CityBeat Blogs - Local Music http://www.citybeat.com/cincinnati/blogs-1-1-1-35-14.html <![CDATA[Summer Music Fests in the Great Indoors]]>

When you think summer music festivals, you probably think about things like high-powered sunscreen, hydration and the chance that you might get drenched if a storm rolls through. But this weekend in Greater Cincinnati, there are three festival that spotlight our great music scene, and you won’t need an umbrella, SPF 500 or $8 bottles of water for any of them. (Two of them feature “patio stages” that are outside, but schedules will be adjusted if harsh weather strikes.) Click on the artists' names for more on each of the acts.

Stanley’s Reggae Fest returns for its fifth year to Stanley’s Pub Saturday, showcasing some perfect summertime music with vendors, Jamaican food (from Ena's Jerkmania) and an outdoor patio stage (weather permitting; see above). 


Cincinnati faves The Cliftones head up the lineup, which also features fellow locals Know Prisoners, Nashville, Tenn.’s Roots of a Rebellion and Columbus, Ohio Reggae/Rap/Rock crew Shrub. 


Music starts at 6 p.m. Get a ticket today for $12 here, or pay $15 at the door. 


• The eclectic Folk/Americana scene in Greater Cincinnati is one of local music’s most thriving, and Saturday at Newport, Ky.’s Southgate House Revival, you’ll be able to catch some of its guiding lights (as well as a few touring acts). The inaugural Cincy Folk Festival is being presented by the local music website cincygroove.com and proceeds benefit local Northern Kentucky radio station WNKU. 


The fest will utilize all three stages at the Southgate. Tickets $20 (get yours in advance here). There are also VIP tickets available for $30 (VIPs will be treated to catered food and music from The Young Heirlooms and Honey and Houston at 5 p.m.).


Here is the full schedule (visit cincyfolkfestival.com for updates and full info). 

Sanctuary stage

7:30 p.m. Bulletville

8:30 p.m. David Gans

9:30 p.m. Kim Taylor

10:30 p.m. AJ Ghent Band

12 a.m. Chicago Farmer


Revival Room

8 p.m.Daniel Wayne and The Silver Lines

9 p.m. Mamadrones

10 p.m. Hickory Robot

11:15 p.m. Souse

12:30 a.m. Gabbard Brothers


Lounge stage

8 p.m. Carole Walker

9 p.m. Tracy Walker

10 p.m. Ma Crow & The Lady Slippers

11 p.m. My Brother The Bear

12:30 a.m. Wilder


• Tonight and tomorrow (Friday/Saturday), the Northside Tavern hosts the return of the Northside Music Festival on three stages, including one on its outdoor patio. The fest, now in its eighth year, features some of the city’s finest Indie and Rock acts of various shades and styles. And it’s all FREE. Visit the NMF’s Facebook event page here for the “in case of rain” schedule.


FRIDAY LINEUP

Back Room stage 

10:45 p.m. Skeleton Hands

11:45 p.m. Artisan

12:45 a.m. Dream Tiger


Front Bar stage

10 p.m. Smut

11 p.m. Everyday Objects


Patio stage

7:30 p.m. The Slippery Lips

9 p.m. Subsets

10:30 p.m. Tweens


SATURDAY LINEUP

Back Room stage 

10:45 p.m. The Harlequins

11:45 p.m. Temple

12:45 a.m. Soledad Brothers


Front Bar stage

10 p.m. New Strange

11 p.m. The Sundresses


Patio stage

7:30 p.m. Leggy

9 p.m. The Tigerlilies 

10:30 p.m. Fairmount Girls

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<![CDATA[MidPoint Music Fest Announces More Bookings]]> The second round of acts booked for this year's MidPoint Music Festival have been announced. The popular Indie Folk fave Iron & Wine heads up the announcement, adding to a lineup that includes previous-released names like Purity Ring, Ride and Sylvan Esso.

Here is the full list of artists announced so far:

Aero Flynn

All Them Witches
American Wrestlers
Beach Slang

Betty Who

Bully

Caspian

Cathedrals
Diet Cig

The Donkeys

Howard
Huntertones

Iron & Wine

K.Flay

Low Cut Connie
Lydia Loveless
Matthew E. White
Mikhael Paskalev
Mild High Club

Moon Duo

NE-HI

Patrick Watson
Pokey LaFarge

Pure Bathing Culture
Purity Ring

Ride

Ryley Walker

Sarah Jaffe

Strand Of Oaks
Sylvan Esso


Truly

tUnE-yArDs

Vinyl Williams

White Reaper
Yumi Zouma

Zola Jesus

The 2015 MidPoint Music Festival returns to venues around Over-the-Rhine and Downtown Sept. 25-27 (the festival is now running Friday through Sunday, instead of Thursday through Saturday). The first-round weekend passes for $69 have sold out, but if you attend this Friday's MidPoint Indie Summer show on Fountain Square (featuring Kopecky, Broncho, Coconut Milk and Near Earth Objects) you can still purchase them at that price. Otherwise, weekend passes are now $79. (Prices increase again after Labor Day.)

Visit mpmf.com for the latest info and ticket links.
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<![CDATA[Walk the Moon to Play ‘The Voice’ Tuesday]]>

If you have access to a radio or television set, then you’re likely well aware that “Shut Up and Dance” by Cincinnati Dance Pop crew Walk the Moon has become a bona fide Pop hit. The single has been certified platinum, meaning it has sold more than one millions copies. The catchy, danceable track is currently at No. 5 on Billboard’s singles chart and has also performed very well on various other charts. “Shut Up” reached No. 2 on iTunes Top Songs chart and Billboard’s digital charts. On Spotify, the song has been streamed more than 78 million times, while “Shut Up”’s video has held a steady presence in the Top 10 of VH1’s Top 20 video countdown. Talking is Hard, Walk the Moon’s second album for RCA Records, continues to benefit from the single’s success, moving as high as No. 14 on Billboard’s overall album chart.

The Cincinnati band has worked hard to push “Shut Up and Dance” to the upper reaches of the Pop charts. Along with the usual late-night talk show circuit, Walk the Moon has also appeared on network morning shows like The Today Show (which used various WtM tunes as bumper music throughout the day the band appeared) and The Ellen DeGeneres Show


When DeGeneres introduced the group on her show, she called “Shut Up” the band’s “No. 1 hit,” which it wasn’t at the time but could end up there as Walk the Moon keeps up its relentless promotional push. WtM’s is also becoming a bigger and bigger concert draw, selling out many of its shows across the country (the band just recently completely another successful U.S. jaunt).


And WtM has also been making it onto prime time TV lately. Last month, Riker Lynch and Allison Holker danced to “Shut Up” for a routine on ABC’s Dancing with the Stars. Tuesday night (May 12), the band will play “Shut Up” as special guests on NBC’s popular singing competition, The Voice. Tune in to catch the performance at 8 p.m. 


Though several Cincinnati-based acts have done well on a national level, crossing over to the top of the Pop charts is pretty rare, particularly for artists who choose to remain in their hometown while pursuing their career. Walk the Moon comes home to play Cincinnati’s Bunbury Music Festival on June 5 along the Ohio’s riverfront. Click here for tickets/details


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<![CDATA[Free Summer Music in the Parks]]>

Just a couple of decades or so ago, downtown Cincinnati resembled a ghost town in the evenings. Once 5 p.m. rolled around, most downtown workers hopped in their cars and headed home, rarely staying in or visiting the city’s core for any other reason (maybe a concert or sporting event, but that was largely a “parking garage/game/home” process). It’s hard to explain to some younger locals just how much the city has changed since then, with the life and energy brought back to Downtown and nearby Over-the-Rhine over recent years becoming the norm. 

There are, of course, numerous reasons for the resurrection of the city’s center, much of which is covered weekly in CityBeat (new restaurants, bars, events and other additions, plus the influx of people deciding to live in the area). Every summer I’m particularly struck by the huge shift the city has made when I attend some of the many free live, outdoor concert options available to the public most days of the week. Seeing hundreds of people from all backgrounds enjoying free music in a variety of genres is yet another thing that should make our city proud of how far we’ve come. 


Lineups for this summer’s music series on Fountain Square and Washington Park, as well as the relative newcomer, Smale Riverfront Park, have gradually been unveiled over the past few weeks. Below is a list of scheduled events so far. All of the series do a great job of spotlight the enormous local talent in the city, and there are also several concerts featuring national touring acts that would otherwise cost you several dollars for tickets (or at least a cover charge of some sort). 


Print this out, grab a highlighter and mark your favorites (or, heck, take a chance on something new) and then get ready for another great summer for music lovers in the Queen City. (These are only the weekly music-related happenings; visit myfountainsquare.com, washingtonpark.org and mysmaleriverfrontpark.org for all kinds of other events happening this summer in the spaces.)


FOUNTAIN SQUARE

Salsa on the Square

The long-running Salsa on the Square series gets a jumpstart on the other music series on Fountain Square, kicking off today (and continuing through mid-September, which is also later than the other series). Running 7 p.m. to 10 p.m., the concerts feature numerous area Salsa bands, lots of dancing and even some instructors on hand to help you out if you need some tips. 


May 7: Son Del Caribe

May 14: Tropicoso

May 21: Kandela

May 28: Clave Son

June 4: Stacie Sandoval & Grupo Tumbao

June 11: Kentucky Salsa All-Stars

June 18: Son Del Caribe

June 25: Zumba

July 2: Kandela

July 9: Clave Son

July 16: Stacie Sandoval & Grupo Tumbao

July 23: Kentucky Salsa All-Stars

July 30: Tropicoso

Aug. 6: Stacie Sandoval & Grupo Tumbao

Aug. 13: Monk River

Aug. 20: Clave Son

Aug. 27: Son Del Caribe

Sept. 3: Afro-Cuban Cartel

Sept. 10: Tropicoso

Sept. 17: Latin Beat Project


American Roots

The American Roots series features a variety of acts that cover the wide spectrum that is Americana music today. Most of the top local Roots acts are performing, while touring artists like American Aquarium, Chuck Mead & His Grassy Knoll Boys, Dale Watson and more will also make appearances. Each night features two performers. Music runs 7 p.m. to 10 p.m.


May 26: American Aquarium and Ben Knight and the Welldiggers 

June 2: Buffalo Wabs & the Price Hill Hustle and Wild Carrot 

June 9: Chicago Farmer and Shiny and the Spoon

June 16: Chuck Mead & His Grassy Knoll Boys and Jeremy Pinnell

June 23: The Shook Twins and G. Burton

June 30: The Quebe Sisters and Howlin’ Brothers

July 7: Dale Watson and Straw Boss

July 14: TBA

July 21: Quiet Life and Crow Moses

July 28: The Brothers Landreth and Josh Eagle and Harvest City

Aug. 4: Arlo Mckinley and Wilder

Aug. 11: Young Heirlooms and The Hiders

Aug. 18: Bulletville and Noah Smith

Aug. 25: Elk Creek and Frontier Folk Nebraska

Sept. 1: Dallas Moore and Pure Grain


Reggae Wednesday 

Joining the usual array of some of the finest Reggae bands in the city and region this year for Reggae Wednesday are numerous touring bands, including St. Louis’ Taj Weekes & Adowa, Jamaican natives Yabba Griffiths and Jah Messengers Reggae Bnad and Brooklyn’s New Kingston. Reggae Wednesdays run 6 p.m. to 10 p.m.


May 27: Areesaa Iyah & The Eastwind Band

June 3:  Taj Weekes & Adowa

June 10: Yabba Griffiths & the Traxx Band

June 17: Ras Bonghi Reggae All-Stars

June 24: Positive Mental Attitude

July 1: The Flex Crew

July 8: The Ark Band

July 15: The Cliftones

July 22: Gizzae

July 29: Oriel Barry and the Revoluters

Aug. 5: New Kingston

Aug. 12: Ukombozi 

Aug. 19: All Star Jammerz

Aug. 26: Jah Messengers Reggae Band

Sept. 2: Anthem Reggae Band


MidPoint Indie Summer

Sponsored by the popular late September MidPoint Music Festival (which, full disclosure, CityBeat runs), this year’s Indie Summer concerts (held each Friday) feature some of the biggest acts in the series’ history, alongside some of the best Rock/Indie/Alt/Electronic bands in Cincy. The Indie Summer shows showcase four acts and begin at 7 p.m. each week. (More artists are to be added to certain dates.)


May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; The Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place & I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison


Beats by Self Diploma 

Local production/promotion crew Self Diploma has always done a fantastic job of bringing in some of the hottest acts on the EDM and Hip Hop circuits, making its Saturday night showcases some of the biggest of all the series. Last year, the group opened things up to other genres and offered audition opportunities to artists of all sort. Though still heavy on DJs, Electronic/Dance music and Hip Hop, this year’s lineup also includes things like Country Pop and live R&B and Funk. Music starts each Saturday at 7 p.m., with the last act going on at 10 p.m.


May 30: Alex Angelo; Ezzy; Aprina; Justin Stone

June 6: Ja Rule; Trademark Aaron; Diamond Star Russell; Mayo

June 13: King Chip; Cameron Grey; Razook; Sarob

June 20: Nappy Roots; Packy; Ajax Stacks & Nate Paulson; Alexa Lusader

June 27: OnCue; Cato; Rhett Wellington

July 4: Ground Up; DJ Kev the Goon; Swah; David Zup

July 18: Milk N Cookies; Panzer; Reaux; Button Mashers

July 25: Futuristic; Marc Goone; Puck; The Media

August 1: No Sleep; DJ Drowsy; CopyCats; Gold Dash

August 8: Huey Mack; Kid Quil; Lauren Vanatsky; Kid Slim

August 15: Kap Slap; Saranate; RandiFloss

August 22: Academy; TJ Hickey; Sh3llz; Benji

August 29: JMSN; Oregonia; Tana Matz

September 5: The Jane Doze; Gateway; Halogen


WASHINGTON PARK

Washington Park has stripped back to two weekly music series this year, but both offer plenty of exciting performers. 


Bandstand Bluegrass

The Bluegrass shows return this year to the centralized gazebo/bandstand stage every Thursday (except Aug. 6, which sees the return of the popular Lumenocity multi-media extravaganza). The “Bluegrass” part of the name is a bit of a misnomer; Bluegrass bands are on the schedule, but so are plenty of other Americana/Country/Roots/Folk acts. I guess alliteration is more fun than bad puns (or maybe Dick Clark’s production company would sue if they went with “Americana Bandstand”). Music starts at 7 p.m. and there are usually two acts per night. This year’s lineup includes an appearance by Country Blues favorite Charlie Parr, diverse Michigan ensemble The Appleseed Collective and a few other national acts.


May 28: The Mamadrones

June 4: Mustered Courage and Blair Crimmins

June 11: Willow Tree Carolers

June 18: Jake Book and New Country Rehab

June 25: Woody Pines and Barefoot Movement

July 2: Casey Campbell and Charlie Parr

July 9: Mipso and Railsplitters

July 16: The Appleseed Collective and The Tillers

July 23: Buffalo Wabs & The Price Hill Hustle

July 30: Red Cedars and Blue Rock Boys

August 13: Hu Town Holler and Town Mountain

August 20: Mike Oberst and My Brother’s Keepers

August 27: Comet Bluegrass All-Stars

September 3: Al Scorch & Friends


Friday Fusion

Fridays at Washington Park, R&B and Jazz acts from all over the country (there are some real legends in this bunch) will provide the sounds for Friday Fusion. The concerts rotate between the Bandstand stage and the Main Stage (across from Music Hall). Music begins at 7 p.m.


May 29: Midnight Star (Main Stage)

June 5: Dixie Karas Group (Bandstand)

June 12: Michel’le (Main Stage)

June 19: Eddie Brookshire Quintet (Bandstand)

June 26: Hot Magnolias (Bandstand)

July 3: Delfeayo & Jason Marsalis (Main Stage)

July 10: Zapp Band (Main Stage)

July 17: Straight Ahead All-Female Jazz Band (Main Stage)

July 24: Tim Warfield Quartet (Main Stage)

July 31: Marc Fields Quintet (Main Stage)

August 14: Soul Pocket (Main Stage)

August 21: Vernon Hairston Trio (Bandstand)

August 28: Kathy Wade with the Cincinnati Contemporary Jazz Orchestra (Main Stage)


SMALE RIVERFRONT PARK

Cocktails and Crown Jewels 

Washington Park previously hosted the weekly Crown Jewels of Jazz concerts, but this year the series moves to one of the city’s newer green-space gems, Smale Riverfront Park (near the river and The Banks). Now called Cocktails and Crown Jewels, the concerts are heavy on Jazz acts but also include some R&B, Salsa and the melange of styles crafted by funky party crew The Cincy Brass. Music starts at 7:30 p.m. The concerts take place on the park’s Schmidlapp Event Lawn & Stage most Thursdays throughout the summer. The shows are free but attendees can also pay $25 to enjoy the music from the special VSP Area (with some food and drink included). 


May 28: Alex Bugnon

June 4: The Cincy Brass

June 11: Urban Jazz Coalition 

June 25: WOW featuring Tim Warfield and Bobby Floyd

July 2: FrenchAxe

July 16: Craig Bailey and the Cincy Jazz All-Stars

July 23: Orquesta Kandela

Aug. 6: Ingrid Woode & the Woode Tribe Orchestra

Aug. 13: fo/mo/deep

Aug. 27: Sound Body Jazz Orchestra


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<![CDATA[WATCH: Freekbass’ “Everybody's Feelin' Real” Music Video]]>

The new music video from veteran Cincinnati funkateer (and relentless road dog) Freekbass recently appeared online. The clip for “Everybody’s Feelin’ Real” — the slinky, head-boppin’ Pop/Funk title track from Freekbass’ most recent full-length release — shows a variety of scenes and special guests to the viewer through a smartphone screen (fitting, as more and more people seem to be viewing life in that manner anyway). 

Though endearingly short on special effects, the clip is still wildly engaging, particularly as you play “spot the cameo.” The video features some big-name special guests from the world of music, including Mike Gordon of Phish, Ryan Stasik of Umphrey's McGee, George Porter Jr. of The Meters, Stefan Lessard of Dave Matthews Band, Bernie  Worrell from P-Funk and Talking Heads, Steve Molitz from Particle, Zion Godchaux of BoomBox, Cincinnati native Alan Light (music journalist and former editor of Vibe and Spin magazines) and Bigg Robb from Zapp. Cincinnatians and baseball fans will also notice a very familiar face — the Hit King himself, Pete Rose, pops up to sing/lip sync part of a chorus. 


Click here to stream/purchase Everybody's Feelin' Real. It should be Freekbass’ last self-released effort for a while; earlier this year he announced that the respected indie label Ropeadope will release his next album



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<![CDATA[Early-Bird MidPoint Music Festival Tickets Now On Sale]]>

A limited amount of early-bird passes to the 2015 MidPoint Music Festival are on sale now. Tickets good for all three days of the fest are available for $69, while V.I.P. passes are only $149. Once this first batch of passes is gone, weekend passes will be $79 (and $179 for V.I.P.s) through Labor Day, when another $10 price increase kicks in. The tickets are available for purchase at mpmf.cincyticket.com

MPMF has also announced a new date shift. After 14 years of running Thursday-Saturday, MidPoint 2015 will take place Friday, Sept. 25-Sunday, Sept. 27. Organizers say the move was to make things easier for out-of-town guests (who previously might not have been able to make the Thursday shows) and also allow for more daytime programming opportunities, including in Washington Park, which is expected to see an increase in attractions and music showcases. 


Stay tuned here and at MPMF.com (where artists can also submit for showcase consideration through May 17) for the latest MidPoint developments. You can also follow MPMF on Twitter here and Facebook here for more up-to-date info.


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<![CDATA[The Falcons and the Snow, Man]]>

The first time I saw the Warsaw Falcons, my Cincinnati experience was only slightly longer than the band's existence. I'd moved here in January 1982 on the heels of a failed and miserable marriage. I was working for (and living out of) a record store in North College Hill run by my friends/saviors Rick and Karen (aka Cookie, long before Empire, bitches) Kandelson, who gave me work and a safe haven.

I found full time work and a girlfriend in fairly short order, and for the most part felt I'd made the right decision in relocating to Cincinnati. But I desperately missed my 2-year-old son and my family and friends back in Michigan, so I entertained the notion of asking my new love to consider moving back to the Mitt with me.

And then a cosmic intervention took place. Within the span of a couple of weeks, I saw the raisins, who had been around for a while, and the Warsaw Falcons, who had only just formed. After those two musical epiphanies I said to myself, with unbridled joy and complete certainty, "I don't have to go home, I am home."

Beyond all doubt, I was where I was supposed to be.

The raisins were everything I loved about Pop Rock — smart and smartassed, loud, melodic, lyrically brilliant and gloriously dumb, intricate in the pursuit of simplicity. The Falcons exhibited a lot of the same characteristics, but in a totally different context. I couldn't tell you much about the original band at that point, as I was fairly riveted to the sight of David Rhodes Brown, a 6' 4" beanpole with an additional foot of roostered pompadour, snake-charming the nastiest, slinkiest, rawest, most compelling riffs from his hollow bodied Gibson that I'd ever heard in my 25 years. Brown and the earliest incarnation of the Falcons roared through a couple of sets of jumped-up Rockabilly/Boogie Woogie/Blues at an intensity level that could have microwaved a 15-pound roast to perfection in under a minute, and I stood watching in absolute wonder, as if I was attending the swaggering, staggering, yowling birth of Rock & Roll its own damn self.

There was no fundamental difference in any subsequent Falcons show I witnessed over the next seven years, give or take, and they were legion. At Dollar Bill's, Shipley's, Bogart's, Cory's, all the way out at the Townshipn Tavern and any number of places in between, the Warsaw Falcons never gave any less than their absolute all, tearing shit up with gleeful intent, putting it back together with ramshackle abandon and ultimately reducing it to smoke and ash with the zeal of blissed-out revolutionaries, confident in their cause and the destruction it inspired.

Through any number of lineup shifts, the Falcons delivered the goods night after night, set upon set upon set. There were gaps in the band's history when Brown lit out for Austin, Tex., and Nashville, Tenn., but he returned with more riffs to play, more stories to tell, more challenges to conquer. Brown shuttered the Falcons just after taking them into John Curley's Ultrasuede Studio to record their only full-length album, the righteous and red hot Right It on the Rock Wall. That incarnation of the band included legendary session saxophonist Bobby Keys. Brown dusted off the Falcons in 2001, turned out a couple of EPs and played out a bit but shelved them again when a proposed record contract fell victim to the post-9/11 downturn.

In the new millennium, things have been different. Music is ones and zeros instead of a spiraled groove or a spun tape reel, and David Rhodes Brown has reinvented himself a half dozen ways to Sunday. He had Ricky Nye teach him the rudiments of Boogie Woogie piano, he learned the Hank Williams songbook and joined Ryan Malott's 500 Miles to Memphis as a lap steel shredder and vocalist, helping transform it from cool local entity to national semi-sensation. Then he taught himself clawhammer banjo, grew a Rip Van Winkle-meets-ZZ Top beard and started playing old time music with the same dedication and intensity that marked his time in the Falcons, with less actual electricity and an improbable rise in passion and workload. He spread his attention over numerous full and part time projects, leading inevitably to his debut solo album, 2010's exquisite Browngrass & Wildflowers.

And then, as so often happens, fate intervened in the form of last November's celebration/roast of the David Rhodes Brown on the occasion of his 50th year in the entertainment racket (if you count his being paid to sing requiems at Catholic mass, which he does). The event was organized by one of the scene's greatest boosters and its unceasing heartbeat, the amazing Kelly Thomas, ably assisted by Brown's biggest supporter, fan and sugar mama, the incomparable Bobbi Kayser, who together assembled a veritable murderer's row of artists and friends in order to pay deserved tribute to DRB, if for no other reason than to thank him for his role in helping to build the solid foundation upon which the greater Cincinnati music scene has built its magnificent house over the past four decades.

And in a moment of divine inspiration, the once and future David Rhodes Brown called up the two other most recognizable components of the Warsaw Falcons — bassist John Schmidt, whose stoic demeanor on stage was always at odds with the blistering pulse he provided, and drummer Doug Waggoner, whose maniacal approach to rhythm was to beat it into submission, hammering it into new and exotic shapes with Thor's thunder and Odin's lightning. The Falcons' frenetic six-song set at the end of the evening — with Brown in the teeth of a mutant flu strain that would have coldcocked the sturdiest lumberjack or dockworker — was the stuff of local legend. And as the last chords were still ringing through the Southgate House's Sanctuary, Brown (clean-shaven for the express purpose of revisiting his youthful past) informed us that he, Schmidt and Waggoner had worked too hard and had too much fun to lock the Falcons back in their respective trophy cases and that they would be returning, badder and better than ever.

That promise was teased with the Falcons' opening slot for 500 Miles to Memphis at the Southgate House last New Year's Eve, but it was fulfilled with a righteous vengeance last Friday night when the trio headlined their first club date in nearly a decade and a half, transforming the swank surroundings of the newly refurbished Woodward Theater into an edge-of-town roadhouse, with all the danger and chicken-wire that implies.

The evening began with a spirited set from JetLab, the compelling Synth Rock trio that made a serious local splash with their eponymous 2014 debut album and earned a well-deserved Best New Artist CEA nomination earlier this year. In the studio, the trio — Elle Crash (a huge fan of DRB's since way back), Nick Barrows and Dave Welsh — churn out an arty Flying Lizards/Gary Numan/Breeders/Tom Tom Club-tinged soundtrack, but in the live setting, JetLab channels their performance adrenaline into a manic Soul Coughing/Mike Doughty ethic, with brush strokes from the pallets of early Talking Heads, B-52s and our own Perfect Jewish Couple from back in the day. Barrows and Crash take their turns on the Korg, accompanying each other on electric and acoustic guitars with Crash occasionally strapping on the bass to beef up the bottom. Through it all, Welsh provides the slippery beat to hold it all together, shifting seamlessly from tough-edged shuffle to hard-hitting machinegun attack. JetLab has already amassed a sizable and suitably loyal local following, but its rapidly maturing live presence shows the trio is stocked with brains and muscle and its best days lay just ahead.

Next up on was yet another standard stellar appearance by The Tigerlilies, whose greatness has been trumpeted in our pages and on this site for a good long time. Friday's show was solid evidence to support that stance. The band's fourth and undeniably best album, last year's In the Dark, was handed out with each ticket sold and anyone who didn't already have it was the proud recipient of one of the best albums of 2014, period. In my review of In the Dark, I name-checked Cheap Trick, Husker Du, The Clash and The Beatles and I confidently stand behind those reference points. In the live context, however, The Tigerlilies' energy level rises exponentially and they shift into a sixth gear that is almost impossible to quantify. With an audience to spur them on, The Tigerlilies blenderize all of the above and throw in heaping handfuls of the Dictators and Voidoids to create a sound that is Power Pop at a blistering yet amazingly nuanced Hard Rock level. Bassist Brian Driscoll and drummer Steve Hennessy have the kind of telepathic beat mentality that is the hallmark of every great rhythm section, and Pat Hennessy and Brendan Bogosian are proving to be one of the most adaptable and multidimensional guitar tandems in the city, able to pummel with Punk passion and pacify with Pop persuasion. Pat once took guitar lessons from DRB, distinguishing himself to his instructor by bringing him a Johnny Burnette single with the intent of learning the song. That breadth of interest and experience still informs everything he does with The Tigerlilies.

Inevitably, it was time for the Warsaw Falcons to take the stage. Suited up in dapper black like Sopranos extras ready for their close-ups, Msrs. Brown, Schmidt and Waggoner opened the evening with the one-two punch of their slinky and seductive "Skinny Anklebone," the Falcons' first 7-inch from back in 1984, followed by the propulsively thunderous "Mix Your Mess," and it was a slightly mannered free-for-all from there. As always, the Falcons proved themselves to be masters of pacing, knowing exactly the right time to draft and when to accelerate, slowing things down with the swaying Rockabilly/Doo Wop intensity of "I Fall Apart," heating things up with the insistent thump and throb of "Two Cigarettes in the Dark" and "You Can't Talk to Me." And the evening's special status was cemented with a backing vocal cameo from Mark Utley, taking a break from Bulletville and Magnolia Mountain (the latter of which once claimed DRB as a member) to sing harmonies on "You Can't Talk to Me" and "Melody" and provide appropriate shouts on "Cat Daddy."

When the Falcons finally closed with a rafter-rattling spin on "Never My Lover," the understandably frenzied crowd erupted with some fireworks of their own, stomping on the Woodward's dance floor with seismic fury until the trio retook the stage to finish the night with the hypnotic rumpshake of "Bertha Lou" and the incendiary barnstorm of "Swingin' on the Way Down."

As the lights came up on the dazed but exultant attendees (which included everyone's favorite politico/city booster Jim Tarbell; as Brown noted earlier in the night, "Well, when Jim Tarbell shows up, you know you've got a thing"), it was clear that the audience was comprised of two distinct factions — old fans who were basking in the glow of memories of ancient Falcons triumphs and the unexpected prospect of new frontiers ahead and new fans who had just witnessed a scorching force of nature whose earliest gigs may have preceded their births or at least coincided with their formative elementary school years. These younger fans had never seen the trio in their heyday, and I assured them that what they had just experienced was played out in that same fashion, at least five nights a week, three sets a night, back in the ’80s. Their jaw-dropped reaction was proof positive that the Warsaw Falcons belong back together, belong on the current scene with their (much) younger contemporaries and have more than enough fuel to go wherever they bloody well want to go.

Clearly the Falcons themselves and those of us who followed them with unfailing fervor from the start bear all the marks of the passing decades. There is considerably more salt in our once peppery hair, but you know what they say about snow-covered roofs and the fire stoked furnaces beneath them. The Warsaw Falcons may well be looked at as the grandfathers of the Cincinnati scene, but they built this city on Rock and soul and the music they made is as timeless as the seasons, as immutable as the laws that govern the universe and as relevant as tomorrow's headlines.

Friday night's show at the Woodward was the first in a series of gigs where the headlining Falcons will be supported by bands whose members can claim some connection to DRB and his intrepid band of riffmongers, joined by special guests both past and present. Think the Warsaw Falcons are just the new geezer Rock? Get your mind right, kids, and talk to the virgins who got popped at the Woodward last week. They drank the Kool-Aid and they believe. You will, too … right down to your skinny anklebones.

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<![CDATA[Free 2015 MidPoint Indie Summer Concert Lineup Released]]>

The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.

Shows run 7-11 p.m. from May 29-Sept. 4.

May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison

The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.

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<![CDATA[WATCH: Jeremy Pinnell Debuts Song/Video “Feel This Right”]]>

Stellar local singer/songwriter Jeremy Pinnell has revealed one of his first new songs since the release of last year’s magnificent album OH/KY in the form of a new music video shot by famed local photographer Michael Wilson. Wilson — who has done promo shots and album covers for artists ranging from Over the Rhine and Joshua Redman to Lyle Lovett and The Replacements — filmed the clip in a Boone County, Ky., horse barn in mid-March, using his “one-shot” (meaning no edits) technique, previously seen in clips from The Emery Sessions a few years back and more recently seen in a pair of clips for local Country band Bulletville's new album

Pinnell, whose sound has shifted towards a more traditional Country vibe since his days with local bands like The Light Wires and The Great Depression, performs in the clip for the new “Feel This Right” backed by his pals, the Honky Tonk crew The 55s, whose Cameron Cochran produced, recorded, mixed and mastered the video. 



"When I walked into the barn and shouted, and listened to the way the sound resonated off the dirt floor and the old wooden siding, I had a feeling something amazing was going to be captured,” Cochran says. “The light was perfect, the day was perfect, the band was in good spirits, the song was great, we had someone with an amazing eye looking through a camera — all we had to do was get out of the way of what was about to happen, and that was exactly what we did."


Pinnell plays April 11 at Over-the-Rhine’s Woodward Theater, before heading out on the road for dates in Tennessee and Texas. Click here for more on Pinnell.


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<![CDATA[Beyond Idol Chatter: The Music/Day Job Balancing Act]]>

For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.

But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.


“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.


Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.


Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.


Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.


“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.


She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.

Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.


“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.


For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary. 


Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.


Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.

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<![CDATA[Heartless Bastards Announce New Album, Two Cincy Shows]]>

Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)


The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater.  The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).

A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details


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<![CDATA[Ray’s Music Exchange Returns, "Rays" Stick Around]]>

One of Cincinnati’s best groups from the late ’90s/early ’00s, Ray’s Music Exchange, is returning to the stage this weekend for its fourth annual reunion show. The band, which crafted a wide-ranging sound that incorporated everything from Jazz and Rock to Electronic, World music and beyond, performs at Over-the-Rhine's Woodward Theater this Saturday at 9 p.m. Tickets are $15 in advance here and $18 at the door. Local video artists Big Bang Productions are providing visual backdrops for the concert.


Saturday’s show will feature most of the members that performed with the group throughout its run, many of whom now live out of town. Guitarist Brad Myers (who is set to release his own Jazz album on June 2) says that after the reunion the “local core” of the band — which will debut new material at the show — will continue to perform locally and regionally, carrying on under the name Rays. Joining Myers in Rays are Mike Darrah (keyboards), Michael Mavridoglou (trumpet), Nick Blasky (bass) and Jason Smart (drums). 


For those that may have missed out on Ray’s Music Exchange the first time around (or those who might want to complete their Ray’s collection), the group’s entire back catalog — including the live double album A Live Rayunion, which was recorded at the band’s first reunion show (and also filmed and released on DVD) — is available through most major digital music retailers. (Click here to check out the releases on CDBaby.)

For more on Ray’s Music Exchange, visit the group's Facebook page here


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<![CDATA[Cincy Blues Fest Announces 2015 Headliners]]>

The Cincy Blues Society has announced the Main Stage headliners for this year’s Cincy Blues Fest, which returns to Sawyer Point Aug. 7-8. It is the Blues Fest’s 24th anniversary. 


Friday’s (Aug. 7) Main Stage performers will be Blind Pig recording artists Cash Box Kings, singer/guitarist Samantha Fish and Toronto Blues/R&B/Rock & Roll crew The 24th Street Wailers


The Cash Box Kings - Black Toppin from Tibo on Vimeo.


On Saturday, Aug. 8, the Blues Fest welcomes genre heavyweights Tab Benoit and Tommy Casto & the Painkillers (Friday performer Fish toured with Benoit and Castro last year on the Six Strings Down Tour), as well as Shawn Holt and the Teardrops (former backing band for the late, great Magic Slim; Holt is Slim’s son), to the Main Stage. 




The festival has also announced the Kelly Richey Band and the Chicago Women in the Blues Revue will perform on the Showcase Stage on Aug. 7.


Tickets are available for just $20 each day or $33 for a two-day pass. Click here to get yours now. And click here to keep an eye on the schedule as the organizers announce more performers. Many of the local acts slated to appear at the festival will be determined at the 2015 Blues Challenge, which takes place June 7 at Germania Park. 

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<![CDATA[WATCH: Walk the Moon on 'The Ellen Show']]>

Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard, with a performance on Ellen DeGeneres' popular daytime talk/variety show. After being introduced by DeGeneres as a "great Rock & Roll band from Cincinnati, Ohio," the group played its single "Shut Up and Dance" and singer Nicholas Petricca ran into the crowd to rock out with audience members.

Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.

Walk the Moon will play a hometown show at Bogart's on April 1 (like many shows on the band's current tour, it has already sold out), then returns this summer to play the Bunbury Music Festival in early June (tickets available here).

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<![CDATA[Bad Veins Prepare for 'The Mess Remade' Release]]>

On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).

The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.

The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.

Here is a video clip for the new "Kindness":


And here's the "Rainbow Connection" clip:


Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.

Find more about Bad Veins here.


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<![CDATA[Beyond Idol Chatter: Career Goals Well Within Reach]]>

Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round. 

That is why it shocked many viewers when she was quietly cut from the show after the performance. 

Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.

“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.

Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.

While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.

“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.

While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)

Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.

“I’m just trying to do what I’m legally able to do,” Lamb says.

While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.

And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.

Nick Grever’s Beyond Idol Chatter blogs follow the post-American Idol activities, career moves and achievements of Cincinnati vocalist Jess Lamb. 


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<![CDATA[Watch: Electric Citizen’s “Light Years Beyond” Music Video]]>

Local Rock crew Electric Citizen (winners of a 2015 Cincinnati Entertainment Award in the “Hard Rock/Metal” category) just unleashed a new music video for its delicious slab of trippy heaviness, “Light Years Beyond.” The clip, which features some cool throwback visual stylings and was directed by David Brodsky, premiered on Vice’s music site, Noisey, today.


The track is off of the band’s great album Sateen, which came out last year on RidingEasy Records. Click here for more on Electric Citizen. And read CityBeat’s interview with the band from last year here.






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<![CDATA[Macy’s Music Festival Becomes "Cincinnati Music Festival"]]>

A lot of people still call it “Jazz Fest” (a hold-over from some of its early names, like the Kool Jazz Festival) and more recently (as of last year) it went by the name of Macy’s Music Festival, but Cincinnati’s popular, long-running celebration of classic and contemporary R&B and Soul is now cutting to the chase and, for its 2015 edition, will be called the “Cincinnati Music Festival.”


The name and logo may be different (and the primary sponsor is now P&G), but not much else has changed. This year’s event takes place July 24-25 at Paul Brown Stadium on the riverfront. Tickets for the fest — which began in 1962 in Carthage as the Ohio Valley Jazz Festival and has featured everyone from Miles Davis and George Benson to Stevie Wonder and Marvin Gaye — go on sale this Saturday through Ticketmaster.com. 


This year’s lineup features Maxwell, Jennifer Hudson, The O’Jays, Joe and Luke James on July 24. For July 25, the event will feature longtime fest faves Maze featuring Frankie Beverly, plus Jill Scott, KEM, Avery Sunshine and Mali Music.


Click here for complete info on the 2015 Cincinnati Music Festival.

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<![CDATA[Freekbass Signs with Ropeadope]]>

Veteran Cincinnati Funk bassist/singer/songwriter Freekbass announced this week that he has signed a deal with the esteemed Ropeadope Records. Freekbass’ next album — the follow-up to last year’s self-released Everybody’s Feelin’ Real (which you can stream/purchase here) — is currently slated for release on the label early this fall.

“I grew up listening to artists and music on Ropeadope and it's such an honor to actually be a part of the label now,” Freekbass said in a press release. 


Ropeadope began in 1999, originally created by founders Andy Hurwitz and John Medeski to release the Project Logic album by Soul/Jazz/Hip Hop turntablist extraordinaire DJ Logic. (At the start of this decade, Freekbass was a part of a side-project band called Headtronics that featured Logic, as well as Particle keyboardist Steve Molitz.) Ropeadope has since put out an impressively diverse array of unique music, including releases by Dirty Dozen Brass Band, Charlie Hunter, Phish’s Mike Gordon, Antibalas, Christian McBride and Fusion ensemble Snarky Puppy, which won a Grammy for Best R&B Performance last year for its collaboration with Lalah Hathaway on the song “Something.” (You can read more about the label’s history here.)


Freekbass, who crafts a contemporary brand of Funk that mixes in shades of Electronica and Hip Hop, has been one the leading figures in the Cincinnati music scene for decades, starting with the popular ’80s Alt Rock band Sleep Theatre before holding down the bottom end for successful Funk crew SHAG in the ’90s. He started his solo career in the late ’90s and has released six full-lengths and toured relentlessly. His albums have featured some impressive guests; artists from Bootsy Collins and Bernie Worrell to Buckethead and DJ Spooky have appeared on Freekbass recordings. His stunning bass-playing skills have also lead to the release of several instructional videos and he was featured at the 2014 London Bass Guitar Show, heading up a master class/clinic and performing.


Here is Freekbass (with his band The Bump Assembly) in their most recent video release, for the song “Never Enough” off of Everybody’s Feelin’ Real



Read more about Freekbass in CityBeat's 2014 feature story here


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<![CDATA[Locally Based Project Seeks Musician Input]]>

Late last year it was announced that Brad Schnittger (member of the great local band The Sundresses) was selected as one of two "Haile Fellows" for 2015 by People’s Liberty, which provides $100,000 grants to local projects in an effort to “uncover opportunities to accelerate the positive transformation of Greater Cincinnati.”


The grant will allow Schnittger the opportunity to fully focus on his MusicLi (pronounced "musically") project, which is described as “an online music-business management dashboard for artists.” Artists who create MusicLi accounts will be able to use the service to digitally distribute and protect their music, and also enter it into the company’s licensing catalog, providing musicians with a nice alternative (or, if things go well, primary) revenue stream. MusicLi's “core principle” is described thusly: “There are wonderfully talented musicians in the Greater Cincinnati area, and if their music is digitally cataloged, published and made accessible for the purpose of licensing, this music can generate income for those musicians and make Cincinnati a better place to live.”


MusicLi recently launched a brief, 10-question survey to get some feedback from musicians to help guide the project’s direction. If you’d like to participate, click here. For more on People’s Liberty, this year’s grant’s recipients and complete details on their efforts and initiatives, click here


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