Sidewalk Chalk's just-released second album, Leaves, opens with a live clip in which frontdude/rapper Rico Sisney and frontlady/singer Maggie Vagle ask a crowd to shout out the Hip Hop crew's name on the count of three. It's a fitting intro, for this Chicago octet is, first and foremost, interested in interaction, about stirring minds and moving asses.
After years of playing in Cincinnati bands and touring with various bands as a sound man and guitar tech, Steve Schmoll decided to put his energy into the all-vinyl Northside record shop, Black Plastic.
Sidewalk Chalk’s just-released second album, Leaves, opens with a live clip in which frontdude/rapper Rico Sisney and frontlady/singer Maggie Vagle ask a crowd to shout the Hip Hop crew’s name on the count of three.
The cover for The War on Drugs’ latest album, Lost in the Dream,
finds frontman Adam Granduciel looking down pensively, his fuzzy,
mop-headed silhouette semi-obscured by light flowing through a window.
The gauzy image is the perfect encapsulation of the Philadelphia band’s
brand of melancholic Psych Pop, a sound at once familiar and tough to
entirely pin down.
Kelly Cogswell's Eating Fire: My Life as a Lesbian Avenger is an evocative, frequently funny glimpse at a provocative movement, a fascinating memoir about lesbian activism that spans more than two decades.
Sarah Barthel and Josh Carter have known
each other since attending junior high together in upstate New York in
the late ’90s. Their friendship came in handy when, in 2007, Carter was
looking to start a new musical project, one in which Hip Hop beats could
commingle with atmospheric Indie Pop. Enter Phantogram.
Annie Clark, aka St. Vincent, is a
mysterious lady whose increasingly impressive musical output is informed
by her expressive guitar playing and catchy, intricately crafted songs.
St. Vincent’s just-released, self-titled fourth album is rife with
contradiction, syncopated rhythms and surreal flourishes, the work of an
artist who continues to expand her horizons.