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by Mike Breen 01.23.2013
Posted In: Local Music, Music News, Music Video at 01:15 PM | Permalink | Comments (0)
 
 
midnight_star-no_parking_on_the_dancefloor

Midnight Star Featured on TV One's 'Unsung'

Cincinnati R&B/ElectroFunk group profiled on cable series Jan. 30

The sixth season of TV One's entertaining and informative Unsung series, showcasing artists who did well but didn't quite reach the heights many expected, kicks off tonight at 10 p.m. with an episode about the late, great Soul star Isaac Hayes. Next week, on Jan. 30, the series focuses on a group that was formed at Kentucky State University and ended up calling Cincinnati its home base — Midnight Star.

The R&B/ElectroFunk nine-piece band was a major success in the ’80s, giving the music world massive hits like "Slow Jam," "No Parking on the Dance Floor" and "Freak-a-Zoid." But the band eventually splintered — due to "arguments over money and management," according to the Unsung synopsis — with Reggie Calloway and brother Vincent leaving and eventually forming Calloway (which had success with the smash "I Wanna Be Rich" in 1989).

Midnight Star carried on and produced a couple more albums that featured R&B chart hits before taking a break. The "hiatus" ended in 2000 and Midnight Star continues to this day, performing most recently at the Macy's Music Festival last summer. Click here to read up on the band circa 2013.

The Unsung series has a loose definition of "unsung" (as the Isaac Hayes episode suggests), but its profiles of various R&B/Soul, Hip Hop, Funk and Gospel artists are always fairly illuminating. The show has dedicated episodes to a wide range of successful artists, from The Ohio Players and Zapp to Kool Mo Dee and Big Daddy Kane to George Clinton, The Spinners and another Cincinnati-affiliated star, Bootsy Collins.


Unsung (Documentary) - Bootsy Collins... by GENERATIONDISCOFUNK

The rest of Unsung's season six includes episodes on EPMD, Lou Rawls, Eddie Kendricks, The Whispers, Mint Condition, Johnny Gill and a special two-hour look at the Disco phenomenon.

TV One is channel 217 for local Time Warner Cable subscribers (1217 for the HD channel).

 
 
by Brian Baker 09.25.2009
Posted In: MidPoint Music Festival at 02:10 PM | Permalink | Comments (2)
 
 
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MPMF: Perfectly Imperfect First Night of MidPoint

[Further Thursday coverage: 172 photos here and multimedia show here.]

After months of planning and judging and selecting and scheduling and designing and implementing, the big night has arrived at last. The first night of MidPoint 2009. You can almost smell the impending disaster in the air.

Elms4_KAK.jpg
The Elms

Well, perhaps disaster is a bit strong. It’s been a long time — well, a couple of years anyway — since MidPoint has been baptized by a significant rainfall, and right out of the chute last night’s precipitation claimed its first victim for me. As much as I wanted to see The Elms, I wasn’t prepared to walk up to Grammer’s in the pouring rain and then watch them while outside soaking wet. I hear the tent is nice and, as it turned out, I probably would have been better off to take the wet walk.

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by Amy Harris 10.11.2010
Posted In: Live Music at 02:58 PM | Permalink | Comments (0)
 
 
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Josh Kelley with Miranda Lambert in Dayton

Miranda Lambert took the stage with her pink guitars Saturday night to a packed house at Dayton's Nutter Center on her CMT Revolution Tour with her latest single “Only Prettier.” She continued to entertain the audience with her contagious energy through 20 more hits throughout the evening. Don’t let her pretty smile fool you, because the songs got more soulful as she sang ballads (“The House That Built Me” and “Dead Flowers”) and got the crowd on their feet for her gritty song about justice called “Gunpowder and Lead;” at the end of the song she held up her microphone stand shaped like a shotgun.

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by mbreen 12.15.2008
Posted In: Local Music at 04:57 PM | Permalink | Comments (1)
 
 
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Hank Williams, CityBeat and Music History

The efforts to erect a plaque at the site of the old King Records facility (as well as myriad events related to the past and future of the ground-breaking record label, including this year’s Cincinnati Entertainment Awards) hopefully turned a lot of people on to the fact that Cincinnati’s music history is as rich as any city in the country.

Now, some of the same people who sought to honor King’s legacy are turning their focus on another monumental happening that should further enhance Cincy’s reputation as a blockbuster music town.

This coming Monday marks the 60th anniversary of a profoundly important recording session that took place at 811 Race St. in Downtown. Today, that building is home to CityBeat world headquarters, but 60 years ago, it was Herzog Studios.

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by Mike Breen 03.29.2013
Posted In: Live Music, Local Music, Music News at 08:41 AM | Permalink | Comments (0)
 
 
huey lewis and the news sports

Horseshoe Casino Announces Outdoor Concert Lineup

Ke$sha, Willie Nelson, Barenaked Ladies and more booked for new Cincinnati casino

Cincinnati's new Horseshoe Casino has announced its outdoor concert season lineup and it's a fairly impressive list that puts the casino's music venue, which they've dubbed "The Shoe," in direct competition with larger outdoor sheds in the region (like Riverbend, PNC Pavilion and Fraze Pavilion in Kettering).

Tickets for The Killers' May 16 show at The Shoe sold out almost instantly after going on sale, while The Shins' concert set for May 21 is likely to also sell out quickly (tickets went on sale to the general public today). Here are the rest of the shows, freshly announced this morning.

June 8: Ke$sha
June 9: Huey Lewis and the News (on their tour celebrating the 30th anniversary of Sports)
June 14: Billy Idol
July 6: Barenaked Ladies, Ben Folds Five and Guster
July 7: Alice Cooper
July 19: An Evening with Willie Nelson and Family
July 25: Sugar Ray, Smash Mouth, Gin Blossoms, Fastball, Vertical Horizon
Aug. 23: Chicago
Sept. 5: "Comedic" puppeteer Jeff Dunham
Sept. 22: Earth, Wind & Fire

Tickets go on sale through Ticketmaster outlets and at horseshoecincinnati.com on April 5 at 10 a.m. Keep an eye on the Horseshoe Facebook site for info on early pre-sale opportunities.

 
 
by Brian Baker 09.26.2009
Posted In: MidPoint Music Festival at 03:38 PM | Permalink | Comments (2)
 
 
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MPMF: The Heavens Roared, the Ground Roared Back

[Further Friday coverage: 235 photos here and multimedia show here.]

Other than an intermittent and often heavy rainfall and a cancelled show or five, Thursday was a very good opening night. The lessening rain upon arrival in downtown Friday night boded well for a drier and less drippy MidPoint experience, and so it was. For the most part.

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by 10.06.2008
Posted In: Local Music, King Records at 03:49 PM | Permalink | Comments (0)
 
 
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King Records to Have Its Day

The city of Cincinnati is prepared to formally recognize King Records’ place in the city’s cultural history with a historic marker, a partnership with the Rock and Roll Hall of Fame, a King-oriented class or lecture series, a King Records Center on the campus of Xavier University and a prominent role in this year’s Cincinnati Entertainment Awards for Music (CEAs). City Councilman John Cranley, Bootsy Collins and others announced the plans at a news conference this morning at the former King Records site in Evanston.

[See photos from this morning here.]

Cranley read from a motion he introduced to City Council that asks for up to $10,000 in city funds to install a historic marker on the former King Records office/studio in Evanston to be unveiled on Nov. 23, with the remaining funds used to book a former King recording artist to perform at that night’s CEAs. This year is the 65th anniversary of the founding of King Records in Cincinnati.

The Rock Hall of Fame in Cleveland has agreed to construct, donate and maintain the historic marker, and if Cranley’s funding request is granted the Rock Hall president has agreed to attend the marker unveiling and the CEAs. The institution also will work to develop a class or lecture series on King Records at Cincinnati State.

Other newsworthy items from this morning:

• Xavier officials are looking into developing a King Records Center on campus, a history exhibition that also could be a working recording studio for use by students and the public.

CityBeat Marketing and Promotions Manager Dan McCabe announced that the 12th annual CEAs for music will be the first event held at the reopened Emery Theater in Over-the-Rhine. The CEAs were the final public event at the Emery just before it closed in 1999.

 
 
by Brian Baker 01.06.2012
Posted In: Reviews, Music Video at 01:22 PM | Permalink | Comments (0)
 
 
jasssz

I Shall Be Released: A New Beginning

Reviews of new and recent recordings by Kevin Hearn, Jaimoe’s Jasssz Band, the Dex Romweber Duo, Shonen Knife and others

Well, we’ve taken down the free SPCA fluffy kitty/puppy day planner from the kitchen door and put up the free World Wildlife Fund animal kingdom mother/cub book of days and that can only mean one thing: We didn’t wait until late February to switch to the new year’s calendar, which is typically par for our course. And with the new year comes a change for I Shall Be Released; my weekly review column (or semi-weekly, depending on schedule and level of brainlock), normally found as a web-exclusive feature, has been moved to the spiffy Daily Beat music blog, where you will find it from this day forward. I’m not sure why I was upgraded to first class, but I’m sure everyone now expects me to be punctual and timely to line up with the whole “Daily” theme of the thing. Fly me, Mandy, keep the gin and tonics coming, and I’ll see what I can do to live up to my new seat designation in the better section.

As for today’s post, much like the tail end of last year, the newer stuff is up here, the older catch-up reviews are down there and it’s all good under the hood. January looks light enough to accommodate my outstanding 2011 reviewage while I sample what the new year is bringing. And based on the release sheets and the stuff showing up in my mailbox already, 2012 is shaping up to be another great year for music. And in case no one’s pointed it out yet, we’ve got exactly 100 years before we can make Rush jokes similar to the crop of George Orwell zingers that went around in 1984. Well, someone can make Rush jokes; those of us in the here and now will all be dust in the wind (let the Kansas jokes commence). Read on, literate music fans, and happy new year!

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by mbreen 11.22.2010
Posted In: Music News, Local Music, CEAs at 03:56 AM | Permalink | Comments (1)
 
 
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A Very Foxy 2010 CEAs

Something (or a few things) unanticipated usually happens at the Cincinnati Entertainment Awards show every year. After all, it's a night where hundreds of local musicians are put together in a room with loud music and multiple cash bars.

But the biggest unexpected element of last night’s CEAs at the Madison Theater in Covington was its runtime. Not only a first for the CEAs but perhaps a first in the history of all awards show, the briskly paced show was over early — in about 2 and a half hours, 30 minutes sooner than expected. Efficient stage management and a more streamlined run of show that kept the focus on live performances and the 19 award presentations (winners listed below) helped the event wrap up in record time.

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by mbreen 11.14.2008
Posted In: Local Music, CEAs at 01:04 PM | Permalink | Comments (3)
 
 
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Rip Off, Artists

I hate when hard working people get ripped off. These kind of injustices can range from phishing scams to pickpockets, insurance companies' denying claims by any means necessary to bank CEO’s using bailout cash for beer money. It’s heart breaking to hear the stories of identity theft leaving people broke and in perpetual debt, or stock- and 401K-holders losing their future to corporate malfeasance.

Not that it is by any means “worse,” but I get a special bug up my ass (I’ve named him “Tony”) when I hear about artists and musicians getting ripped off. Having written about music for 18 years and played music for over 20, I’ve seen all kinds of scams designed to make cash off of the creative endeavors of others. From “battle of the bands” contests with exorbitant, unnecessary “entry” fees to club owners deciding at the end of the night that a band’s performance fee suddenly didn’t fit his budget to record labels putting no money into a project only to blame the band for not selling more albums (and coming at them to “recoup” costs), not paying or actually taking money from artists is its own little cottage industry within the music industry.

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