I've seen The Lion King five times, on Broadway and on tour. I wrote about it in a feature this week, describing how a successful but not terribly profound animated Disney feature became a stage musical that's a worldwide phenomenon. A touring production is at the Aronoff through Apri...
When I was a high school senior and the teacher who staged the school plays — her name was Mary Price — picked Shakespeare’s The Taming of the Shrew,
there was a lot of moaning and groaning. Why do we have to perform in
some dusty old play from centuries earlier?
Scott Wilson is a playwright unafraid of the prickly issues of contemporary
life. In Buzzer at the Cincinnati
Playhouse, she tells a story that could be set in Cincinnati’s Over-the-Rhine.
(It’s actually in New York City.)
When I was
a teenager, I devoured comic books ... I haven’t spent much time with those stories or
characters for years, but Know Theatre’s production of Hearts Like Fists took me back to the days of two-dimensional
characters, clear delineation between good and evil and lots of slam-bam
Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more
Tracey Scott Wilson, whose recent play Buzzer
opens this week at Cincinnati Playhouse in the Park (it’s onstage
through April 19), once said in an interview, “The biggest issue we have
in this country is race, and it’s an issue that Americans don’t talk
Buzzer, a 2014 script, is set in the present, a story about returning to an evolving urban neighborhood. Wilson continues her clear-eyed explorations of race that are rendered with strength, focus and an invitation to debate.