WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home · Articles · By Rick Pender
Rick Pender
 

Of Mice and Men (Review)

Great acting brings a callous world to life

0 Comments · Monday, October 21, 2013
Most of the characters in Of Mice and Men are victims of bigotry and persecution, and life is treated callously. Lennie and George’s friendship, built on familiarity and kindness, is sadly trampled by an uncaring world, quick to judge and destroy. This is a deeply moving production.
  
todo_onstage_raptureblisterburn_ryankurtz

Stage Door: Choices, Choices

{CommentsCant} · Friday, October 18, 2013
My best recommendation for this weekend is Ensemble Theatre's staging of Gina Gionfriddo's Rapture, Blister, Burn. This is an ultra-natural piece of writing with several generations of women arguing and contesting over the ways women should behave. (CityBeat review   

Learning Experiences: Cincy Shakes and Xavier Theater Collaborate

0 Comments · Wednesday, October 16, 2013
Cincinnati Shakespeare Company is partnering with the theater program at Xavier University to stage Arthur Miller’s The Crucible. (Oct. 25- Nov. 3; tickets are $15-$30; 513-745-3939.) This came about because Stephen Skiles, who heads XU’s theater program, is friends with Brian Isaac Phillips, CSC’s artistic director. Skiles was an acting intern at the Cincinnati Playhouse 16 years ago when Phillips was recruited to fill out a cast.  

Onstage: Of Mice and Men

0 Comments · Tuesday, October 15, 2013
John Steinbeck’s literary classic of enduring friendship in the face of unendurable hardship in Depression-era America is the next offering at the Cincinnati Shakespeare Company.   

Rapture, Blister, Burn (Review)

Women with issues

0 Comments · Monday, October 14, 2013
The play’s title, a distillation of its evolution of emotion and circumstance, is a lyric from an obscure Rock tune, and it’s an apt précis of the story’s arc. The script could easily have descended into a soap opera-like drama or a silly comedy, but it does not. Gionfriddo is a masterful writer of witty, provocative dialogue, and her characters are painfully real.
  
todo_onstage_raptureblisterburn_ryankurtz

Stage Door: Solid Choices

{CommentsCant} · Friday, October 11, 2013
Several great choices for theatergoing this weekend. At the top of your list should be Rapture, Blister, Burn at Ensemble Theatre Cincinnati. I was at the opening of Gina Gionfriddo's 2013 Pulitzer Prize runner-up on Wednesday, and it's another fine example of the kind of excellent production we've come to expect from ETC. Lynn Meyers has a knack for finding exactly the right acto...  

Onstage: Rapture, Blister, Burn

0 Comments · Tuesday, October 8, 2013
Ensemble Theatre Cincinnati keeps the hits coming from Broadway’s A-list.Gina Gionfriddo’s tale of grass that’s greener on the other side of the fence was a Pulitzer Prize finalist in 2012. With  

Seven Spots on the Sun (Review)

Deep scars, painful memories

0 Comments · Monday, October 7, 2013
Wartime tortures its victims long beyond the battlefields and combat. Especially when a war tears apart the population of a single nation, the scars run deep, last long and profoundly change lives. That’s the circumstance of the characters in Martín Zimmerman’s Seven Spots on the Sun, receiving its world premiere at the Cincinnati Playhouse.    
stage door image for 10-4 - seven spots on the sun - cincy playhouse - photo sandy underwood

Stage Door: Weekend Choices

{CommentsCant} · Friday, October 4, 2013
You have two good choices at the Cincinnati Playhouse in the Park this weekend. Last evening I attended the opening of Martín Zimmerman's Seven Spots on the Sun (it's onstage through Oct. 27). It's a thoughtful and gripping drama about the fallout of civil war in an unnamed Latin American country. Warring factions draw lines and commit atrocities that make for inconsolable lives...  

Passing of Knowledge

0 Comments · Wednesday, October 2, 2013
A change in leadership is under way at Over-the-Rhine’s Know Theatre. Eric Vosmeier, producing artistic director for the past half-dozen years, is gradually handing over the reins to resident scenic and lighting designer Andrew Hungerford. Know, an adventurous and occasionally chaotic organization that began in 1997, is handling this evolution in a surprisingly orderly fashion.