CityBeat - Blogs http://www.citybeat.com/cincinnati/blogs.engine.php <![CDATA[Music Tonight: Method Man and Redman, Unearth and More]]>

Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic Wu duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner. 

The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj. https://www.facebook.com/ClockworkDJ


Tonight’s Worldwide Rollers tour stop at Bogart’s kicks off around 7 p.m. Tickets are $37.80.

Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25. 


The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare


Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:


And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album. 

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<![CDATA[Laverne Cox to Speak at NKU Next Week]]>

Transgender advocate and actress Laverne Cox will give a keynote speech at Northern Kentucky University in celebration of LGBT History Month on Tuesday, Oct. 28, at 7 p.m.

Many will recognize Cox for her groundbreaking role as Sophia Burset, an incarcerated transgender woman, in the Netflix com-dram series Orange Is the New Black.

Earlier this year, she made history as the first transgender person to appear on the cover of Time Magazine and the first to produce and appear in her own television show, TRANSForm Me.

Her success in the film and TV industry has made Cox a highly sought after speaker. Her empowering messages about gender expectations and transgender issues have made her an icon in the LGBT community, being named in Out Magazine’s “Out 100” and one of the top 50 transgender icons by Huffington Post.

Tickets for the event have been selling quickly, as less than 10 remain available to the public. They can be purchased for $10 in Student Union Room 320 on the NKU campus.

The event is sponsored by the university's LGBTQ Programs & Services, which provides advocacy and support to NKU students, staff, faculty and the greater Northern Kentucky community. More info here.

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<![CDATA[Valley of the Sun Tour Diary: A Guide to Packing/Overpacking]]>

Remember in my first blog when I said I was worried that I had over packed? 

Guess what? I over packed. 

I’ve been on tour for a week now and these are a few things I’ve learned so far, in no particular order. Hopefully they help you the next time a Rock band drags you across Europe. Or on your next trip to Disneyland.

  1. Backpack space is very important. In my backpack, I originally had a jacket, a neck pillow, my laptop, two books, two magazines and a front pocket full of random paperwork. Now, the jacket is always out and the neck pillow has disappeared because I needed the space for dirty clothes. There simply was no other space for them. Nick, who’s an experienced road warrior (he drum techs for Breaking Benjamin), basically lives out of his backpack, only digging into his carry-on when he needs to swap things in and out.
  2. Everything should have a home. When I packed up for the trip, I was very meticulous and I made sure to check off items when they made it into my bags (traveling puts me on edge). Now that I’m over here, I’ve found it easier to keep track of things when I put them back in the same place every time. Lazily throwing my sunglasses into a pocket only causes me to flip my shit when I can’t find them down the line. And scouring a van while it’s moving at 130 kph is not a fun experience, my friends.
  3. Creature comforts are nice, but not totally important. I brought a lot of reading material thinking this trip would have plenty of van time to catch up on my books. So far, I’ve reached for precisely none of them. I read my two magazines, sure. But one was on the plane and the other was only a day ago. While we still have over two weeks, so that might change, I wish I had used that space for something more important, like more clean socks.
  4. Jeans are amazing and should be respected. I only brought one pair of denim for three weeks on the road. The boys brought two: a live-in pair and a show pair (Rock & Roll is a sweaty affair). Jeans take up a lot of space and, as long as you don’t spill goulash on them or something equally as traumatic, they can last you for a long time in between cleanings. So if you’re ever on a long road trip, do yourself a favor and save some space. One pair is all you need, just Febreze them once or twice and you’re good to go.
  5. Cleanliness on the road can be hard, but don’t skimp. Road butt, swamp ass — call it what you will but sitting for hours on end will do harm to anyone’s rear end. And when showers are not always guaranteed — along with the supply of hot water, wash cloths or towels — then it’s important to keep some stop gaps handy. Baby wipes are like touring gold. They let you wipe down your pits and keep that fresh feeling in between shows and showers. Small bottles of hand cleanser are great too. Touring is dirty business, soap isn’t always on hand and when you’ve got five guys crammed into one van, germs could be disastrous. So toss a bottle in your bag and don’t forget to scrub up from time to time.
  6. Leave things at home that you don’t need. This was something I sort of already knew, but I didn’t understand the true extent till we got over here. For example, when I arrived I had my house key, my mail, two keys to my parent’s house, my car key, our tour laminate (geek out moment here: we have tour laminates!) and a few key chains. On Day 1, Arnaud added a van key to that pile. Later I learned that I would usually be keeping track of any apartment or hotel keys we got too. This added up to a key ring that was obnoxiously filled. I sounded like a janitor when I walked around. So I ditched all but the few that I actually need here. My states keys are safely stowed in my backpack and my pants aren’t weighed down with useless crap.
  7. Don’t leave home without a towel. South Park’s Towelie and Douglas Adams were right. I didn’t listen and I’m sorry that I didn’t.
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<![CDATA[Music Tonight: JEFF the Brotherhood and More]]>

Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.


JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year. 


• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.

The Please Please Me - " Dreamin' " from Archimedes Media Lab LLC. on Vimeo.

Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.


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<![CDATA[Morning News and Stuff]]>

Hello Cincy! Here’s what’s going on this morning.

Though you won’t find a way to help shore up the building on the ballot in November, efforts to fund renovations of Music Hall may get a big boost soon. Advocates for the Cincinnati landmark have applied for $25 million through the Ohio Historic Preservation Tax Credit Program offered by the state once every two years. Music Hall is competing for the tax credits with The Huntington Building and May Co. Department Store building in Cleveland and the former Goodyear headquarter building in Akron. The award would be in addition to another $25 million in other tax credits and $40 million in private donations, all of which go along way toward the building’s estimated $133 million renovation costs. The winner of the credits will be announced in December.

• Lots of questions have been popping up in City Council and elsewhere recently about the way the city makes development loans, even as past loans to some of the city’s biggest developers continue to linger unpaid. Council members have expressed concerns that there isn’t enough of a process for deciding who gets the loans and on what terms, leaving a patchwork of deals that are of questionable value for the city. The city has a number of old loans it has made to big developers still hanging around, including almost $9 million worth from between 1991 and 2001. Those loans were used on big, now completed projects in and around downtown. The terms are fairly generous, and many of the borrowers have yet to repay much if any of the principles on those loans.

• Err, so I went to school here for a few years. The Principal of Edgewood High School, which is up in Butler County between Hamilton and Middletown, has said he’ll be getting his concealed carry permit so he can start packing a gun on the job. State law allows individual districts to decide if staff should be armed, but Edgewood, based in the rural/exurban town of Trenton, is the only district in the Greater Cincinnati area that has moved to allow it. Principal Russ Fussnecker said he may start carrying the weapon before the school year is out. He says it’s a measure “to make the school safer” in case of a mass shooter. Other schools have taken milder safety measures. Kings High School in Mason has installed new barriers to keep someone from shooting their way through doors into the school. Lakota has added in-school police and training drills. 

•Law enforcement officials from Memphis, Tenn., and Detroit are meeting with officials from Ohio in Cleveland this week to discuss rape kit backlogs at a first-of-its-kind summit around the issue. Untested kits, which may contain genetic information that can convict rapists, have piled up here and in other states. The untested kits have become a big issue in this year's race for attorney general, as challenger Democrat David Pepper hits Republican Attorney General Mike DeWine over Ohio's backlog.

• Kentucky Secretary of State Alison Lundergan Grimes is getting more help from Democrats in her much-watched run against Kentucky Senator and Minority Leader Mitch McConnell. Many of the 16 female Democratic senators are rallying around Grimes with campaign plugs, strategy advice, money and other support.  Powerful Senators like Debbie Stabenow, D-Mich., Claire McCaskill, D-Mo. and progressive firebrand Elizabeth Warren, D-Mass. have all jumped on board, holding fundraisers, donating cash and giving shout outs to Grimes. Whether all that help will pay off remains to be seen. Various pundits and polls have recently declared Grimes dead in the water, while others say she’s still neck and neck with McConnell.

• One of the big issues in the race is the state’s dependence on coal. Both McConnell and Grimes have promised to keep coal-friendly policies alive in Kentucky, which is dominated by the industry. McConnell has tied Grimes to Obama, who many Kentuckians blame for the industry’s decline. But how much does coal really matter to Kentucky? Turns out, there is as much myth flying around as fact.

• Throw off thy long-sleeved chains of corporate oppression, my barista sisters and brothers, and put on the short-sleeve shirt or necktie of freedom. But please not both at the same time, because that just looks terrible. Starbucks is lifting its ban on visible body art, as well as “colored ties and neck scarves and black denim.” Really? You all couldn’t wear black jeans? If CityBeat outlawed black denim, I would have to go buy like, five new pairs of pants.

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<![CDATA[The Palace's Chef Joe West Wins CityBeat's Iron Fork]]> Wednesday, Oct. 15, kicked off CityBeat’s maiden voyage for Iron Fork Cincinnati, a Iron Chef-esque cooking competition complete with famous chefs from around the city, closed-circuit television and, of course, plenty of food and drink to keep the attendees happy and buzzed.

The event, which raised money for local nonprofit Gabriel’s Place and its Junior Culinary Institute, took place at the Christian Moerlein brewery in Over-the-Rhine. The restaurants represented (Jimmy G's, Django Western Taco, LaLa's Blissful Bites, Invito Chef, El Rancho Grande, Huit BBQ, Redondo Taqueria, Axis Alley on the Levee, Seasons 52, Silver Ladle, Elephant Walk Injera & Curry House, Washington Platform, Swad, O'Malley's in the Alley, Mazzaro's Place, The Pub, Boswell Alley and Moerlein Lager Houseeach provided a small sample of their favorite items for attendees to nibble on, from mini-steak sandwiches to shot glass-sized pecan pie. Some of the vendors were parked in the more polished taproom, while the majority of the booths and the competition itself appeared in the “basement chic” room next door. Attendees wandered from booth to booth, balancing small plates and frothy cups of Moerlein beer as they waited for the main event to begin. Everyone looked slightly confused at first, but it didn’t take long for everyone to catch on and figure out where to go — the Four Roses bourbon cider probably helped.

Iron Fork’s version of Kitchen Stadium was a small-ish cooking space set up at one end of the very large room. It was fully stocked with brightly colored produce from SYSCO, plenty of spices, gas burners and shiny stainless steel cookware from Cooks'Wares. Scattered across the room were large TVs (not in HD, our spoiled selves lamented) for those who may not be able to find a spot in the small area in front of the kitchen to watch the action. The three judges were perched to the left of the kitchen, presumably starving.

Frances Kroner of Sleepy Bee, Jose Salazar of Salazar and Joe West of The Palace at The Cincinnatian were the three chefs chosen to appear for the event. Each of them had one hour to create a dish using the elusive secret ingredient: figs. (Most of the crowd had left before the secret was revealed; it had to remain a secret to make the competition fair for everyone.) Each chef also had a Junior Culinary Institute student from Gabriel’s Place on their team; all three of the students, it must be said, were incredibly impressive in their professionalism and skill. 

The hour-long cooking time per chef allowed attendees to continue to wander and stuff their faces with local treats. The amount of sweet options seemed high (possibly because it was hard to locate the free water to cleanse your palate). The beer line never seemed to shorten, which was fine. If anything, it allowed for more socializing with the other food enthusiasts. Watching the cooking itself was only really entertaining near the end of the hour-long time limit — Jose Salazar straight up ran to the judges’ table with his dishes at the end, and that’s just good TV. 

Once each chef’s segment was complete and the three judges were served, a fourth dish was auctioned off to a lucky audience member. (Frances Kroner’s dish went for a whopping $150.) 

"All the chefs did a great job and we had a lot of fun sharing our thoughts and our food with the crowd," says judge and CityBeat food writer Anne Mitchell. "Frannie Kroner's lamb chop entree was wonderful, and (Ilene Ross, CityBeat food writer and judge) had a great idea — she added one of her lamb chops to the auction for Gabriel's Place." 

"I ate all three of mine and gnawed the bones clean, so that shows you where my heart resides," she continues, laughing. "Jose's appetizer, lamb tartare, was amazing. Ilene licked her plate. It was the kind of dish that separates ordinary food from art." 

The audience did not hear from the judges until the end, when they named The Palace’s Joe West as the winner for his appetizer and entree dishes. 

"Joe West's appetizer and entree blew us away," says Mitchell. "The scallop crudo was another work of art, and it was the perfect starter for Joe's main dish. I wish I could be 100 percent sure of the description but things got a little crazy at the end and we really didn't hear what Joe said, but I think it was halibut in veloute sauce with bacon crumbles for a garnish, flash-fried potato 'chips' from tiny fingerling potatoes and the figs." 

"Figs were the 'secret ingredient' that all the chefs had to incorporate into their dishes," she continues. "It would have been fun to see them utilized a little more essentially in the dishes instead of used as a (yummy) garnish, but that seems a little like splitting hairs."

Overall, the event’s first run was a success. Did I want to snag one of Kroner’s scallops or a bite of Salazar's lamb tartare right off the judges’ table? Sure. But I didn’t, and it still turned out to be a nice little Wednesday night. 


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<![CDATA[New Art World Documentary has Strong Cincinnati Connection]]> Next Friday, the documentary Art and Craft is opening at the Mariemont Theater. It's the story of an art forger, Mark Landis, who gave his work away to museums and colleges.

He was exposed by Matthew Leininger, before the latter became a Cincinnati Art Museum registrar. While in Cincinnati, in 2012 Leininger and Aaron Cowan, curator of UC-DAAP galleries, organized an exhibit about Landis, which was covered in CityBeat at the time.

Landis even came to the opening. The film, which is being nationally distributed and has done good business elsewhere, uses footage and information from that show. So for the Cincinnati opening, Leininger and Cowan both will participate in an audience discussion after the 7:30 p.m. showings next Friday and Saturday (Oct. 24 and 25). This poster, with a certain Saul Bass-like suspense-movie vibe, has just been released.

Watch for a full article in next week's CityBeat by Movie Critic tt stern-ezi.
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<![CDATA[Your Weekend To Do List: 10/17-10/19]]>

A little bit of this and a little bit of that. 

  1. Cincy Shakes gets a little spooky with a stage adaptation of The BirdsSherman Fracher channels Tippi Hedren. 
  2. Fort Thomas' Village Players tackle Sam Raimi's cult classic, Evil Dead, but in musical form and sans Bruce Campbell. The front row is a designated splatter zone and there will be blood.
  3. Less Halloweeny but with better costumes, Cirque du Soleil is at the Bank of Kentucky Center until Sunday with their Varekai production.
  4. Off stage, the Cincinnati Chocolate Festival heads to the Cintas Center for a day of chocolate tastings, demos, and wine. 
  5. For more wine, head to MainStrasse Village Saturday for the Northern Kentucky Wine Festival. Admission includes a souvenir wine glass and four tasting tickets for the plethora of Bluegrass wines on hand.
  6. Musically, Iceland-based composer Ben Frost brings his album A U R O R A to life at the Contemporary Arts Center. The blend of Electronica and Ambient noise paints an aural landscape that's been compared to Blade Runner
  7. And Sunday, support the de Cavel Family SIDS Foundation by eating an excellent Friends and Family Brunch at the Midwest Culinary Institute. For just $65, you can get fed by some of the best chefs in town. Kids encouraged.
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<![CDATA[Music This Weekend: Wussy, Cory Branan, Ben Frost and More]]>

Cincinnati greats Wussy continue to surge into the national spotlight, playing sold-out shows across the country and continuing to garner glowing press for their spectacular Attica! album. The band also recently posted several photos of the members filming something for CBS in New York City recently (more info TBA), which should escalate its status even more (a film crew was on hand she the band played the MidPoint Music Festival recently, as well). Can’t think of a more deserved local band. 


This evening you can catch the band live FOR FREE on Fountain Square as Wussy headlines this week’s happy-hour “Rocktober on the Square” series. Music starts at 5 p.m. with the fantastic Roots Rock ensemble Arlo McKinley and the Lonesome Sound. 


Here’s Wussy’s full appearance on KEXP recorded earlier this year.


• Nashville rockers Those Darlins are also a band on the rise and their fan base in Cincinnati continues to grow thanks to their repeated visits to the Queen City (and their great sound and live show). The group plays a free show at Northside Tavern tonight with guests Jeremy Pinnell and the 55’s and Even Tiles. Doors open at 8 p.m. 


• The two-night, “whole house” showcase at the Southgate House Revival in Newport celebrating local indie label Phratry Records kicks off tonight. Showtime is 8 p.m. and admission is $5 each night. Click here and here for details. A documentary film about Phratry is currently in the works. Here’s the trailer: 


• London Pop band Bastille was supposed to play at Covington’s Madison Theater back in May but cancelled and then got HUGE (or HUGER — its music had already been selling big and the band appeared on Saturday Night Live in January). So tonight the group is playing its make-up date at our riverfront arena. A review of Bastille’s recent show in Toronto said the young crowd screamed a lot.


Fellow Synth Pop band Grizfolk opens tonight’s 8 p.m. show at U.S. Bank Arena. Tickets are $29.50-$35.


• It’s looking more and more like you’ll never get a chance to see Led Zeppelin perform live and in person ever again. But tonight you can see the “American Led Zeppelin,” Get the Led Out, at the Aronoff Center. Showtime is 8 p.m .Next best thing? If you go, let us know. It’s certainly going to cost you less than what it would to see the real deal — tickets are $33-$46. 


• Eclectic Americana singer/songwriter Cory Branan plays Saturday night at 10 p.m. at Over-the-Rhine’s The Drinkery, one of the best newer live music clubs in the area. Local duo Rucca opens.


Branan has been drawing attention for his dynamic, boundless sound over the past 15 years, but his most recent album, The No-Hit Wonder, is earning him some of the best reviews of his career.


Writer Brian Baker spoke with Branan for a feature story in this week’s CityBeat. Branan said the diversity of styles that crop up in his songs just kind of happen naturally and is something never predetermined while a song is being written. 

“I try not to impose on the song,” Branan says. “I end up in much more interesting places if I follow and see where it’s going. I overwrite a lot and go back with a machete instead of clippers, so I can end up three songs down from the one I started with, and that’s the interesting place for me. Then I sort of let them tell me what clothes they want to go out in, even down to the studio. Like ‘Sour Mash,’ I always pictured it as a flat-picked barnburner with fiddle and banjo, and then we were doing the record and I found out that Joe Fick, who’s a Memphis boy, was up in Nashville and he’s just the best doghouse (upright bass) player I’ve ever heard, so I was like, ‘OK, we’ll go a little more Sun Records on this one.’ I pivoted at the last minute.”


• Chicago Blues singer/songwriter/guitarist E.G. Kight performs Saturday at the DownTowne Listening Room, the intimate, “listener-friendly” new venue downtown in the historic Shillito’s building. Born in Georgie and based in Chicago, Kight is a cult favorite and has worked with everyone from B.B. King and Koko Taylor to Merle Haggard and George Jones. Showtime is 7:30 p.m. Admission is $15 (all proceeds from shows at the Listening Room go to the performing artists).


• Legendary British Folk artist Richard Thompson plays the Dave Finkelman Auditorium on the campus of Miami University-Middletown Saturday night. Amanda Shires opens the 7:30 p.m. concert. The show is a part of Thompson's current acoustic tour in support of Acoustic Classics, an album featuring acoustic takes on some of the songwriter's favorite songs from his storied catalog. Tickets are $35 and available in advance here


Check out Jason Gargano’s show preview for CityBeat here.


• Australian Electronic music composer/performer Ben Frost brings his tour behind his latest album A U R O R A to the Contemporary Arts Center on Sunday. Showtime is 8 p.m. Tickets are $15 ($10 for CAC members). 


From Steven Rosen’s show preview in this week’s CityBeat:

This is Electronica, but it’s neither conventional Electronic Dance music, pure-noise Industrial nor (solely) peacefully Ambient droning. Noirish and foreboding, thrilling and involving, it aurally paints a landscape that has been compared to Blade Runner. It unfolds for 40 minutes, like an urgent story. The music can be lulling, even comforting, in its brooding introspection, but it keeps building — it’s complicated like a symphony. Overall, it’s tough and emotional, with moments of grandeur along with reverence to minimalism.


• Some other Australian musicians will also be in town Sunday night. Psych Folk/Rock band Immigrant Union — fronted by Dandy Warhols member Brian DeBoer — plays Sunday a 10 p.m. show at Over-the-Rhine’s MOTR Pub with guests White Violet. Like all MOTR shows, it’s a freebie. DeBoer describes the 10-year-old band’s sound as “Spiritualized being (baptized) in a river of Creedence Clearwater.” 


Click here for more live music events in Greater Cincinnati this weekend and feel free to promote other cool shows that were unmentioned in the comments.

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<![CDATA[Two FotoFocus Shows Not to Miss]]> Hard to believe, but we’re halfway through October, the main month of the FotoFocus Biennial. (Some FotoFocus-related shows run longer.)

So this weekend is really a great time to get out and see some of the shows — fotofocusbiennial.org has a full list. Find CityBeat's full FotoFocus preview here.

Two that I highly recommend, and that I’m afraid might be overlooked because of bigger museum shows, are Emily Hanako Momohara’s Heirloom — at Downtown’s Weston Art Gallery — and David Benjamin Sherry’s Western Romance at a temporary space at 1500 Elm St. in Over-the-Rhine. Momohara’s show is up through Nov. 30 but Sherry’s ends Nov. 1.

Both use color wonderfully to make you focus on objects and/or landscapes close-up — so close-up they have a transporting, transcendent effect if you can spend enough time with them.

Sherry, an L.A. artist recently featured on The New York Times Magazine’s cover, uses color in a psychedelic way, achieving the effect he wants during processing. It gives his Western mountain and desert landscapes a glaze — a “purple haze,” in the case of “Putting Grapes Back on the Vine” — that turns physical geography into a state of mind. There are also in the show black-and-white prints by masters of Western photography — Ansel Adams, Carleton Watkins — to acknowledge Sherry’s debt and also proclaim a change.

Momohara, who taught photography at the Art Academy of Cincinnati but now is relocating to China, is using Heirloom to explore ideas about her Okinawan and Japanese ancestry. These distinctive still photographs and photograph-like videos isolate and deeply contemplate objects related to or inspired by that.

The vertically formatted pieces — like the fantastic “Gathering” video, which looks at luminescent, open-mouthed koi as they crowd around the water’s surface — seem to be moving forward a grand narrative, like scrollwork. And the more horizontal pieces, like “Mask #1,” revel in mystery through the way illuminated objects occupy space in an otherwise dark ground.

To me, these two shows are among FotoFocus’ very best — and I especially hope Momohara returns at some point with something much more extensive.

 

 

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<![CDATA[Morning News and Stuff]]>

All right. It’s beautiful outside right now and I’m at a desk (as I imagine you are) with a load of election stories to write. I’m sure you’ve got your own stuff going on as well; let’s do this news thing quick so we can all be a little closer to getting to the weekend.

Are you embarrassed for Ohio yet? No? Just wait. Everyone’s favorite big-talkin’ sheriff will be representing the Greater Cincinnati area to an audience of millions soon. Butler County Sheriff Richard Jones is filming a segment of Comedy Central’s The Daily Show, where he will tangle with host Jon Stewart. Jones is well known for his antics and sometimes factually questionable assertions. He recently tried to bill Mexico for the amount it cost Butler County to jail undocumented immigrants he alleges came from that country. He also likes to equate immigrants with crime, drugs and disease which I explored briefly a while back. Now… he’s going national.

“We’re going to be filming a segment on illegal immigration and the upcoming elections,” Jones told the Cincinnati Enquirer about the show, which he’s filming this afternoon. Can’t wait!

• Dena Cranley, wife of Mayor John Cranley, will join 14 area pastors’ wives in an effort to extend health tests and information about diseases that predominantly affect low-income urban areas, the mayor's office said in a news release today. The services will be available at area churches with financial support from Walgreens. The program is part of a national push called First Ladies Health Initiative that has already been launched in Los Angeles and Chicago. The initiative provides free screening for diseases like diabetes, high blood pressure, breast cancer, HIV/AIDS, and more.

• 3CDC will buy three buildings with 80 units of low-income housing in Over-the-Rhine on the 200 block of West 12th Street across from the Drop Inn Center and at 1301 Walnut Street. The developer says the buildings are “problem” properties, with high amounts of police calls, and that residents there want out. 3CDC says it’s helping those living in the 64 occupied units find other places to live. The developer doesn’t know what it will do with the buildings yet, but says the building on Walnut may become an expansion of nearby Mercer Commons project and could end up as mixed-income housing,. Helping low-income people find more enjoyable, safer surroundings sounds great, but a couple questions spring to mind. Will the low-income units be replaced one-for-one? What do residents have to say, and will they be relocated to nearby housing in OTR? None have been quoted so far about the buildings’ problems, and it’s unclear where they will be moved to. You can peruse crime stats yourself to see the propensity of police calls to the buildings, how many people arrested lived in the buildings and so forth.

• There’s a reason you shouldn’t get relationship-related tattoos, and I think it’s kind of the same with building names. Chiquita Brands International peaced out on Cincinnati in 2011, first moving to North Carolina and now training its wondering eyes toward Ireland. Until recently, we still had a big, prominent building, the Chiquita Center, bearing the company’s name. It kind of made us look like we weren’t ready to move on from the relationship. No more. We’re finally letting go. The center will be rebranded as 250 East Fifth, a simple, bold declaration that the building doesn’t need to define itself by its bygone relationship with some flashy, globe-trotting company with tons of banana money.

• Finally, I think I found my Halloween costume. This guy was dressed in the creepiest possible way when he drunkenly entered someone’s house and passed out on their couch, only to be discovered by children. Undead Santa couch surfer for the win.

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<![CDATA[Valley of the Sun Tour Diary: Venue Variety]]>

Let’s take a moment to talk about Rock venues in the States, shall we? In my mind, there are two distinct types: you either have the nice, well-kept venues that often lack a certain spark that make them truly special or the dives that feel like a Punk Rock haven but smell like a dirty sock filled with cheese. You have to choose between fantastic atmosphere or a bathroom that’s actually been cleaned since The Sex Pistols were the next big thing.

Well, my friends, it seems that you can get the best out of both worlds; you just have to hop the pond and check out European venues. On this trip, I’ve been in an underground hall converted into a bar, a warehouse covered in graffiti and stickers, a youth center filled with murals slapped in the middle of a small town (and next to a church) and a venue in Berlin filled with so many weird and wonderful knick-knacks, I can’t wait to get home and start redecorating a little bit. I wanted to share some pictures and highlights of what we’ve seen so far.

The venue in Freiburg was called The White Rabbit and it was located underground, down several flights of stairs. The entrance was narrow but opened up to a large, cylindrical structure. We guessed that it was used as a bomb shelter or wine storage but the real origin was even more intriguing. It was originally the town’s coal chamber; the building above it had been leveled during the war and had been rebuilt.

Hamburg’s venue was the most surprising so far. As a Metal kid through and through, the graffiti and sticker-laden walls of Hafenklang instantly appealed to me. It had an industrial air about it and it felt just dirty enough. The wall adornments actually gave the place an artistic element. Somehow, hundreds — if not thousands — of taggers managed to create a cohesive composition worthy of any modern art museum.

Berlin has the honor of housing my favorite club yet. The Bassy Club was full of odd and awesome artifacts. I’m a big fan of weird decorations and this place was absolutely chock full of them. When we walked in, we all went into full tourist mode and started snapping pictures left and right. I now fully intend on finding a cow skull and making him a new light fixture when I make it back to the states.

Special kudos goes to Berlin for being an awesome city. We got a few hours to roam around and we ran into some sort of festival and found an awesome “Horror Rock Bar” called Last Cathedral. Sadly, it wasn’t open when we were walking around, so Nick and I had to resort to pulling an Immortal pose in front.

CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.

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<![CDATA[Stage Door: An Iliad, Varekai, and Other Items of Note]]> On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
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<![CDATA[City Will Drop Big Bucks to Clean Up Big Mess]]>

It’s probably safe to call 80,000 tons of rotting meat and vegetables a big mess. In fact, I don’t want to live in a world where such a thing doesn’t qualify for “big mess” status. The deeper issue is what can be learned from such a mess and who will be held responsible.

Council voted Oct. 15 to spend $300,000 to clean up Compost Cincy, a former composting company created in Winton Hills in 2012 with the help of the city’s Office of Environment and Sustainability (OES).

Neighbors of the site have complained for the past year of unbearable odors. The company closed its doors in October 2013, but the smell remained. Now, the city is left with the bill for cleaning it up.

Composting takes food waste, and by rotating it and controlling its decomposition, converts it into soil. San Francisco was the first city to institute a municipal program when it started collecting compostable waste in 1996. Today, the city collects more than 600 tons of waste a day for composting. A number of other cities, including Portland, Ore., Seattle, Boulder, Colo., and other generally progressive places also have programs. If composting isn’t done correctly, though, allowing for the correct mixture of air to reach the refuse, you just end up with a progressively worse smell.

That seems to be what happened with Compost Cincy. Since 2012, the company accumulated 45 code violations from the city and two EPA citations. The city refused to renew its lease last year due to complaints about odor. One factor at play may have been the fact the company was doing outdoor composting. Many compost facilities are located indoors as a way to mitigate odor creation.

The OES will cover $220,000 of the cost of clean up with its budget, with another $80,000 coming from city contingency account. Mayor John Cranley pinned a good deal of the blame for the project’s failure on the city office.

“The origin of this entire organization is to combat odor,” Cranley said during an Oct. 15 City Council meeting. “So it’s pretty embarrassing that it was this office that came up with this compost mess in the first place. It’s a nightmare for the people who have had to go through this for a year."

Council voted 9-0 to fund the clean up effort. But Cranley’s remarks created a good deal of controversy around the role of the organization and the city’s efforts to establish sustainability programs.

The official mission of the office goes beyond odor control. The OES is charged with leading sustainability efforts in the city. That includes redeveloping brownfield sites around the city, helping run Cincinnati’s recycling program and protecting the city’s air quality. Council members P.G. Sittenfeld, Yvette Simpson and Chris Seelbach all chimed in to support the office.

“I want to stick up for the Office of Environment because I don’t think it’s their fault, or that they were in any way trying to emit odors on purpose in our city,” Seelbach said at the meeting. “Composting is something that there is a large demand for. The business, Compost Cincy, was actually doing really well because lots of people wanted to bring their compost there and buy the soil that it produces.”

Seelbach said zoning was the big issue, something the OES doesn’t control. Simpson said that the Office of Trade and Development, not the OES, selected the site. She said the office needs more support.

“We need more resources to the offices of sustainability to so we can get at least 10 years behind,” Simpson said, noting that Cincinnati is falling short of sustainability efforts made in other, comparable cities. She acknowledged that Compost Cincy was "poorly executed" but said that wasn't the fault of OES.

She praised the city’s recycling program and said the city should support more sustainability efforts, not mock failures. She pointed out that council and the mayor have been willing to support other endeavors that don’t guarantee success.

“We’re going to continue to have conversations about whether the city should support small businesses, and we just invested $5 million in Cintrifuse, which runs start ups,” she said. “Some may work, some may not, some stay in the city and some may leave, but there’s no question we should spend money on that.”

Cranley also faulted other OES initiatives, including the city’s infamously unpopular one garbage can policy.

“This came out of the same organization that said we should have meatless Monday and all kinds of bad ideas,” he said. “It seems like we should not be funding organizations who then end up creating multi-hundred-thousand-dollar cleanups.”

Councilman Kevin Flynn also had pointed questions about the project, but from a different angle.

“If this was a good business, then why is the city having to pay $300,000 to clean up this mess?” he asked. “We need to be able to go after the money that resulted from these people paying for dropping off their waste and the money from the people who were buying the dirt created by that waste. Under our current policy, we don’t have that ability to do it.”

Flynn said the structure of the business and the city’s agreement with it mean that owner Grant Gibson may not be liable for cleanup costs. Gibson told The Cincinnati Enquirer he had sunk about $500,000 into the business.

Meanwhile, Compost Cincy’s website is still live, though it states that the company is shuttered. In a somewhat passive aggressive farewell message, the owners also put some blame on the zoning process for the company's problems, though they say, in the end, location doesn’t matter as much as the attitudes of a composting project's neighbors. The site’s farewell missive seems to claim it was sunk by unfounded fears about composting.

“If our society doesn't move faster towards actually being green and not talking about it, our planet will be 100 percent wrecked of natural resources in the very near future,” the site says. “With that said, make the changes necessary to your life.”

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<![CDATA[Comic Musical Duo Igudesman & Joo Performs at SCPA Tonight]]>

Comic musical duo Igudesman & Joo performs at the School for Creative and Performing Arts’ Mayerson Theater tonight, presented by the Constella Festival. Korean-British pianist Richard Hyung-ki Joo and Russian violinist Aleksey Igudesman mix Classical music with other popular genres and humor for a wholly entertaining performance. Check out this popular performance (which has more than 7 million YouTube views):

    

CityBeat writer Anne Arenstein spoke to Joo about the duo's unique spin on performing the classics.

It was hate at first sight when Igudesman and Joo met. There’s a hilarious account of what brought them together on their website, but according to Joo, the moment of truth came a couple of months later. 

“We shared the notion that the Classical music world which we loved so much was taking itself way too seriously,” Joo says. “Going to concerts was like going to a funeral.”

“We were young and we didn’t know much but we knew Classical music was full of life,” he continues. “Through our own projects and the music we wrote, we could at least create events that we would want to go to.”

Go here to read the full interview.

"An Evening with Igudesman and Joo" takes place at 8 p.m. tonight at SCPA’s Mayerson Theater, 108 W. Central Parkway, Over-the-Rhine. More information and tickets: 513-549-7175 or constellafestival.org.

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<![CDATA[Ten for 10: Phratry Records Celebrates 10th Anniversary ]]>

Though the traditional 10th anniversary gift is tin or aluminum (WTF?), a more fitting present for the Cincinnati label Phratry Records to congratulate it on its 10th year of service is your attendance at this weekend’s two-night Phratry showcase at Newport’s Southgate House Revival

Local musician Jerry Dirr (Knife the Symphony) launched the label in 2004 with the release of the debut album by Cincinnati’s Caterpillar Tracks. Since then, the label has put out around 50 releases, which are distributed nationally by Stickfigure Distribution & Mailorder.


Friday and Saturday’s anniversary showcase will feature a mix of Phratry signees (both local and out-of-towners), reunions and special guests. Here’s the lineup info from my Spill It column in this week’s CityBeat:

Friday night, the Phratry showcase will present non-Cincinnati signings Ultrasphinx (Akron, Ohio), Tyranny is Tyranny (Madison, Wisc.) and The Shanks (Toronto), plus currently active local Phratry bands Mad Anthony and Gazer. Friday will also see the return of Covington and thistle, whose own Tiberius Records teamed up with Dirr just as Phratry was getting started to release the compilation album Organelle. It will be thistle’s first show in three years. Friday’s lineup is rounded out by Indie Folk artist A.M. Nice, Reggae/Rock crew New Third Worlds, a reunion of former local Punk favorites Saturday Supercade and Jonathan Lohr & the Angel Shale, an AltCountry project that features former members of Caterpillar Tracks (whose debut album was Phratry’s first release).


Dirr’s own band Knife the Symphony plays the Phratry showcase Saturday, joined by one of the label’s most recent local signees Smoke Signals …, the hard-touring Ampline, progressive Post Punk/Metal band Mala in Se, State Song (which released the spectacular full-length Sleepcrawling earlier this year on the label) and blistering Punk group Swear Jar. Also performing Saturday are Pittsburgh-based Ed fROMOHIO, the former singer/guitarist of Mike Watt’s post-Minutemen band fIREHOSE whose more recent band Food records for Phratry, experimental unit Aperiodic and Heevahava, a former Greater Cincinnati band now based in Roanoke, Va. Saturday also features a pair of reunion shows local Punk fans should be pretty psyched about; both East Arcadia (which included/includes members of Phratry band Arms Exploding) and The Scrubs will reactivate their wonder-twin powers for the event.

In honor of Phratry’s 10th birthday, I’ve selected 10 of my favorite tracks from the label’s output so far. I hesitate to call these Phratry’s “greatest hits,” because everything the label puts out is excellent, but these tracks should give you a good idea of what the imprint is all about. You can peruse the entire catalog of available Phratry releases here.


Caterpillar Tracks - “Slippery Slope” from Scrape the Summer (2007)


thistle - “Ribbons” from The Small Hours (2008)


Humans Bow Down - “The White Sun” from A Mirror (2004)


Mad Anthony - “Sank for Days” from Sank for Days (2014)


Tyranny is Tyranny - “Manufacturing Truth” from Let It Come From Whom It May (2013)


State Song - “Skeleton Key” from Dear Hearts & Gentle People (2010)


Ampline - “Our Carbon Dreams” from You Will Be Buried Here (2010)


Knife the Symphony - “Rusted Satellites” from Dead Tongues (2009)


Arms Exploding - “Race Card Driver” from Ruminari (2008)


Gazer - “A Nurse for a Human” from Fake Bulbs (2014)

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<![CDATA[Music Tonight: Ruthie Foster, Dreamers, Misfits and More]]>

Texas Blues artist Ruthie Foster plays Oakley’s 20th Century tonight with local great Kim Taylor opening. Foster’s first album came out in 1997, but her last two (2009’s The Truth According to Ruthie Foster and 2012’s Let It Burn) really helped her make a name for herself; both earned Grammy nominations. Her latest is Promise of a Brand New Day, which mixes her Blues base with a variety of other influences.

From Steven Rosen's CityBeat show preview

The singer/bassist Meshell Ndegeocello produced Promise of a Brand New Day and her and Foster’s intentions are announced in the very first song, the Foster-penned “Singing the Blues,” on which Foster intones “A little bit of Bobby ‘Blue’ Bland never gets old.” Bland, the great and dramatic singer whose voice could smoothly move from a whisper to a scream, proves a great inspiration for Foster. So, too, does Bonnie Raitt — Foster’s voice has the same level of warmth and generosity on some of the new songs.

Tickets for tonight’s show (a “seats only” affair) are $22-$25.



• Buzzin’ indie rockers Dreamers play a free show tonight at 10 p.m. at MOTR Pub. Great Columbus, Ohio Indie Rock crew Indigo Wild opens. In promo materials, Dreamers’ sound is described as a “unique brand of grunge that is nostalgic for a space somewhere between art-school eccentric and the late 1970s punk scene” and Stereogum says, “They’ve taken little bits and pieces from the past six decades of rock and molded it into something fresh and interesting.” 


Dreamers’ self-titled debut EP is set for release Nov. 18. The music video for the EP’s “Waste My Night” recently premiered on Vice/Noisey. 



• For the past several years longtime local Pop radio station Q102 has been bringing in hitmakers to perform at its Bosom Ball concert, raising money for various breast cancer research and awareness organizations. The Bosom Ball returns tonight to Covington’s Madison Theater for its 10th annual event. 


This year’s concert features popular Pop Rock band O.A.R., British Pop singer Katy Tiz, the duo Alex & Sierra (winners of season three of The X Factor) and Mary Lambert, the Seattle singer/songwriter whose appearance on Macklemore and Ryan Lewis’ hit “Same Love” thrust her into the national spotlight (her debut full-length for Capitol Records, Heart on My Sleeve, was released Oct. 14). Bosom Ball proceeds are being donated to Susan G. Komen and The American Cancer Society’s breast cancer programs.


The show (open to those 21-and-up only) officially sold out earlier this week, but tickets are still available for the all-ages “Q102 Bosom Ball Underage Sound Check Party,” which takes place at 4 p.m. and features a performance from Alex & Sierra. Tickets are $10. http://www.cincyticket.com/eventperformances.asp?evt=2286



• Punk legends Misfits play Newport’s Thompson House tonight. The influential band was formed in 1977 by Glenn Danzig, who dissolved the band in the early ’80s when he formed Samhain (and then Danzig). Band members Doyle Wolfgang von Frankenstein and Jerry Only reactivated Misfits in the mid ’90s and, with various lineup changes, Misfits have continued to release albums and tour ever since. The current lineup of the band includes Only, singer/guitarist Dez Cadena (who spent some time fronting Black Flag in the early ’80s) and Eric "Chupacabra" Arce, former drummer for Murphy’s Law.


Here’s a track off of Misfits’ recent live album, Dead Alive!



Tonight’s show starts at 7 p.m. Tickets are $25.


• Dynamic Roots Rock crew Sons of Bill plays Newport’s Southgate House Revival tonight at 9 p.m. with guests Brave Baby. Tickets are $10.


Sons of Bill recently released its new album, Love and Logic, produced by former Wilco member Ken Coomer. The music video for Sons of Bill’s “Lost in the Cosmos” single (a tribute to Big Star singer/songwriter/guitarist Chris Bell) was recently premiered by Rolling Stone, which calls the new album “a classic roots-rock record for the modern age, filled with B3 organ, acoustic guitar, envelope-pushing arrangements and the sound of three siblings whose voices were born to mesh.”



Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.


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<![CDATA[From the Copy Desk]]>

Good morning readers. It was slim pickings in this weeks issue for "Words Nobody Uses or Knows." I only found three, which is OK, because I'm still recovering from last night's Iron Fork event (where I may have had one too many samples of bourbon) and the less thinking I have to do, the better.

The best (or worst) word in this weeks issue is pompatus, which actually appears in the deck of Brian Baker's interview with singer/songwriter Maurice Mattei. Neither Microsoft Word nor the blog platform I'm writing in recognizes this as a real word. Because it's not. Wikipedia says (there's an entire page devoted to this) that pompatus is a nonce word, a word coined for a special occasion and not likely to be heard again, found in Steve Miller's 1973 Rock song "The Joker." 

"Some people call me the space cowboy/
Yeah! Some call me the gangster of love/
Some people call me Maurice/
'Cause I speak of the pompatus of love."

In this issue: "Singer/songwriter Maurice Mattei details the pompatus of loss on Celebrity Issue"

OK. I still don't know what this word means or is intended to mean. New World Dictionary defines pompatus as: one who is pompous (n.) But in the above context, that doesn't make much sense. 

I suppose the lesson this morning is: Famous people sometimes coin disposable, meaningless words that confuse regular people who aren't "with it."

Next best word is oeuvre, found in the review of Vivian Maier's exhibit at FotoFocus. It's pronounced something like "ew-vra." Fancy.

Oeuvre: the group consisting of all the works, usually of a lifetime, of a particular writer, artist, or composer (n.)

In this issue: "But a whopping 33 of the aforementioned images in Pursuit are self-portraits, which — due to their abundance in her oeuvre — we might conclude Maier was quite fond of taking."

And finally, there's triptych, which is a great sounding word and it's found in this week's Staff Picks

triptych: a set of three panels with pictures, designs, or carvings, often hinged so that the two side panels may be folded over the central one, commonly used as an altarpiece (n.) Similarly, a diptych is two related panels of art work, while a quadtych is four, you see what Latin does there?

In this issue: "North American New Opera Workshop (NANOWorks) continues to challenge traditional ideas of opera as it kicks off its new season with the first two parts of Daniel Felsenfeld’s triptych, She, After."


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<![CDATA[Morning News and Stuff]]>

Good morning Cincy! I’m a little groggy today after last night’s Iron Fork event, which was awesome. If you were at the Moerlein Taproom for the chef showdown and restaurant sampling festivities, you probably saw me with the group that pretty much monopolized the giant Jenga set all night. Sorry ‘bout that. Anyway, on with the news.

One of the Greenpeace activists on trial for hanging an anti-palm oil banner from P&G headquarters has died, the Associated Press reports. Tyler David Wilkerson, 27, died Oct. 6, according to an obituary in the Fresno Bee newspaper. No cause of death or other details have been released. Wilkerson was one of eight activists facing felony burglary and vandalism charges in connection with the March protest. A ninth activist took a plea bargain.

• Yesterday’s City Council meeting was action packed. Well, maybe not action packed, but interesting and eventful. OK, OK, just eventful, and with more bickering than usual for some reason. Members of council got their feathers all ruffled by the fact that the media knew about Cincinnati’s $18 million budget surplus before they did, perhaps marking the end of new City Manager Harry Black’s honeymoon with the city’s most illustrious deliberative body. Council members found it a bit off-putting that plans were already being made for that money before they even knew it existed. Black promised to make sure every council member is tipped off the next time the city finds unexpected change in the couch cushions.

But look at me over here gossiping. Substantive stuff happened as well.

• The city will pay $300,000 to help clean up a failed compost facility in Winton Hills affectionately nick-named “Big Stanky.” OK, no one but me calls it that. But it does smell very bad, and that’s caused a great deal of controversy. The company, Cincy Compost, went bust earlier this year, but left something like 80,000 tons of rotting meat and other food scraps behind. The city is chipping in on the cleanup because it has to be done, but Mayor Cranley and a few council members weren’t happy about it. Cranley used the issue as an opportunity to jab at the city’s Office of Environmental Quality and Sustainability, which he blamed for the mess. Other council members, including Chris Seelbach, jumped to defend the office, to which Cranley replied that the office’s “Meatfree Monday” initiative was dumb. Seemed like a bit of a low blow, since Seelbach is a vegetarian, but that’s neither here nor there.

• Council also voted to apply for nine HUD grants worth more than $6 million for the city’s Continuum of Care program. The money would be used to provide rental assistance for homeless, low-income people with disabilities. Council also approved a $500,000 loan to Walnut Court Limited Partnership, a Walnut Hills developer. The developer will be rehabbing 30 units in the neighborhood to provide housing for very low income individuals. This deal was a bit more controversial, as Councilman Kevin Flynn questioned how the property, which was overseen by HUD, came to need such extensive renovations and why the city should have to pay for them.

• Moving on to market rate developments, there are some new plans for the former site of the historic house that held Christy’s/Lenhardt’s restaurant and bar in Clifton Heights. The house was demolished last year to make way for an apartment building in the university neighborhood. Gilbane Development Co., which was part of initial plans to put a larger development at the site, has come back with some revised, scaled-down ideas. The building was originally going to be eight stories tall with 245 units of housing. It will now be only six stories with 190 units, as well as some commercial space. The project will be part of a larger development effort for the block that should happen sometime in 2015.

• A little old, but worth noting: The Hamilton County Public Defenders Office has written a letter to Mayor John Cranley about Cincinnati Prosecutor Charlie Rubenstein, saying he took inappropriate actions last month by getting a judge to sign a warrant that would have allowed him to search the entire public defender’s office over a single robbery case. That just doesn’t happen to private law firms, the defender’s office says, and shouldn’t be allowed. The mayor and the city manager have said they want to work with the public defender’s office to make sure evidence is gathered in the least invasive way possible in the future.

• LeBron James was in Cincinnati yesterday for a Cavs preseason game at Xavier University against the Indiana Pacers, and he said he liked the city, calling it “a great sports town.” Despite being arguably the state’s biggest name in sports, James had never played in Cincinnati before. He scored 26 points in the game.

• Let’s take a quick jog south and revisit the Kentucky Senate race, shall we? Recent articles have prognosticated that time is almost up for Democrat Kentucky Secretary of State Alison Lundergan Grimes, who is challenging Senate Minority Leader Mitch McConnell for his seat. The Democratic Senatorial Campaign Committee, the party’s national arm in the race, stopped spending money on ads in the state this week, leading reporters to say the party is pulling out of the race and that Grimes is ready for the fork, cause she’s done. That appears to have been a premature judgment, however. Potential Democrat presidential candidate Hillary Clinton campaigned for Grimes yesterday in Louisville, urging voters in the Bluegrass State to “put another crack in the glass ceiling” by putting Grimes into office. It also turns out that the DSCC is still running polls in Kentucky and may jump back into the race with more ads before all is said and done. Grimes' campaign also has about $4 million in that cash money in the bank, so don't count her out just yet. 

Much has been made of Grimes’ refusal to say who she voted for in the last two presidential elections, and some pundits, including conservative commentator Rich Lowry, have said it has sunk Grimes’ chances in the race. Lowry wrote a deeply dumb rant ostensibly about that subject (though it quickly jumps the rails and becomes yet another boring anti-Obama diatribe about four paragraphs in). Clearly Democrats are still hoping Grimes has a chance, though.

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<![CDATA[FotoFocus' Sharp, Smart Programming at Memorial Hall]]>

The centerpiece of the FotoFocus Biennial’s programming was its five days of events at Memorial Hall — films, panel discussions, lectures and a Saturday-night performance of This Filthy World by John Waters.

As the Wednesday-Sunday events coincided with other key FotoFocus events — the excellent Screenings exhibit of short art films curated by the biennial’s artistic director, Kevin Moore, was at Lightborne Studios during the same period — it was hard to attend everything.

But what I did attend was really rewarding — thought-provoking discussions about photography that centered on ideas and thus were of interest to everyone. In fact, that’s a point I think needs to be made about FotoFocus as it seeks to grow its following: It isn’t a narrow-focused event for photography professionals; it’s for anyone who likes the visual arts. That should be everyone.

Here are some of the highlights of what I was able to attend:

A panel discussion on FotoFocus’ Vivian Maier: A Quiet Pursuit exhibition, about the secretive Chicago street photographer whose work has only recently been discovered since her death. One guest was Howard Greenberg, the New York fine-art photography dealer who represents John Maloof, the Chicago owner of much of Maier’s archives of unpublished work. Regarding a current dispute with another party over who has the right to print and sell her work, Greenberg said he and Maloof were close to an agreement with the city of Chicago-appointed attorney for the Maier estate to let sales of prints resume while the dispute proceeds, since the income would benefit the estate.

A conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then manipulated the images into something slightly ethereal, offered stimulating ideas about how post-industrial ruins have become melancholy pilgrimage sites — accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”

Friday night’s keynote lecture on “Shadow and Substance: Photography and the Civil War,” by Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically involving. He was an engaged and engaging speaker. For instance, he explained why there are so few actual photographs of battles – with both sides blasting away, sometimes imprecisely, at each other on battlefields, few photographers wanted to set up their cumbersome equipment along the dangerous sides to capture the action. But once a battle was over, it wasn’t so difficult to document the bodies on the ground.

A panel discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram” project for which Instagram photos were fed into a screen at the temporary ArtHub structure in Washington Park, had food for thought. Jose Garcia, the ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle Books, observed that new technology — with its emphasis on swiftly delivered virtual transmissions rather than carefully crafted physical objects — has been met with a healthy, growing counter-movement encompassing vinyl records, locavore-oriented slow foods, letterpress printing and more. And, he said, Chronicle Books’ main business is still print.

John Waters drew a big crowd to Memorial Hall — FotoFocus had sold 200 more passes than seats (a pass was good for all Memorial Hall events, not just Waters) and was worried. Fortunately, not every passholder came to his Saturday night show — there were some empty seats on the sides. His show lived up to its This Filthy World title, as he joked about seemingly every sex act known to the human race (and maybe some known only to aliens).

But he also made humorous references to artists — he’s an art connoisseur — and some of his political observations had the kind of shocking in-your-face bite reminiscent of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little, since I didn’t take notes), “If you’re not going to love your child, don’t have him. I don’t want him to grow up to kill me."

Afterwards, he signed objects for fans and then joined a small group of FotoFocus organizers, supporters and guests for a late dinner on the Memorial Hall stage. As fate would have it, he sat next to me. Charming man.

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