the drive
to see a Sunday matinee of Gilbert & Sullivan's The Pirates of Penzance,
"reimagined by The Hypocrites." This zany group of theater artists from
Chicago have found contemporary ways to inject new energy into
traditional works from Shakespeare to Golden Age musicals. And that's
what they've done with Pirates, a show that was a silly musical hit in the 1880s on both sides of the Atlantic.
fact, what this energetic cast of 10 does with the show is restore its
comic brilliance in a way that's wholly suited to the 21st century but
in keeping with the original. The story of soft-hearted pirates, a
soft-headed major-general and his melodic daughters and a crew of
incompetent cops remains intact and is inherently funny. But The
Hypocrites have pushed it to a contemporary level.
Actors Theatre's arena-styled Bingham Theatre, audiences were
immediately immersed in a beach party on the central stage. Beach balls
were bouncing everywhere; the ushers were wearing floral shirts. The
performers, also musicians, were leading a folksy singalong, tunes like
the Lumineers' "Ho Hey" and Paul Simon's "Me and Julio Down by the
Schoolyard." It was downright festive, and audience members who had
seating onstage (many with kids) joined right in with the fun.
showtime arrived, a few ground rules were laid out by actress Christine
Stulik, who played both the matronly awkward Ruth and the sweet ingenue
Mabel. She asked those onstage to follow any requests made by the stage
managers, dressed as Victorian lifeguards, so that actors would have
clear paths to move to their required locations. She also mentioned that
the show would be one hour, 20 minutes, with a one-minute intermission.
(That's what really happened: a quick break, with actors sipping
bottled water, audience members running up the steps to an in-theater
bar, stretching and so on.)
The performance follows Pirates' amusing tale of the virtuous young Fredric, who is a "Slave of Duty" (we were regularly reminded by the word DUTY,
spelled out in giant red letters at the top of one audience section).
The performers executed their roles in exaggerated fashion, squeezing
humor out of every moment. They also played an astonishing array of
musical instruments: guitar, banjo, mandolin, fiddle, flute, clarinet,
accordion, squeezebox and other esoteric items such as a toy piano, a
kiddie xylophone and a saw(!). They were all accomplished singers, too,
and just about everyone played multiple roles — including sweet young
ladies who doubled as comically mustachioed police officers.
was a joyous, festive hoot from start to finish, a wonderful tonic for a
bitterly cold winter. My only regret is that I'm late to the party: The
production of Pirates of Penzance wraps up on Saturday. If you have the time to drive down I-71 and can score a ticket (Actors Theatre box office: 502-584-1205), you'll feel like you took a mini-vacation.
0 Comments · Tuesday, February 26, 2013
This week marks the opening Actors
Theatre of Louisville’s 37th annual Humana Festival of New American
Plays. First up is Meredith McDonough’s The Delling Shore, about
two rival authors and their daughters, a work in which words become
Louisville’s Humana Festival features shows that could please Cincinnati audiences
0 Comments · Monday, April 4, 2011
This year marks the 35th annual Humana Festival of New American Plays presented by Actors Theatre of Louisville. Every year this event draws the attention of theater professionals from across the nation and around the world. Six world premieres are offered in rolling repertory, an amazing feat made possible by Actors Theatre’s excellent physical complex with three stages.
0 Comments · Wednesday, October 27, 2010
I occasionally write about concepts that theaters might consider to give us a broader array of performances. Know Theatre recently established an umbrella concept, the Jackson Street Market, that’s beginning to produce results. With a goal of building and retaining the local artist community, the Market seeks to help local “artistic entrepreneurs” to leverage Know Theatre’s resources on their behalf.
Bestselling novel becomes a compelling play at Actors Theatre of Louisville
0 Comments · Thursday, September 9, 2010
Khaled Hosseini's debut novel, 'The Kite Runner,' spent more than five years on The New York Times bestseller list. Published in 42 languages and made into a 2007 movie, the story follows the life of a young Afghani from the mid-1970s until 2001 and has resonated with readers worldwide. It's now a play receiving its regional premiere this month at Actors Theatre of Louisville in a co-production with the Cleveland Playhouse, where it will transfer in October.