On May 7, 1937 — exactly 77 years ago this week — the Cincinnati May Festival presented the American premiere of The Ordering of Moses, an oratorio by Robert Nathaniel Dett, an African American composer, conductor and professor.
In the world of chamber music,
Beethoven’s 17 string quartets are the ultimate summit. Composed over a
span of more than two-and-a-half decades, Beethoven created masterpieces
of astonishing beauty and complexity that never fail to engage
The personal is definitely political in
two operas onstage this month in both Benjamin Britten’s Owen Wingrave,
in which a young man chooses pacifism over a military career, and Fellow Travelers, based on the novel about a gay love affair during the McCarthy era.
During our conversation (in French), it becomes clear that the CSO’s
marketing blast, “Louis + CSO + You,” sums up Langrée’s vision for the
orchestra and the community: He frequently uses partager, French for “to share.”
The Constella Festival got it right when
they named Missy Mazzoli as this year’s composer-in-residence. At 33,
she’s earned the awards, commissions and acclaim you’d expect from
artists twice her age. And her two Constella concerts this year feature
compositions she’s created since 2005, both for small ensembles and solo
From Bach and contemporary composer Missy Mazzoli
to rarely performed operas and superstar vocal and instrumental
soloists, Cincinnati's fall arts season underscores the creative shifts in musical
programming. It’s not easy to choose highlights from an abundance of
great offerings, but here’s one per month.