CityBeat Blogs - Music Video http://www.citybeat.com/cincinnati/blogs-1-1-1-35-153.html <![CDATA[WATCH: Buffalo Killers’ ‘Weird One’ Video]]>

Earlier this year, Cincinnati’s Buffalo Killers released their finest album yet, Heavy Reverie, a stellar representation of the band’s increasingly melodic Rock & Roll sound. The album earned the group some of the best reviews of its career and landed them their network television debut — a full interview segment on Last Call with Carson Daly

Fans won’t have to wait too long for new Buffalo Killers material. On Nov. 24, the six-track EP Fireball of Sulk will be issued through Sun Pedal Recordings. The EP is available to pre-order now (here); doing so comes with an instant download of the EP’s “Marshmallow Mouth.” 


Today, Relix.com premiered a music video for the track “Weird One,” a song about “those lost, pre-drug days when all you wanted to do was get away from your parents, dye your hair and drive around with your friends,” BK’s Zach Gabbard tells the site. 



Buffalo Killers’ next scheduled live date in Cincinnati is Nov. 26 at Northside Tavern with The Soledad Brothers. 

]]>
<![CDATA[MidPoint Music Festival Critic's Picks: Friday ]]>

In honor of this week's MidPoint Music Festival we're showcasing some of the Critic's Picks from our official MidPoint guide (the print version of which will be available throughout the fest). While most attendees are likely very familiar with some of the bigger headlining acts, these options are mostly some of the lesser known on-the-rise acts. (Pro tip: Every Cincinnati band at MPMF is well worth your time should you find yourself with a hole in your schedule.)

Here are some recommendations for this Friday. Click here to check out the entire official guide, which has write-ups on all 150 or so MPMF acts. Tickets are still available here.

8:30 p.m. @ Arnold's

Honey Locust (Nashville, Tenn.)

Indie Folk

Honey Locust might hew a little closer to Nashville’s Americana traditions, but the Chamber Folk outfit still remains in the nether region between the city’s manufactured Country imagery and its Rock rebels. The band’s first EPs, 2012’s Fear is a Feeling and 2013’s Live in December, teed up its recently released The Great Southern Brood, Honey Locust’s quasi-thematic and dustily beautiful new album which uses cyclical cicada infestations to metaphorically examine the seasons of man. The Great Southern Brood cements the band’s singular position in its home scene, thrills its growing fan base and opens Honey Locust up to the wider Indie Folk world.

You'll Dig It If You Dig: An Appalachian Polyphonic Spree absorbs Bon Iver, The Lumineers and Morrissey to create a super Folk army. (Brian Baker)

12:30 a.m. @ Christian Moerlein Brewing Co. (Indoor Stage)

Watter (Louisville, Ky.) 

Post-Post Rock

Slint, one of Louisville’s quintessential Rock bands, released two albums in the late ’80s and early ’90s and then called it quits. The band’s seminal Post Rock album Spiderland is still considered one of the best in the genre. The quartet moved on to other projects but reconvened for a brief reunion tour over the summer. Between tour dates with Slint, drummer Britt Walford formed another band this year — with Grails member Zak Riles and Holy Grale bar co-owner Tyler Trotter — and they released the instrumental This World in the spring. Even though critics classify them as Post Rock and Post Hardcore, songs like “Rustic Fog” exude ambient melodies combined with Middle Eastern-y and synth tidbits.

YDIIYD: Slow building instrumentals, Krautrock, bands from Touch and Go Records. (Garin Pirnia)

9 p.m. @ Contemporary Arts Center

Sisters of Your Sunshine Vapor (Detroit) 

Psych Rock

A decade ago, guitarist/vocalist Sean Morrow, bassist/keyboardist Eric Oppitz and drummer Richard Sawoscinski came together under the banner of SikSik Nation, but quickly morphed into Sisters of Your Sunshine Vapor, which itself evolved from a standard Garage/Blues band into a darkly scintillating Psych Rock outfit befitting of their Motor City roots. In the past 10 years, the group has only released a pair of full-length albums (2009’s SOYSV and 2011’s Spectra Spirit; a third is on the way soon) but that doesn’t mean the trio hasn’t been busy. SOYSV tours relentlessly and founded Echo Fest, which highlights the best in Michigan Psych Rock. They would know.

YDIIYD: Sherman sets the Wayback Machine for 1968, Mr. Peabody takes the Electric Kool Aid Acid Test and has a vision of Syd Barrett fronting The Doors. (BB)

11 p.m. @ The Drinkery 

All Them Witches (Nashville, Tenn.) 

Stoner/Psych Rock

Have you looked skyward recently and shouted to no particular deity, “Hey, is anyone doing anything remotely different in Nashville these days?” All Them Witches has heard your prayer, or whatever the hell that was. The quartet’s most recent release is Effervescent, 25 minutes of Stoner/Psych/Blues bliss contained in the EP’s epic title track, which also happens to be its only track (it’s available for free download at Bandcamp), and it’s yet another stellar example of All Them Witches’ swirling love of acid-and-feedback-drenched Rock, Blues-tinted Psychedelia and a total lack of anything resembling sonic boundaries. Drink a Tab (or drop one), count backward from a million and prepare to, as George Harrison once so elegantly noted, arrive without travelling.

YDIIYD: The Doors and The Grateful Dead have a shared hallucination at a Black Sabbath/Iron Butterfly reunion/intervention. (BB)

11:45 p.m. @ Know Theater (Main Stage)

Rubblebucket (New York) 

Art/Soul Pop

Rubblebucket was born in Burlington, Vt., eight years ago when vocalist Kalmia Traver and trumpeter Alex Toth met in a Latin Jazz band. That sentence alone should be enough to convince you that the NYC-based quintet is destined to be one of this year’s MidPoint highlights. Rubblebucket’s first two albums (2009’s Rubblebucket and 2011’s Omega La La) and two subsequent EPs (Oversaturated and Save Charlie) showcased the band’s ultraswank Funk/Soul/Ska/Art Pop evolution, but its just released third set, Survival Sounds, is a veritable explosion of guitars, horns, loopy synths and quirky vocal gymnastics, all of it as danceable as any 40 minutes that ever ran on American Bandstand and as infectious as weaponized bird flu. Dancing will occur at a molecular level; be ready to go subatomic on your ass.

YDIIYD: Polyphonic Spree and Bjork join the Fabulous Flames and Talking Heads in a weird tribute to James Brown. (BB)

11:15 p.m @ Mainstay Rock Bar

Love X Stereo (Seoul, South Korea) 

Electro Alt Rock 

Of all the bands traveling to Cincinnati for MidPoint, Korea’s Love X Stereo might be coming from the farthest corner of the world. In their native country, Annie Ko, Toby Hwang and Sol Han are known for their mix of ’90s influenced Synth Rock, but the Western part of the world’s just getting to know them. Last year the band released its third EP, Glow, and just this year Love X Stereo recorded a cover of Capital Cities’ “Safe and Sound” for an Indie Goes Pop compilation. Let’s be clear: They aren’t K-Pop, like that one guy who wrote that one huge hit a couple of years ago. For an unsigned band from Korea with big dreams of conquering the world — LxS has already played SXSW and CMJ (and was supposed to play MPMF last year but canceled due to travel issues) — it’s exciting to have the band traversing to our little town. 

YDIIYD: Listening to good Korean bands that have nothing to do with K-Pop, Manic Panic red-headed chicks. (GP) 

12 a.m. @ MOTR Pub

Landlady (Brooklyn, N.Y.)

Art Rock

Originally formed in 2011 as the solo project of multi-instrumentalist Adam Schatz (member of the Man Man and Vampire Weekend touring bands), Landlady has added members since then, gradually becoming a quintet. Schatz’s was all solo when he released Landlady’s first album, 2011’s Keeping to Yourself, and with the full band in place the group released its second LP, Upright Behavior, this past summer on Portland label Hometapes. 

YDIIYD: Future Islands, TV on the Radio, Dirty Projectors. (Mike Breen)

11:45 p.m. @ Mr. Pitiful's

machineheart (Los Angeles) 

AltPop 

L.A. five-piece machineheart makes unabashedly epic Pop music with depth. The band crafts a compelling backdrop of guitars, big beats and tasteful electronic additives, but it’s singer Stevie Scott’s dazzling vocal presence and the ear-burrowing melodies that really pull the listener in. The band has only been together for a short time, first catching attention less than a year ago with a cover of The 1975’s “Chocolate,” but the limited tracks made available for public consumption (“Circles,” “Another Me,” “Snøw”) are so endearing, sophisticated and radio-ready, it won’t be long before machineheart catches fire nationally. This is one of those acts that we’ll all likely be saying, “Oh, I saw them at MidPoint in 2014,” once they breakthrough. 

YDIIYD: Sia, Charli XCX, Florence + the Machine. (MB)

8 p.m. @ Mr. Pitiful's

Crystal Bright and the Silver Hands (Greensboro, N.C.)

Gypsy Folk/Jazz/Pop

There is a theatrical element to Crystal Bright’s songs and her performance of them, which seems natural when you learn she’s a stage director/producer and performance artist (as well as music teacher, multi-instrumentalist and holistic nutritionist … so she eats well, too). Bright’s World music experience is almost beyond belief — she’s played in Chinese, Ugandan, Brazilian and Indonesian ensembles, among others — and she brings it all to bear with the Silver Hands, which she assembled four years ago. The band’s 2010 eponymous “experimental vaudeville” album was well received, as was its follow up, 2012’s Muses & Bones, a brilliant stylistic pastiche.

YDIIYD: Jane Siberry and Danny Elfman record a Gypsy Folk soundtrack to a Slavic noir detective movie starring Tom Waits as the gumshoe and Kate Bush as the dame. (BB)

11 p.m. @ Ballroom at the Taft Theatre 

Dessa (Minneapolis) 

Hip Hop/Spoken Word

Dessa began her musical journey as a part of Doomtree, the Minneapolis Hip Hop collective, as both versatile artist and business manager. She then established her solo identity with A Badly Broken Code and Castor, the Twin, albums that earned her the comparison of “Mos Def plus Dorothy Parker” for her flawless flow and incisive wordplay. Dessa’s latest album, the recently released and patently brilliant Parts of Speech, finds the Hip Hop chanteuse expanding in a dozen different creative directions simultaneously, incorporating diverse musical elements in her Hip Hop foundation while spitting some of her most powerful and compelling lyrics to date. You might not like Hip Hop, but it’s a safe bet that you’ll love Dessa’s intoxicating rhymes and genre alchemy.

YDIIYD: Ani DiFranco channeling Eminem. (BB)

]]>
<![CDATA[MidPoint Favorites The Ridges Return to MPMF ’14]]>

Over the past few years, Athens, Ohio’s Indie Folk troupe The Ridges have become a regular presence at Cincinnati area clubs, building up a nice local following. They’ve also become fairly regular participants in the MidPoint Music Festival (which returns starting this Thursday to the clubs and venues of Downtown/Over-the-Rhine) and they always provide fest-highlight-worthy performances. The band is returning to MPMF 2014 for its third visit to the festival, opening up the night at new MPMF venue Memorial Hall Saturday at 9:15 p.m. and rounding out a great bill that also includes anticipated MPMF sets by Saintseneca and Gardens & Villa. 


The Ridges (who’ve done several dates in the past year with Kishi Bashi, one of last year’s big MPMF breakthrough acts) often craft cool promo videos for their shows, particularly for bigger events like MPMF. The band’s video previewing its appearance at this year’s MidPoint was recently shot from the stage at Memorial Hall, giving a good look at the gorgeous venue for those who’ve never seen it.



“It’s always one of our favorite shows,” Ridges singer/songwriter/guitarist Victor Rasgaitis says about playing MidPoint. “The atmosphere is perfectly inspiring and the crowds are so incredibly receptive — we're lucky to have such an awesome festival here in Ohio.”


Tickets for MPMF are available here. For more on The Ridges, visit theridgesmusic.com

]]>
<![CDATA[WATCH: The Yugos Perform “Follow You”]]>

On their most recent tour, excellent Northern Kentucky Indie Rock band The Yugos stopped by Toledo, Ohio’s SixtyTen Recording Studio to record its latest single, “Follow You,” as part of the facility’s “SixtyTen Sessions” video series.

The studio version of the single, released earlier this summer, can be streamed/downloaded here.


One week from the day, The Yugos will be opening up MidPoint Music Festival’s Friday festivities. The band plays at 5 p.m. Friday on the MidPoint Midway stage, right before another of the fest’s most anticipated acts, Real Estate, performs. The Midway stage is free and open to the public (no tickets/passes required), thanks to stage sponsor P&G. It’s also an all-ages show.


Click here to hear more from The Yugos, and here to check out more sessions from SixtyTen.


]]>
<![CDATA[The State of Cincinnati Hip Hop is Strong]]>

Tonight, Cincinnati mayor John Cranley will be giving his “State of the City” speech. For a snapshot of the state of the city’s Hip Hop scene, take a look at the following recent music videos. Judging by these tracks and visuals, I’d say the state of Cincinnati Hip Hop is strong. 

• Yesterday, the reigning Cincinnati Entertainment Awards champ for top Hip Hop act in the city, Buggs Tha Rocka, put out a clip for his track “Rapture,” featuring local singer Phoenix Aphrodite. The song is from Buggs’ forthcoming album, Scattered Thoughts of an American Poet, which is set for release Oct. 7 and features a great guest list, including Chuck Inglish from The Cool Kids, Tanya Morgan, Piakhan, MOOD and more.

Rapture feat. Phoenix Aphrodite from Buggs Tha Rocka on Vimeo.

• Middletown-based Hip Hop duo Those Guys just premiered their latest video, “King.” Featuring J.Al and Jova, Those Guys top themselves with every new release and “King” is no exception. Their tagline/motto is “Good Hip-Hop Music” and after listening to “King,” you’ll find it hard to disagree. The track is from the twosome’s recent release, Bueno, which you can download here.


• Last year, Northern Kentucky MC Trademark Aaron gained a lot of  well deserved attention with his great track/video for “Faith,” which was featured on Vevo’s homepage and shared far and wide across the Hip Hop blogosphere. TA’s latest video, for “Gold” from his recent Act Accordingly release (which we wrote about here), premiered on Vevo’s homepage last week and features local drummer Aaron Roy as a special guest (on both the track and in the video). 


• Another area Hip Hop MC, Sleep, also got some props from Vevo, which showcased his stellar clip/track “I Shot Lincoln” on its homepage last month. Sleep released the amazing concept album Branded: The Damon Winton Story this past spring (one of my favorite albums of 2014 so far; check out a review here) but the “I Shot Lincoln” video/track (featuring special guest Kue the Vandal) is separate from that project. Like Branded, the “I Shot Lincoln” visuals are a little disturbing and unusual but endlessly engaging. 

]]>
<![CDATA[WATCH: Walk the Moon Plays New Single on 'Late Night']]>

The reigning Cincinnati Entertainment Award winners of the Artist of the Year honors, Alt Pop quartet Walk the Moon, are finally set to release their second album for RCA Records. The album's lead single, "Shut Up and Dance," was released Sept. 10 and last night the group performed the song on Late Night with Seth Meyers. (Watch below.)

The band's sophomore RCA full-length will be out before the year's end, according to the label.

Walk the Moon kicks off its coast-to-coast “Shut Up and Tour” tour of smaller clubs in Seattle on Oct. 8. The band will perform some of the new material on the tour, which does not include a hometown date. The group will be in Columbus, Ohio, on Oct. 21, but that show instantly sold out. The Columbus date is also the first of several shows that will feature like-minded Cincinnati Pop Rock trio Public as opening act.


]]>
<![CDATA[WATCH: The Afghan Whigs' "Matamoros" Video]]> The Cincinnati-spawned Afghan Whigs have unveiled the compelling music video for its latest single, "Matamoros," one of the highlights of the band's excellent comeback album, Do to the Beast. The video premiered on the sites of The Fader in the U.S. and The Guardian in the U.K., but you can also watch it below. The clip was directed by Phil Harder, who also helmed the band's previous video for the track "Algiers."



The Whigs will be performing their only show in the area on Friday, Sept. 26 as part of the MidPoint Music Festival. The group headlines the festivities on the Washington Park stage that day. Single tickets to that show only, as well as the quite affordable three-day passes, are available at mpmf.cincyticket.com
]]>
<![CDATA[OK Go, Many More Added to MidPoint Music Festival ]]>

The final MidPoint Music Festival headliner for the big stage at Washington Park has been confirmed. Pop Rock foursome OK Go, which releases its fourth album, Hungry Ghosts, on Oct. 14, will headline the Washington Park stage on Saturday, Sept. 27. The other Washington Park headliners are Chromeo (Thursday, Sept. 25) and Cincinnati-bred rockers The Afghan Whigs (Friday, Sept. 26).


Last month, OK Go released the first single from Hungry Ghosts, “The Writing’s on the Wall.” And, like several other OK Go singles, the clever accompanying music video became an instant viral sensation online, thanks to the wild optical illusions featured throughout. Out just three weeks, the clip has already logged close to nine million views on YouTube.



Also announced today were several other MPMF 2014 acts (some of which were leaked gradually via social media over the past couple of weeks), including Joseph Arthur, Dessa, Liturgy, Lost In The Trees, Earth, Empires, Maserati, Coves, Body Language, Kid Congo Powers and Pink Monkey Birds, Froth, Blues Control, Gizmo, The Appleseed Collective, All Them Witches, Across Tundras, Ancient Warfare, Mr. Elevator & the Brain Hotel, Drowners, Corners, Bailiff, Dresses, Mustered Courage, Lab Partners, Love X Stereo, Buffalo Clover, Quiet Life, Caroline Glaser, The Ghost Wolves, Pujol, Shivering Timbers, Good Graeff, Parallels, The Ridges, Wild Leaves, Steelism, Modoc, Fort Wilson Riot, Jeecy and The Jungle, Alpha Consumer, Arum Rae and Apache Dropout.


Some great local acts were also announced, including Wussy, Why?, Electric Citizen, Public, Heavy Hinges, Young Heirlooms, Darlene, Pop Goes The Evil, Moonbow, Automagik, Prim and Smasherman. 


More acts will be revealed in the coming weeks. Stay tuned in to MPMF.com and the MidPoint Facebook, Twitter and Instagram pages for all of the latest info. 


Tickets are available now at mpmf.cincyticket.com

]]>
<![CDATA[WATCH: Buffalo Killers, Afghan Whigs Recent TV Appearances]]>

On June 4, two Cincinnati-born bands were featured on two different late-night network television shows. Rock foursome Buffalo Killers, promoting their excellent new album, Heavy Reverie, appeared on NBC’s Last Call with Carson Daly in a pre-recorded interview package sprinkled with some cool performance footage. It was the band’s network television debut.



Earlier that same night, one of Cincinnati’s most renowned musical exports, The Afghan Whigs, played on The Late Show with David Letterman. The band — which is coming home to headline this year’s MidPoint Music Festival — played a great version of their tune “Matamoros” from the recent Do to the Beast album, their first new LP in 16 years. 



]]>
<![CDATA[REVIEW: Heavy Hinges’ ‘Mean Old City’]]>

Heavy Hinges is a new-ish band featuring some faces likely familiar to dedicated local music fans. Guitarist Jeremy Singer and drummer Brian Williamson have played in numerous groups over the past two decades, while singer/guitarist Dylan Speeg and bassist Andrew Laudeman were members of long-running, super-diverse Cincinnati crew Buckra. Maya Banatwala is the relative newcomer in the band, but her soul-drenched co-lead vocals in the Hinges serve as the group’s secret weapon. 


Heavy Hinges debut album, Mean Old City, shows signs of some of Buckra’s trademark sonic diversity, but it’s channeled in a more focused manner. Ultimately, Heavy Hinges is a great Rock & Roll band, but its sound is touched by influences from Blues, Pop, Funk and Soul to various other forms of American Roots music. Like Alabama Shakes, Heavy Hinges manages to sound remarkably vital and “of the now” — despite the obvious vintage inspirations — thanks to the sincerity and vigor poured into each note. Mean Old City bristles with a timelessness that has less to do with the classic genres flirted with throughout and more to do with the from-the-heart songwriting and playing. 


Here’s a music video for Mean Old City track “Booze May Be Your Lover, Not Your Friend”: 


Speeg and Banatwala make for great co-frontpeople, crisscrossing their melodies and harmonies sometimes like X’s Exene Cervenka and John Doe and other times like June and Johnny Cash, with each singer possessing a voice quite distinct from each other, yet still sounding like they were made for each other when they come together. Meanwhile, the rest of the band are flawless and perform with a similar soulfulness; Williamson and Laudeman are a jaw-droppingly great rhythm section, while Singer’s guitar leads and solos are as attention-grabbing as the singers’ powerful vocal one-two punch. 


Heavy Hinges host a free release party for the new album Saturday at 10 p.m. at Northside Tavern with DAAP Girls. Read CityBeat's profile of Heavy Hinges from early this year when the band was nominated in the "Best New Artist" category at the Cincinnati Entertainment Awards.

]]>
<![CDATA[WATCH: Puck’s “Weekend Warrior”]]>

Local MC Puck has unleashed a great new track, “Weekend Warrior,” along with a solid accompanying music video (which includes a guest appearance from Cincy Hip Hop duo Those Guys). The young Hip Hop artist shows the positive effect and influence of Kanye West’s recent experimental work (and there’s even a Kanye nod in the background during the video). It’s a powerful listen/look:


Click here for more on Puck and below to download the new track for free:



You can catch Puck live on June 21 for free on Fountain Square as part of the "Beats by Self Diploma" concert series.

]]>
<![CDATA[Founding Fathers Offer Album Preview Saturday]]>

Cincinnati Alt Funk/Dance Rock quartet Founding Fathers have built a buzz locally over the past few years with their energized live shows and infectious, slanted grooves. The band has been hard at work lately in the studio, recording those grooves for a forthcoming full-length.


Earlier this year, Founding Fathers gave the public its first taste of the new recorded material in the form of a music video for the track “Stop, Drop and Roll.” The clip, directed by Bangout Films, mixes some cool live performance footage with woozy visuals that show a blurry, surrealistic night of barroom debauchery (including some creepy, hallucination-worthy dudes with smiley faces for heads). The video wonderfully matches the blustery, more rocking side of Founding Fathers’ sound, which also shows elements of avowed influences like LCD Soundsystem and Talking Heads. If you remember — and loved — Columbus, Ohio's Funk Punk greats Royal Crescent Mob, “Stop, Drop and Roll” should be right up your alley.


 


Founding Fathers performs a free show this Saturday night at MOTR Pub and fans in attendance will have a chance to hear even more of a preview of the forthcoming full-length. The band is offering up a special four-track EP/album preview to those in attendance. Saturday’s show starts at 10 p.m. Vito Emmanuel is also on the bill. 


For more on Founding Fathers, click here

]]>
<![CDATA[REVIEW: Sleep’s ‘Branded: The Damon Winton Story’]]>

The album is an endangered concept in music, with MP3s and streaming encouraging more and more people to listen to tracks “a la carte.” If people aren’t listening to a collection of songs intentionally put together by an artist in a specific order, why should the artist bother trying? It’s one of the reasons releasing EPs seems to have become more popular than issuing full-lengths.

With some exceptions, the “album as art” concept has long been dwindling amongst Hip Hop artists, many of whom have more fully embraced the hodge-podge “mixtape” format, which is perhaps more in tune with our ADD/social media-plagued culture. 

So it’s beyond refreshing to hear the new release from Cincinnati MC Sleep, Branded: The Damon Winton Story, a collection of eight tracks that tells the story of a young man’s troubled upbringing. It’s not just that Sleep has compiled eight songs that kind of fit together; Branded is a fully envisioned tale that requires the listener to hear the entire album in order to get the total impact. And it’s quite an impact.


It helps that Sleep’s “concept album” is based on some excellent storytelling skills, contains some fierce rhymes (with a flow and timbre that recalls Jay-Z at his peak) and is supported by the excellent, often hauntingly atmospheric production of Dope Antelope, which brilliantly reflects the dark, chaotic, heart-breaking nature of the story. The way Sleep — half of local duo 2-Man Cypher — lays the story out is also sharply clever. In lieu of titles, each track is labeled as simply “Question,” followed by the track number. The album opens with a police officer hitting “record” to begin his interview with the main character’s social worker about “what could have led up to what transpired with him this past weekend.” To kick off each track, the social worker is asked about a different aspect of the trouble the young man had experienced and been in. 


Working backwards from the incident (which isn’t revealed until “Question 8,” so the listener is left to wonder what transpired), Sleep creates evocative, harrowing slices of life, usually told from the main character’s point of view, but with other voices popping in occasionally to give an even bigger picture. The young man’s horrific surroundings are revealed gradually; the listener learns that he has self-mutilated himself, been molested, lost (or never had) faith or religion and had family involved in drugs. Sleep’s brilliance is turning the smaller stories from the big picture into vivid, cinematic tales in themselves — “If this is grown folks’ business/Then why when you conduct it, there’s a child as a witness,” he raps after it’s revealed that the main character’s mother had substance abuse issues. When the social worker tells the officer that the young man had been bullied over his clothes in school, Sleep echoes that pain with lines like, “The peer pressure to be above the status quo/It’s never ending, it’s never taking sabbaticals.” 


By the last track, the listener is primed to hear just what happened to the main character, but when his fate is revealed, it’s not what most would expect, making the album that much more powerful. (In the spirit of not ruining the final act, I’ll refrain from giving away the ending.)


Sleep’s Branded shows just how much power Hip Hop still has to tell a realistic story poetically but without hyperbole. It’s an incredibly moving piece of work that stands as one of the best Hip Hop albums to come out of Greater Cincinnati in recent memory. And Sleep shows that if he ever gets tired of the Rap game (which itself would be tragic becomes the genre needs more voices like his), he’ll be able to find some kind of career as a writer, be it an author, a journalist, a filmmaker or whatever field he decides to lend his talents to.


If you’re a fan of intelligent Hip Hop or just great storytelling in general, you must download (for free or whatever you’d like to kick in) Branded immediately at sleep513.bandcamp.com


Here is a music video for the track, "Question 2":


]]>
<![CDATA[The National Film Opens in Cincinnati]]>

Cincinnati native Tom Berninger’s film that follows his older brother Matt’s band, The National, on tour, Mistaken for Strangers, is finally opening in Cincinnati this weekend, after making the film fest rounds and racking up mounds of positive press (it currently has an impressive 92 percent rating on Rotten Tomatoes). 

The movie — which follows The National’s members (all Cincy natives) on their tour behind 2010’s High Violet album, but is really more about Tom and Matt’s relationship — makes its Cincinnati premiere this Friday at the Esquire Theatre in Clifton at 7:30 p.m. 


The Friday screening will be followed by a Q&A via Skype with the Berninger brothers. Following Monday’s 7:30 p.m. screening, there will be an in-person Q&A hosted by Jim Blase of Shake It Records and featuring Tom, Matt and The National’s drummer, Bryan Devendorf. 


Advanced tickets for all screenings are available at the Esquire box office or through movietickets.com. (Click here for Friday tickets and here for Monday’s screening.)


Here's the trailer for Mistaken for Strangers:

]]>
<![CDATA[WATCH: Tweens’ Debut Music Video, “Be Mean”]]>

The release of the self-titled debut album from Cincinnati trio Tweens is just about a month away now. The music site Stereogum recently premiered the trio’s first music video for new album single, “Be Mean,” a great introduction to the band’s classic-Pop-meets-classic-Punk style (or “Trash Pop,” as they like to call it). 


The buzz around Tweens, which scored the “New Artist of the Year” award at the 2014 Cincinnati Entertainment Awards, continues to grow across the nation, with more and more music press and online outlets heaping praise on the both the band's recordings and live shows. That buzz should be almost deafening when Tweens’ debut LP is finally released on April 8 through Frenchkiss Records. The band’s usually packed tour schedule is about to get extra-busy with the new release just on the horizon, beginning with a head-spinning six performances during next week’s South By Southwest music fest/conference in Texas. 


Click here to read CityBeat's most recent interview with Tweens. 


]]>
<![CDATA[WATCH: The Afghan Whigs’ “Algiers” Video]]>

One of the Queen City’s greatest musical exports, The Afghan Whigs, have just unveiled the music video for their new single, “Algiers.” The track is taken from the band’s forthcoming Do to the Beast album, the Whigs' first all-new full-length release in 16 years. The album is due for release April 15 on Sub Pop Records, the label that first exposed the band to a worldwide audience in the early ’90s.

During the Whigs’ global reunion tour a couple of years ago, the band released a pair of singles (covers of songs by Frank Ocean and Marie Queenie Lyons), but this is the first new original tune to surface since "Magazine" and "I'm A Soldier,” both recorded for the 2007 Rhino Records retrospective, Unbreakable.


Here is the intense, spaghetti western-inspired video for the new track:

The band previously announced appearances at the Coachella Valley Music & Arts Festival on April 11 and April 18. Several other tour dates on the west and east coasts have been announced; click here for the rundown (no Ohio/Midwestern dates yet). 

Pre-orders for the 10-track Do to the Beast are open at iTunes and here directly through Sub Pop. Pre-order the album on iTunes and receive an instant download of “Algiers.” Pre-order the LP on Sub Pop to receive the “Loser Edition” on colored vinyl. 

Whigs frontman Greg Dulli chatted with Entertainment Weekly about the new Whigs' happenings  for an article posted online today. Meanwhile, Rolling Stone has the details on some of the musicians on Beast and why original guitarist Rick McCollum is not on the new album.

]]>
<![CDATA[WATCH: Buggs Tha Rocka's 'State of Hip Hop Freestyle' Video]]>

Creative Cincinnati MC Buggs Tha Rocka has just released a video for his “State of Hip-Hop Freestyle” track, featuring sounds from the late, great J. Dilla and taken from 2012’s The Wrath of Zeus mixtape, which was hosted by DJ Clockwork and is available for free download here

The “State of Hip Hop” clip was shot in Amsterdam by Snow Rowe, who also performs/records with the great local Hip Hop crew Valley High. Rowe’s video for Valley High’s “8 Ball” won the inaugural “Best Music Video” prize at the recent Cincinnati Entertainment Awards



Buggs Tha Rocka took home the 2014 “Hip Hop” Cincinnati Entertainment Award (his second win in a row) and he has video evidence to prove it:


]]>
<![CDATA[Local Hip Hop Artist Up for MTV Spins]]>

Cincinnati Hip Hop MC Santino Corleon’s latest music video, “Night Still Young,” is one of the five music videos by emerging artists currently featured in MTVu.com’s “The Freshmen” competition. If the 2013 Cincinnati Entertainment Awards nominee beats out the other nominees in the weekly contest, the clip will be put into “on-air rotation” on MTV’s television networks. 


Click here to check out the clip on MTVu.com and to vote now (and repeatedly — there appears to be no voting limits). Voting ends this Friday at 2 p.m.


The track “Night Still Young” is featured on Corleon’s most recent mixtape, Keep the Change, which is available for free download here. Below is the audio for “Night Still Young.”



]]>
<![CDATA[REVIEW: Black Owls' 'Wild Children']]>

If you are even a marginal fan of Black Owls (whose members split time between Cincinnati and Granville, Ohio) and have not yet visited their Bandcamp page to purchase a copy of their recent recorded triumph, Wild Children (which came out late last year), off with you. I'll wait. 

The Owls' fourth album is nothing less than the maturation of a supremely talented band that has been patiently waiting for the right pieces to fall into the right places almost from the beginning. The installation of drummer extraordinaire Brian Kitzmiller and the relocation of vocalist David Butler away from the drummer's chair and to the front of the stage was the first necessary shift, while adding second guitarist Brandon Losacker as a frenetic foil to Ed Shuttleworth's tightly coiled brilliance was inspired and equally required.

The bass position has been problematic only in its temporary nature; Nancy/National bassist Mike Brewer left to pursue his own thing, the thunderously wonderful Alan Beavers was forced from his role due to back issues and Goose four stringer Sammy Wulfeck was almost psychotically overextended and had to bow out; his work is all over Wild Children, a

tantalizing hint at what he brought to the Owls and further proof of his longstanding chemistry with Kitzmiller. (For the record, both Beavers and Brewer guest on Wild Children and remain welcome alumni in the Owls' extended family.)



On the whole, Wild Children is an expansion of the Owls' sonic mission statement of cross-pollinating early '70s-era Glam (see Bowie/Mott/Marc Bolan) with late '70s-era New York Punk (via Tom Verlaine's Television, Richard Hell's Voidoids and Lou Reed's simple fury). A good many of the songs on Wild Children have been worked out in live sets over the past year or so and will be familiar to anyone who has haunted the band's numerous local appearances; the effervescently charged "Incandescent Vultures," the melodically moody "She Invented Air," the propulsive and sinewy title track, produced into a beefy studio anthem. There's even a re-recording of "Julias Morningstar," one of the Owls' most recognizable and popular tracks from their 2008 debut, Lightning Made Us Who We Are. Wild Children shows that the Owls are gelling nicely and becoming even more comfortable and confident in the brilliant niche they've created for themselves.


And while Wild Children is patently excellent and an absolute necessity, perhaps even more exciting is the two-track glimpse into the Owls' future just revealed by Kitzmiller. A result of recent sessions featuring former Doc & the Pods/Roundhead four-stringer Kip Roe, an absolute prince of a human being and the perfect piece to complete the Owls' puzzle, the two songs find the quintet sounding less like the brilliant sum of their influences and more like a blazingly original band that has effectively incorporated their heroes into their creative vision without showing a seam

or dropping a stitch. "Gasoline" is a hard-charging, manic and relentless three minute thrill ride (and a prime candidate for the first single from the album that it will eventually crown), while "Rook" muscles along with the shivering, shimmering energy that has defined the Owls' best work over the past six years. These two as-yet-unmastered tracks show Black Owls evolving into a focused unit of astonishing power and unlimited potential.


More. Soon. Please. 


Black Owls perform for free this Friday at Newport’s Southgate House Revival in the Lounge room during The Black Angels/Roky Erickson concert in the venue’s Sanctuary.

]]>
<![CDATA[PREVIEW: Best New Bands Showcase]]>

Saturday at Bogart’s you’ll have a chance to see 10 of Greater Cincinnati’s finest up-and-comers as CityBeat presents the first “Best New Bands” showcase. The event coincides with our “Best New Bands” cover story, featuring profiles and info on all of the performers — grab a copy if you haven’t. 


Below is the lineup, which includes all six of the local acts nominated in the “New Artist of the Year” category and four other favorites, plus some audio/video previews to whet your appetite. Click the artists’ name to read CityBeat’s stories (and some great original photography) about each. The stories include links to the acts’ websites and more music. 


The doors open at 7 p.m. Saturday at Bogart’s and admission is just $5. Performers will be featured on two stages, so it will be non-stop music all night.


7:30 p.m. Pop Goes the Evil 


8 p.m. Molly Sullivan 

 

8:30 p.m. Injecting Strangers 

9 p.m. ADM  


9:30 p.m. Mardou  


10 p.m. Austin Livingood 


10:30 p.m. Archer's Paradox


11 p.m. Little Lights 

 

11:30 p.m. Tweens 

 

12:15 a.m. Electric Citizen

]]>