Julie Carpenter is still young, but she thinks old is cool. A good thing, too, as her job makes her the public’s interface with the oldest brick house in Ohio, the Betts House Research Center at 416 Clark St., two blocks west of Music Hall.
What's happening to the arts audience in Cincinnati? Is it the same group of stalwarts -- loyal and interested but inevitably growing older -- or is there an infusion of new people with new expectations? Outreach/education people in Cincinnati arts join CityBeat for a roundtable discussion.
Although burdened by a title that's a little too cute, Young at Art: Works on Paper by Emerging and Established Artists at Phyllis Weston-Annie Bolling Gallery is a bright and engaging show.
For the most fun you'll have at an exhibition all summer, don't miss Long Time No See, the grand grabbag of more than 100 objects the Cincinnati Art Museum
With Exodus/Elegy, sculptor Anthony Becker meets the challenges of the difficult street-level space at the Weston Art Gallery in an exhibition well worth seeing.
Working with inexpensive brown pape
The Iraq that lives in Basil Balian's memory is nothing like the one we see on the evening news. It is a place where, within the constrictions of society's rules, a boy growing up is both safe a
From Winslow Homer to Edward Hopper: American Watercolor Masterpieces from the Brooklyn Museum, now on view at the Taft, is a pleasure from start to finish. Despite the title (thought up by a ma
Ever wonder "How could that have happened?" when evening news has a story of some terrible event carried out by an ordinary person, somebody who could live down the street from you, a perfectly nice person never given to mayhem? Cincinnati writer Dorothy Weil tells us how things like that can happen in her new novel, which takes place mostly in Walnut Hills.
An artist's ideas bristle on every wall and even on some floors at the dual Sol LeWitt exhibitions now showing at Contemporary Arts Center (CAC) and Cincinnati Art Museum (CAM). Behind LeWitt X