The production is an ingenious concoction that uses a staple of 21st-century life, your very own cell phone, to make theater on the streets of Over-the-Rhine and in your head. The drama, as it happens, is taking place in 1949, when World War II was over and film noir was a big draw in the movie houses — but cell phones weren't even a glint in a scientist's eye.
The Body Language concept is to interview people about how they view their bodies, then turn their insights into a telling pastiche that amuses and informs and hits us where we might not know we hurt. In the current show, they've gone back to high school, when bodies are presumably about at peak, and found a mass of conflicting responses.
If you could play a guitar with a jackhammer, Ed Hamell would do it. As it is, he comes so close to "Abuse of an Instrument" that the music police would get him if he weren't searingly funny and, treating the language with no more respect than his guitar, profanely eloquent.
‘Garry Winogrand would move fast through the streets, see things happening, maybe across an intersection, would move to that area, firing off his Leica, the wide-angle lens essentially pre-focused, moving with the camera, the energy, the kineticism of the street coming through.”
Photographer Garry Winogrand's 'Women Are Beautiful' appeared as a book in 1975, and in 1981 Winogrand produced a portfolio of 85 prints selected from those works. Eighty of the portfolio prints are being shown at CAM in a crowded display in the Vince Waddell gallery to reveal the voyeuristic nature of his work. Through Aug. 23.
This production from Fringe fave True Body Project features actors and nonactors and gives the participants and those of us attending plenty to remember about body-consciousness in the gym class landscape. We've all been there.
DIY Productions, which last year provided a surprising self-conducted Over-the-Rhine tour with 'Inner: City,' has cooked up a new way to rattle your expectations. The Fringe and the OTR neighborhood itself are part of the package, which you can experience alone or with a friend or two.
When David and Barbara Day cast a clear eye on the city, what they see are things the rest of us can no longer find. In Vanishing Cincinnati, an exhibition of the Days’ handcrafted prints, present time dissolves. The #49 streetcar cruises through Eden Park, the art deco Greyhound bus terminal still stands at Fifth and Sycamore streets and steamboats are docked at the foot of Mount Adams. The prints, from the Days’ pen-and-ink drawings touched with color wash, are meticulously detailed and perhaps more telling than a photograph would be. Through June 6 at the Fifth Street Gallery.