The second round of announcements for this year's MidPoint Music Festival lineup was featured in this week's issue of CityBeat, on streets now. For those outside of Greater Cincinnati (or you lazy folks who don't want to walk to pick up a newspaper), here's the official press release:
For Immediate Release
Artist Announcement “Round 2” for MPMF.13
Original Pioneer Shuggie Otis to headline Washington ParkOpening Night
Cincinnati, Ohio, May 29, 2013 —Last month, after almost 40 years, Shuggie Otis, released a new album.
In September, MidPoint Music Festival (MPMF.13) will present Otis, one of the most mysterious figures in pop music history, as this year’s original pioneer. He will headline in Washington Park opening night with Cody ChesnuTT.
According to the New York Times (NYT), Otis’s album, “Wings of Love” (Epic/Legacy), which includes 14 previously unreleased tracks, is being packaged a alongside a reissue of his previous and most celebrated recording, “Inspiration Information,” from 1974.
“MPMF has always been known for the pioneering music we showcase, but I am especially excited and proud to present Shuggie Otis,” said Dan McCabe, artistic director of MPMF.13. “Unlike other original pioneers presented at past MPMFs like Ralph Stanley, Booker T. and Van Dyke Parks, Shuggie’s impact is only just now coming to light. Shuggie Otis speaks directly to the MPMF artist who often sacrifices success and notoriety for their art.”
On May 3, the first 13 artists were announced for the twelfth edition of the downtown Cincinnati festival happening September 26-28, 2013. Today, 14 additional artists are being released:
SHUGGIE OTIS/KURT VILE/ YOUTH LAGOON/
ON AN ON/ BATHS/ MURDER BY DEATH/ BLEACHED/ SATURDAY LOOKS GOOD TO ME/ SAN FERMIN/ SECRET COLOURS/ NAT BALDWIN/ WILD CUB/
THE SHILOHS/BIRDS OF CHICAGO
SHUGGIE OTIS: “He’s the unsung hero of blues and funk. His music is so potent that it only blossomed 30 years after it was first released.” - Questlove
“…a missing link between Sly, Jimi, Stevie, Prince and Frank Ocean." -Rolling Stone
KURT VILE: One of Coachella 2013’s 10 Must See Acts – Rolling Stone
“Wakin on a Pretty Daze” is a SPIN essential and a real testament to putting a great deal of effort into making something feel effortless.” - SPIN
YOUTH LAGOON: “8.7 / BEST NEW MUSIC. Wondrous Bughouse looks inward and discovers the endless possibilities of imagination and introspection.” -Pitchfork
ON AN ON: Broke new ground on their latest recording with accomplished producer Dave Newfeld (Broken Social Scene, Super Furry Animals, Los Campesinos!)
BATHS: Just yesterday (May 28, 2013) second album Obsidian named “Best New Music” by Pitchfork. Debut album Cerulean, blurs the line between post-modern pop and the LA beat scene and earned “Best Of” recognition from Pitchfork & The Onion’s A.V. Club.
MURDER BY DEATH: "They've cultivated a cult-like fan base via their unique sound, which mingles elements of country, indie rock and alternative music into collections of songs that are the sonic equivalent of 'No Country For Old Men.'"— PureVolume
BLEACHED: “…originally found cult status with their punk band Mika Miko. It's the ole "they've cleaned up, but are still same degenerates you know and love" trick. . – The Village Voice
SATURDAY LOOKS GOOD TO ME: The jubilant fun of Motown and Northern soul with a decidedly indie approach.
SAN FERMIN: A pastiche of post-rock, chamber-pop and contemporary classical composition.
SECRET COLOURS: Revel in being the bastard seed of the '60s psychedelia and '90s Britpop bloodlines.
NAT BALDWIN: Double bassist/singer-songwriter Nat Baldwin's spent years as the Dirty Projectors bassist and former disciple of free jazz legend Anthony Braxton.
WILD CUB: “…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period.” – KEXP
THE SHILOHS: The Vancouver foursome released full-length debut, So Wild earlier this year.
BIRDS OF CHICAGO: “They project organic gospel, hillbilly, folk and soul elements that bridge traditional and modern approaches." – Chicago Tribune
To view the whole list of artists for MPMF.13 to date, visit MPMF.com.
MidPoint Music Festival continues its 12-year tradition as the region’s frontline of music exploration, featuring an impressive and diverse lineup. Music fans everywhere flock to Cincinnati in September to be a part of this long running music event that started in Over-the-Rhine (OTR), the Cincinnati neighborhood that’s as cutting edge as the festival itself.
OTR remains a pivotal location, home to a number of MPMF.13 stages. OTR is on the National Register of Historic Places and was voted best Cincinnati Neighborhood in CityBeat’s Best of Cincinnati publication in 2011 and 2012. Since 2004 more than $255 million has been invested in the revitalization of OTR, including the $48 million renovation of Washington Park, which includes an outdoor music stage that serves as one of MPMF’s main stages.
Advance tickets are on sale now at www.mpmf.cincyticket.com. All-access passes are $69 and VIP passes are $169
Cincinnati’s MidPoint Music Festival has developed a reputation as the place to find your new favorite band. MidPoint's embrace of emerging artists reflects the same pioneering ethic of Cincinnati's celebrated music history and its present day music-makers. The MPMF storyline continues to be diverse, dynamic and adventurous. Stay up to date at MPMF.com, like its official Facebook page, or by following the festival on Twitter.
MPMF.13 is made possible thanks to the generous support of its sponsors, including Dewey’s Pizza and Biore.
At the City & Colour concert at Bogart's a while back, I watched as a woman in the front row texted her way through both of the great opening acts. I glanced around and discovered that she wasn’t the only one. I figured everyone would surely stop when Dallas Green and the rest of C&C took to the stage. Three songs in and the crowd was still lit up by glowing phones.
Everywhere I looked people were texting, tweeting, facebooking or recording the night away. Often, both members of a couple would be recording the same song. As if the iPhone 12 inches to the left might just capture something different from theirs. I watched as a group of friends passed around a cell phone with a message from another friend who, I assume, wasn’t present (or maybe they were just three feet over). Meanwhile, the band played on.
This left me disappointed in humanity.
Younger local musicians and the music fans who love them might find it hard to fathom, but once upon a time, Cincinnati’s corporate Rock radio juggernaut WEBN was one of local music’s biggest allies, a wild, wooly and eclectic FM outlet as open-ended and freeform as any internet radio station or podcast. In the ’70s and ’80s, before inflexible, homogenized playlists made it impossible for even major label Cincy bands like The Afghan Whigs to get spins, the annual WEBN Album Project compilations gave major exposure to local and regional artists. Saturday at the Madison Theater, the WEBN Album Project Reunion Show flashes back to that era. In this week’s CityBeat, Brian Baker caught up with one of Cincinnati’s most popular bands ever (and an early Album Project participant), The Raisins, whose seminal lineup is reuniting for Saturday’s event, joining several other AP alumni. Brian also caught up with some of the other participating musicians to discuss the Album Project’s legacy. Below are their thoughts, as well as some vintage video clips from the era.
Where do you begin with a band like Lynyrd Skynyrd? Everyone has been out at a bar or a concert and heard some crazy and/or drunk lunatic shouting to the band on stage, “FREE BIRD!!!” They are the epitome of and gold standard for Southern Rock music. Even now, through the tragedy of the plane crash in 1977 to the re-formed band, Skynyrd still provides electric performances every night. They still happily rock the hits of the early days. like “Simple Man” and “Sweet Home Alabama,” while mixing in the music they are still releasing, most recently Last of a Dying Breed, which came out late last year.
CityBeat had time to catch up with lead vocalist Johnny Van Zant, the younger brother of the band’s original front man Ronnie Van Zant. The two discussed how Skynyrd fits into Rock music today, as well as the wonderful feelings the band still gets performing every night on stage.
Skynyrd performs at Riverbend Music Center tonight with Bad Company, providing the same energy as the cast from the ’70s and showing audiences what real Southern Rock sounds like.
CityBeat: Do you have any crazy Cincinnati memories from the past?
JVZ: We have had so many good shows there. Years back, when a flood hit, there was water in the first four or five rows. People were kind of standing in the water. I was like, “Wow these are really diehards.” I don’t even know how many times we have played at that particular amphitheater (Riverbend), but it has always been a good, hot, sweaty, summer Rock & Roll show, which is how it is supposed to be.
CB: The band has had multiple lineup changes over the years since you joined the band. How do you integrate someone new into the band?
JVZ: For us, they have to be a friend, someone we have known, someone we admire as a musician, someone we think would fit into our family. When we are out on the road, running up and down the road playing shows, you have to be not only a member of a band but, especially with Lynyrd Skynyrd, you have to be a part of the Skynyrd nation. You have to be a part of the family. Our newest member is Johnny Colt, who was bass player with The Black Crowes. Colt fits right in with us. He’s loony as heck and so are we. We have a great time and love doing what we do. I hope Johnny is with us for a long, long time. He is quite the guy. It has been awesome.
CB: I know you guys have worked many times with one of my favorite guitarists, John 5. What was that experience like for you and have you done any collaborations recently?
JVZ: Well, yeah, he was on our last record, Last of a Dying Breed.
John is a good friend of us. We knew we were going to be good friends
with John because we were in Nashville writing and our manager mentioned
John and said, “You know, he is a little different than you guys.” And
we said, “ That’s OK, that’s no problem.”
John walked in, he was just coming from a photo shoot. He had on the fingernails with his hair all up. When he walked in and I went, “Damn, you are different. Damn, are you a freak or something?” And he said, “I was thinking the same crap about you guys.” We just hit it off. He is a wonderful guitar player. Not only can he play Heavy Metal and Rock & Roll, but he can play the hell out of some Country music, which we love. I just admire his work and he is one of the most phenomenal guitar players I have had the pleasure to work with.
CB: A lot of people are saying Rock is dead and Country music is the new Rock. Do you believe that Rock is dead?
JVZ: No. I think Country music is Lynyrd Skynyrd. I
think a lot of the Country music is what we do, but I don’t think Rock &
Roll is dead at all. People have been saying that shit for years and
years and years: "Rock & Roll is dead." Then it comes back. It’s like
For us we just played Houston, Texas, in front of 10,000
people. We played Bristol, Va., I think there were 14,000 people on
a Sunday night. The night before last we were in Camden, N.J.,
14,000 people on a Wednesday night. I’m sure Cincinnati is doing quite
well. We are in Pittsburgh tonight. It is going to be phenomenal here.
If Rock & Roll is dead and gone, man, I am missing out on it.
CB: Tell me a little bit about Last of a Dying Breed and which songs we are going to hear from that album when you come to Cincinnati?
JVZ: Well, it is debatable. What we do, each night we try to think about what new song we want to put in. Right now we are really concentrating on 40 years. It’s been 40 years since (Pronounced 'lĕh-'nérd 'skin-'nérd) came out. It’s been our major focus to play as many songs off that record and celebrate that era.
CB: Where do you see yourself in 15 more years?
JVZ: Hopefully alive. Hopefully playing some shows
and still doing this. Doing a lot of fishing and drinking a good
Budweiser and something like that, I don’t know. If you want to make God
laugh, tell him your plans. I never really plan too much. I just like to
go along with the flow and the good Lord throws me in the direction he
wants me to go.
CB: Do you ever get tired of playing “Free Bird”?
JVZ: Not at all. I am quick to say, "Not at all." How
many bands would love to have songs like that? Most bands say we would
give anything to have one of those. “Free Bird” and ("Sweet Home Alabama"), that’s
the cool thing about Skynyrd. We have three generations of fans who love
those songs. It is amazing to me.
We are out with Bad Company right now and we are real big Bad Company fans. We are at the top of the game with these guys. From my era and a lot of other people’s era, Bad Company was the rule of the roost when it came to Rock & Roll. Paul Rogers is one of the best singers. Simon Kirke and Mick Ralphs have been around for years. It is just great to be out on the road and playing shows with good friends too. We are having a blast. We hope to do it again sometime after this tour and look forward to coming your way.
CB: Are you flattered when someone like Kid Rock uses "Sweet Home Alabama" in his songs? Excited? Upset? How do you feel when someone integrates that song?
JVZ: We were actually doing a tour with Bobby when
he had “All Summer Long” (the song that incorporates "Sweet Home") out. For us, hell, it keeps us in the spotlight.
He did a good job on it. It was a hit song for him and everybody got
paid. So surely, we are like, “Can someone else use it again and again?”
It is kind of funny when you think of stuff like that. Who would have thought when that song was written a long, long time ago, people would still be loving it and a band from Jacksonville, Fla., and what success my brother and Alan and Gary, my hat is off to them. I love keeping the music alive. It is a great thing. It’s a great thing because the song has been used in Forrest Gump and various movies. Any time anything like that pops up as long, as it is not in bad taste, is great. It has been a good ride.
In our local music column Spill It from the CityBeat issue out today, we announced the lineup for this year’s much anticipated MusicNOW festival, which includes a closing-night headlining appearance by Cincinnati-bred Indie music stars The National on May 15.
National guitarist Bryce Dessner is the brains behind MusicNOW, which began in 2006 and has featured unique performances by some of Indie music’s biggest names, as well as up-and-comers and those on the edgier fringe of modern Classical/Chamber music. Dessner’s Avant Chamber group Clogs has played the fest in the past, but this is The National’s first time at MusicNOW.
Opening Cincinnati's summer concert season is always a difficult duty. A constantly fickle city in terms of their live music, Cincinnati crowds demand constant excitement and stroking from the band they are witnessing. Well, then what better band to choose for this tedious task than Kings of Leon?
AN OPEN LETTER to the four million members of the National Rifle Association:
Dear fellow citizen,
The NRA released a statement yesterday on your behalf expressing that you all are “shocked, saddened and heartbroken” by the news of the massacre at Sandy Hook Elementary. Yes, we all are.
For years you have willingly given your money to an organization that has largely ignored pleas from policemen across our country to limit access to assault weapons and armor piercing ammunition.
You have spent countless millions of dollars silencing and vilifying voices that, while supportive of gun ownership, were calling for moderation in the distribution of weapons that could be used for mass destruction of human life, including the gun used by Friday’s killer that shot one first grader 11 times. And 19 other first grade children. And 6 adults in the space of a few minutes…
When previous heartbroken victims of gun violence who lost children or spouses tried to speak out to hopefully help prevent others from suffering similar unspeakable loss, you rallied for your rights, and gave the suffering no quarter.
For years you have marketed the idea to the citizens of this country that the US government is a potential enemy bent on harming its own citizens, and the only way we could all be safe was if we each purchased a private arsenal of weapons.
While you are reportedly “shocked, saddened and heartbroken,” how many of your members after Friday’s shooting have changed their profile pictures to images of guns, or tweeted messages like “I’m buying a gun the day after Christmas. Join me! #NRAlifelongmember” How many of your members boasted last Friday that they were going to take their kids to a firing range?
You continue to lobby in support of all of us carrying concealed weapons into schools, day care centers, movie theaters, and public squares. You argue that if only we could all walk around packing heat, our society could be safer and more peaceful. You lobby for wider “stand your ground” laws, so we can all load up and take the law into our own hands and play judge and jury (and God?) in the heat of the moment.
The members among you who call themselves Christian often bemoan the fact that “God has been removed from our schools” and yet those very members ignore the direct teachings of Jesus as recorded in Scripture that call upon all followers of Christ to work to break the cycle of violence and not return evil for evil.
Too many of us have stood by silently while you’ve played the part of the playground bully in our public discourse, and distorted our constitution for profit. While we as a nation have improved upon the vision of our “founding fathers” to end slavery in this country, to allow women the right to vote, and to outlaw hate crimes, you cling rigidly to a few words written when the right to bear arms referred to a single shot muzzle loading rifle.
Your voice has been powerful and strident, and too many of us have remained silent in our disbelief of what we were hearing from you. Our silence has been deadly.
If you are indeed “shocked, saddened and heartbroken” consider the part (if you are able and willing to join the rest of us in searching our souls) your organization has played when it comes to last Friday’s shooting. Consider the fear that your organization markets. Consider the bitter fruit of your labors that we must all taste.
And please consider asking forgiveness, changing your ways, and offering whatever healing you are capable of to the hurting in Newtown, Connecticut, as opposed to condoning responding to violence with still ever more violence, ad nauseum.
Unless you can do your part (along with the rest of us), and change in response to Friday’s tragedy, there will be still worse to come.
I live on a small farm in Ohio, own two guns (and my own business) and have family members who are big game hunters. I am rethinking my responsibility as a citizen of this country. We all are. I invite you to do the same.
You’re holding your big press conference tomorrow. We’ll be listening. But I am confident that many millions of us will no longer be silent.