The Engraving Trade in Early Cincinnati: With a Brief Account of the Beginning of the Lithograph Trade is
a beautiful book, as it should be, given its subject matter. In the
early years of the 19th century, images
in publications were the way people saw the world beyond their own
Cincinnati Everyday shows us our city as seen by two very different living artists, both of whom find the place endlessly interesting. Cole Carothers and Courttney Cooper are each instinctive artists. That is to say, each makes art because it’s his natural response to what he sees, but how they see is as individual as they are themselves.
Daguerreotypes: someone sitting stiffly,
right? Ninety-nine percent of daguerreotypes would fit that
description, says Tamera Muente, the Taft Museum of Art’s installing
curator for its current show, Photographic Wonders. The surprise of the show, she adds, is that virtually all of it is drawn from that other one percent.
Teenagers look critically at the grownup world, perhaps
because they know they'll be there themselves before long, and they
often don't like what they see. The School for Creative and Performing
Arts students who put together We Put the F.U.N. in Funeral certainly fall into that number, and interpret their title in the most ironic sense.
We’ve been here before, but it wasn’t quite the same. The frequently sun-struck paintings in the engaging exhibition, Continuity and Change: The Return to Figurative Painting,
now at Cincinnati Art Galleries, are the work of seven area artists...