Perhaps you’ve been hearing some conversation about the Cincinnati Playhouse moving downtown, which started late last year. Guess it would no longer be the “Playhouse in the Park,” but there are some grand plans for a new theater facility right in the heart of downtown.
If you’d like to learn more, you might want to stop by the Playhouse’s Marx Theatre tonight for the second of two town hall-style meetings about the future. (The first meeting was on Sept. 22.) Playhouse Board President Jack Rouse and Producing Artistic Director Ed Stern will present the pros and cons of the Mount Adams location and what downtown has to offer; there will be a chance for questions from the audience, too.
Rouse says, “Theater is a collaborative art, and we want to mirror that collaborative process as we analyze the important decisions that we will be making concerning our physical theaters and their location.”
Seating is on a first-come, first-served basis in the Marx Theatre. Doors will open at 6:30 p.m. Parking is free (there are no performances at the Playhouse on Monday evenings). Following the presentation, attendees can stay for further conversation with Playhouse board members and key staff in the Rosenthal Plaza. Hors d’oeuvres will be served, and a cash bar is available.
What might become of the Playhouse’s current facility in Eden Park is a big question, as is how a downtown theater complex could be funded. These are important questions for the future of our much-admired regional theater. Sounds like a worthwhile way to spend a few hours on a Monday evening.
– Rick Pender
Cincinnati Playhouse in the Park’s 2010-11 season has a distinct difference between the plays it will present on its Robert S. Marx main stage and the shows slotted for its smaller Thompson Shelterhouse. With a few significant exceptions, it’s a divide between the 20th and 21st centuries.
All of the coming season’s Shelterhouse shows have originated since 2000, four of five in the past three years. On the main stage, the average age of shows is more than 20 years. (It stretches out a lot further if you use the original publication date of Charles Dickens’ A Christmas Carol, dating back to 1843, rather than the 1991 adaptation by Howard Dallin that the Playhouse produces annually.)
Abandon ship! Well, that's not exactly true. In fact, Cincinnati Landmark Productions has done a remarkable and loving job of sustaining the ship — in the form of the Showboat Majestic, which it has operated for 23 years in the face of at least 10 floods and countless repairs (including a leaky hull). But with its lease running out later this month, the company has decided not to return for the 2014 season.
Cincinnati Landmark will focus its endeavors on the Covedale Center for the Performing Arts, the converted West Side movie theater where it will offer a "Summer Classics Season" in a vein similar to mainstream fare of classic comedies and musicals that has long drawn audiences to the Majestic. There have been 170 productions on board since 1991, attracting more than 350,000 patrons to the last floating theater in the United States. Cincinnati Landmark is also embarking on a new voyage with a performing arts center to be built in the Incline District in East Price Hill, a venue anticipated to be up and running as early as 2015.
Tim Perrino, executive artistic director at Cincinnati Landmark, says, "It's time to say goodbye. Our organization enjoyed a prolific chapter in the Majestic's grand history, painstakingly caring for the old boat" — launched in 1923 — "and producing seasons that paid tribute to her heritage."
Opening this week on Wednesday, Showboat Follies will be Cincinnati Landmark's final production on the Majestic. An annual tradition, it's a compilation of musical showstoppers, comic sketches, audience interaction and a return of the "Queen City Toast," a longtime staple of season-closing shows. "This show has become our love letter to the Majestic," Perrino says, adding that it's "a thank-you to our subscribers, longtime supporters and the many artists who helped make our time on the Showboat so special." Showboat Follies runs through Sept. 29.
During the summer of 2014, Cincinnati Landmark will present four productions at the Covedale: Jerry Herman's Hello, Dolly! (May 22-June 1); Neil Simon's comedy, The Sunshine Boys (June 19-29); Footloose (July 24-Aug. 3), the 2014 Cincinnati Young People's Theater production, a summer favorite using local high school talent; and a spectacular song-and-dance show, The Will Rogers Follies (Aug. 21-31).
In 1989, the Showboat Majestic was named a National Historic Landmark. No word from the City of Cincinnati, which has owned the Majestic since 1967, as to what might be next. The Majestic was operated with summertime shows by the University of Cincinnati for many years, and it served as a popular venue during several of the Tall Stacks festivals over the years.
John Morris Russell has been named the new conductor of the Cincinnati Pops, succeeding the orchestra’s founder and long-time conductor Erich Kunzel, who passed away in September 2009. Russell will officially begin his tenure on Sept. 1, 2011, but he’s a familiar face around Music Hall because he served as associate conductor of the Cincinnati Symphony Orchestra from 1995 to 2006. In a midday news conference at Music Hall, Russell indicated that he will make his home in Cincinnati. He presently lives in Windsor, Ontario, where he is music director of the Windsor Symphony Orchestra, a post he's held for 10 years and intends to keep.
I don't often write about community theater. It's really a matter of time and space; we have so much good theater here in Cincinnati and not so much space in CityBeat, so I have to make some choices. I also don't have enough time to catch every community theater production — trust me, there are a lot of them. But over the weekend I felt compelled to see The Drowsy Chaperone, produced by Cincinnati Music Theatre at the Aronoff Center's Jarson-Kaplan Theater.
If you Google search “John McClellan,” you’ll find the late Democratic senator from Arkansas and the 19th century chemist. So what is comedian, Akron native and onetime Cincinnatian John McClellan — who brings his "Punk Rock" stand-up tour, the Fuck All Comedy Ball into Northside's tiny music club/bar, The Comet, this Saturday — doing to distance himself from his fellow McClellans?
“None of those guys are funny,” says the funny McClellan. “That’s why I had to get boozecoma.com, because some guy already had johnmcclellan.com, and asking people to spell my last name was a chore. They’re working on old cars or selling real estate and I’m just out there trying to bring the jokes to the people.”