Cincinnati Pop/Rock band BoyMeetsWorld returns to the Madison Theater in Covington Friday to celebrate its debut EP, Do What’s Best For You. The band is co-headlining the show with fellow Cincy Pop Rock/Punk crew Radio Rescue, which is releasing its newest effort, the band’s sophomore EP, The Soundtrack to Second Place.
Radio Rescue’s Pop Rock has some of the power of Hardcore and Metal (particularly in the blazing drum work and some of the chunky guitar riffing) and occasional gang and/or screamed vocals. Adding another unique element is the prominent use of synthesizer, which gives the band’s sound a bonus texture. While that description might make Radio Rescue’s sound come off like a mismatched mess, it’s impressive how cohesive and focused the band’s upbeat and endearing sound is, with its just-right mix of power crunch, synth squiggles and sweet hooks.
Here is Radio Rescue's video for new EP track "If Loose Lips Sink Ships, Then You're The Titanic."
BoyMeetsWorld was formed just last summer by three brothers: Craig (singer) and Ryan (drummer) Sulken, who are twins, plus older brother Brad Sulken (bass). Guitarists Pat Bryant and Drew Richter round out the band. In its first year as a group, BoyMeetsWorld took home the first-place prize at the Battle of the Bands hosted by Forest Park teen club, The Underground.
The band has a knack for strong Pop hooks and an overall uplifting vibe. Songs like “Head Up High” and “Girl In Front” are best described as Power Pop, written with a maturity and craftiness of a band on their third or fourth album, not first EP. Bryant and Richter offer up some compelling guitar interplay, while the Sulken rhythm section is reminiscent of the high-flying telepathy of Fall Out Boy’s. Meanwhile, singer Craig’s high, earnest vocal approach works especially well in the context of the band’s youthful anthems.
Here is a lyric video for BMW's new EP track, "Girl in Front."
Friday’s co-release show at the Madison Theater also includes opening acts Aristo, Canoes, Ready to Live and The Sweet Addiction. The event is open to all ages and doors open at 6 p.m. Showtime is 7 p.m. Cover is $10 at the door.
A pair of Cincinnati Hip Hop acts have recently released music videos showcasing new material. Both are compelling, well-produced clips for solid new tracks.
Alternative Hip Hop group Valley High issued the video for "That One Too" at the start of the month. The clip was directed by SnowRowe (who plays keys in the group) and, according to the YouTube page, the track is from the Valley High or Die Tape, due for release today. The group is fronted by MCs Moxy Monster and M.O. Click here for more on Valley High.
Last year, area MC Puck released the high-pro video for "Gitit," the latest of several clips. Now, Puck has returned with a new track and video that's perhaps his strongest yet. "Jordan Vs. Bird" is built around a hook from a remix of the band Grouplove's song "Colours." The video was directed by Dan Gotti. Puck is offering a free download of the track via his Soundcloud page here. Find out more about Puck here.
Hard to believe, but the annual South By Southwest music showcase/festival/conference in Austin, Tex., kicks off in only 11 days. As always, the huge event is featuring some artists from the Greater Cincinnati area. Two SXSW-bound local acts are playing kick-off shows soon to help raise some funds for the trip (the price of gas today makes traveling all the more difficult for independent acts).
• Great Cincy rockers The Harlequins are heading to Austin for SXSW for the first time. The band is slated to perform at the festival on March 16 with the esteemed Gringo Star. Frontman Michael Oliva says the group will be playing shows on the way to and from the festival in Louisiana, Georgia, Tennessee and Kentucky.
The Garage/Psych Rock trio — which is planning a new EP release in April — is performing its "bon voyage" show on March 7 at Over-the-Rhine's MOTR Pub with guests Stephen Paul Smoker. The show is free, but the band will be offering a limited edition screen print of the night's show poster (right over there, to the left) for $5. The band is also sweetening the pot by releasing a new single for free at the MOTR gig.
You can also help The Harlequins out by donating to their gas/van rental fund online. In keeping with their DIY ethic (the group got into the festival without any label or other backing, a rarity these days), the band is eschewing Kickstarter in favor of direct donations through their secure Paypal account, accessible on the trio's official site. Here's the link to donate. Below is a little video spiel if you need further convincing.
• Always dazzling Indie Pop locals The Seedy Seeds are returning to SXSW this year, journeying to Austin with pals The Ridges, a fantastic Athens, Ohio-based orchestral Indie Folk squad that has become a favorite in Greater Cincinnati thanks to regular show dates locally. The two bands will be performing shows together around the South and Midwest on their way to Austin.
The groups team up for a show at the Southgate House Revival on March 6. The Seedy Seeds are encouraging fans to purchase advanced tickets to the "Supercolossal Little Giant Ye Olde South by Southwest Sendoff Show"; for just $6, if you buy your tickets before "day of show," you will receive a hand-draw postcard from the Seedys while they are on the road. Click here to get your tickets now.
Here's a piece of groovy promo featuring both bands and the tour dates.
Despite Frank Ocean's deft leg-syncing and Taylor Swift's torture-porn-disguised-as-wholesome-circus, Akron, Ohio's Dan Auerbach and The Black Keys were The Grammys' big story last night, winning five trophies, the most of any artist.
While the Keys won the Grammys for Best Rock Album, Best Rock Song and Best Rock Performance, Auerbach scored two solo Grammys for his production work, winning the trophy for Producer of the Year (Non-Classical) and also winning one for producing Dr. John's Locked Down, the Blues Album winner.
While Grammys for album winners are usually given to the producers, engineers, mastering engineers and artists, hopefully Cincinnati's Brian Olive will also score one for his work on the LP. Auerbach — who has produced albums by both Olive and Cincinnati's Buffalo Killers — enlisted Olive (an original member of Cincinnati's Greenhornes) to work on the Dr. John album. Olive has songwriting credits on every track on Locked Down, and he's also credited with playing guitar, percussion and woodwinds, as well as providing background vocals. (Check out CityBeat's profile of Olive from 2011, about his Auerbach-produced Two of Everything album, here.)
Kudos to Mr. Olive! That's him — the handsome feller with big side-burns playing sax (and a little guitar) in this video for the album's "Revolution."
Check out all the winners from last night's Grammys here, and click here or here for some extra musings about the show.
"Bohemian Rhapsody," one of the trademark songs by legendary rockers Queen, was fittingly released on Halloween in 1975 and its strange, epic Rock operatics were an instant success across the globe (it only reached No. 9 on the U.S. singles charts initially, but a re-released version on the heels of its appearance in Wayne's World made it to No. 2 in 1992). Though a bit silly, history has treated the tune well — it's regularly included in innumerable "Best Rock Songs Ever" lists and polls and was inducted into the Grammy Hall of Fame in 2004.
Here's the beginning of BBC's The Story of Bohemian Rhapsody for some background (the rest of the parts of the program are in the right column if you click the "Watch it on YouTube" link).
The song has been covered numerous times over the years (though mostly not until the ’80s/’90s, likely due to its "untouchable" status in the minds of some; how many "Stairway to Heaven" covers are there?). Sometimes the versions are cheeky parodies (of COURSE Weird Al recorded "Bohemian Polka"), while other times it is presented fairly straight up (like P!nk's live version).
This young month has already seen the issuance of two new(-ish) covers of the song. The Flaming Lips tackled the track in 2005, recording it for the Killer Queen: A Tribute to Queen compilation. But yesterday, a new video of the song was posted to the group's YouTube site. It's fairly faithful, with just a little of the Lips' freaky glaze sprinkled on top. The new video is a bit more glazed — and decidedly NSFW (due to female nudity).
Puscifer, one the side-project bands from Tool frontman Maynard James Kennan, has recorded the song as well, set for release on a new EP, Donkey Punch the Night, due Feb. 19. It's a strong version, but even more faithful to the original.
Who does it better?
Personally, I don't think it gets better than this — The Muppets version of "Bohemian Rhapsody," released in 2009 (and currently boasting over 30 million views on YouTube). Animal steals the show.
California native and acclaimed Jazz composer/saxophonist Donny McCaslin got a fairly big jump on his music career, performing with an ensemble of experienced musicians by the time he was 12. If there was any nepotism involved (the group was McCaslin’s father’s, a vibraphonist), the criticisms probably faded quickly as McCaslin started his own group in high school and managed to get them booked multiple years at the Monterey Jazz Festival.
The saxophonist studied intently and performed in youth orchestras that traveled the globe, all before earning a full scholarship to the Berklee College of Music in Boston. He moved to New York City in the early ’90s and found work quickly, replacing Michael Brecker (a huge influence on the young musician) in the group Steps Ahead and going on to play with the Gil Evans Orchestra and many others.
By the mid-’90s, McCaslin — who had deeply explored the various aspects and possibilities of traditional Jazz — began to collaborate on more experimental Jazz projects, including the group Lan Xang and Ken Schaphorst’s big band (alongside John Medeski and other unique top players). McCaslin’s creative curiosity set the tone for his diverse solo albums, which have been widely acclaimed for the composer’s successful risk-taking.
When McCaslin plays the Blue Wisp Jazz Club tonight (with shows at 7:30 and 9:30 p.m.), he’ll be supporting on of his most compelling releases yet, 2012’s Casting for Gravity. The album was inspired by McCaslin’s interest in Electronic music, an uncommon ingredient in most forms of Fusion. The album roams from textural, ambient explorations (particularly on a cover of Scottish electronica duo Boards of Canada’s “Alpha and Omega”) to quirky, funky meditations like the glitchy “Tension.”
It’s a recipe that shouldn’t work, but Casting for Gravity is a fascinating listen that makes one wonder if visionaries like John Coltrane or Ornette Coleman might not have pursued this direction if they were born 60 years later. It’s primarily a progressive Jazz album, with tasteful electronic flourishes. Instead of aping Electronic music nakedly, McCaslin seamlessly incorporates the arrangement spirit of Electro masters like Aphex Twin or more contemporary EDM artists into his own compositions.
Tickets for tonight's shows are $20 (students can get into the 9:30 p.m. show for $15). Here is a clip of the band performing the latest album's track, "Stadium Jazz."
• The husband and wife duo of Michael Trent and Cary Ann Hearst, better known as Shovels & Rope, were slated for an appearance at MidPoint Music Festival here in Cincinnati last fall, but an offer to open for Jack White convinced them to bow out of the fest.
Given the hardscrabble road the pair has traveled over the past five years, it’s hard to argue with their choice. Denver native Trent and Nashville-raised Hearst had been in several bands before crossing paths in Charleston, S.C. (they’d met on tour over a decade ago), eventually playing in each other’s bar bands and becoming friends.
In 2008, the pair formalized their friendship by writing and recording the album Shovels & Rope and releasing it under their own names.
The duo ultimately decided to name its group after the title of that debut album and released O’ Be Joyful last summer to ecstatic press notice, with frequent references to Johnny Cash and June Carter and John Doe and Exene Cervenka (although they’re just as quick to namecheck The Cramps and the visceral pairing of Lucinda Williams and Elvis Costello). (Preview by Brian Baker)
Shovels & Rope's success continues to rise, as evidenced just last week by their network TV debut on David Letterman's show (see below). But even on a local level, their ascent was obvious — tonight's appearance at the Southgate House Revival was moved from one of the smaller rooms in the venue to the larger "Sanctuary" room after it was clear that they could fill it. Showtime is 8:30 p.m. and tickets are $12 at the door (while they last).