I’m sick of the Tailhook nature of
navigating daily life when people are so blithely rude they let doors
slam in the faces of the people behind them, they jostle and slam into
others without so much as an “excuse me,” so by the time I retreat back
to home base I feel like an abused slab of dough.
Forget the bickering, back-and-forth and ballot measures. What we’re now doing — and I use “we” to
mean whomever accesses city coffers or pulls capital and/or operating
budget purse strings — is putting the streetcar before public good and
Politicians here are like helicopter
parents, mishandling the city in the same blatantly narcissistic manner
as parents who bear children for the sole purposes of shaping those
children in their images.
It makes me sad, angry and bewildered
every time I see a black person littering, just blatantly tossing down
with impunity and careless disregard for their surroundings the remnants
of their ghetto diets and their ghetto lifestyles
At the end of past spring classes I’d
spend weeks in a thick-headed fog, obsessing over the state of America’s
education system; I was confused by our simultaneous political
demonization of China and our dependence on Chinese students to grow and
improve our science and technology departments.Wow, I used to think. Then in spring 2009 — after three years of teaching it — I realized how piously I had been thinking.
The only movie I can clearly recall seeing on the West Side screen is Lady Sings the Blues in 1972. My parents were finally splitting up the
same year that movie came out and I took to the darkness in movie
theaters from that point on as my own private Idaho of insular thinking,
mourning and disappearance. Darkness: visible.
I’d pay to see a lineup of all
the children and grandchildren of right-wingers — especially those
directly responsible for legally shoving their definitions of “family”
down all our throats — all come out publicly in a public square. I bet there are a shit-ton of ’em.
Ensemble Theatre Cincinnati’s Black Pearl Sings!
is a play come as a warning shot foretelling the modern-day recording
industry (such as it is) and its sad history of theft by corporate
henchmen. More obviously and tellingly, the play is
also a dance of race relations, race politics and the sometimes
heartbreaking history of relationships between black and white women.
What work ethic I have — especially the stamina and energy to plow through until the end — I got from her. Our mother never stopped. My three blood siblings and the four stepchildren she raised can all attest to the fact that she never stopped parenting us.