CityBeat - The Big Picture http://www.citybeat.com/cincinnati/articles.sec-32-1-the_big_picture.html <![CDATA[New Show at DAAP Captures ‘Liquid Light’ - ]]>

Marioni is a purist — a painter’s painter whose quest to make art isn’t about being decorative or interpretive, but rather is a search for light — Liquid Light, as his show is called.

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<![CDATA[Performance Art Comes to a Cincinnati Grocery - ]]>

Heine Avdal is making a short trip from Belgium to Cincinnati on Feb. 21 and 22 just to visit the Whole Foods Market in Rookwood Commons.

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<![CDATA[Photographer William Messer Observes Two Decades of Giverny - ]]>

Were Claude Monet to look at the black-and-white photographs that William Messer took of Giverny over a 20-year period — photographs featured in the Over Time exhibit at The Carnegie through Feb. 7 — he would say, “You missed the point!”

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<![CDATA[Robert Stearns’ Lasting Impact on the CAC and Cincinnati Arts - ]]>

Maybe because Robert Stearns’ leadership of the Contemporary Arts Center was relatively short and long ago, his death in early December from cancer didn’t attract much notice here.

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<![CDATA[FotoFocus Biennial Already Planning Ways to Ring in 2016 - ]]>

FotoFocus seems to be establishing itself on the city’s arts calendar.

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<![CDATA[The Future of Contemporary at Cincinnati Art Museum - ]]>

In my September interview with new Cincinnati Art Museum Director Cameron Kitchin, he discussed the role of that institution in collecting and displaying Contemporary art in addition to other issues.

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<![CDATA[Do We Need a Museum of Art Museum History? - ]]>

There are art museums and there are history museums. But maybe there should be a new kind of museum
— a Museum of Art Museum History.

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<![CDATA[It’s Trust vs. Wariness on Our Urban Streets - ]]>

For Eyes on the Street, Cincinnati Art Museum’s contribution to the FotoFocus Biennial, curator Brian Sholis set out to do something more than just display still photographs and short films/videos that he liked.

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<![CDATA[Finding Humor in Retro Culture - ]]>

As Mid-Century Modern becomes desired, preserved and collected, many cities — Cincinnati included — have started Modernism tradeshows where period design objects are sold and advice is given on home restorations.

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<![CDATA[Rediscovering Lost Photos From a Long-Ago West End - ]]>

Under the sponsorship of the Historical and Philosophical Society of Ohio (now the Cincinnati Historical Society), George S. Rosenthal took roughly 3,600 photographs of West End places

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<![CDATA[Street Photography in the 21st Century - ]]>

One purpose of Eyes on the Street, the Cincinnati Art Museum’s look at 21st century street photography, is to reveal how the phrase itself has evolved since the mid-20th century.

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<![CDATA[CAM's New Director Is Setting His Priorities - ]]>

I was hoping that during my first interview with Cameron Kitchin, Cincinnati Art Museum’s new director, he would floor me with his big, ambitious plans. You know, something exciting — something visionary, something contemporary.

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<![CDATA[The Strange Regionalism of ‘American Gothic’ - ]]>

For the Cincinnati Art Museum, getting the Art Institute of Chicago to loan “American Gothic” (through Nov. 16) is a coup.

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<![CDATA[Are Billboards Right for Showing Artwork? - ]]> To some, the very notion of billboards (or outdoor signage in general) being artwork or hosting artful images instead of give-us-your-money advertising is confusing. But it’s getting more common.
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<![CDATA[Cincinnati Silver Exhibit Is a Strong Achievement - ]]> Cincinnati Silver 1788-1940 is a sterling example of how an art exhibition can be about local history while still assuring the displayed objects are worthy of our long, concentrated gaze.]]> <![CDATA[New Novel Chronicles City’s Weirdest Museum - ]]>

As part of her duties for Taft Museum of Art in 2007, Tamera Lenz Muente — now an assistant curator — was doing research for an exhibit on the work of acclaimed 19th century sculptor Hiram Powers.

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<![CDATA[Wondering About ‘Buildering’ and Its Real-World Relevance - ]]>

I’ve had a difficult time trying to write about Buildering: Misbehaving the City, the first show at Contemporary Arts Center that its curator, Steven Matijcio, has put together since arriving here last year from North Carolina. And now it is nearing its end — it closes Aug. 18.

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<![CDATA[CAC’s Performance Series Moves Way Outside the Box - ]]>

Not content to merely think outside the box with its Performance Series, the Contemporary Arts Center plans to physically travel outside the box — the confines of its Black Box Theatre, that is — for several of its 2014-15 programs.

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<![CDATA[ArtWorks Brings ‘Touching Strangers,’ Hot Dogs, Murals and More to Town - ]]>

From now through June 27, you may be approached on the street — or anywhere public — by a photographer and asked to physically interact with a nearby stranger as if you two were closely acquainted.

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<![CDATA[FotoFocus Has New Ideas, Big Plans for 2014 Event - ]]>

At a luncheon/press conference Thursday in New York, the FotoFocus Biennial will announce details of its 2014 activities in Cincinnati for this year’s Oct. 8-Nov. 1 run.

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