"I laughed and cried — what a wonderful group of stories!" says a note in the exhibition comments book for 'Positively Ninety' at the Sharonville Fine Arts Center, which run through May 21. Someone else writes, "A wonderful collection of interesting faces!" The faces belong to people who are 90 years old or more, going about their lives with zest and relish. Nonagenarians are sometimes overlooked, she feels.
The faces belong to people who are 90 years old or more, going about their lives with zest and relish. Photographer Connie Springer's nonagenarian portraits were first shown at the Kennedy Heights Arts Center in January 2009. The exhibition has had an unexpected continuing existence.
Duveneck lives! Well, not quite, but the northern Kentucky artist who made an international name for himself more than 100 years ago is remembered at the 43rd Annual Duveneck Memorial Art Show, noon-5 p.m. Sunday at George Rogers Clark Park in Covington.An innovator in his time, Frank Duveneck was also an inspired teacher, here and abroad, who would have been deeply pleased to be remembered by this juried show, with a total of $3,000 in awards.
Martha MacLeish's art, whether two- or three-dimensional, is concerned with “aspects that raise questions and create tension,” according to her artist's statement. The thing she doesn't mention is the joyful sense of life these works convey, a bursting, vibrant delight of echoing forms and interacting colors.
Martha MacLeish of Indiana University's Fine Arts faculty allows her work to break exuberantly into three dimensions in 'Shape Shift: Recent Works,' at Manifest Gallery through May 13. MacLeish's art, whether two- or three-dimensional, is concerned with "aspects that raise questions and create tension," her artist's statement says. The thing she doesn't mention is the joyful sense of life these works convey.
Impressionism and love of gardening serendipitously developed at the same time in the United States, 100 or so ago, resulting in such irresistible works as those on view at the Taft Museum of Art in 'The American Impressionists in the Garden' through May 15. Flowers all but burst out of the canvas in paintings by John Singer Sargent, Childe Hassam, Ernest Lawson and others.
'Creating the New Century,' a jam-packed exhibition with few artists represented more than once, is on view at the Dayton Art Institute through July 10 and worth the trip up I-75. Drawn from the collection of Ohio businessman James Dicke, himself an exhibiting artist, all the works are post-2000 but reflect Dicke's admiration for 20th century stalwarts like Sean Scully, Philip Pearlstein and Alex Katz.
Now in the middle of its first fund-raising campaign under the new name ArtsWave, the organization formerly known as the Fine Arts Fund wants to pioneer a new approach to valuing the role of the arts in our community. But with that might come controversy. Some worry that in trying to broaden its mission, ArtsWave will be spreading its dollars thin.
Cleopatra, considered ancient Egypt’s great last pharaoh before that civilization fell to Roman conquest in the first century B.C., had a reputation for knowing how to present herself stunningly to outsiders. Legend has it she once sailed upriver in a gilded barge with purple sails to introduce herself to Mark Antony, the powerful Roman leader who became her new lover.
The temptation to linger is strong at Betts House, where Barbara and David Day's gently colored pen-and-ink-drawings are on view through April 23 in the exhibition 'Vanishing Cincinnati.' Some of the scenes, like Crosley Field and the Albee Theater, already are gone, but we are prompted by the drawings to look again at those remaining. Pendleton House, built in 1870, is shown on its hilltop with the modern city behind it and City Hall appears in all its Romanesque resplendence.