Tuna, Texas, once a real-live speck of a town, had been written off state maps for decades. That changed in 1981 when Jaston Williams, Joe Sears and Ed Howard penned Greater Tuna, the first of four comedic plays focusing on the quirky, small-town conservatism of Tuna.
It is a wonderful risk any time a theatre company takes on a classic like Tennessee Williams’ A Streetcar Named Desire.
It is an especially wonderful risk for actors who go up against our
collective or personal expectations of what their performances should