There is another reason that I visit the theater maybe two or three times a year, and that is the price of tickets. My student status means what little money I have goes to more important needs. Going to see a movie should be an enjoyable event not a troublesome occasion that breaks your bank account. Tickets, dinner and movie snacks can get incredibly expensive which is why I’m glad there was still a little tax return money left when I went to see The Hunger Games. I know this is a little late in regards to the movie’s release, but better late than never.
With that being said, I didn’t have any preconceived notions of the story, characters or setting. In some cases that is the best way to be introduced to a series. With a clean slate, that allows little room for disappointment. The only thing that I was really disappointed about was the use of the shaky camera, mainly in the opening and final scenes in the arena. Apparently director Gary Ross felt that using shaky cam work would help give a better portrayal of Katniss Everdeen’s point of view and gave a sense of urgency to the movie. My only advice is that if you get motion sickness, be careful with this one.
There was one thing that went unnoticed though. Peeta, played by Union, Ky., native Josh Hutcherson, turned into a wimp in the arena. A big deal was made of how much weight he could throw around, even showing him picking up a spiked metal ball and hurling it across the room. I was expecting him to throw a heavy boulder at someone Braveheart-style. Instead, we were shown that he all he could do was camouflage himself to look like a rock. At least in the book he killed someone.
The Twilight books are horribly written — I wasn’t able to get more than 20 pages into the first one before I had to stop — the English major in me came out again, rejoicing like the Wicked Witch was dead. Then the Twilight movies completely destroyed every bit of vampire lore ever created. Vampires don’t sparkle and they can’t go out in the sun. I guess I don’t get the appeal of Twilight because I’m not a teenage girl. The choice of actors/actresses was strange as well, mainly because they give the same performance in each movie they are in. Check out Taylor Lautner’s terrible action movie Abduction for a piece of wood with abs’ best impression of acting. With that, I think I need to stop with the Twilight comments before it gets out of hand.
Knight and Day, the action-comedy extravaganza starring Tom Cruise and Cameron Diaz, supposedly tanked at the box office last weekend, pulling in “only” about $20.5 million despite opening on a Wednesday (that's two extra days with which to build up its box-office tally, for those not keeping track of such things).
The James Mangold-directed movie was made for $107 million, we've continually been reminded, it has to do better than that in its opening weekend! Right?
Many people have complained in recent years (including Scott Renshaw in his review of Everybody’s Fine below) that Robert DeNiro is not the actor he used to be. Maybe, maybe not.
This time I was struck by how different Jaws is compared to the sleek, sequel-laden, CGI-driven summer fare of today. Watching a drunken Quint (a thoroughly convincing Robert Shaw) stomp aroundJaws' grimy, pathetic boat — which is a character unto itself — is welcome aesthetic shift from the alienating pixelated mayhem of Thor, Transformers: Dark of the Moon, Captain America and the like.
When willLeonardo DiCaprio lighten up? It doesn't look like it's going to happen anytime soon.
Asked recently if he would consider doing something besides the heavy dramatic lifting of recent years (see Gangs of New York, The Aviator, Blood Diamond, The Departed, Body of Lies, Revolutionary Road, Shutter Island, Inceptionand now J. Edgar), the 37-year-old actor responded with this to-the-point rebuttal: “Why would I want to do something I would consider a profound waste of time?"
Remember when Mickey Rourke was one of the most compelling actors on the planet? Sure, one must go back more than two decades, but there was a time when his wry smile, knowing eyes and playful, sexually charged persona made Rourke both a cult figure — the French still adore him — and an actor of rare emotional depth and unpredictability.
I try to stay away from movie trailers as much as possible — either because they rarely give you an accurate idea of what a movie is truly about or because they reveal the entire thing in two minutes. (On the other hand, I suppose I'd rather spend a few minutes with something like Tron: Legacy or The Tourist than sit through two mind-numbing hours.)
An example of the first reason is on display in the difference between the theatrical trailer version of No Strings Attached (which is set to open wide Jan. 21) and its much racier red band version.
Versatile special-effects maestro Shane Mahan knows his summer blockbusters — he's worked with everyone from Steven Spielberg and James Cameron to Tim Burton and Jon Favreau.
"They are the best communicators, and I think they’re also the best visionaries,” Mahan says.
Mahan is something of a visionary himself.
The Ides of March is nearly here. George Clooney's political thriller, partially shot here in Cincinnati, opens wide tomorrow, and the film's publicity blitz is now in full effect with TV spots flooding the airwaves (you know, the ones pimping Rolling Stone critic Peter Travers' typically overly exuberant blurbage) and Clooney himself doing a few selected interviews.
While CityBeat unfortunately didn't get one of those interviews (our bribe of complimentary CB T-shirts and a pass to the MidPoint Music Festival apparently weren't sufficient enough to sway his handlers; we instead talked to Ides actor Max Minghella), Clooney will appear on tonight's episode of The Charlie Rose Show on PBS to discuss the film. It's probably no surprise, then, to learn that Clooney's character in Ides — an articulate liberal Pennsylvania governor who is running for the Democratic presidential nomination — appears on Rose's show in the film.