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by Rick Pender 04.26.2013
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
ac_onstage_cock_photo_deograciaslerma

Stage Door: Weekend Choices

You still have several weeks to see Cock (aka "The Cockfight Play" for journalism wimps) at Know Theatre. (It's onstage through May 11.) It's an oh-so-contemporary piece of theater about a gay man — or rather a man — who thought himself to be gay until he breaks up with his boyfriend and takes up with a woman. (CityBeat review here.) The play involves the tense dance of indecision he becomes part of as his lovers fight over him. It's about 90-minutes of fiercely acted theatrics, staged in a setting that looks like the arena where cockfighting happens. Definitely for mature audiences who appreciate shows that don't pull punches. Tickets: 513-3

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by Rick Pender 04.19.2013
Posted In: Theater at 10:17 AM | Permalink | Comments (0)
 
 
cock photo- deogracias lerma

Stage Door: Bounty of Choices

There's a bounty of theater choices to keep you entertained this weekend, with productions on venues all over town — including on several university campuses. Here are a few you might want to check out.

New Edgecliff Theatre, which has presented shows at the Columbia Performance Center on Cincinnati's East Side for quite a few years, has been itinerant this year while they seek a new home. They're completing their fifteenth season with a production of David Auburn's Proof at the Aronoff Center's Fifth Third Bank Theater, which looks like it's where they'll land for their next season. (I'll be writing more about NET in my next CityBeat "Curtain Call" column on April 24.) I attended the show's opening on Wednesday, and it's a solid production of a very engaging play, the winner of the 2001 Pulitzer Prize. Greg Procaccino, NET's former artistic director, has returned to stage a simple but effective production that features Rebecca Whatley as Catherine, the anxious, self-doubting young woman who has been a caregiver for years for her father, a renowned math professor whose mental instability has been a factor and a threat in his daughter's life. The show has several gripping twists and turns, as well as a satisfying resolution. Through April 27. Tickets: 513-621-2787.

Last week I was at the opening of Cock, a regional premiere and Know Theatre's second production of the season. (CityBeat review here.) It's the story of a man falling out of a gay relationship and into one with a woman; he's torn by indecision and doubt about which way to go. The show is staged (by director Brian Robertson) like a cockfight, with the characters "pecking" at one another emotionally. It's also presented in an unusual setting, bertween two rows of bleachers (like a cockfight arena), so you're close to the action and able to see how others are responding. It's a fight to the finish, and you can never be certain of the outcome. Strong acting and a very contemporary, well-written script by British playwright Mike Bartlett. Through May May 11. Tickets: 513-300-5669.

This is the final weekend at the Carnegie in Covington for the hard-hitting musical Parade by composer and lyricist Jason Robert Brown and playwright Alfred Uhry. (CityBeat review here.) It's based on the true story of Leo Frank, unjustly accused of murdering a young teenaged girl working in the factory he managed in Atlanta in 1913. A Jew from New York, Frank was the target of profound anti-Semitism and never had a realistic chance to defend himself, although his wife tried mightily to expose the prejudice. It's a powerful production, featuring a cast of musical theater talent from UC's College-Conservatory of Music, directed by Dee Anne Bryll and Ed Cohen. The show is not easy to watch, but it's deeply moving. Through Sunday. Tickets: 859-957-1940.

Every two years since 1981, Northern Kentucky University has presented the Year End Series Festival — shortened to the "YES," ten days of presentations of three world premieres. This year's shows are a murder-mystery farce, Heart Attack with a Knife by Oded Gross; David L. Williams Spake, a drama set in Siberia; and a comic fable about fame and friendship, Furbelow by J. Stephen Brantley. YES is a gargantuan undertaking, and it represents how NKU prepares its drama students for careers in the theater. Shows are presented in rotating repertory, so you should check the Web site for specific performance dates. Tickets: 859-572-5464.

At other area universities this weekend: At the Cohen Family Studio Theater at UC's College-Conservatory of Music, you can see a production of Emily Mann's Execution of Justice (UC's College-Conservatory of Music, through Sunday, 513-556-4183), a new docu-drama about the trial of Dan White for the murder of Harvey Milk, San Francisco's first openly gay Supervisor and Mayor George Moscone. It's staged by retiring UC drama professor Michael Burnham. And for musical theater fans, you can see Stephen Sondheim and James Lapine's popular fairytale musical Into the Woods at Miami University (through April 27, 513-529-3200).
 
 
by Rick Pender 04.18.2013
Posted In: Theater at 08:27 AM | Permalink | Comments (0)
 
 
know at night - photo eric vosmeier

Fringe Has Sprung

Tenth annual event begins May 28

Sure signs of springtime in Cincinnati: The Reds are playing (and winning), trees in Over-the-Rhine are covered with white blossoms — and Know Theatre has announced the lineup for the upcoming Cincinnati Fringe Festival. 2013 is a significant year for the Fringe: It's marking the 10th  anniversary of the annual celebration of weird creativity. Last evening a big crowd gathered at Know Theatre's Jackson Street facility to hear what's in store for the May 28-June 8 festival.

Eric Vosmeier, Know's producing artistic director, shared the news that, building on a decade of success, the Fringe received a record number of applicants for 2013, with 70 percent of the applications coming from brand-new producers. That's one of the best parts of the Fringe, the fact that a new jolt of energy arrives annually from performers that haven't been seen locally. Sixty-three percent of the 2013 applications were from out of town, including several from international producers. There will be 35 productions in all, by 17 local groups and 18 from out of town. There will be 19 plays, seven solo shows, two dance pieces, two musicals, and five multimedia/variety pieces.

Vosmeier said that it was no easy task for the Fringe selection committee to assemble this lineup. The group was made up of theater professionals from Greater Cincinnati: Heather Britt, Michael Haney, Dave Levy, Miranda McGee, D. Lynn Meyers and Torie Wiggins. “The quality of applications continues to get stronger and larger each year," he said. "I'm so happy to have these amazing leaders of the local theatre community as a part of our jury, and we're grateful for their time in deciding the 2013 lineup.”

The official CityBeat Fringe Kick-Off Party takes place Tuesday, May 28, at Know Theatre. This year's event will also be a 10th birthday celebration, with many of the festival's founders in attendance. The evening, which kicks off at 6 p.m., will feature Indie rock group Bethesda and food from a half-dozen local eateries. The evening (suggested donation: $5) is an opportunity to meet Fringe artists, staff, volunteers and other audience members.

The full Fringe schedule will be published in CityBeat's May 15 edition, but you can get some information at the refreshed website: www.cincyfringe.com. I'm looking forward to return visits by Wonderheads (from Portland, Ore., who did some amazing work with masks in last year's Grim and Fischer; their new piece is titled LOON), Four Humors Theatre (from Minneapolis, whose always creative troupe will be staging Lolita: A Three Man Show) and Tanya O'Debra (from New York City; whose Radio Star was a much admired work in 2012; this time she's in a two-person piece, Shut UP, Emily Dickinson). Performance Gallery, based here in Cincinnati and a regular annual presence every year is staging Mater Facit, "an absurd look at motherhood, nationalism, war, sex and sacrifice." Tangled Leaves Theatrical Collective, another Cincinnati-based group popular with local audiences, will produce Vortex of the Great Unknown.

Of course, the real fun of Fringe is being surprised by new material and performers, and this year's lineup offers plenty of that: Poe and Mathews: A Misadventure in the Middle of Nowhere (Los Angeles); Questions of the Heart: Gay Mormons and the Search for Identity (Bloomington, Ind.); The Bubble and Other Displays of Moral Turpitude (from Cincinnati-based North American New Opera Workshop); The Elephant in My Closet (New York City); and a production of Cincinnati playwright Catie O'Keefe's The Space Between my Head and my Body (by Shark Eat Muffin Theatre Company). I could go on and on — Know's announcement news release is 20 pages! Based on a decade of Fringing, I like to say that the festival is "theater roulette": You never know what's going to happen when you show up for a performance, and serendipity is the only predictable element. That's what makes it fun. I don't want to wish away springtime, but is it May 28 yet?

 
 
by Rick Pender 04.12.2013
Posted In: Theater, Visual Art at 09:26 AM | Permalink | Comments (0)
 
 
legallyblonde2

Stage Door: Controversy, Conversation and Comedy

Tonight (Friday) Know Theatre opens a new production of a work that's bound to launch a lot of conversations. And let's not beat around the bush: The real title of Mike Bartlett's play is Cock (The Cockfight Play is the substitute title for media that are afraid to offend). It's a tense comedy about sexual identity: John takes a break from his longtime boyfriend and unexpectedly falls in love with a woman. The story is about how he's caught in a tug-of-war between these two lovers, and the play's conflict is John's navigation of his sexuality and his selfhood. It's also told without scenery or props, focusing squarely on the relationships. According to Know's Eric Vosmeier, "It's a kind of pansexual love story that's told very simply without all the trappings of a traditional production." Vosmeier describes this production as "one of the first victories of Know's new scheduling model." The rights for Cock just became available; this is only the second American production of the play that premiered at London's Royal Court Theatre in 2009. The show runs through May 11. Box office: 513-300-5669

This weekend is the opener for Covedale Center's production of Legally Blonde, the show that kicked up controversy in a Loveland High School staging last fall that led to the firing of a dedicated director. I still shake my head over what could offend anyone about this PG rated piece of musical theater, but you can check it out and decide for yourself at the Covedale. It's about a young woman who won't take "no" for an answer and becomes her own woman in the process — outshining everyone at Harvard Law School. It's kind of crazy, but a lot of fun. No one will get fired over this one, I suspect. Box office: 513-241-6550

The Otto M. Budig Theatre at the Carnegie in Covington is in the midst of a run of Jason Robert Brown's Parade. My schedule and the theater's haven't matched up yet, but I'm eager to see it — I'm headed there for the Sunday matinee this weekend. Set in the sweltering intolerance of 1913 Atlanta, Parade is the story of Leo Frank, a northerner and Jewish factory manager, wrongfully accused of murdering a 13-year-old girl in his employment. Despite media frenzy and public outrage, his courageous wife struggles in vain to clear his name. The show won 1999 Tony Awards for best book and best score. This is an off-campus production by the musical theater program at UC's College-Conservatory of Music, and it's been given high marks by the judging panel from the League of Cincinnati Theatres: for the ensemble, for musical direction by Steve Goers, for featured actor Noah Ricketts and for lighting design by Alan Hanson and Wes Richter. It's onstage through April 21. Box office: 859-957-1940

Untethered Theater is midway through it's run of Jeff Daniels' Apartment 3A, presented at the Clifton Performance Theatre on Ludlow, a few blocks east of the Esquire. It's about a once idealistic young woman who has been disillusioned in just about every aspect of her life. The show is an exploration of faith and hope in today's world, described as "an uncynical play about cynics in cynical times." Through April 27. Tickets: 513-939-0599


 
 
by Rick Pender 04.05.2013
Posted In: Theater at 08:06 AM | Permalink | Comments (0)
 
 
onstage 4-3 - midsummer @ cincy shakes - maggie lou rader & justin mccomb - photo rich sofranko

Stage Door: Tickets Available for 'War Horse'

I'm off to the Humana Festival of New American Plays at Actors Theatre of Louisville this weekend, where I'll be checking out plays that could well be on their way to theaters across America in future seasons. For those of you staying here in Greater Cincinnati, there's lots of good stuff to get out and see onstage:

War Horse completes its Cincinnati stop on Sunday. I heard a rumor that it's not selling well, which strikes me as mystifying. It's one of the best pieces of theater I've seen on tour in ages. (Review here.) Of course, it's not a musical (which is what people who go to the Broadway Series at the Aronoff have come to expect) and it was made into a moderately successful movie by Steven Spielberg. But the stage production is a miraculous piece of theater artistry, especially the onstage creation of living breathing horses, life-sized puppets that are manipulated (by three performers) that you'll be convinced you're watching the real thing. The silver lining to poor attendance, I suppose, is that tickets are readily available. You should get yours right away for the chance to see this Tony Award-winning production: Final performance is on Sunday. Box office: 800-987-2787

Last evening I made time to see Cincinnati Shakespeare's production of A Midsummer Night's Dream. It's going to be around for several more weeks, and it's definitely an entertaining — and unusual — rendition of the tale of mixed-up lovers. (Review here.) Director Jeremy Dubin has transported it from the mythical Athens that Shakespeare envisioned and landed it in a swampy Southeastern U.S. in the 1940s, complete with a few guys with drawls in uniform and a clown in a loud plaid sports coat. The latter is CSC Nick Rose, and watching him overact as Nick Bottom, the weaver who imagines himself to be a brilliant performer, is hilarious. MND's mix of magic and humor is always fun, even if it doesn't make much sense, especially in this setting.  Box office: 513-381-2273, x1.

Also worth checking out is the Cincinnati Playhouse's entertaining production of The Book Club Play. It's good in the same way as a well-done TV sitcom: Familiar characters pushed to comic extremes, funny situations that you can identify with, story twists that surprise and amuse. (Review here.) Because book clubs are a big deal these days, lots of people are flocking to see this show (it's been extended to May 5), so you should call now to get your tickets. I can assure you that you'll leave the theater with a smile on your face. Box office: 513-421-3888.

Smiles cannot be predicted with the staging of Jason Robert Brown's very serious musical, Parade, at the Carnegie. But a piece of great drama and fine music is certainly in store if you head to Covington for this one, staged by Ed Cohen and Dee Ann Bryll. It's actually a studio production from UC's College-Conservatory of Music, featuring some outstanding talent from one of America's best training programs for Broadway talent. The story of a falsely accused factor manager, railroaded into a murder conviction mainly because of anti-Semitic attitudes, is heart-rending. But it makes for powerful theater. It opens tonight and runs through April 21. Box office: 859-957-1940.
 
 
by Steven Rosen 04.03.2013
Posted In: Visual Art at 09:39 AM | Permalink | Comments (0)
 
 
patti_smith_1_edward_mapplethorpe

Patti Smith's CAC Show Will Be a Robert Mapplethorpe Tribute

Although the Patti Smith exhibit that will open at downtown’s Contemporary Art Center on May 17 has been announced for some time, the details are only now becoming known. It will be a tribute to her close friend, the late photographer Robert Mapplethorpe.

He is a subject whose resonance is great for both Smith — whose 2010 National Book Award-winning memoir, Just Kids, recounted their friendship as young people in New York’s art world and is being made into a film and the CAC, which famously faced (and beat) obscenity charges in 1990 for showing the Mapplethorpe retrospective The Perfect Moment.

In a phone call from London where she is studying for a Master’s degree in global art Adjunct Curator Justine Ludwig (the exhibit’s curator) revealed some details of the planned show. It will be called The Coral Sea, after poetry Smith wrote about Mapplethorpe that she later recorded with guitarist Kevin Shields. (She will be performing The Coral Sea on May 18 at Memorial Hall. Go here for ticket information.)

“It’s very much a rumination on the life and death of Robert Mapplethorpe,” Ludwig said of the exhibit. “So there are a lot of objects in the exhibition that very much relate to his life. We’ve received things like Robert’s slippers that have his initials on them, and photographs of Robert from throughout his life. So it really focuses on the relationship between these two artists.

“It comprises of installations, photography and writing,” she said. “We’ll be showing part of the original manuscript of The Coral Sea that Patti wrote about Robert. We’re going to see a connection between the two artists throughout the exhibition. She has this very beautiful handwriting that is an art form within itself.

“There are medals, necklaces that Robert wore,” Ludwig continued. “There is an inkwell. There are small elements that will be presented in cases in the exhibition. It’s presented very much like an art installation. They’re not necessarily presented as historical objects but as elements that are part of Patti’s life.”

There are also photographs Smith took of and about Mapplethorpe. “Patti never took photographs of Robert’s face, she took photographs of his hands,” Ludwig said. “We’ll have a few (of those), and then a few photographic works that are more in reference to Robert but not of him.

“And we have an installation within the show called ‘Infirmary,’ which is all steel beds that are references to the beds Robert spent the end of his life in and that many people who died from AIDS passed away in. They are actual steel beds acquired by her.” (Mapplethorpe died from AIDS in 1989.)

The “Infirmary” portion is an expanded, site-specific adaptation of an exhibit Smith presented at the 2008 Melbourne International Arts Fair. There is also a “Coral Sea Room” in the CAC show that will feature video and music.

The show will have several photographs by Mapplethorpe with text by Smith – of the sea, a boat and a sculpture. (None was in The Perfect Moment.) “They’re very beautiful,” Ludwig said.

 
 
by Rick Pender 03.27.2013
Posted In: Arts community, Theater at 12:29 PM | Permalink | Comments (0)
 
 
american idiot photo john daughtry

Look for 'American Idiot: The Musical' in Cincinnati Next Year

Aronoff to host Green Day-inspired Punk Rock opera in spring 2014

Two weeks ago I caught a touring performance of American Idiot: The Musical when it made a three-evening stop at Dayton's Victoria Theatre (see review here). The performance of Green Day's album transformed into a musical theater piece was a noisy blast of defiance, full of energy – although a downer of a story about three guys being overwhelmed by everyday life. But that's what you's probably expect of a "Punk Rock Opera." We'll have it for two nights in Cincinnati, Friday, April 11, and Saturday, April 12, 2014 (that's right, a year from now) as part of the Broadway Across America series at the Aronoff (about twice the size of the Victoria). If you're a fan of Green Day, you'll want to see this one. And if you like shows such as next to normal, a recent big hit for Ensemble Theatre, it's worth noting that Green Day's songs were orchestrated for the stage show by Tom Kitt, who composed N2N's story of a bipolar mom struggling to keep her family together.

 
 
by Rick Pender 03.25.2013
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
onstage_blake robison - photo sarah bradley

Playhouse Announces 2013-14 Season

Blake Robison to stage "Cabaret," "Pride and Prejudice" among compelling new work

People look to the Cincinnati Playhouse for classic entertainment and the best contemporary theatre,” says Blake Robison, producing artistic director, as he announces his second season, coming in September. For 2013-2014 he’s assembled an array of big titles — including the classic Kander and Ebb musical Cabaret and a stage adaptation of Jane Austen’s Pride and Prejudice — and a collection compelling new work (including two world premieres), mostly on the Shelterhouse Theatre stage.

The Cincinnati Playhouse in the Park has two stages: The Robert S. Marx Theatre is the mainstage with 626 seats; the Thompson Shelterhouse (which is in fact a one-time park shelter) can accommodate an audience of 225. Both have thrust-style stages surrounded by audience seating on three sides, making the action is close and intimate in both theaters.

On the Marx Stage:

·      Fly by Trey Ellis and Ricardo Khan (Sept. 7-Oct. 5, 2013). The story of World War II’s Tuskegee Airmen is told using live action, video projections and tap dancing. This new work will be directed by Khan, its co-creator.

·      Cabaret by John Kander and Fred Ebb (Oct. 19-Nov. 16, 2013). Set in Berlin in the 1930s, and especially in the decadent Kit Kat Club, it’s a musical love story with lots of choreography. Marcia Milgrom Dodge, a Broadway veteran, will direct.

·      A Christmas Carol, adapted by Howard Dallin (Nov. 27-Dec. 29, 2013). Michael Evan Haney will direct the holiday show with a cast of 30 for the 21st time.

·      Clybourne Park by Bruce Norris (Jan.18-Feb. 16, 2014). This one won the 2011 Pulitzer Prize and Tony Award for best play. Inspired by Lorraine Hansberry’s classic play, A Raisin in the Sun, the play is explores racial attitudes in a Chicago neighborhood in 1959 and 2009. Artistic Associate Timothy Douglas (who staged the current production of A Trip to Bountiful) is the director.

·      Pride and Prejudice, adapted by Joseph Hanreddy and J. R. Sullivan (March 8-April 5, 2014). Robison will direct this lavish, full-scale production of Jane Austen’s classic romance.

·      Venus in Fur by David Ives (April 19-May 17, 2014). Maybe you know Ives’ very funny collection of skits, All in the Timing. This is a full-length comedy about a director seeking the right actress who gets more than he bargained for. Artistic Associate KJ Sanchez is staging this one. 

On the Shelterhouse Stage:

·      Seven Spots on the Sun by Martín Zimmerman (Sept. 28-Oct. 27, 2013). The first of several world premieres for the season, this one is a fable of revenge and redemption set in a Latin American village just after a brutal civil war. Sanchez is directing this one.

·      The Complete History of Comedy (Abridged) by the Reduced Shakespeare Company (Nov. 9-Dec. 29, 2013). The same guys who abbreviated Shakespeare, the Bible and American history are at it again, premiering their latest abridgment right here in River City.

·      4000 Miles by Amy Herzog (Feb. 8-March 9, 2014). Robison will stage this tale of a pair of unlikely roommates, a 91-year-old grandmother and her 21-year-old grandson.

·      A Delicate Ship by Anna Ziegler (March 22-April 20, 2014). Another world premiere production, this one by an impressive young playwright who offers a humorous and heartbreaking look at love, memory and decisions that change lives. Michael Haney will direct. (Haney, perhaps Cincinnati’s best local director, was the Playhouse’s Associate Artistic Director from 2001 to 2013; starting in the fall, he joins Douglas and Sanchez in a trio of “artistic associates” who each will direct two shows.)

·      The North Pool by Rajiv Joseph (May 3-June 1, 2014). Rajiv Joseph’s riveting psychological drama is the story of a transfer student from the Middle East whose life quickly becomes complicated. Douglas is the director.

 
 
by Rick Pender 03.22.2013
Posted In: Theater at 07:47 AM | Permalink | Comments (1)
 
 
dont cross the streams

Stage Door: Comedy, Conflict and Classics

My schedule hasn't afforded me the time to see the production of Don't Cross the Streams: The Cease and Desist Musical, a show that began its life in the Cincinnati Fringe Festival back in June. (It also was a festival highlight at the IndyFringe in Indianapolis in August.) But the very tongue-in-cheek piece inspired by the film Ghostbusters (but not allowed to say that) has now been expanded into a full-fledged musical that's onstage at Newport's Monmouth Theatre, presented by Falcon Theatre and Hugo West Theatricals. The League of Cincinnati Theatres has termed the show a "recommended production," so it's evident that their judging panel enjoyed it. One panelist called it "a lively, enthusiastic spoof," and another said that the show is "an evening of theater that doesn't take itself too seriously. The show just had a two-weekend run, so it's final performance is Saturday at 8 p.m. Tickets: 513-479-6783.

Ensemble Theatre's production of Black Pearl Sings! features one of the finest performances by a local actor that I've seen this season. Torie Wiggins plays a woman in the 1930s who translates her memory of songs from her African ancestors into a ticket out of prison and to some notoriety in New York City. Wiggins nuanced performance is complemented by veteran Annie Fitzpatrick as the folk music researcher who sees Pearl as her own ticket to success. Their tentative relationship becomes a delicately balanced friendship, while both explore issues of racism, sexism and getting ahead. Definitely worth seeing. Through March 31. Box office: 513-421-3555. 

Lizan Mitchell is at the other end of the career spectrum from Wiggins, but she too plays Carrie Watts, a sprightly, elderly African-Amerian woman whose powerful sense of home takes her on an impromptu journey back to her roots in A Trip to Bountiful at the Cincinnati Playhouse. It's laced with sadness, since what she remembers no longer exists, but her memories and her joyful take on life make it all worthwhile, not only for her but for others in her life, including her browbeaten son and his selfish wife as well as a sweet young woman who is Carrie's companion on a long bus ride. Through April 7. Box office: 513-421-3888.

This weekend Cincinnati Shakespeare is opening a production of the much-loved Shakespearean romantic comedy, A Midsummer Night's Dream. It's been transported to 1940s America and set in a Jazz-inspired magical forest, with original musica composed by resident sound designer Doug Borntrager; there's also original choreography by Brittany Kugler. The production is staged by Jeremy Dubin, and features veteran actor Nick Rose in the role of Nick Bottom the Weaver, the guy who makes an ass of himself — literally. It's a tangled, funny story that all works out perfectly in the end. A great show to kick off springtime. Through April 21. Box office: 513-381-2273 x1. 

 
 
by Rick Pender 03.15.2013
Posted In: Theater at 08:59 AM | Permalink | Comments (0)
 
 
Photo: Ryan Kurtz

Stage Door: Recognizing African-American Stories

February is Black History Month, a period when the arts traditionally wake up and pay attention to African-American stories and artists. I'm always a bit troubled by this segmenting, so I want to commend both the Cincinnati Playhouse in the Park and Ensemble Theatre Cincinnati for presenting two fine productions of shows featuring African Americans in engaging stories — in the middle of March. They represent two of this weekend's best choices.

At ETC, Black Pearl Sings! features two outstanding local actresses. Annie Fitzpatrick plays Susannah Mullally, a folk music researcher in the 1930s; Torie Wiggins is Alberta "Pearl" Johnson, a prisoner (for a violent but probably justified crime) who has a remarkable recollection of songs she learned as a child from her family. They form an uneasy alliance that turns into a guarded friendship, and Fitzpatrick and Wiggins have a delightful interplay and chemistry. I heard that this might be the 40th production Fitzpatrick has done at ETC; she's a versatile actress, and she convincingly creates the uptight but driven Susannah. Wiggins, who graduated from the drama program at CCM, earns her Equity card on this production: Chronologically, she's probably a tad young for the role, but she so wholly embodies Pearl's feisty character that it makes no difference. Hers is a tour-de-force rendition, musically and theatrically. This one is a definite must-see. Box office: 513-421-3555.

Let's give the Playhouse — and new artistic director Blake Robison — props for finally getting around to staging a show by Horton Foote, who died in 2009 at the age of 92. He was a prolific dramatist and screenwriter (he wrote screenplays for To Kill a Mockingbird and Tender Mercies) for years, and his play A Trip to Bountiful is a lovely, emotional paean to the notion that "there's no place like home." Foote wrote the play about an elderly Texas wido pining to return to her hometown in 1953 (as a play for television, in fact) and it was an award-winning 1985 movie  with a white cast. For the Playhouse, Timothy Douglas has changed up the story by overlaying an African-American filter over the story and casting veteran actress Lizann Mitchell as Carrie Watts. She's a dream of an actress, portraying a tiny Texas cyclone of energy with a wry sense of humor. The story is nothing too innovative — she runs away from a cramped apartment where she lives with her son and his demanding wife to return to her girlhood home, which has all but disappeared — but the truth and dignity of the tale (and Mitchell's performance) make this show worth seeing. Box office: 513-421-3888.

Finally, I need to mention Clifton Players production of A Behanding in Spokane by Irish playwright Martin McDonagh. He's the writer of dark tales like The Beauty Queen of Leenane and The Cripple of Inishmaan, as well as the even darker film In Bruges. Clifton Players perform at Clifton Performance Theatre, a tiny, intimate storefront space on Ludlow Avenue. I've heard lots of positive remarks about this production. Be prepared to be shocked and entertained by the show's comic violence. Tickets: 513-861-7469.

 
 

 

 

 
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