Band of Horses is back and its music is sexier than ever.
The members’ beards are luscious and their button-down shirts are
oh-so-tantalizing, but it’s BoH’s awesome new(ish) sound that will truly
make you squirm.
I’ve sprained my neck.* I’m taking Vicodin and Thursday night is the first night of MidPoint Music Festival. When my editor told me my review should be first-person and to “think, Fear and Loathing in Las Vegas,” I snorted at just how closely it might come given my current intake of prescription drugs. No longer stoked for the experience but real...
There’s a very thin line between knowing
what you want and being thankful for what you have. A few inches to one
side could see you constantly unhappy with what you earn. An inch on the
other side and you’re bound to never earn anything new. Cincinnati’s on-the-rise Indie Folk duo
Young Heirlooms walk that line. They’re overwhelmingly thankful for the
support from Cincinnati and respect from their fans. Their gratefulness
is conveyed nearly constantly, onstage and off. But, just under the surface, they’re itching for more.
You know who there aren’t enough of in America? Guys like Paul Thorn. Thorn plays a loud version of Americana, a bluesy, Southern Rock. His
lyrics often illustrate stories about rough lives, hard times and rowdy
women, making him a sort of funkier Johnny Cash.
Once upon a time in a loft in Williamsburg, Brooklyn,
Emily Haines and James Shaw made New Wave music together. They performed
around New York City calling themselves Metric and trying to scrape up
enough money to pay rent and buy food.
You know what I like? Pop music. Some of you may be judging me right now and, for that, I’m judging you in return. There is absolutely no legitimate reason to dislike Pop.
Of course, I get it. Most Pop music isn’t the well-written, deeper-than-the-ocean type stuff, but rather easy to understand and anchored by a catchy hook. There’s nothing wrong with that, though. Music isn’t...