My gosh, the tiff between the Dowager Countess and Lady Isobel Crawley gains more headway with every episode. Maggie Smith, who I have a fantastical appreciation for, never fails to captivate the Downton audience, especially when she’s acting like a stern old bat, which is all the time. She says things like, “simply ghastly” and “good heavens” when she disapproves of anything (which is everything) and sometimes her voice even slips into a severely low masculine tone. It’s like the opposite of a pre-pubescent voice crack that makes me shiver in fear.
This week, the D C of G loses her ivory envelope opener and her temper with Isobel Crawley. Sassy bell-ringing, eloquently worded cat fights and extreme nose flaring ensues. Let’s just say this one goes to Maggie Smith, “game, set and match.”
While Edith is falling apart because she is pregnant (holy cow) and literally lost her boyfriend (no! Michael Gregson!), Mary pushes Branson about whether or not he will go to America. His reply? “Oh, don’t worry. I won’t go until the pig business is up and running,” which does nothing but vaguely reassure me of his eventual exit from the show.
Meanwhile, Rose planned a surprise birthday party for Lord Grantham involving a “band from the city,” but we all know how he and Mr. Carson feel about the arts — and awkward racial tension. Surprisingly, LG goes with it and decides to enjoy his time with the band.
Evelyn Napier (a potential suitor!) brings his friend Charles Blake, who wants to dismember the aristocracy and take the Grantham family down with him. Not the most suave decision, on his part. The last time he brought a friend to Downton, he ended up dead in Mary’s bed. Mr. Blake better watch his back.
Cora’s half-American, half-English accent makes me cringe. However, strange accents aside, she did save the day when Anna and Bates had a typical can’t-get-a-restaurant-reservation-Seinfeld-moment.
Mary, Tom and Isobel shared a tender moment when they reminisced about their dead partners. Mary isn’t “unhappy, but not ready to be happy,” and they take pleasure in knowing the love that they had was real.
A simple walk downstairs takes us to the usual thieving, conniving and wit of the servants’ quarters. The absolute best part of the entire episode is when Mrs. Patmore is talking about the Italian movie star Rudolph Valentino and says, “He makes me shiver all over,” then the camera cuts to Mr. Carson’s face immediately after the fact. Carson, old boy — you kill me. It’s the little things about this show that viewers need to pay attention to, because they truly make it.
Julian Fellowes trying to tell us something about 20th century gender roles and the treatment of women — and how prevalent they still are today. Ivy, a kitchen maid, is shamed after Jimmy, the snotty footman, tells her he deserves her “services” because he took her out on a date.
Anna has moved back into the cottage with Mr. Bates, and they both try to make new memories and move on from her violent rape.
Alfred has achieved his life goal of going to cooking school so it’s goodbye to him. Daisy’s heart is broken but they share a tender goodbye. When is Daisy going to find love?
Thomas the horrible head butler is still blackmailing Mrs. Baxter and physically intimidating everyone around him. Carson is blatantly racist and Mrs. Hughes remains saint-like.
The night ends with the upper class dancing to Jazz and genuinely enjoying it, and Mary walking in on Rose’s snog-fest with the lead singer. As usual, the orchestra’s music chimes in at just the right moment.
“Aren’t we the lucky ones.” – Isobel Crawley
who looks about five minutes away from death, (yes she is THAT pale) wonders if
the children have a “good childhood” and Lord Grantham has too much time on his
hands and is super careless with his money. So…what’s new?
The latest development in the settlement of the property is about Mr. Drew, a farmer and side character with a disturbingly cool raspy voice. Mary deserves a medal for going up against her father about financial issues and that’s pretty much all of the excitement I got out of that subplot.
next one: Branson apparently wants to slum it in America for a while, which
makes me really depressed because we cannot afford to lose another handsome
face to those classless Americans. What?
Mary smiled with an intensity I haven’t seen all season when Evelyn Napier came to call (OK, am I the only one that’s been calling him “Ethan” for the past three seasons?) Let’s not forget he sort of knows about Kemal Pamuk – the handsome Turkish diplomat that ended up dead in Mary’s bed in season one. How salacious.
minute, Edith went to London and visited a doctor – this could mean so many
things that possibly have to do with her sex life and the fact that she has
turned into the most progressive character on the show. Meanwhile Rose had
like, two lines the entire episode.
Continuing on with the theme of creativity being a shameful embarrassment, Violet scolds Robert after he expressed himself by saying, “The one thing we don’t want is a poet in the family.”
British women are kind of like elderly American women but way better and
frightfully grand; Their wit is always on point and they have no filter. They
walk through the regal gardens with their canes and a persistent banter that
never seems to stop. This week, Violet got annoyed with Mrs. Crawley and called
her out for being too nice: “I wonder your halo doesn’t grow heavy. It must be
like wearing a tiara ‘round the clock.” (That would be a burn, but Isobel
seriously doesn’t care).
there seems to be an exceeding amount of decorative deer antlers on the walls.
Carson’s eyebrows are actual caterpillars and Mrs. Patmore refuses any
technological advances like refrigerators and sewing machines.
Nothing is more representative of the upper class system faltering then the Grantham’s staff constantly moving on to bigger and better things. Alfred, the tall, orange and handsome footman is “inciting a revolution” and defying gender roles by following his passion and learning how to cook from a pointy-eared Frenchman. His cooking class is like a 20th century Top Chef except at the Ritz and slightly more terrifying. Good on ya, Alfred.
Thomas is conniving with the new lady’s maid. Mrs. Baxter seems truly likeable
until she turns into a devious conspirator with a futuristic sewing machine. Thomas,
in his usual form, seems to be blackmailing her in exchange for information
Molesley is a hot mess, as usual. He reluctantly accepts a job before Carson can tell him that he hasn’t gotten it in the most sarcastic butler-voice possible while breathing through his nose. Carson provides so much needed comic relief.
Bates is persistent in his efforts to persuade Anna into telling him what’s
wrong while ominous piano music plays in the background. So he finds out what
happened – via Mrs. Hughes – and his reaction is heartbreaking. After he
confronts Anna, her lip quivers so violently I may or may not have started
sobbing while eating a pint of Ben & Jerry’s. She vehemently defends her
rapist so she can save her husband from killing him and going to jail. If
that’s not true love I don’t know what is. And Mr. Bates consoles her by telling
her, “There is no shame in this” and grabs her face while saying things like,
“You are not spoiled. You are made higher to me and holier because of the
suffering you have been put through. You are my wife, and I have never been
prouder, nor loved you more than at this moment." OMG, swoon. This is why we
love Anna and Bates so dearly. But this content feeling never stays long in
Downton, and is ruined in the last minute of the episode when Bates reveals
he’s out for blood. Cue the ominous piano music.
“The world moves on and we must move with it” – Lady Mary
As the dust from last night’s Cincinnati Entertainment Awards settles and musicians/attendees/hosts across the city nurse their hangovers, everybody’s talking about the epic night in local music that is the CEAs. Check out a list of the night’s winners here. Stay tuned for a full recap and photos from the show in this week’s upcoming issue. And tonight, look out for the CEAs as they’re featured on The List on WCPO.
The List is a national pop culture and news
talk show broadcasted on local media networks. The 30-minute program airs
locally at 7 p.m. on weeknights on WCPO. Each night The List’s hosts Teresa Strasser, Matt Gallant
and Conor Knighton discuss trending topics, current events, pop culture news —
think BuzzFeed for TV. Each show ends with a local segment; during tonight’s Cincinnati
spot, viewers will get the scoop on the CEAs.
Tune in, check it out and remember to keep drinking water.
UPDATE: Here is video of The List's CEA mention:
The ladies of upstairs, with their hair perfectly crimped and curled, are misbehaving as usual.
While the rest of the family pushes “Tony” (Ew) onto Mary, Edith is wearing fashionable arm bracelets and casually losing her virginity. Go Edith!
Edith’s lover, Michael Gregson, has finally achieved Lord Grantham’s approval by winning him some money he lost, so there’s that. Lord Grantham only ever cares about money, anyway. He shared a tender bro moment with Mr. Bates, but after he gave his advice he said, “My goodness that was strong talk for an Englishman.” Chuckles.
Is anyone else enjoying Isobel and Violet’s newly found ceasefire and camaraderie? They no longer fight about village rose garden competitions and anything else they can think of.
My favorite Violet wisecrack of the week: “If we only had moral thoughts, what would the poor churchmen find to do?”
So far this season, Rose has been very well-behaved. On last night’s episode, she seemed pretty preoccupied with sexy Jack Ross who rescued her from deep humiliation — but, of course, her family rejected him.
Tony Gillingham asked Mary to marry him and she is so not ready. Protip: If someone asks for your hand in marriage by using the fact that your ex-husband is dead, run away. I think “He’s dead, and I’m alive,” were his exact words. Solid point, Gillingham. The mere mention of Matthew’s name by someone who never knew him makes my skin crawl. Tony and Mary share a passionate kiss before (probably not) saying goodbye forever.
Ugh, more sexual assault: Edna took advantage of Branson’s emotional state and lack of sobriety by sneaking into his bedroom late at night. Then she tried to trap him into marrying her with a fake pregnancy. No one can replace Sybil, Edna — everyone knows that. So Branson had his tweed suits all in a bunch until Mrs. Hughes took care of business by basically chasing Edna off the estate (again).
Carson’s sweet and smaller storyline about his dead ex-girlfriend is still ongoing, and Mrs. Hughes gives him a small keepsake to remember her by. Also Carson is my new spirit animal because he is not a morning person: “I always think there is something foreign about high spirits at breakfast.” Me too, Carson, me too.
Jimmy is hitting on Ivy and Daisy hates it because she’s also technically a widow (RIP William, you were so handsome).
Anna has to lie about her assault while sitting next to her rapist at the breakfast table, and things get tense. Mr. Gillingham’s valet, Mr. Green, is forcefully creepy. On top of that, she is dealing with her extremely violent rape in a society that shames all types of emotion, particularly for women. Sound familiar?
What’s most troubling to me is creator Julian Fellowes’ view on the rape scene backlash. When the episode debuted in the U.K. in October, he defended the storyline: "If we'd wanted a sensational rape we could have stayed down in the kitchen with the camera during the whole thing and wrung it out," he told BBC. "The point of our handling is not that we're interested in sensationalizing but we're interested in exploring the mental damage and the emotional damage."
Mr. Fellowes, there is no such thing as an embellished or “sensational” rape. Rape is rape. Therefore, your argument that not showing the rape makes it less rape-y is completely invalid. Watching Anna being brutally attacked and listening to her screams can be just as triggering as the actual event.
Joanne Froggat, who plays Anna, said she supports Fellowes’ the depiction of this heinous rape scene. "I was really proud of the show for tackling a subject like this...I really do believe that Julian's written that in a way that is not gratuitous at all, he does very much go on to explore the emotional journey of Anna and Bates," she told BBC in October. "He's done a beautiful job of hitting the right note with it. I think we all just felt a big responsibility to get it right."
A Gaurdian commenter under the username Bidisha makes a valid point about using the rape for shock value: "The shock attack scene in Downton was harsh and terrifying — which rape is. It was also beautifully shot, like a horror film set in a Past Times catalogue. But we live in a real world context of endemic male sexual violence in which about 90% of rapes go unreported and only 7% of the remaining 10% are convicted … raped women are not objects to be used to shake up a dull plot or add juice to a sanguine character."
Here’s hoping Anna and Bates can have an empowering and happy ending — and in the words of the Dowager Countess:
“I hope you find a way to make friends with the world again.”
The Golden Globe Awards are a true Hollywood party. Awards are given out for television and film categories, so you get the playfulness of the Emmys and the movie stars of the Oscars without as much seriousness. And it is a widely-known fact that everybody gets their drank on throughout the ceremony. Globes were awarded Sunday night; here are some highlights.
Hosts Amy Poehler and Tina Fey served as ringleaders for this celebrity circus, supplying audiences at home and at the show with tons of laughs. Having a fine eye for detail (HA!), I appreciated that they swapped gown colors from last year’s show.
The duo threw hilarious digs at the nominees, calling Matt Damon a “garbage person” in reference to the caliber of A-listers and introducing the Wolf of Wall Street himself with, "And now, like a supermodel's vagina, let's all give a warm welcome to Leonardo DiCaprio!" There were also super funny cutaway shots, like Julia Louis-Dreyfus acting like she was too good for this mess, puffing on an e-cig and refusing to take a selfie with Reese Witherspoon. Flawless!
Jennifer Lawrence accepted the first Golden Globe of the night — wearing what appeared to be a bed sheet secured with seat belts — for her role as a certified Real Housewife of New Jersey in American Hustle. She displayed her usual candor, expressing true befuddlement and, for lack of a better word, cute “awkwardness.” And America’s love affair with her continues.
Jacqueline Bisset was shocked — or intoxicated? —when she was announced as Best Supporting Actress in a Series, Mini-Series or TV Movie for her role in Dancing on the Edge. Eventually she got her words together, speaking right over that "STFU" music and ended up defying the censor to get an s-word in that bitch. Go Jackie!
Behind the Candelabra nabbed Best TV Movie or Mini-Series, because the Hollywood Foreign Press Association doesn’t have a category for “Best Use of Bejeweled Thongs.”
Mad Men was SNUBBED! This year, but Peggy (aka Elizabeth Moss) got an award, at least, for Top of the Lake (Best Actress in a Mini-Series or TV Movie). And, seriously, she seems like a total sweetheart.
Bryan Cranston won Best Actor in a TV Series, Drama for Breaking Bad’s final season. The series also received the award (which was presented by Paula Patton dressed in a blooming tampon-inspired number?) for Best TV Series, Drama. Aaron Paul said it best: “Yeah, bitch!”
Best Original Score - Motion Picture went to Alexander Ebert for All is Lost. When the camera cut to this fancy hobo, I realized that’s the lead singer of Edward Sharpe and the Magnetic Zeros! Way to go, you crazy dude. Also: new hair icon.
One of the more surprising awards of the night was Best Supporting Actor in a Series, Mini-Series or TV Movie — that’s a wide-spanning category packed with talent. The Globe went to Jon Voight for Ray Donovan, in which his character advised his grandson, who was sick with a stomach ache, “Maybe you need to faht!” in a heavy Boston accent (Read: This was one of the season’s highlights). But Rob Lowe was fucking robbed of that award. I’ll never forget that face (even if I could)!
Amy Adams(' side boob) received the award for Best Actress In A Motion Picture, Musical or Comedy for American Hustle. She and her girls accepted the award in a neckline ripped from the film. Adams is well on her way to becoming a mega-star, but I still keep confusing her with Isla Fischer!
The Globes have this weird tradition of selecting a Mr. and Ms. Golden Globe each year, which is basically a celebri-spawn that wears expensive clothes to help usher award winners out the correct stage exit. This year’s Miss was Kevin Bacon and Kyra Sedgwick’s daughter, Sosie Bacon. As for the Mister, Tina introduced her little-known adult son from a previous relationship.
Robin Wright, female perfection incarnate, was awarded for her role on Netflix series, House of Cards (Best Actress in a TV Series, Drama) The princess attended the show with new fiancé, Ben Foster. Get it girl!
Presenter Jim Carrey proved he’s still got it (despite several bouts of public cray over the past couple years)! I don’t know what made me laugh more: his Shia LaBoeuf sting or the face that he was announced as the star of Dumb and Dumber To.
Best Supporting Actor in a Motion Picture went to Jared Leto, who portrayed a transgender AIDS patient in Dallas Buyers Club. He was really workin’ them ombré highlights (not in the movie, he actually has female envy-worthy hair for a guy). And despite making a period joke, I will always love him because he will always be Jordan Catalano to me.
Spike Jonze received Best Screenplay - Motion Picture for his human-OS love story, Her.
We all need to start watching Brooklyn Nine-Nine! Andy Samberg nabbed Best Actor in a TV Series, Musical or Comedy for his new comedy. Seemed genuinely shocked and pretty adorable. And ICYMI, he’s married to Joanna Newsom.
Another award presenter fashion faux pas: Zoe Saldana's dress looks like a prom rag from Charlotte Russe circa 1999. She'd look hawt in a burlap sack, so her style cred will recover, but damn. I think I have an old purse from Claire's that would match.
Next up was Michael Douglas (Best Actor in a Mini-Series or TV Movie) for his role as Liberace in Behind the Candelabra.
Host Amy Poehler received her first Golden Globe for Best Actress in a TV Series, Musical or Comedy as Leslie Knope in Parks and Recreation. She was massaged by/made out with Bono upon the exciting announcement.
Leonardo DiCaprio won his third Globe (Best Actor in a Motion Picture, Musical or Comedy) for The Wolf of Wall Street. The actor, often overlooked at awards events (always the bridesmaid, never the bride, that Leo), seemed extremely gracious.
Rounding out the night, American Hustle was named Best Motion Picture, Musical or Comedy; Cate Blanchett (which is pronounced Blanch-it as I recently learned on NPR) nabbed Best Actress in a Motion Picture, Drama for Blue Jasmine; Her male counterpart: Matthew McConaughey (Best Actor in a Motion Picture, Drama), for Dallas Buyers Club — a role for which he lost 45 pounds. Or, as Tina Fey put it, “what actresses call 'being in a movie.'" Matt wore a cool deep emerald velvet tux and gave his signature catchphrase: “Alright, alright, alright!”
The show closed with Best Motion Picture, Drama, which went to 12 Years a Slave. All in all, it was an entertaining night and the awards were pretty well-distributed. Next up is the Oscars with Ellen DeGeneres — only 46 days to go!
Downton Abbey Season Four is here, guys. Well, at least for those of us who live on this side of the pond and refuse to download PBS illegally. It’s here, and Masterpiece Classic has delivered that beautifully crafted stiffness that can only be described as “English” once again. Two episodes into the season and we’ve already had countless snide remarks and drama from both upstairs and downstairs, all while the ever-crumbling 20th century class system hangs over everyone’s heads. So, while I work on my interpretive dance to the opening score, here is your weekly analysis and recap.
The season premiere did not start out with the usual shot of Labrador butt; instead, a dark view of the abbey. Matthew’s death, comparably shocking to the beheading of a certain Game of Thrones character, left us all in pieces. Julian Fellows, the show’s creator – who is like the Hitchcock of period dramas – cruelly chose to skip ahead six months, robbing us of our chance to grieve with the Grantham family. What about the viewers, Julian? Am I the only one who spent the last year in darkly beaded clothing, mourning the death of beloved Matthew? I need closure, or at least a hug from Carson, the overly attached butler.
While Lady Mary is busy perfecting her dead-behind-the-eyes look and ignoring her son George, Edith is living in scandal with an (almost) divorced man. “Poor Edith” is constantly trying to prove herself and her love to her father, who is so god forsakenly set in his old ways. Meanwhile, Lord Grantham mutters little gems like, “Who’s the glamorous pirate?” and “What does one say to a singer?” while secretly gambling away all of his family’s money.
Rose, the blonde cousin from the Highlands, has been a rogue element since last season. From dressing up in a housemaid’s outfit to sneaking off to smoking houses and dance halls, she seems to represent everything new and threatening to upper-class English society. Maggie Smith, who plays the matriarch and Dowager Countess of Downton, is as snarky as ever: “If I were to search for logic, I should not look for it among the English upper-class”. Oh, Violet, how right you are.
And of course, with the ever-changing times comes the impeccable 1920s women’s fashion. Think neutral colors, beaded flapper outfits and perfectly pleated day dresses.
The lady’s maid we love to hate, Miss O’Brien, abruptly moved to India with some distant Scottish relatives, and there’s no telling when she’ll be back. But hold up, there’s a new bitch in the abbey: Edna Braithwaite. Last season, Braithwaite was fired from Downton because she was hitting on Tom Branson, the widower of the family’s youngest daughter. (RIP Sybil, you could have had a future in politics.) This season, Braithwaite’s weaseled her way into another job, and is taking full advantage of Tom’s vulnerability. (Seeing that his wife is dead and he doesn’t know how to mingle with high society.) And Thomas Barrow, the under-butler, stirs up trouble with quips like: “There’s no one so jealous as a lady’s maid,” because obviously everyone knows that. And the plot thickens.
Molesley seems to be developing a severe case of asthma to pair with his mid-life crisis while Mrs. Hughes intervenes in Carson’s personal life. Ms. Patmore continues to run around like a chicken with her head cut off trying to handle the stress of cooking for all of these stuck up rich people and eventually goes into full-blown panic mode.
Disappointingly, the end of this week’s episode leaves us with the unsettling rape scene of Anna, something that was both unexpected and horrifying to watch as a critic and lover of the show. I would advise viewers to watch with caution, as it may be potentially triggering for many. Let’s hope the rest of the season handles this delicate subject in a tasteful manner.
So, in the words of Isobel Crawley, “They say life must go on and of course it must.”
Souped up car show Cavalcade of Customs returns to the Duke Energy Convention Center this weekend. The 54th annual expo’s highlights include more than 500 cars on display, live music, a motorcycle stunt show and appearances by Rick and Kyle Petty, WWE’s Shawn Michaels and Chris Jerico, Shane Harper of Disney’s Good Luck Charlie and more. Cavalcade runs Friday-Sunday. Get tickets and daily schedules here.
Cincinnati native and rising comic Geoff Tate makes a homecoming to record his third comedy album at Go Bananas nightly through Sunday. Tate spent the last year touring the country and with with Doug Benson and Bill Burr. Find show times and ticket info here.
Top stylists from an array of local salons will create works of living art Sunday at The Art of Hair at The Carnegie in Covington. Tresses take the spotlight at this runway show, running at 1 p.m. and repeating at 3. Check out our cover story to get a glimpse of the preparation for this event; buy tickets here.
Trackside seats at Cincinnati Rollergirls matches only get you so close to the action. Want to get even more involved? CRG are looking for skaters, referees and volunteers for their upcoming season. Roll on over to tryouts at The Skatin’ Place in Colerain Twp. Sunday for a chance to join the team. Go here for more details.
The Internet is a scary place, and anyone who’s browsed 4chan can attest to that. But this creepy technological web can connect strangers and answer questions, often with unexpected results. The latest example: Jenna Jameson exchanged an unverified story and super sad, semi-nude pics for information about her former agent who Jameson said turned out to be a con man and is sabotaging her online presence. She was given the man’s phone number, address, social security number, credit score an more private information within the hour. Cool?
David Lynch fans will likely recall the last episode of Twin Peaks, where Laura Palmer tells Agent Cooper she’ll see him in 25 years. Peaks took place in 1989, which means she was referring to this year — 2014. Hence, Lynch is filming new episodes of the cult series, as evidenced by a Twin Peaks casting call.
It’s always exciting to see Cincinnati on the big screen — not just a mention, but actual shots of the city. It’s certainly not the most exotic locale, and many scenes of a Cincinnati-based movie could probably be replicated in a Hollywood studio. So movies that do make the trip Midwest tend to be very special to locals. Rain Man, Traffic and The Ides of March all brought a spotlight and stars to the Queen City. Next up: Cate Blanchett and Rooney Mara make their way to Cincinnati this spring to film Carol. Based on the Patricia Highsmith book also known as The Price of Salt, the movie will be set in 1950s New York City, but shot exclusively in Cincinnati. Blanchett and Mara in vintage garb, traipsing around town? Celeb-stalking will be in full force, #ClooneyWatch style. Read more here.
In case you missed it, Shia LaBoeuf has lost his damn mind. Exhibit A. Exhibit B. Exhibit C. But, due to my undying love of Louis Stevens, I still anticipate seeing his wiener (again) in Nymphomaniac.
We’re a week into 2014 but, judging by the proliferation of “best of” articles and continued obligatory year-end reflection posts on Facebook, it appears most people are still in #RIP2013 mode — so we’re going to follow suit. Now that our marathon New Year’s hangover has passed (and since awards season doesn’t kick off until this week's People’s Choice Awards and Golden Globes), let’s look back at some of the highlights — and low points — of 2013.
The most photographed location on Instagram was a Bangkok mall; the most “popular” is this shot of Will Smith and the Biebs, with more than 1.5 million likes.
A sacrifice to the Xenu gods? No such luck.
Moving on to Twitter, the most re-tweeted post was a somber one — Lea Michele of Glee’s photo of herself with boyfriend Cory Monteith, who died of a drug and alcohol overdose in July.
A close second was the announcement of actor Paul Walker’s death in November. :(:(:(
OK, enough with the sads! The most illegally downloaded artist of the year was Bruno Mars. Not sure whether that means he’s even more popular than his record sales show, or if people are just really ashamed to buy a Burno Mars album. Either way, the guy who penned, the exquisite phrase, “You and me baby making love like gorillas,” will be performing at halftime during next month’s Super Bowl. Good luck topping last year’s!
During awards shows and in end-of-the-year roundups, we often take a moment to remember people that have passed away. Since just looking at that Cory Monteith photo makes me want to sob and hide in a room full of Pug puppies and body pillows, actual real humans are out of the question. So, as a variation of this trend, let’s look back on some of the important TV characters we lost this year. SPOILERS.
Game of Thrones
After the main protagonist of Game of Thrones, Ned Stark, was shockingly beheaded in the first season, audiences quickly learned any character on the series could find themself chopping block at any time. But who (besides, of course, those who’ve read A Storm of Swords) would expect Ned’s widow and oldest son to join him so quickly — and in such a terrifying fashion? The episode “The Rains of Castamere” brought the merciless death of Catelyn and Robb Stark plus Robb’s wife, Talisa, their unborn baby and direwolf Grey Wind, in addition to at least a dozen others at the "Red Wedding" alone. Earlier in the season, Ros — one of my favorite “working ladies” on television — fell victim to the insufferable Joffrey. While she played a much smaller role than the Starks, her death was heartbreaking and shocking. You’ll all be missed!
A Prohibition gangster drama is bound to rack up a serious body count. For some of the historically-based characters, like Al Capone, viewers have a pretty good idea about how long they will last. The fictional characters, however, can meet their maker at any point. While I’m still not over Jimmy and Angela’s demise, Boardwalk fully crushed my heart by having Richard Harrow go out in a completely un-badass style. Harrow was more than just a talented sniper with half a prosthetic face. He was a hero in the show. He killed — a lot — but usually only the true bad guys, and often to protect others. He was sensitive and strong, but slipped in his final scenes, accidentally killing Chalky’s daughter instead of his target, Narcisse. As soon as he missed the shot, I knew he was done for — Harrow, by definition, always hits his mark! Sure enough, after a dream sequence in which Harrow reunited with his family, we were jolted back to reality to find the wounded war vet dying peacefully under the boardwalk. The show will go on, but won’t have the same heart without him.
Oh, Debra. I never much cared for Dexter’s little sis — the phony fowl mouth act just rubbed me the wrong way. But she definitely played an important role in the series, especially once she found out about her brother’s “dark passenger.” Dexter seriously declined after its fourth season, and this final one was a doozy. But it still didn’t prepare us for Deb’s death. After surviving a shot to the stomach, Deb appears to be recovering at a hospital. While Dexter was busy chasing down his sister’s shooter, Deb’s health turned for the worse, leaving her brain-dead. As a hurricane hits Miami, sending the hospital staff into a frenzy, Dex is able to pull the plug on his sister — sure she would not want to continue on in a vegetative state at a hospital for the rest of her days — and takes her body on his boat, to be whipped into the stormy sea. It seems like Deb and Dex died together in the water, until we meet up with a bearded, lumberjack Dexter in some mysterious woodsy locale, living in solitude. The fuh?
The Walking Dead
The Walking Dead killed off a number of significant characters between the end of Season Three and first half of Season Four this year. Andrea, who once shared a bed with the Governor, ended up dead because of him. The Gov. hunted and captured Andrea after she attempted to run away to her group at the prison. Trapped in a torture chamber with the ticking time-zomb™ that was Milton, Andrea was unable to protect herself from a deadly bite. Michonne made it to her BFF Andrea’s side, only in time to put her down before she turned. And, after making an anticipated return to the show, Merle also fell victim to the Governor. His brother, Daryl, was tasked with killing zombie-Merle in a super-sad scene.
The Governor’s path of terror finally came to an end at the prison, but not before he was able to take out Hershel (the closest thing the group had to a doctor, not to mention Maggie and Beth’s father and the sweetest one-legged man to make it in the apocalypse). The villain was finally taken down in a big shoot-out between his group and Rick’s, which left all the survivors in disarray. Also, baby Judith is MIA, probably in a zombie’s belly. :(
I made up my mind early on that Walter White needed to die at the end of Breaking Bad in order for the story to retain its authenticity. Walt got into the meth business in order to pay for his medical costs and provide ample support for his family if and when he succumbed to cancer. We all know he stuck with the game for so long because, as he finally admitted in the finale, he liked it. He was good at it. “I did it for me,” he tells Skyler in their final scene. Most fans probably expected Walt to die, and he did so in a truly epic fashion, while protecting Jesse. His brother-in-law Hank also went out like a champ, after a brutal desert showdown. The saddest death of all was the end of the show itself, but Breaking Bad will surely stand the test of time as one of the greatest American dramas.
Talk about a surprise ending! After breaking free from countless near-death experiences, Nicholas Brody was captured and killed. Viewers got a taste of a Brody-less Homeland this season, as the character was on the lam and not present in much of this season. But the show was so much better with Brody in it — somehow, he balanced Carrie’s cray, despite the fact that he was a damaged man who flipped every chance he got. This death gives the show an opportunity to take a completely new route. Hopefully we’ll still check in on his family (am I the only one who still cares about them?) but we’re definitely going to have a little bit of Brody in the form of his child with Carrie. How a fetus could survive the stress, cigs and booze she put it through proves that this is definitely a Marine baby.
500 Miles to Memphis at the Southgate House Revival: Say goodbye to 2013 with the band, one of the best live groups in the area. 9 p.m. $8 pre-sale; $10 day-of. Southgate House Revival, 111 E. Sixth St., Newport, Ky., 859-431-2201, southgatehouse.com.
Big Easy New Year’s Eve: Ring in the New Year New Orleans-style with the Cincinnati Symphony Orchestra and conductor John Morris Russell. The evening will feature jazzy Big Band favorites with trumpeter Byron Stripling delivering Dixieland favorites and a tribute to Louis Armstrong. Following the concert, there will bea ball hors d’oeuvres, cocktails, carnival-style dancing, dinner, live music and a champagne toast at midnight. Concert: 7:30 p.m.; ball: 10 p.m. Concert: $12-$90; ball: $175-$250. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
SOLD OUT CityBeat and Know Theatre’s Speakeasy Party: A 1920s-themed speakeasy in the basement bar of the Know Theatre with casino games, dance lessons, food, martinis and a champagne toast at midnight. Benefits the Know Theatre. 8 p.m.-1 a.m. $25. Know Theatre of Cincinnati, 1120 Jackson St., Over-the-Rhine, RSVP to 513-300-5669 or knowtheatre.com.
Hamilton County Parks’ Family New Year’s Eve: A ton of family-friendly fun to fit in before the ball drops at 9 p.m. See live animals, balloon sculptors and magicians and play games, make crafts and more. 6-9 p.m. $4; free for 2 and younger. Woodland Mound, Seasongood Nature Center, 8250 Old Kellogg Road, Beechmont, RSVP to greatparks.org.
First Midnight: Performances by DJ ETrayn, DJ B Sarge and Peter Dressman plus hors d’oeuvres and a champagne toast. Benefits Give Back Cincinnati. 8 p.m.-2 a.m. $40; $30 advance; $50 per couple advance. Horseshoe Casino Cincinnati, 1000 Broadway St., Downtown, RSVP to ffecincinnati.com.
Happy Zoo Year: Ring in the New Year early at the Zoo with the Festival of Lights, a New Year’s Eve Madcap Puppet Theatre black-light show, party favors, costumed characters and appearances by Baby Zoo Year and Father Time. An early New Year countdown begins at 8:55 p.m. at the Wings of Wonder Theater with fireworks at 9 p.m. 5-9 p.m. Included with zoo admission: $15 adults; $10 seniors and children. Cincinnati Zoo and Botanical Garden, 3400 Vine St., Avondale, cincinnatizoo.org.
International New Year’s Celebration: Celebrate New Year’s traditions from around the world each hour in the Cincinnati Museum Center’s rotunda. Learn about the different countries and their culture, music, games and crafts. Stop by “customs” for special country stamps and write a letter to troops stationed abroad. 11 a.m.-6 p.m. Free. Cincinnati Museum Center, 1301 Western Ave., Queensgate, cincymuseum.org.
Midnight in Munich: Celebrate the New Year in Germany with a German dinner buffet, German festivities and a champagne toast at 6 p.m. — midnight Munich time. 5 p.m. $30. Mecklenburg Gardens, 302 E. University Ave., Corryville, RSVP to mecklenburgs.net.
Mike Davis New Year’s Eve Show: Las Vegas-style entertainment by Elvis tribute act Mike Davis. Includes a buffet dinner, coffee, soft drinks, beer and wine. 9 p.m.-1 a.m. $50. Mariner’s Inn, 7391 Forbes Park, Sayler Park, RSVP to 513-465-9037 or todayselvis.com.
New Year’s Eve Ball: Two DJs on two levels plus an hors d’oeuvres buffet and champagne toast. 9 p.m. $30; discounts for 10 or more. Mount Adams Pavilion, 949 Pavilion St., Mount Adams, RSVP to 513-744-9200 or mountadamspavilion.com.
New Year’s Eve Bash at Blinkers Tavern: Regular menu available plus a three-course dinner, party favors and a champagne toast at midnight. Music by DJ Lunaman. 8 p.m. $65. Blinkers Tavern, 318 Greenup St., Covington, Ky., RSVP to 859-360-0840.
New Year’s Eve Black and White Ball: Includes a two-room suite at the Embassy Suites Blue Ash plus an open bar, dancing, DJ, buffet dinner, midnight continental breakfast and late check-out. Check-in at 3 p.m. $349. Embassy Suites Blue Ash, 4554 Lake Forest Drive, Blue Ash, RSVP to 513-981-3752.
New Year’s Eve Blast on Fountain Square: Food vendors, beverage stations, souvenirs, dance contest, music by DJ Tweet and Rozzi’s famous fireworks at midnight. 8 p.m.-midnight. Free; VIP packages available. Fountain Square, Fifth and Vine streets, Downtown, 513-763-8036, myfountainsquare.com.
New Year’s Eve at Bobby Mackey’s Music World: The 35th annual bash at Bobby’s with line dancing, live music, bull rides and hourly ghost tours. Music by Bobby Mackey and the Big Mac Band plus karaoke. 9 p.m. $10. Bobby Mackey’s Music World, 44 Licking Pike, Wilder, Ky., RSVP to 859-431-5588 or bobbymackey.com.
New Year’s Eve Dinner Cruise: An Ohio River cruise with BB Riverboats including the sparkling Cincinnati skyline, a buffet, entertainment, champagne split at midnight and a late-night snack buffet and party favors. 9 p.m.-1 a.m. $102 adults; $62 children. BB Riverboats, 101 Riverboat Row, Newport, Ky., RSVP to 859-261-8500 or bbriverboats.com.
New Year’s Eve Dinner Dance: Hot buffet, snacks, a wine fountain, hats, noisemakers, music and attendees can BYOB. 8 p.m.-1 a.m. $40. Lakeridge Hall, 7210 Pippin Road, Colerain Township, RSVP to 513-521-1112.
New Year’s Eve at the Funny Bone: A special engagement with comedian Basile. 7 p.m. $45. Levee Funny Bone, Newport on the Levee, Newport, Ky., funnybone.com.
New Year’s Eve Gala at Vito’s Cafe: A five-course prix-fixe menu with music, balloons and champagne. Seatings at 6 and 9 p.m. $60; $15 for ages 9 and younger. Vito’s Café, 654 Highland Ave., Fort Thomas, Ky., RSVP to 859-442-9444.
New Year’s Eve at Go Bananas: Comedian Cy Amundson plus party favors, snack plates and a champagne toast. 7:30 and 10 p.m. $20 early show; $40 late show. Go Bananas, 8410 Market Place Lane, Montgomery, gobananascomedy.com.
New Year’s Eve at Igby’s: Dress in cocktail attire for music by DJ Ice Cold Tony. Advance-order bottle specials available: two bottles of Grey Goose and a bottle of Perrier Jouet Grand Brut champagne for $420; one bottle of Perrier Jouet Grand Brut for $65. 9 p.m.-2:30 a.m. $20. Igby’s, 122 E. Sixth St., Downtown, 513-246-4396, igbysbar.com.
New Year’s Eve Kids’ Countdown at Newport Aquarium: Q102’s Katie Walters takes over the Shark Ray Bay Theater for a kids’ celebration with music, dancing and giveaways plus a special appearance countdown by Scuba Santa at 5 p.m. Kids also get noisemakers and party hats to ring in the New Year. 3-5:30 p.m. Free with admission: $23 adults; $15 children; free two and younger. Newport Aquarium, 1 Levee Way, Newport on the Levee, Newport, Ky., newportaquarium.com.
New Year’s Eve at The Lackman: Drink specials including $5 Bulleit cocktails and $3 select bottle beers. Complimentary champagne toast at midnight. 8 p.m. Free. The Lackman, 1237 Vine St., Over-the-Rhine, lackmanbar.com.
New Year’s Eve at Mayday: Great Gatsby-style party with live ’20s-era Jazz and a three-course dinner. Champagne pairings available. Dinner followed by the Koi Pound Annual Carnivolution with DJs, LED spinners and other carnival antics. 6 p.m. dinner; 9:30 p.m. Koi Pound party. $30 champagne dinner; $45 sparkling wine dinner. Mayday, 4227 Spring Grove Ave., Northside, RSVP to maydaynorthside.com.
New Year’s Eve at Mynt Martini: A balloon drop, complimentary hors d’oeuvres from 8-9 p.m., music by Davey C. and a champagne toast at midnight. 8 p.m. $25 advance; VIP packages $400-$2,500. Mynt Martini, 28 Fountain Square, Downtown, RSVP to 513-621-6968.
New Year’s Eve at the Newport Syndicate: Multiple party rooms with music by the Rusty Griswolds, multiple pianists and Q102’s DJ Mark McFadden. Champagne toast at midnight with dinner buffet and open bar. 8 p.m.-2 a.m. $75 piano package; $100 premium; $125 VIP; $150 Best Seat in the House. Newport Syndicate, 18 E. Fifth St., Newport, Ky., 859-491-8000, cincyticket.com.
New Year’s Eve at Obscura: Includes a four-course prix-fixe menu. Seating begins at 6 p.m.; 8 and 10 p.m. seating includes a cocktail or wine pairing for $99; 10 p.m. reservation includes a champagne toast. $75-$99. Obscura, 645 Walnut St., Downtown, RSVP to obscuracincinnati.com.
New Year’s Eve at Perfect North Slopes: Skiing, snowboarding and snow tubing open until 1 a.m. with party favors and a DJ in the lodge. Fireworks at midnight plus a torchlight parade down the slopes by ski instructors and ski patrol. 8 p.m.-1 a.m. Free (except for lift tickets). Perfect North Slopes, 19074 Perfect Lane, Lawrenceburg, Ind., perfectnorth.com.
New Year’s Eve at The Stand: VIP tables available. 8 p.m. Free. The Stand, 3195 Linwood Ave., Mount Lookout, 513-871-5006, thestandcincy.com.
New Year’s Eve at the Rail House: Enjoy a New Orleans-style masquerade ball with live music by the Robin Lacy & DeZydeco plus a three-course prix-fixe dinner package. Show off your best Mardi Gras mask and win a bottle of Perrier Jouet Grand Brut to use to toast the New Year. Reservation times for the NYE dinner package are every half hour between 7 and 9:30 p.m.; early-bird seating 4-6 p.m. $39.95 dinner. The Rail House, 40 Village Square, Glendale, RSVP to railhouse1854.com.
No Hassle New Year’s Eve with Cincinnati Sports League: Party favors, two free Budweisers, one American Honey cocktail, a champagne toast, macaroni and cheese buffet and a chance to win a cruise to the Bahamas. 9 p.m.-2:30 a.m. $25. Keystone Bar & Grill Hyde Park, 3384 Erie Ave., Hyde Park, RSVP to 513-321-2150.
NYE 2K14 Hosted by Grandmaster Flash: Includes a complimentary buffet and party favors plus packages for skip-the-line entrance, open bar, a meet-and-greet with Grandmaster Flash and more. Opening set by DJ Mike B of Animal Crackers. 8 p.m.-2:30 a.m. $75; $50 advance. PLAY, 35 E. Seventh St., Downtown, RSVP to 513-500-6923 or playcincy.com.
Pauly Shore at Boogie Nights: Ring in 2014 with comedian Pauly Shore at Hollywood Casino’s Boogie Nights nightclub. Shore will be mixing, mingling and emceeing the evening. 9 p.m.-3 a.m. $20; $35 per couple. Hollywood Casino, 777 Hollywood Blvd., Lawrenceburg, Ind., hollywoodindiana.com.
Red Wanting Blue: Celebrate New Year’s at the 20th Century Theater with music by Red Wanting Blue and Young Heirlooms. 9 p.m. $25 advance; $30 day-of; $40 VIP with access to a pre-show acoustic set, limited edition signed poster and meet-and-greet. 20th Century Theater, 3021 Madison Road, Oakley, 513-731-8000, the20thcenturytheatre.com.
Rumpke Mountain Boys’ New Year’s Eve Ball: Bluegrass band the Rumpke Mountain Boys host a New Year’s bash with New Old Cavalry and Flatland Harmony Experiment. 7 p.m. $25. The Thompson House, 24 E. Third St., Newport, Ky., 859-261-7469, thompsonhousenewport.com.
Silvestertanz: A German New Year’s Eve celebration with music by Alpen Echos, hors d’oeuvres, a sandwich buffet and dessert. Cash bar. 8 p.m.-1 a.m. $22. Donauschwaben Haus, 4290 Dry Ridge Road, Colerain Township, RSVP to 513-385-2098 or cincydonau.com.
Star Lanes NYE: New Year’s Eve packages for day and night, including complimentary food, drinks and bowling. Nighttime 21 packages include three hours of bowling, shoe rental, passed hors d’oeuvres, a champagne toast and four well-drink tickets. Daytime family-friendly packages available. 21 event starts at 9 p.m. $50. Star Lanes, 1 Levee Way, Newport on the Levee, Newport, Ky., RSVP 859-652-7252, starlaneslevee.com.
Stress Free New Year’s Eve: Music by DJ Simo. VIP tables available. 9 p.m.-2:30 a.m. Free. The Righteous Room, 641 Walnut St., Downtown, 513-381-4408, therighteousroom.com.
Track Bash New Year’s Eve Party: Turfway Park presents live horse racing, music by Doghouse and various packages including everything from buffet and party favors to a champagne toast. 5:30 p.m.-1 a.m. Packages $75-$150; free general admission. Turfway Park, 7500 Turfway Road, Florence, Ky., turfway.com.
Why? at The Comet: Locally based, internationally beloved Indie crew Why? will play its final show of 2013 at the intimate Comet in Northside. 10 p.m. Free. The Comet, 4579 Hamilton Ave., Northside, 513-541-8900, cometbar.com.
Wussy at the Northside Tavern: Wussy and Frontier Folk Nebraska close out 2013. 9 p.m. Free. Northside Tavern, 4163 Hamilton Ave., Northside, northsidetav.com.