“Think small” is the mantra at Manifest Gallery for its annual Magnitude Seven show, tucked tidily into the little gallery. No work exceeds 7 inches in any direction, but there’s no limit on skill or inspiration. This year’s call for entries brought responses from all over the world; 27 artists from 14 states and three different countries, including Croatia, made the cut. 2-7 p.m. Tuesday-Friday and noon-5 p.m. Saturday through June 26.
The Four Fools were a hit here last year, winning Producers' Pick, and are back with a whole new show that looks sharper and funnier than their previous production. If you like a good time with four not so naughty but really, really funny fellows, see 'April Fools.'
In a very neat segue, it’s possible right now to see two exhibitions of Cincinnati photographer Michael Wilson’s work, reflecting different areas of interest, almost within walking distance of each other. Iris BookCafe is showing prints of photographs from Wilson’s 1984 book Heads Bowed Eyes Closed, No One Looking Around through Aug. 7, overlapping until June 7 with the Wilson’s Weston Art Gallery exhibition, The Day of Small Things, a mid-career retrospective. Iris Bookcafe is open daily and the Weston is open Tuesday-Sunday.
The production is an ingenious concoction that uses a staple of 21st-century life, your very own cell phone, to make theater on the streets of Over-the-Rhine and in your head. The drama, as it happens, is taking place in 1949, when World War II was over and film noir was a big draw in the movie houses — but cell phones weren't even a glint in a scientist's eye.
The Body Language concept is to interview people about how they view their bodies, then turn their insights into a telling pastiche that amuses and informs and hits us where we might not know we hurt. In the current show, they've gone back to high school, when bodies are presumably about at peak, and found a mass of conflicting responses.
If you could play a guitar with a jackhammer, Ed Hamell would do it. As it is, he comes so close to "Abuse of an Instrument" that the music police would get him if he weren't searingly funny and, treating the language with no more respect than his guitar, profanely eloquent.
‘Garry Winogrand would move fast through the streets, see things happening, maybe across an intersection, would move to that area, firing off his Leica, the wide-angle lens essentially pre-focused, moving with the camera, the energy, the kineticism of the street coming through.”
Photographer Garry Winogrand's 'Women Are Beautiful' appeared as a book in 1975, and in 1981 Winogrand produced a portfolio of 85 prints selected from those works. Eighty of the portfolio prints are being shown at CAM in a crowded display in the Vince Waddell gallery to reveal the voyeuristic nature of his work. Through Aug. 23.
This production from Fringe fave True Body Project features actors and nonactors and gives the participants and those of us attending plenty to remember about body-consciousness in the gym class landscape. We've all been there.