CityBeat Blogs - Music http://www.citybeat.com/cincinnati/blogs-1-1-1-35.html <![CDATA[Valley of the Sun Tour Diary: Würst Merch Guy Ever]]>

I crowd surfed for the first time ever in Strasbourg, France. And I did it in a hot dog costume.

Man, I can’t wait to tell my grandkids this story.

The hot dog spawned from a Facebook Messenger conversation before we even left. As we were preparing for the trip, the group bought me a glow in the dark skeleton onesie. It proved far too comfy and warm for it to be a nightly outfit in dirty, sweaty bars. I know this because I happily wore it around my house on several occasions.


Through the conversation it was eventually decided that I needed an Elvis outfit to wear during shows. I agreed and took a trip to a local Spirit Halloween in search of my tour uniform.


I was quickly disappointed.


Not only did they not have any Elvis costumes, the employee told me that the only place she knew that had one was a costume rental shop across town. The price put the costume way out of my price range. So I had to come up with something just as American (i.e. over the top and ridiculous). I browsed around, shot down the idea of a German beer girl costume — no one needs to see that much of my upper thigh — and stumbled across an area of cheap, lazy costumes. One of which was the hot dog suit. I snapped a picture, sent it to the boys and was met with joyous approval. I was still under my assigned budget so I picked up a Flavor Flav-sized dollar sign pendant and made my way to the register. Now, I was truly ready for Europe.


The hot dog costume has made an appearance a handful of times at shows, typically during the last song of the set or the encore. Sometimes I’ll put it on and rush to the front of the stage to get the guys to laugh and mess up. Being the consummate professionals that they are, they’ve never flubbed a song as far as I can tell.


But recently, they’ve been requesting the hot dog from stage, meaning I have to quickly dig it out, throw it on and run out to the crowd. They usually do so for their own amusement or to drive sales at the merch booth by proclaiming they have the würst merch guy in history. I never said that these guys were comedians …


Now, the majority of crowds just look confused by the sudden appearance of a hot dog at a Rock show but some get it and boy are their reactions spectacular. You haven’t lived until you’ve headbanged with two long hairs in a sweaty Halloween costume. But the crowd reaction in Strasbourg takes the cake.


The show was Punk Rock all the way — the sound was awful, the fans were packed in like sardines and the beer was flowing freely. The crowd had already spawned a crowd surfer, which is an admirable feat due to the fact that the venue is in a basement. Crowd surfing and grazing the ceiling of a club rarely go hand-in-hand. When the band called for the hot dog, I pushed through and found myself in an open pit in the center of the crowd. The final song started and I began my “dancing” and headbanging with the crowd. Pictures were taken, laughs were had, and I thought that was the end of it.

Then I saw the universal “You want to go up?” hand signal. Apparently crowd surfing crosses language barriers. Before I knew it, I was on top of the crowd trying to simultaneously avoid being dropped to the floor or bounced into the ceiling. It was awesome and scary and ridiculous and unbelievable all at the same time. If that’s not a great commercial for Spirit Halloween, I don’t know what is.


Now I really can’t wait for our Halloween show tonight. We plan on having a merch guy who’s all skin and bones, a blinged out bassist and the würst drummer you’ve ever seen.


Hey, I never said I was a comedian, either.


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<![CDATA[Weekend Music: Murs + ¡Mayday!, Zach Deputy and More]]>

Halloween shows abound tonight. Elsewhere on our site you can read about several of them, including 500 Miles to Memphis' release party at Southgate House Revival and Gov't Mule's tribute to Neil Young at Taft Theatre. In the Spill It column, find out about tonight's Injecting Strangers' release party at MOTR, as well as two great, free local music double bills in Northside — The Hiders/The Perfect Children at The Littlefield and The Pariahs/The Cincinnati Suds at The Comet. Another great double-bill free show is on Fountain Square. The 5 p.m. Rocktober on the Square happy hour concert tonight features The KillTones and The Sundresses.

There's also a fun show at Over-the-Rhine's The Drinkery; RamonerHead (a tribute to the Ramones and Motorhead), ThoseWhoCannotBeNamed (a tribute to debauched punks Dwarves) and Standinavian Leather (a tribute to Norway's Turbonegro) team up for the club's Zombie Prom. (Another fun tribute band show goes down Saturday at Silverton's MVP Sports Bar & GrilleThe Rocket Queens, an all-female Guns N' Roses tribute band, headline.)

Here are a few more options for tonight and the rest of the weekend.

• Endlessly creative veteran L.A. rapper Murs first teamed up with Miami Rap group ¡Mayday! (featuring a pair of MCs and a full live band) on the latter’s first album, 2012’s Take Me to Your Leader. The two entities (both signed to Tech N9ne’s Strange Music imprint) connected so well they decided to reteam for this summer’s ¡MursDay!, an electrifying, high-energy album with an eclectic musical palette and dynamic live-instrument additives.

The album received positive reviews, with many noting that the music should translate incredibly well in a raucous live setting, meaning the collaborative’s show at Thompson House in Newport could be one of the more entertaining concerts to hit the area this fall. Showtime is 7 p.m. and tickets are $20.


• Successful Canton, Ohio Pop Rock band Relient K plays Bogart's in Corryville tonight with guests Blondfire. The band is celebrating the 10th anniversary of the release of Mmhmm, its breakthrough LP. The album spawned a pair of hits, including "Be My Escape," their most widely recognized track.


Doors for tonight's show open at 6:30 p.m.

• Austin, Texas' The Bright Light Social Hour have built up a nice following here in Cincinnati thanks to regular visits, though it's been a while since the group has graced a local stage. That all changes Saturday when the band comes back to MOTR Pub for a free, 10 p.m. show with Cincy Indie Pop masters Darlene.

The Texas indie psych rockers are gearing up for the release of their second album. In a recent interview with Fayetteville Free Weekly, BLSH's Jack O'Brien said the full-length is due early next year and will be titled Space is Still the Place.


• The Funkified Hoedown Tour featuring Zach Deputy and Hot Buttered Rum comes to the Ballroom at the Taft Theatre on Sunday. Showtime is 8 p.m. and tickets are $20 in advance/$25 day of show.

Deputy, a South Carolina native, describes his sound as "Island-infused Drum n’ Bass Gospel-Ninja-Soul." CityBeat's Charlie Harmon explains more in his preview of the show from this week's paper:

"When (Deputy) gets up on stage to start one of his infamous dance parties, it’s just him. He is the definition of a one-man band, usually donning just an acoustic guitar, four microphones and the pedals to handle all the looping and layering he does with them. Using the microphones, he creates drum and bass sounds, beatboxing almost all the percussion, as well as synthesized choir noises and soulful vocals."

For more live music options this weekend, click here. And feel free to plug other events in the comments.

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<![CDATA[LISTEN: Injecting Strangers’ Spooky, Fun “Haunted Heavens”]]>

In this week’s CityBeat we review Patience, Child, the debut full-length from Cincinnati’s theatrical Progressive Pop madmen Injecting Strangers. Given some of the album’s playfully spooky tracks (including the two-part horror story “Nightmare Nancy”), it’s fitting that the band is celebrating the album’s release tonight at a free Halloween spectacular at Over-the-Rhine’s MOTR Pub. Nashville’s New Wave Rebellion opens the show at 10 p.m. 

Here is a track from Patience, Child that would make a great addition to your Halloween mixtape. From the review: “‘Haunted Heavens’ also fits the (Halloween) vibe perfectly, with its sinister spoken-word passages and eerie choral background vocals. It’s like Michael Jackson’s ‘Thriller’ filtered through Queen, Public Image Limited and The Nightmare Before Christmas and then re-filtered through a modern Indie Rock mindset.”



Read the full review here. And click here to download Patience, Child for free or a donation.

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<![CDATA[Valley of the Sun Tour Diary: Ode to a Van]]>

For the past two and a half weeks, Arnaud’s van has been home for five full-grown men. While we’ve been lucky enough to not have to spend the night in it at any time, we’ve done pretty much everything else. We’ve eaten in here, we’ve slept in here, we’ve emptied bladders (well, only one … Nick was desperate), it houses all of our possessions on this continent and we’ve had far too many inappropriate conversations in here. It has all the comforts of home … except for TV, Internet, showers, a kitchen or any sort of privacy. But then again, some of our non-moving accommodations don’t have any of those things either, so it’s fine.


We even have our own “rooms.” Arnaud usually drives with Ryan copiloting. If you move one bench back, Nick sits in the farthest seat from the door so he can lean against the window to nap. The next seat is empty and holds our various jackets, water bottles, candy and other items a touring band needs. Next to that is me; my seat offers no real advantage other than the ability to get out fast at rest stops when the call of the wild can be heard. Aaron has claimed dominion over the back bench, but two of the seats hold two overnight bags and random stuff (mostly scarves that Aaron has bought along the trip).


The ride is rough; it seems like the shocks were an afterthought and you can feel every bump in the road. Turns make the van shift and roll and the seats don’t adjust from their full upright and locked position. This all adds up for a ride that isn’t very comfortable or relaxing. If you’re wondering how we can sleep in here under such conditions, all I can say is that touring Europe is a very tiring experience, no matter how fun it is.


Of course, the real reason we needed the van is to not just transport ourselves, but all of the band’s gear from show to show without the need for a trailer. And that, my friends, is an experience all it’s own. Arnaud and Nick have set up a system to load and unload the back of the van efficiently at each stop. While I play Tetris at shows, those two play Tetris in real life. Just take a look at this setup and tell me that isn’t almost artistic to see how much crap can be fit into such a small space.

This van has been a constant in our lives for almost a month now; while I can only speak for myself, I have to say that I will almost miss it when I get back home. While the ride might be rough, there was an element of comfort and familiarity in crawling into this thing as we headed towards our next show. And it’s the place where we all really bonded as a group — being stuck in a tin can with four other dudes for six hours will do that to you. It’s been a special spot for all of us.

But, man, I really wish the seats reclined.


CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.


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<![CDATA[Music Tonight: Reflection Eternal, Nude Beach and more]]>

The show by Trigger Hippy (featuring Joan Osborne and members of The Black Crowes) scheduled for tonight at Newport’s Southgate House Revival has been postponed due to a death in Osborne’s family. The band is hoping to reschedule the show soon. But there are plenty of other solid live music options in Greater Cincinnati tonight.

• One of the best local Hip Hop shows in recent memory at at Rhinegeist in Over-the-Rhine. 


Reflection Eternal, renowned Cincinnati-based producer/artist Hi-Tek’s collaboration with legendary MC Talib Kweli, headlines the 8 p.m. concert, marking a rare appearance by the duo. The lineup also features Cincinnati heroes Mood, who took Cincy Hip Hop nationwide in the ’90s, Buggs Tha Rocka (who’s prepping a new album release for early December), Trademark Aaron (whose new video for “The Best,” featuring Easy Lantana, recently premiered on Vevo’s home page), Clockworkdj (Mac Miller’s official DJ), Valley High, Eddie Vaughn, Aida Chakra and many others. 


Tickets are $30 at the door while they last.


• Dynamic, groovy and fun rockers Automagik are putting out a limited edition, Halloween-themed EP, Monster Party, for the holiday. The five-track collection features appropriate tracks taken from the group’s two albums. as well as the new title track. 


The band will have Monster Party available at its show Thursday night at Newport’s Thompson House (purchasers can “name their price”). The 8 p.m. event (with just a $5 cover) also features area acts Dark Colour, Motherfolk, Celestials and Young Colt, plus a live art performance by Kara Mitchell. Costumes are encouraged — those wearing the best ones will be rewarded with a piece of Mitchell’s artwork. 


Here’s one of the previously released Automagik tracks included on the Monster Party EP:


• Also playing Thompson House tonight (in one of the other rooms) is Jamaican Reggae fave Cocoa Tea. Tea’s fellow countryman Louie Culture also appears, along with soulful Folk/Soul/Jazz/Reggae singer Etana, Cincinnati’s The Cliftones and others. Showtime is 9:30 p.m. and tickets are $25. 


Cocoa Tea began making waves in the mid-’80s before busting out internationally in the ’90s. Tea scored some major U.S. press in 2008 when he released a song in support of the man who would become our country’s first African American President (in case you’re unclear to whom I’m referring, the song was called “Barack Obama”) and this year he released his 30th LP, Sunset in Negril, on his own Roaring Lion label. 


• After adding to their already huge press kit at the recent CMJ festival in New York City, Cincy Trash Pop trio Tweens has been added to the bill at Over-the-Rhine’s The Drinkery tonight, making an already great show even better. The band is joining Brooklyn trio Nude Beach and excellent Cincinnati-based newcomers Leggy. Making infectious, classics-influenced Pop Rock, Nude Beach is touring behind its just released album 77. Here’s the album’s single “For You”:



The free show kicks off at 9 p.m.


• British rockers You Me at Six play Corryville’s Bogart’s tonight. Doors open at (of course) 6 p.m. The U.K.’s Young Guns and L.A.’s Stars in Stereo open. 


You Me at Six is beginning to make waves in the States after building a large and loyal fan base in the U.K. The band is currently touring behind its critically acclaimed latest, Cavalier Youth, a big hit in their homeland (it became the group’s first No. 1 album when released early this year). 


Here’s the video for You Me at Six’s “Room to Breathe”:


Click here for even more live music events tonight in the Cincinnati area and feel free to plug any other shows going on tonight in the comments.


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<![CDATA[Foxy No More?]]>

On Monday, Cincinnati's Foxy Shazam, one of the Queen City's more successful musical exports in recent years (and one of the city's best ever live bands), announced on its Facebook page that it would be disbanding, effective immediately. The extremely hard-touring band has canceled all forthcoming shows, including a hometown New Year's Eve appearance at Oakley's 20th Century Theater.

The band says the split will be for "an unknown amount of time" as the members spend some time with their families and other artistic endeavors. "We truly believe there is a future for Foxy Shazam, that our best art is yet to come," the message continues. "We don't know how long this will take but we plan on someday returning more powerful than ever."

CityBeat has written many articles about Foxy over the years, including a 2010 cover story (read here). The band first caught our attention in 2005 after the self-released The Flamingo Trigger, which we reviewed and talked about with the group.



Most recently, CityBeat chatted with the band about Gonzo, Foxy's first self-released album since Flamingo Trigger, which was produced by Steve Albini and came after a few releases with Warner Brothers Records and IRS Records.



Hopefully they'll be back sooner than later. I don't like that one of my favorite Foxy tunes is now "ironic." (This still deserves to be co-opted by a local sports team … or better yet, the city's tourism board.)



(Foxy in 2005 and in 2014:)

 

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<![CDATA[New York Times Streams Over the Rhine’s New Holiday Release]]>

Over the Rhine is releasing its third Christmas album, Blood Oranges in the Snow, on Nov. 4, but The New York Times’ website is offering an early listen through its “Press Play” website. Click here to listen.

The album, which follows previous “reality Christmas” efforts Snow Angels and The Darkest Night of the Year, is available now for pre-order here. Pre-orders of the CD will instantly receive a digital version of the album.


OTR’s Linford Detweiler and Karin Bergquist will do some acoustic dates after Blood Oranges’ release, beginning next week in Washington state. The duo’s “Acoustic Christmas” tour officially begins Dec. 5 in Virginia and culminates with OTR’s annual hometown holiday show at the Taft Theatre on Dec. 20. 


Tickets for the all-ages show can be purchased here or here

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<![CDATA[WATCH: Trademark Aaron and Easy Lantana's "The Best" Video]]>

This summer, on-the-rise Northern Kentucky-based Hip Hop artist Trademark Aaron released his excellent EP Act Accordingly, which included a bonus track titled "The Best," a collaboration with Cincinnati MC Easy Lantana, the RCA/Polo Grounds Music recording artist who made waves nationally last year with his single, "All Hustle, No Luck."

The track about hard work and
perseverance now has an accompanying music video. The clip, directed by Franco Mudey and Mark Merkhofer, had its premiere yesterday on the front page of popular video site Vevo.



Trademark Aaron's next performance is part of what could very well be the best local Hip Hop show of the year, this Thursday at Over-the-Rhine’s Rhinegeist. Reflection Eternal, renowned Cincinnati-based producer/artist Hi-Tek’s collaboration with legendary MC Talib Kweli, headlines the 8 p.m. concert, marking a rare appearance by the duo. Thursday’s lineup also features Cincinnati heroes Mood, who took Cincy Hip Hop nationwide in the ’90s, Buggs Tha Rocka (who’s prepping a new album release for early December), ClockworkDJ (Mac Miller’s official DJ), Valley High, Aida Chakra and many others.

Tickets for the 8 p.m. concert are $20 in advance (through cincyticket.com) or $30 at the door (if there are any tickets remaining). There are also $60 advance VIP tickets available, which include a meet-and-greet with the artists.

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<![CDATA[Valley of the Sun Tour Diary: Janky Promoters]]> One thing that I’ve learned on this trip is that the show’s promoter can often set the mood of an entire night. On this tour, we’ve been lucky enough to have several great promoters who know how to run things and take care of a band, which helps lead to a great show.

Our night in Milan did not have one of those types of promoters. Hell, to even call him a promoter is an insult to the concept of promotion. Let’s dive in a little bit and discuss just what potential promoters should and shouldn’t do when bands come a’callin.

First thing’s first — it’s always helpful to be at the venue by the scheduled get-in time. When bands like us arrive, we’ll generally have some questions for you about our lodging for the night, dinner, load-in and load-out logistics, etc. This is especially pertinent on tours like this due to the fact that we aren’t even from this continent; a little extra handholding is appreciated.

What you shouldn’t do is show up at the venue at 9 p.m. when load-in started at 6 p.m. and not even introduce yourself to anyone.

Second, please follow the agreed upon terms of the contract and make sure that the obligations you have are completed satisfactorily. On this tour, Valley of the Sun has two major requests in their contract: a hot meal every night (or a 15 Euro buyout) and accommodations after the show. These accommodations have varied from a promoter’s floor to nice hotels.

What a promoter shouldn’t do is tell the band that the guy who was supposed to set us up for the night didn’t show up and won’t answer any phone calls. And this definitely shouldn’t happen at 1 a.m. If it does happen, dig into that suit pocket and pull out some Euro to help alleviate the problem. Don’t leave with your girlfriend 10 minutes later and leave said band scrambling to find a place to sleep.

Also, the hot meal part of the contract. Now, we aren’t picky — we will eat just about anything you put in front of us. We’ve had all sorts of chow on this trip and most of it has been pretty awesome. When was the last time you had German cuisine made by an actual German national? Believe me when I say I can still taste that schnitzel.

What you shouldn’t do is cook up some cheap noodles, throw about a quarter of a can of tomato sauce on it and use that to feed two bands and their crew. Especially when the staff of the venue is clearly seen eating lasagna in the back room. That’s just rude.
The point I’m trying to make (yes, there really is a point) is that tour life filled with crazy circumstances that have to be adapted to and overcome. Sometimes things don’t go our way. Seldom does everything go off without a hitch. Rarely — only in Milan so far — have things gone completely down the shitter. But it’s amazing to me just how many moving parts go into a tour and if there’s one rusty cog, it can grind the whole machine to a stop.

In Milan, it was a horrid promoter, but it could easily be issues with transportation or miscommunication with management or the booking agents. There are logistical issues like getting the wrong merch at a pickup (which happened in Berlin) or the GPS could lead us astray. It’s amazing to me that it even works at all, to be honest.

So the next time you go see an amazing show featuring an out-of-town band — or even some locals — feel free to throw some kudos their way (and buy a shirt). But don’t neglect the guy sitting at the end of the bar who’s looking a little worn out either.

P.S. The picture of the delicious food and the hotel both come from our date in Pratteln, Switzerland. Thanks Z7!

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<![CDATA[An Interview with Ian McLagan ]]>

Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.

In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s.

In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.

When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”

With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others.

He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years.

At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997.

McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.



That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.



The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.

“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”

It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)

It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction.

“The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now.

“It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”

One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never.

“I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”

Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?

“Ha, ha, ha — you’re very funny,” he replies.

He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.

McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.

McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member).

“They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”

Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others.

“He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.

“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”

As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.

“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”

The album was recorded in the States during the Faces’ heyday.

“We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.”

McLagan then reveals an enticing possibility.

“Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”

In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)

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<![CDATA[Music Tonight: JoyCut]]>

Progressive Italian Indie/Electronic band JoyCut are continuing their ever-expanding global takeover with an extensive fall tour, which includes a free show tonight at Over-the-Rhine's MOTR Pub. Cincy trio Orchards open the show at 10 p.m.

JoyCut blends elements of Dark Wave, EDM, Post Rock and other adventurous styles to concoct its engaging, often mesmerizing instrumental sound, most recently heard on the full-length PiecesOfUsWereLeftOnTheGround. JoyCut has performed with heavyweights like The Arcade Fire and Modest Mouse and only this year began touring the States. The trio's first U.S. visit was very well-received and resulted in tons of glowing press and other accolades (JoyCut was named MTV's Iggy Artist of the Week in April and radio has been embracing the new LP). Not too shabby, especially for an all-instrumental band.   



Click here for more live music events tonight in Greater Cincinnati.

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<![CDATA[Valley of the Sun Tour Diary: The Wonders of Gaff Tape]]>

Today, I wanted to write about something that all five of us share on this trip. Something we all cherish, hold close and respect more than anything. I want to talk about something that holds us all together on a daily basis. The love of Rock & Roll.

Ha ha! Just kidding, I’m talking about gaffer’s tape.

Some of you may be asking what gaffer’s tape (aka gaff tape) is. Others of you may be saying that gaff tape is just like duct tape. To the first group, I will say that gaff tape is a wondrous roll of tape with properties that make it perfect for a touring band’s needs. To the second group, I will say, “Shut up, no it isn’t.”

Gaff tape comes in a large roll similar to duct tape, is generally black (shiny or matte) and adheres to just about anything. The non-stick surface and a Sharpie is a match made in heaven. And when you go sticky side to sticky side, nothing short of The Hulk (or a knife) will get that stuff separated.

But there is one attribute that makes it invaluable: it rips off the roll super easily. Anyone who has used duct tape knows what a struggle it is to get that stuff to part with the rest of the roll. OK, it’s not super hard to do, but when you’re half asleep, in some random European city, with 15 minutes till doors open and an entire merch area to set up, convenience is crucial.

To give you an idea of just how versatile gaff tape is, I want to share with you some of the myriad ways we’ve put gaff tape to work.

The first is makeshift signs. When you have to advertise what sizes we have left in stock on a shirt, gaff tape comes to the rescue.

We also use the black gold to hang our merch when no hooks or other devices are present.

 Sometimes we use it to keep our expensive tour banners from falling over.

Other times, we use it to patch together our expensive tour banners when a certain inexperienced merch guy breaks them.
Or even to just hold a water bottle and weigh down a set list on stage.
These are just a few of the many uses that gaff tape can accomplish. It truly is a tool that can be applied to almost any problem. I’m pretty sure that we could use it to close a grievous wound and I’d have confidence that it’d hold till we reached a hospital. And that’s accounting for the fact that none of us can say “hospital” in German, Italian, French or Swiss.

So here’s to you gaff tape, the one thing on this tour that’s always there for us (at least until we run out).

CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.

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<![CDATA[Weekend Music: Carolina Chocolate Drops, Busdriver and More]]>

Losing a key singer/songwriter in any band is a difficult proposition (see: Van Halen, multiple times), but popular Roots act Carolina Chocolate Drops haven’t missed a beat since their amicable split with Dom Flemons (now a solo artist). Singer/multi-instrumentalist Rhiannon Giddens, the sole original member of the group, continues to drive the Drops, who began as a throwback/tribute to, as Derek Halsey writes in his preview for CityBeat this week, “the African American string-band tradition that flourished in the 1700s and 1800s.” Giddens has also been in the spotlight for her vital contributions to Lost River: The New Basement Tapes, a T Bone Burnett-helmed album featuring songs written around newly discovered “lost” Bob Dylan lyrics. The album, due for release on Nov. 11, also includes some heady company: Elvis Costello, Jim James, Marcus Mumford and Taylor Goldsmith.


Carolina Chocolate Drops perform tonight (Friday) at Parrish Auditorium on the Hamilton campus of Miami University. Showtime is 7:30 p.m. and tickets are $25. Click here for details.


Here’s a clip of the Drops performing “Don’t Get Trouble in Your Mind” recorded this summer … on a gondola!


• Art Rap giant Busdriver comes to Newport’s Thompson House Saturday night for a 7 p.m. show. Tickets are $15 and Clipping, Milo, Kenny Segal, Counterfeit Money Machine, Eugenius and Evolve are also on the bill. 


From Brian Baker’s CityBeat preview of the show:

After the stellar cultural and musical eccentricity of 2012's Beaus$Eros, Busdriver's latest album, Perfect Hair, may be his most ambitious and satisfying record to date. On the new album's "Bliss Point," Busdriver asks the tongue-in-cheek musical questions, "Where exactly is Hip Hop going? Did Hip Hop have breakfast this morning? Does Hip Hop really have the body type to pull off that outfit?" In reverse order, the answers have to be, "Hell yes," "Hell no, it was this afternoon" and "Wherever the Busdriver is taking it." 


• Dynamic Jam band The Werks, who work a crafty Electronic vibe into their improvisational mix, play Covington’s Madison Theater Saturday night at 9 p.m. Zoogma and Peridoni also perform. Tickets are $15 in advance; $18 at the door. 


From Charlie Harmon’s preview for this week’s CityBeat:

Blending genres ranging from fat Funk and Blues to psychedelic Rock and Electronica, their guitar shreds, their keys and organs wail and their bass and drums form a pocket to create what they call “Psychedelic Dance Rock.” 


• Cincinnati singer/songwriter/multi-instrumentalist Ingrid Woode and her group The Woode Tribe Orchestra celebrate the release of a new CD/DVD package with a concert Saturday at the Fairfield Community Arts Center Theatre. Tickets for the 7:30 p.m. show are $12, which includes a copy of the new release, titled Going LiVe In FiVe. Tickets for the show and more details are available here.


Woode is an accomplished musician, having written for artists like Queen Latifah and Lalah Hathaway. She also performed her original composition “When This Life Is Over” with the Cincinnati Symphony Orchestra in 2011. The 11-piece Woode Tribe Orchestra (which includes five backup vocalists) gives the five tracks on Going LiVe In FiVe a full-bodied richness and depth. The music is best categorized as smooth and funky R&B/Soul, but there is an impressive diversity in the arrangements that takes it to another more intriguing level. 


Click here to read more about the release in this week’s Spill It.


• The Burger Records Caravan of Stars pulls into Southgate House Revival in Newport Saturday with a lineup of Burger acts that includes The Coathangers, together PANGEA, Cherry Glazerr, AJ Tavera & Terror Amor and Mozes & the Firstborn. Burger is a cultishly beloved DIY label known for its many cassette release. More recently the notoriously artist-friendly label has been growing and garnering wider attention; the label put out over 300 releases last year, outlets like The New York Times have been doing large feature stories on the label and a new Burger publishing branch was just announced.


In this week’s CityBeat, contributor Reyan Ali chatted with Meredith Franco from Caravan headliners The Coathangers about their evolution from an off-handed joke (something along the lines of, “We should start a band called The Coathangers!”) to international indie success story.

“We didn’t even know what type of music we were going to play. We’re not like, ‘Oh, we’re going to play Punk. We’re going to play Rock & Roll,’ ” Franco says. “Now it’s still the same thing. We just write whatever and that’s what it is. [When people ask] ‘What kind of band are you in?’ I’m like, ‘I don’t know. I guess it’s Rock & Roll.’ ”

Here’s a music video for the band’s “Follow Me,” featuring the members of fellow Atlanta rockers Mastodon filling in for the ’Hangers.


Saturday’s show kicks off at 8 p.m. Tickets are $12 in advance; $15 at the door.


• Saturday afternoon at 1 p.m., Cincinnati singer/songwriter Maurice Mattei and his band The Tempers (currently featuring scene vet Jimmy Davidson on guitar, bassist Neil Sharrow, drummer Mike Grimm and Rick Howell on harmonica) will perform at Everybody’s Records in Pleasant Ridge in honor of Maurice’s 21st release, the full-length Celebrity Issue. The event is free. 


CityBeat’s Brian Baker spoke with Mattei about the new release for last week’s CityBeat. Though Mattei generally shies away from “concept albums,” he admits a thread developed in the writing for Celebrity Issue, which features guests like pianist Ricky Nye, pedal steel player Cameron Cochran, multi-instrumentalist/Blessid Union of Souls bassist Dave Ramos, cellist Claire Timmerman, harmonica player Rick Howell and Mattei’s wife Korin on vocals.

“It’s inevitable when you write a group of songs in a finite period that you’re kind of documenting whatever experiences you’re going through at the time,” Mattei says. “A lot of the material talks about loss; loss of someone you knew or a relationship or an era, a time, a place. That’s what I get from it. It’s about how things change and how loss occurs.”


• Progressive Hip Hop/Jazz crew IsWhat?! presents a special multi-media showcase Sunday at The Greenwich in Walnut Hills. Dubbed “A Million Ways to Tell a Story,” the show will spotlight international artists from various disciplines and show how they tell stories within their own mediums. The night includes a screening of the short film Doradus by Italian director Fernando J. Scarpa, who IsWhat?! frontman Napoleon Maddox met while in Hollywood supporting the film Billie’s Blues, which was scored by Maddox. Experimental Japanese percussionist (or, as Maddox calls him, “sonic poet”) Tatsuya Nakatani will also perform, as will IsWhat?! and poet Matt Hart, co-founder/editor of Forklift, Ohio: A Journal of Poetry, Cooking & Light Industrial Safety and also a musician (you may remember him from such local acts Clifford Nevernew and Travel).  


“A Million Ways to Tell a Story” begins at 8 p.m. and admission is $7. Find more info on the show at iswhatonline.blogspot.com


Play It Forward, the local non-profit organization set up to assist (typically uninsured) musicians in their times of medical and/or financial need, presents a benefit concert this Sunday in the name of esteemed veteran local guitarist Larry Goshorn (Sacred Mushroom, Pure Prairie League, Goshorn Brothers). Goshorn has had a series of health issues over the past couple of years, including open-heart surgery. Sunday’s all-ages “Play It for Larry Goshorn” benefit concert runs 4-11 p.m. at Covington's Madison Theater


The show is being hosted by Cincy radio superstars Gary Burbank (Play It Forward’s founder) and Eddie Fingers and will feature performances by Pure Prairie League, The Goshorn Brothers, The Menus, The Bluebirds, Balderdash, Rob Fetters, George Powell and Dave Widow. Advance tickets are $20 (through cincyticket.com) or $25 at the door. All proceeds benefit Play It Forward. 


• Earlier this year, Cincinnati Pop Rock band Mixtapes announced they’d be going on indefinite hiatus after their current run of show dates, which wraps up on Halloween at the big Punk Rock festival Fest in Gainesville, Fla. Local fans won’t have to travel to Florida to see Mixtapes before their break (which seems like it could possibly be permanent). On Sunday at 7:30 p.m., the band plays its final hometown show for at least quite some time at a unique venue — Lucy Blue Pizza (1126 Main St., Over-the-Rhine). The show also includes Mixtapes’ current tourmates Direct Hit!, Elway and Lipstick Homicide, plus Cincy’s Boys and Kinder Words


Sunday’s show is open to fans of all ages and admission is $8 (advance tickets are available through cincyticket.com). 


Know of more good live music options going down this weekend in Greater Cincinnati? Let us know about it in the comments.


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<![CDATA[WATCH: Walk the Moon’s “Shut Up and Dance” Music Video]]>

In early September, Cincinnati major-label act Walk the Moon had its new single, “Shut Up and Dance,” released by RCA Records. The song — which the band performed on Late Night with Seth Myers on Sept. 15 — is slated for inclusion on the band’s next full-length for RCA, the group’s second for the label. The new album is due for release later this year.

Today, the “Shut Up and Dance” video was made public. In the press materials for the new clip, frontman Nicholas Petricca says, “Influenced by the plot-driven music videos of the 80s and nerdy visuals of 90s television, our new video for Shut Up and Dance is a trippy story of dork victory.  We are the proud mothers and co-directors of this weird throwbacky fantasy, alongside the brilliantly funny Josh Forbes.” There’s also an awesomely awkward dance break from Petricca in the clip.



Walk the Moon is currently doing a national tour (with fellow Cincinntians Public opening several dates) that has largely sold out; an announcement of a more extensive spring tour in support of the new album is due in the coming weeks.

Check out Mashable’s piece on the new video, in which Petricca picks his favorite ’80s music videos here.

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<![CDATA[Music Tonight: We Were Promised Jetpacks and More]]>

It’s a double bill of Scottish Indie Rock at Bogart’s tonight as We Were Promised Jetpacks and The Twilight Sad pull into town for a free, all-ages 8 p.m. show. The concert was originally scheduled for Over-the-Rhine’s Woodward Theater, but was moved due to the new venue not quite being ready yet to host events yet (the legendary Ian McLagan’s Oct. 29 show slated for the Woodward has been moved to Southgate House Revival in Newport for the same reasons). The Woodward’s selling tickets to shows beginning Nov. 10, so hopefully it will be all set by then.

CityBeat’s Brian Baker spoke with WWPJP’s guitarist/singer Adam Thompson for a feature in this week’s paper. Thompson spoke of mixing things up on the band’s most recent album release, Unravelling

“It’s still got the same emotional pull as the last two albums, it’s just that the whole sound is a lot more varied,” Thompson notes. “It’s got a bit more groove or something and I think that’s what we were trying to achieve, but it’s still very much a We Were Promised Jetpacks album. If you don’t like the first two, you’re not going to like this one, but I do think it offers something different.”


Click here to read Jason Gargano’s preview of openers The Twilight Sad.


• While it’s true that “Ska Punk” had its mainstream flash-in-the-pan moment in the’90s, it’s a shame that Ska often gets dismissed today as a sort of punchline. (“Ha, remember when Ska and Swing music were popular?”) From its origins in late-’50s Jamaica through today, Ska has endured thanks to new, young bands rediscovering the music and a loyal cult following. 


America’s Ska kings are unquestionably The Toasters, who were formed in 1981 (just as the U.K.’s 2 Tone Ska craze was beginning to lose steam) by British ex-pat Robert “Bucket” Hingley. When The Toasters (who eschewed the distorted “Ska Punk” concept for a style more reminiscent of the pioneers and 2 Tone bands) were looking for a label to release their debut EP, Hingley formed Moon Ska Records, which became the top independent Ska label on the planet and was home to practically every America Ska band worth a listen.


The Toasters play a free show tonight at 10 p.m. at Over-the-Rhine’s MOTR Pub.



Irish music trio Socks in the Frying Pan, from County Clare in Ireland, is in the midst of its first tour of the U.S. and tonight the group plays Molly Malone’s in Covington. The young band is becoming known for its creative spin on traditional Irish music, which has earned it numerous accolades in its homeland (the Live Ireland Awards and Tradition in Review Awards both have named them New Group of the Year and Irish American News calls them “simply stupendous”).  


Tonight’s Covington show starts at 7:30 p.m. Tickets are $12. 


• A pair of great, rootsy singer/songwriters perform at Newport’s Southgate Revival tonight — in separate rooms and as part of separate shows.


Tommy Womack, once dubbed “Nashville’s best loved musical eccentric,” headlines the Revival Room at 8:30 p.m. with special guests Wild Ponies. Tickets are $12. 


• Meanwhile, the stellar Robbie Fulks plays the club’s Sanctuary room with guests Woody Pines. Showtime is 9 p.m. and tickets are $15. 


Fulks has long recorded for the esteemed label Bloodshot Records and his song “I’ll Trade You Money for Wine” is featured on the label’s awesome, recently-released 20th anniversary compilation, While No One Was Looking, which features a variety of artists performing songs from Bloodshot’s back catalog. Fulks’ tune is covered by Andrew Bird and Nora O’Connor.


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<![CDATA[Deke Dickerson Sings "Instrumentals" with Los Straitjackets]]>

The world’s greatest wrestling-masked instrumental musical ensemble Los Straitjackets return to the Cincinnati area tonight for a show at Southgate House Revival. The band is joined by Roots music fave Deke Dickerson, who collaborated with Los Straitjackets on the recently released LP, Los Straitjackets: Deke Dickerson Sings The Instrumental Hits

As the cheeky title suggests, the album features some famous instrumental tunes which Dickerson fleshes out with “lost or rewritten” lyrics. The track “You Can Count on Me,” for example, is The Ventures’ Hawaii Five-O theme with lyrics from Sammy Davis Jr.’s version.


Other instrumental-turned-vocalized songs on the album include classics like “Pipeline,” “Walk Don’t Run,” “Misirlou” and “Popcorn.” 



“If you're a record collector and music geek who’s been around long enough," Dickerson said in an interview with Billboard, "you start to realize that most famous instrumental hits either started out as vocal songs, or — even better — were written as instrumentals." 


Sadly, the Star Wars theme didn’t make the cut.



Showtime tonight is 8 p.m. Admission is $20 at the door. The B-Sides open.

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<![CDATA[Valley of the Sun Tour Diary: A Day in the Life of a Merch Guy]]>

Before I left, I had a lot of people ask me just what I’d be doing while on tour. The best answer I could give them was, “I don’t know, sell shirts I guess.” 

So, in an effort to give you a better picture of what a day in the life of Valley of the Sun’s illustrious merch guy/tour bitch, I give you a minute-by-minute breakdown of what will most likely be our busiest day on the tour. What transpires is a day with two shows and 10 combined hours on the road and yes, it’s as tiring as it sounds.

6:30 a.m.: Wake up before dawn in Frankfurt and get ready for a five hour drive to Munich. Take a shower in a hotel shower that has no door or curtain while using a shower head has no holder on the wall. Listen to Black Dahlia Murder to wake up.

7:30 a.m.: Make a to-go sandwich at the hotel’s breakfast bar.

7:35 a.m.: Help navigate the van out of a hotel parking garage that it shouldn’t have logically fit in.

7:47 a.m.: Begin a five-hour drive to Munich. Naps are taken by most. Breaking the speed limit is performed by others. Who knew a van could go triple digits?

8:50 a.m.: Pit stop number one: water, coffee and baked good acquired. Knifes and soccer hooligans are ogled.

10:43 a.m.: Pit stop number two: water and coffee are released, drivers are switched.

12:00 p.m.: Arrive at venue, take tour of stage and see backstage area. Find WiFi password and begin to use and abuse venue’s internet connection.

12:45 p.m.: Dig merch out of van for festival’s merchandise display. Freak out when an entire box of shirts cannot be found.

12:47 p.m.: Rejoice when the box of shirts are unearthed.

1:20 p.m.: Begin gear load in.

1:30 p.m.: Realize you’ve learned more gear terminology on this tour than in a decade of attending concerts and hanging out with bands.

1:40 p.m.: Rip an expensive tour banner.

1:52 p.m.: Sit around and surf through Facebook and Instagram while band sound checks.

2:45 p.m.: Check to see if ears are bleeding from sound check volume.

3:00 p.m.: Walk around the venue and people-watch to waste time before show starts.

3:25 p.m.: Set up Nick’s Go Pro cameras around the venue to capture the forthcoming insanity.

3:30 p.m.: Showtime. Festival attendees begin to filter into Valley’s show (Valley is the first band of the day).

4:00 p.m.: A circle pit breaks out for the first time in the band’s history. Horns are thrown liberally.

4:10 p.m.: Remember why Valley of the Sun is my favorite Cincinnati band.

4:15 p.m.: Raid the catering table for a sandwich, pretzel, banana and water. Plan to eat pretzel on the road as a snack.

4:30 p.m.: Settle merch sales with organizers, collect money, pile up CDs, LPs and shirts to load into the van.

4:35 p.m.: Eat pretzel before ever reaching the van.

4:40 p.m.: Call dibs on a festival attendee.

4:50 p.m.: Wait for Ryan to settle up event pay with festival organizers.

5:00 p.m.: On the road again for another five-hour ride to Seigen.

5:05 p.m.: Begin typing hourly breakdown in van to save some time on off day tomorrow and to give my phone a chance to regain some charge.

5:50 p.m.: Pit stop one. Beer from festival is released.

8:25 p.m.: Pit stop two. Water is released and drivers are switched.

10:30 p.m.: Arrive at second venue where bands have already started playing.

10:37 p.m.: Order a pizza at stand outside of venue while we wait for support bands to finish.

11:15 p.m.: Continue eating; this time it is chicken curry in the band apartment.

11:30 p.m.: Final support act has finished. Start mad dash to load gear in from the van to the venue.

11:40 p.m.: Set up last minute merch area in a now desolate bar.

11:43 p.m.: Wait for the band to take the stage.

11:55 p.m.: Sell first bits of merch to those still at the venue. Try to explain that pins are one Euro a piece, not one Euro per handful.

12:30 a.m.: Show starts.

12:50 a.m.: Play Tetris while band is performing and, therefore, no one is looking at merch.

12:55 a.m.: Earn new high score in Tetris.

1:10 a.m.: Band finishes after three encores. A fourth is requested but the band has literally no other songs left to play.

1:15 a.m.: Sell 132 Euro worth of merch in 10 minutes.

1:45 a.m.: Pack up merch once sales dry up.

1:55 a.m.: Pack up van and grab overnight bags.

2:20 a.m.: Prepare for bed after a 20-hour day.

2:25 a.m.: Sleep for 10 hours straight.

If there’s anything that I’ve learned about touring it’s that it’s defined by tons of dead time, punctuated by moments of massive amounts of activity. “Hurry up and wait” is the perfect way to describe it. We rush in the morning to squeeze everyone’s morning routine into a short period of time. Then we spend hours in the van to reach a venue, only to rush to get the van unloaded, merch set out and sound check completed, along with other pre-show rituals. Then we wait for the show to start, followed by the post-show rush to sell merch, load up the van and get to our lodging for the night.

It makes for long days and long nights, with little to no rest. It’s tiring, hectic and stressful and I’m having the time of my life. I could really use an actual shower though, that’s for sure.


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<![CDATA[Music Tonight: Method Man and Redman, Unearth and More]]>

Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members/affiliates have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner. 

The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj.



Tonight’s Worldwide Rollers tour stop at Bogart’s kicks off around 7 p.m. Tickets are $37.80.

Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25. 


The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare


Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:


And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album. 

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<![CDATA[Valley of the Sun Tour Diary: A Guide to Packing/Overpacking]]>

Remember in my first blog when I said I was worried that I had over packed? 

Guess what? I over packed. 

I’ve been on tour for a week now and these are a few things I’ve learned so far, in no particular order. Hopefully they help you the next time a Rock band drags you across Europe. Or on your next trip to Disneyland.

  1. Backpack space is very important. In my backpack, I originally had a jacket, a neck pillow, my laptop, two books, two magazines and a front pocket full of random paperwork. Now, the jacket is always out and the neck pillow has disappeared because I needed the space for dirty clothes. There simply was no other space for them. Nick, who’s an experienced road warrior (he drum techs for Breaking Benjamin), basically lives out of his backpack, only digging into his carry-on when he needs to swap things in and out.
  2. Everything should have a home. When I packed up for the trip, I was very meticulous and I made sure to check off items when they made it into my bags (traveling puts me on edge). Now that I’m over here, I’ve found it easier to keep track of things when I put them back in the same place every time. Lazily throwing my sunglasses into a pocket only causes me to flip my shit when I can’t find them down the line. And scouring a van while it’s moving at 130 kph is not a fun experience, my friends.
  3. Creature comforts are nice, but not totally important. I brought a lot of reading material thinking this trip would have plenty of van time to catch up on my books. So far, I’ve reached for precisely none of them. I read my two magazines, sure. But one was on the plane and the other was only a day ago. While we still have over two weeks, so that might change, I wish I had used that space for something more important, like more clean socks.
  4. Jeans are amazing and should be respected. I only brought one pair of denim for three weeks on the road. The boys brought two: a live-in pair and a show pair (Rock & Roll is a sweaty affair). Jeans take up a lot of space and, as long as you don’t spill goulash on them or something equally as traumatic, they can last you for a long time in between cleanings. So if you’re ever on a long road trip, do yourself a favor and save some space. One pair is all you need, just Febreze them once or twice and you’re good to go.
  5. Cleanliness on the road can be hard, but don’t skimp. Road butt, swamp ass — call it what you will but sitting for hours on end will do harm to anyone’s rear end. And when showers are not always guaranteed — along with the supply of hot water, wash cloths or towels — then it’s important to keep some stop gaps handy. Baby wipes are like touring gold. They let you wipe down your pits and keep that fresh feeling in between shows and showers. Small bottles of hand cleanser are great too. Touring is dirty business, soap isn’t always on hand and when you’ve got five guys crammed into one van, germs could be disastrous. So toss a bottle in your bag and don’t forget to scrub up from time to time.
  6. Leave things at home that you don’t need. This was something I sort of already knew, but I didn’t understand the true extent till we got over here. For example, when I arrived I had my house key, my mail, two keys to my parent’s house, my car key, our tour laminate (geek out moment here: we have tour laminates!) and a few key chains. On Day 1, Arnaud added a van key to that pile. Later I learned that I would usually be keeping track of any apartment or hotel keys we got too. This added up to a key ring that was obnoxiously filled. I sounded like a janitor when I walked around. So I ditched all but the few that I actually need here. My states keys are safely stowed in my backpack and my pants aren’t weighed down with useless crap.
  7. Don’t leave home without a towel. South Park’s Towelie and Douglas Adams were right. I didn’t listen and I’m sorry that I didn’t.
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<![CDATA[Music Tonight: JEFF the Brotherhood and More]]>

Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.


JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year. 


• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.

The Please Please Me - " Dreamin' " from Archimedes Media Lab LLC. on Vimeo.

Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.


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