Can a big idea -- actually a massive one -- change its location and still carry its weight? That is to say, can the Massive sculpture exhibitions we knew in the great, glorious interiors of SSNOV
Julian Stanczak, accompanied by his wife Barbara and their son Krzys, was in town for the recent opening of Julian Stanczak at the Contemporary Arts Center (CAC). When I talked to Stanczak there
It's been a year since the Phyllis Weston-Annie Bolling Gallery opened on the busy stretch of Madison Road that still carries the historic neighborhood name O'Bryonville. "It feels like home,
Saul Steinberg, who seemed to draw the way the rest of us breathe -- a visceral element in being alive -- took Cincinnati by surprise in 1948. He's doing it again in 2007. When Steinberg's 60-
Joseph Winterhalter calls his current exhibition at the Weston Art Gallery Leaving the 21st Century. Leaving? Whoa, we just got here, didn't we? Winterhalter, whose affinity toward modern Fren
Mary Baskett is wearing an Issey Miyake dress. It has vertical gathers along the side seams in a most interesting way. She's also wearing an asymmetrical Miyake necklace. A slightly askew look i
Now that the 21st century is off and running, why should we care about white marble statues, which are so 19th century, right? Because they're cool, very cool. And sexy. Example? See Hiram Powe
What is it about Ohio? It nurtures able writers, as this book makes clear, but then they leave. Eudora Welty stayed in the same town, in fact the same house, for most of her brilliant writing life
You wouldn't know the place. Mid-Century City: Cincinnati at the Apex shows us a Cincinnati full of zip, making things, confident of its role and, however wide-eyed at disasters like the 1937 flo
Cincinnati filmmaker Melissa Godoy sets out to discover how we can "stay whole against the assault of old age" in her new documentary, Do Not Go Gently. The film tackles a subject of increasing