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Local Stages Kept Things Interesting in 2013

0 Comments · Monday, December 23, 2013
How was 2013 as a year for plays and musicals in Cincinnati? From where I stand — or sit, since I’m most often in a seat at one of our local theaters — it stacked up pretty well.  

Abigail/1702 (Review)

Spectral sequel premieres at Cincinnati Playhouse

0 Comments · Saturday, January 26, 2013
Roberto Aguirre-Sacasa’s world premiere play, Abigail/1702, is the Mount Adams theater’s 66th premiere, and a positive sign that new artistic director Blake Robison will continue the company’s long tradition of fostering new theatrical works and emerging writers.  
by Rick Pender 01.25.2013
Posted In: Theater at 09:11 AM | Permalink | Comments (0)
 
 
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Stage Door: Good vs. Evil

The clash of good and evil seems to be on the mind of most of our local theaters this week as numerous openings bring plenty of offerings for you to choose from.Abigail/1702 at the Cincinnati Playhouse is a kind of sequel to Arthur Miller's The Crucible. This new play by Roberto Aguirre-Sacasa (it's actually a world premiere) takes the character of Abigail Williams, the villainous and spiteful catalyst for the Salem Witch Trials of 1692, and moves her 10 years beyond. She's living in Boston, an outcast caring for people afflicted with the "pox" — and haunted by her past. She knows her actions in Salem were evil, perhaps inspired by the Devil himself. How she copes with the current events of her life is very much dictated by her actions from the past. This is a fascinating variation on a familiar character, told with an air of supernatural events and eerie sights and sounds. Box office: 513-421-3888.Freud's Last Session at Ensemble Theatre Cincinnati puts a debate about the existence of God front and center, with the distance between good and evil or right and wrong as the battleground. Psychoanalyst and atheist Sigmund Freud is dying of oral cancer; he invites to his London flat a young academic and newly converted Christian, C. S. Lewis (who later wrote the Christian allegory The Chronicles of Narnia). On the September day in 1939 when England declares war on Germany — perhaps another clash of good and evil — they meet for a conversation. The play is almost all talking and very little action, but the clash of ideas is enough to keep you on the edge of your seat. That's made especially true by two fine actors: Bruce Cromer (the Playhouse's longstanding Ebenezer Scrooge and Cincinnati Shakespeare's recent Atticus Finch) as the earnest Lewis, and Barry Mulholland (a local newcomer, but a veteran actor) as the skeptical Freud. This one will make you think. Box office: 513-421-3555.Camelot at Covington's Carnegie Center offers a distilled version of the Broadway hit from 1960. It's presented as a concert, singers backed up by members of the Cincinnati Chamber Orchestra, led by its maestro Mischa Santora. The story of King Arthur's court, a place of goodness and justice brought down by an illicit love affair, is another glimpse of the good and evil affect history — even if it's mythic history. Former NKU professor Mark Hardy is back in town to play Arthur. Through Feb. 3. Box office: 859-957-1940.The evils of racial injustice are at the heart and soul of the Tony Award-winning Broadway musical Memphis, which has a touring production at the Aronoff through Feb. 3. Set in the 1950s, it's about a white radio DJ who digs black music long before it became mainstream. His love of the music leads him to a romance with a talented singer, and that causes complications in a town where black and white don't mingle without serious repercussions. Of course, it's a musical, so this doesn't dig too deeply into the issues, but it's definitely a reminder of a time and place that feels very foreign to us today — even if some attitudes persist. Ultimately, it's about the power of music to bridge difficult boundaries, and that's a good message. Box: 800-987-2787.
 
 

High-Wire Act

Creator of 'Abigail/1702' grew up dreaming of being a playwright

0 Comments · Tuesday, January 15, 2013
Playwright Roberto Aguirre-Sacasa was in Chicago early in 2008, rehearsing the world premiere of a new play he had just written for Steppenwolf Theatre. The company was staging Arthur Miller’s legendary 1953 Tony Award winner, The Crucible, on its mainstage.   

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