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by mbreen 02.23.2011
Posted In: Local Music, Music News at 02:41 PM | Permalink | Comments (0)
 
 
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The Rebirth of Blessid Union of Souls

With a slew of uplifting singles and a band name like Blessid Union of Souls, it shouldn’t be a shock to discover that the chart-topping Cincinnati band's frontman Eliot Sloan puts a lot of stock in his spiritual beliefs. But the band — one of the most commercially successful acts to ever come out of Cincinnati — was rarely overt about religion in its slick, hook-laden Pop songs. Until now. This Tuesday sees the nationwide release of Blessid Union’s album The Mission Field, the most direct and explicit expression of Sloan’s Christian beliefs on a BUoS release by a long shot.

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by Mike Breen 05.29.2013
 
 
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MidPoint Music Fest 2013: Round 2 Lineup Announcment

Shuggie Otis, Youth Lagoon, Kurt Vile and more set for September festival

The second round of announcements for this year's MidPoint Music Festival lineup was featured in this week's issue of CityBeat, on streets now. For those outside of Greater Cincinnati (or you lazy folks who don't want to walk to pick up a newspaper), here's the official press release:

For Immediate Release

Artist Announcement “Round 2” for MPMF.13

Original Pioneer Shuggie Otis to headline Washington Park 

Opening Night 

Cincinnati, Ohio, May 29, 2013 —Last month, after almost 40 years, Shuggie Otis, released a new album.  

In September, MidPoint Music Festival (MPMF.13) will present Otis, one of the most mysterious figures in pop music history, as this year’s original pioneer.  He will headline in Washington Park opening night with Cody ChesnuTT.

According to the New York Times (NYT), Otis’s album, “Wings of Love” (Epic/Legacy), which includes 14 previously unreleased tracks, is being packaged a alongside a reissue of his previous and most celebrated recording, “Inspiration Information,” from 1974.  

“MPMF has always been known for the pioneering music we showcase, but I am especially excited and proud to present Shuggie Otis,” said Dan McCabe, artistic director of MPMF.13. “Unlike other original pioneers presented at past MPMFs like Ralph Stanley, Booker T. and Van Dyke Parks, Shuggie’s impact is only just now coming to light.  Shuggie Otis speaks directly to the MPMF artist who often sacrifices success and notoriety for their art.”

On May 3, the first 13 artists were announced for the twelfth edition of the downtown Cincinnati festival happening September 26-28, 2013.  Today, 14 additional artists are being released:

SHUGGIE OTIS/KURT VILE/ YOUTH LAGOON/ 

ON AN ON/ BATHS/ MURDER BY DEATH/ BLEACHED/ SATURDAY LOOKS GOOD TO ME/ SAN FERMIN/ SECRET COLOURS/ NAT BALDWIN/ WILD CUB/

THE SHILOHS/BIRDS OF CHICAGO

SHUGGIE OTIS: “He’s the unsung hero of blues and funk. His music is so potent that it only blossomed 30 years after it was first released.”  - Questlove

“…a missing link between Sly, Jimi, Stevie, Prince and Frank Ocean." -Rolling Stone

KURT VILE: One of Coachella 2013’s 10 Must See Acts – Rolling Stone

“Wakin on a Pretty Daze” is a SPIN essential and a real testament to putting a great deal of effort into making something feel effortless.” - SPIN

YOUTH LAGOON: “8.7 / BEST NEW MUSIC. Wondrous Bughouse looks inward and discovers the endless possibilities of imagination and introspection.” -Pitchfork

ON AN ON: Broke new ground on their latest recording with accomplished producer Dave Newfeld (Broken Social Scene, Super Furry Animals, Los Campesinos!)  

BATHS: Just yesterday (May 28, 2013) second album Obsidian named “Best New Music” by Pitchfork.  Debut album Cerulean, blurs the line between post-modern pop and the LA beat scene and earned “Best Of” recognition from Pitchfork & The Onion’s A.V. Club.

MURDER BY DEATH: "They've cultivated a cult-like fan base via their unique sound, which mingles elements of country, indie rock and alternative music into collections of songs that are the sonic equivalent of 'No Country For Old Men.'"— PureVolume

BLEACHED: “…originally found cult status with their punk band Mika Miko. It's the ole "they've cleaned up, but are still same degenerates you know and love" trick. . – The Village Voice

SATURDAY LOOKS GOOD TO ME: The jubilant fun of Motown and Northern soul with a decidedly indie approach. 

SAN FERMIN: A pastiche of post-rock, chamber-pop and contemporary classical composition.

SECRET COLOURS: Revel in being the bastard seed of the '60s psychedelia and '90s Britpop bloodlines. 

NAT BALDWIN: Double bassist/singer-songwriter Nat Baldwin's spent years as the Dirty Projectors bassist and former disciple of free jazz legend Anthony Braxton.

WILD CUB:  “…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period.” – KEXP

THE SHILOHS: The Vancouver foursome released full-length debut, So Wild earlier this year.

BIRDS OF CHICAGO: “They project organic gospel, hillbilly, folk and soul elements that bridge traditional and modern approaches." – Chicago Tribune

To view the whole list of artists for MPMF.13 to date, visit MPMF.com.

MidPoint Music Festival continues its 12-year tradition as the region’s frontline of music exploration, featuring an impressive and diverse lineup.  Music fans everywhere flock to Cincinnati in September to be a part of this long running music event that started in Over-the-Rhine (OTR), the Cincinnati neighborhood that’s as cutting edge as the festival itself.    

OTR remains a pivotal location, home to a number of MPMF.13 stages.  OTR is on the National Register of Historic Places and was voted best Cincinnati Neighborhood in CityBeat’s Best of Cincinnati publication in 2011 and 2012.  Since 2004 more than $255 million has been invested in the revitalization of OTR, including the $48 million renovation of Washington Park, which includes an outdoor music stage that serves as one of MPMF’s main stages. 

Ticketing

Advance tickets are on sale now at www.mpmf.cincyticket.com. All-access passes are $69 and VIP passes are $169

About MPMF 

Cincinnati’s MidPoint Music Festival has developed a reputation as the place to find your new favorite band. MidPoint's embrace of emerging artists reflects the same pioneering ethic of Cincinnati's celebrated music history and its present day music-makers. The MPMF storyline continues to be diverse, dynamic and adventurous. Stay up to date at MPMF.com, like its official Facebook page, or by following the festival on Twitter.

MPMF.13 is made possible thanks to the generous support of its sponsors, including Dewey’s Pizza and Biore. 


 
 
by Mike Breen 06.18.2012
Posted In: Live Music, Local Music, Music News at 02:49 PM | Permalink | Comments (1)
 
 
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Over the Rhine to Play Free Washington Park Concert

Renovated park gears up for early July grand opening events

Veteran, internationally-acclaimed Cincinnati band Over the Rhine will be performing a free concert on July 22 in Over-the-Rhine (the neighborhood). The group is kicking off a series of "grand opening celebration" concerts this summer at the newly renovated Washington Park, which took 18 months and $48 million to complete. All events are free and open to the public.

The first big event is Over the Rhine's July 22 concert at Washington Park's permanent stage on the new "Civic Lawn." An opening act will soon be announced.

On Aug. 3, the Park will host a rare "joint performance" by the Cincinnati Pops, May Festival, Cincinnati Opera and Cincinnati Ballet. The full Pops Orchestra will perform a program of Classical, Broadway and Pop tunes, joined by the May Fest Chorus, singers from the Opera and dancers from the Ballet. The show starts at 7:30 p.m.

On Aug. 4, the Over-the-Rhine Community Festival returns to Washington Park. The 28-year-old fest was on hold last year while the park was under construction. The event will feature games, food, kids' events, DJs and live music (TBA). The fest runs 12-6 p.m.

Washington Park officially re-opens on July 6 at 10 a.m. with a ribbon-cutting ceremony. There will be a free "Friendship Concert" in the park later that day (5-7 p.m.), presented by the World Choir Games.

Like on Fountain Square, 3CDC is bringing a full slate of weekly musical events (as well as Saturday night movies and family-oriented fare on the weekends) to Washington Park. Full details will come with the launch of the new Washington Park website in early July. Plans so far are to have Bluegrass on Wednesdays, Jazz on Thursdays and R&B and Soul on Fridays. Check out the park on Facebook here for the latest updates.

 
 
by mbreen 03.09.2011
Posted In: Festivals, Music News at 10:03 AM | Permalink | Comments (2)
 
 
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The National to Play MusicNOW

In our local music column Spill It from the CityBeat issue out today, we announced the lineup for this year’s much anticipated MusicNOW festival, which includes a closing-night headlining appearance by Cincinnati-bred Indie music stars The National on May 15.

National guitarist Bryce Dessner is the brains behind MusicNOW, which began in 2006 and has featured unique performances by some of Indie music’s biggest names, as well as up-and-comers and those on the edgier fringe of modern Classical/Chamber music. Dessner’s Avant Chamber group Clogs has played the fest in the past, but this is The National’s first time at MusicNOW.

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by Dave Tobias 05.15.2009
Posted In: Live Music at 09:16 AM | Permalink | Comments (1)
 
 
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Live Review: Kings of Leon at PNC Pavilion

Opening Cincinnati's summer concert season is always a difficult duty. A constantly fickle city in terms of their live music, Cincinnati crowds demand constant excitement and stroking from the band they are witnessing. Well, then what better band to choose for this tedious task than Kings of Leon?

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by Amy Harris 10.11.2010
Posted In: Live Music at 02:58 PM | Permalink | Comments (0)
 
 
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Josh Kelley with Miranda Lambert in Dayton

Miranda Lambert took the stage with her pink guitars Saturday night to a packed house at Dayton's Nutter Center on her CMT Revolution Tour with her latest single “Only Prettier.” She continued to entertain the audience with her contagious energy through 20 more hits throughout the evening. Don’t let her pretty smile fool you, because the songs got more soulful as she sang ballads (“The House That Built Me” and “Dead Flowers”) and got the crowd on their feet for her gritty song about justice called “Gunpowder and Lead;” at the end of the song she held up her microphone stand shaped like a shotgun.

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by Mike Breen 12.20.2012
Posted In: Local Music, Music News, Music Commentary at 11:41 AM | Permalink | Comments (2)
 
 
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Over the Rhine Band Co-Founder Issues Open Letter to NRA

Linford Detweiler of Over the Rhine pleads with gun-rights group to change its ways

In the aftermath of last week's once unfathomable tragedy at Sandy Hook Elementary, discussion about mental health services and gun control — thanks largely to social media — has grown to become the major topic of national discourse.

During campaign cycles, certain music fans complain loudly about artists expressing their opinions about candidates and causes, using the old "shut up and sing" line to insinuate that, as entertainers, one somehow loses the right to speak their mind.

Yet many other serious music fans understand that music and art are a reflection of our society — an artist can offer different perspectives that might help people understand some serious issue better or maybe even help them evolve their own views on particular subjects. I'm not saying we should follow artists blindly like some kind of cult. To quote Oasis, "Please don't put your life in the hands/Of a Rock & Roll band." But I for one am always eager to hear what musicians and other artists and writers I respect have to say about current affairs.

Whether within their own art or speaking out in public, artists have the same right as non-artists to express opinions. It seems that the ones with particularly large followings are the musicians attacked most often for expressing views on politics or other controversial world affairs. They fear the power an artist can have if they express an opinion divergent from their own (in much the way liberals and conservatives fear the power Fox News and MSNBC might wield).


Linford Detweiler and Karin Bergquist have never been afraid to speak up. The married braintrust behind longtime Cincinnati-based band Over the Rhine — which has a dedicated and loving international fanbase — has seen some backlash from fans for expressing "polarizing" viewpoints. Merely supporting Democratic presidential candidate John Kerry 12 years ago was enough to trigger anger amongst a few fans. The group isn't known for delving into political issues in their lyrics too often, but they have said that the song "How Long Have You Been Stoned" (
"Takin' out Daddy's trash now ain't it a drag/Trippin' on Papa's brand new body bag") from 2003's double-album Ohio was inspired by the Bush administration's rush to war in Iraq.

OTR never seemed to experience "Dixie Chicks-level" backlash (which nearly destroyed three musicians' careers); it's more similar to the recent hatred and disapproval aimed at Cincinnati natives The National, a globally successful Indie Rock band that angered some fans by campaigning for Barack Obama during the past two presidential elections. The worst (hopefully) that will ever happen in a case like that is the band might sell two or three less records and suffer insults on social media. For these artists and most like them, it's well worth the price.

Following the recent shootings in Connecticut, Detweiler took to the internet to post an open letter to the National Rifle Association. Detweiler begins the post by writing, "
I’m a songwriter, and my first calling is to process the world in the context of my songs. But I felt compelled to write the following, because it’s been on my mind. If you find it useful, please share."

What follows is the open letter from Facebook which has been shared almost 400 times and "liked" nearly 1,000 times. The 200-plus comments are actually fairly civil even when there's disagreement (OTR has a smarter-than-your-average-bear following), though they're not without a few angry and rude missives (it IS the internet after all). In the end, Detweiler has added to the dialogue about a topic that for too long has seemingly been "off the table" due to the power of the NRA and some citizens' particular interpretations of the constitution. (The NRA, at least for now, seems to be self-aware enough this time around to not come out with an insensitive statement, instead echoing the President's call for "meaningful" discussion to help avoid future tragedies like the one last Friday.)


As always, Detweiler is eloquent in his words. No matter what side of the issue you come down on, I highly recommend giving it a read. And if you feel the need to weigh in, here is the link to the original post.
AN OPEN LETTER to the four million members of the National Rifle Association:

Dear fellow citizen,


The NRA released a statement yesterday on your behalf expressing that you all are “shocked, saddened and heartbroken” by the news of the massacre at Sandy Hook Elementary. Yes, we all are.


For years you have willingly given your money to an organization that has largely ignored pleas from policemen across our country to limit access to assault weapons and armor piercing ammunition.


You have spent countless millions of dollars silencing and vilifying voices that, while supportive of gun ownership, were calling for moderation in the distribution of weapons that could be used for mass destruction of human life, including the gun used by Friday’s killer that shot one first grader 11 times. And 19 other first grade children. And 6 adults in the space of a few minutes…


When previous heartbroken victims of gun violence who lost children or spouses tried to speak out to hopefully help prevent others from suffering similar unspeakable loss, you rallied for your rights, and gave the suffering no quarter.


For years you have marketed the idea to the citizens of this country that the US government is a potential enemy bent on harming its own citizens, and the only way we could all be safe was if we each purchased a private arsenal of weapons.


While you are reportedly “shocked, saddened and heartbroken,” how many of your members after Friday’s shooting have changed their profile pictures to images of guns, or tweeted messages like “I’m buying a gun the day after Christmas. Join me! #NRAlifelongmember” How many of your members boasted last Friday that they were going to take their kids to a firing range?


You continue to lobby in support of all of us carrying concealed weapons into schools, day care centers, movie theaters, and public squares. You argue that if only we could all walk around packing heat, our society could be safer and more peaceful. You lobby for wider “stand your ground” laws, so we can all load up and take the law into our own hands and play judge and jury (and God?) in the heat of the moment.


The members among you who call themselves Christian often bemoan the fact that
“God has been removed from our schools” and yet those very members ignore the direct teachings of Jesus as recorded in Scripture that call upon all followers of Christ to work to break the cycle of violence and not return evil for evil.

Too many of us have stood by silently while you’ve played the part of the playground bully in our public discourse, and distorted our constitution for profit. While we as a nation have improved upon the vision of our “founding fathers” to end slavery in this country, to allow women the right to vote, and to outlaw hate crimes, you cling rigidly to a few words written when the right to bear arms referred to a single shot muzzle loading rifle.


Your voice has been powerful and strident, and too many of us have remained silent in our disbelief of what we were hearing from you. Our silence has been deadly.


If you are indeed “shocked, saddened and heartbroken” consider the part (if you are able and willing to join the rest of us in searching our souls) your organization has played when it comes to last Friday’s shooting. Consider the fear that your organization markets. Consider the bitter fruit of your labors that we must all taste.


And please consider asking forgiveness, changing your ways, and offering whatever healing you are capable of to the hurting in Newtown, Connecticut, as opposed to condoning responding to violence with still ever more violence, ad nauseum.


Unless you can do your part (along with the rest of us), and change in response to Friday’s tragedy, there will be still worse to come.


I live on a small farm in Ohio, own two guns (and my own business) and have family members who are big game hunters. I am rethinking my responsibility as a citizen of this country. We all are. I invite you to do the same.


You’re holding your big press conference tomorrow. We’ll be listening. But I am confident that many millions of us will no longer be silent.


LJD

 
 
by Amy Harris 07.31.2012
Posted In: Interview, Live Music at 04:19 PM | Permalink | Comments (0)
 
 
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Q&A with Five Finger Death Punch

Band plays Trespass America Festival with Trivium and Pop Evil at Riverbend

Five Finger Death Punch is one of the most popular Metal bands in the world. The band has a catchy, melodic sound that resonates with its crowds and the band's songs have become arena anthems across the country. Five Finger continues to tour on its third studio album American Capitalist. Currently, the group is out headlining the Trespass America Festival with the bands Trivium, Pop Evil and Killswitch Engage.

CityBeat was able to spend some time with the band’s lead guitarist Jason Hook to discuss, among other things, the band’s feverish tour schedule and the effect it has on the band members' relationships, as well as what makes the music so addictive. The Trespass America Festival comes to the PNC Pavilion at Riverbend tomorrow (Wednesday) night.

CityBeat: What has been the highlight of Trespass Festival so far?

Jason Hook: Well, the first show was awesome. We opened the show on Friday the 13th just outside of Denver. The place was almost sold out, packed. We had all of our friends, family, record label, managers and agents with us. It was a massive party (and) it was day one. It was awesome, really awesome.

CB: Who leaves the biggest mess backstage at Trespass?

JH: The biggest mess? As far as what, a hot mess or just messy?

CB: It could be either.

JH: I’ll give both to Ivan (Moody, Five Finger's frontman).

CB: OK, I wouldn’t picture that.

JH: Well you don’t know him as well as I do.

CB: Is it true that he still throws up before he performs?

JH: I haven’t seen that lately but it might be because I tend to steer clear of him a little bit more than usual because of that. But he does do that. That is not an urban legend.

CB: You consistently are having these hits with huge sports and military following. What is really the formula for creating a modern day Rock anthem?

JH: I think that you have to keep things simple. People like a really consistent beat, something that has a good thump to it. Obviously, an easy to follow storyline or a relatable storyline and as many hooks as you can get into each section of the song for example the intro, the verse, the pre-chorus, the chorus, the bridge, the solo — all those are sections — and if they get too long or drawn out or too complicated or the resolution set too high for the listener, they just miss out and it will go over their head. A big part of having an anthem is having something that is simple enough that many people can grab it easily like “Rock & Roll all night and party every day.”

CB: Does the band ever write songs for a specific audience?

JH: Not really. Most of us in the band have a background where we grew up listening to heavy bands but bands that were also on the radio. That reflects in the music we make. None of it is really contrived. We just do what we like. Fortunate for us, it catches with a lot more people. Once you try to do something that is not honest, it is really hard to repeat it. You are always chasing or guessing what to do. It is better to know what you like to do and just do it.


 

You always have the crazy crowd surfing at the shows, the biggest Rock on the Range crowd surfing in history. Do you ever worry about fan safety?

JH: All the time. All the time. It freaks us out. I see people getting beat up pretty good out there, especially the people in the very front row because people crowd surf up from behind them, they can’t see that these 220 pound guys are being launched forward and the people in the front row are the last people that these heavy people land on their heads on the way into the pit. You get a lot of people getting smashed, and they have no idea it is happening until it happens.

I keep saying, “Is there something we should do to discourage this? Should we say that we want people to be careful and keep your eyes open?” I do see a lot of people getting hammered, and it freaks me out. We are always thinking about it.

CB: How do you stay friends living in such close quarters and being on the road almost all year?

JH: How do we stay friends? We stay away from each other. The only way to control how we all get along is to make sure there is a good amount of separation. You need a little bit of on and a little off.

For example, we get hotel rooms. The band gets hotel rooms. We get them every other day. The hotel rooms are essential and it doesn’t matter what it costs to have everybody be able go and have their own private space to go make phone calls, answer e-mails, relax, watch the TV program they want to watch, whatever. The off is just as important as the on because if you get too much together time all the time, then you are likely to have the engine run a little hot, you know what I am saying?

CB: Who in the band is more likely to get into a fight backstage and who is more likely to get laid?

JH: I don’t really want to focus on the fighting, but as far as the sex part of it, I would say, all the girls like Ivan. The rest of us are just sort of swinging the bat. They all seem to want to get to Ivan. So I would say answer "A"—my final answer — Ivan.

The thing is, to chase girls around, which is also to chase the party or stay up, all these people show up and they want to hang out with the band. This is their big night out. The problem is, if we participated in everybody’s big night out, then we end up having 42 or 55 nights in a row, and it is physically too hard. Imagine having 45 New Years Eves in a row. What kind of shape would you be in after that?

CB: Yeah, bands now are a lot more, I don’t want to say mellow, but you can’t sustain (that type of partying) for long periods of time if this is what you are going to do.

JH: God knows we have tried it. We don’t want to hurt the band. We don’t want to hurt the tour. We have a responsibility to not only talk to people during the day but to play in front of these large audiences, and I don’t want to go up there hung over and feel like crap and be fuzzy and making mistakes. It’s very hard. It’s OK when you are a club band — nobody cares; “Get me another beer.” Everyone is drunk anyway, but now we are talking about playing in front of 15,000 people at 9 o’clock at night and it is a business now. It is for real.

 
 
by Brian Baker 01.06.2012
Posted In: Reviews, Music Video at 01:22 PM | Permalink | Comments (0)
 
 
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I Shall Be Released: A New Beginning

Reviews of new and recent recordings by Kevin Hearn, Jaimoe’s Jasssz Band, the Dex Romweber Duo, Shonen Knife and others

Well, we’ve taken down the free SPCA fluffy kitty/puppy day planner from the kitchen door and put up the free World Wildlife Fund animal kingdom mother/cub book of days and that can only mean one thing: We didn’t wait until late February to switch to the new year’s calendar, which is typically par for our course. And with the new year comes a change for I Shall Be Released; my weekly review column (or semi-weekly, depending on schedule and level of brainlock), normally found as a web-exclusive feature, has been moved to the spiffy Daily Beat music blog, where you will find it from this day forward. I’m not sure why I was upgraded to first class, but I’m sure everyone now expects me to be punctual and timely to line up with the whole “Daily” theme of the thing. Fly me, Mandy, keep the gin and tonics coming, and I’ll see what I can do to live up to my new seat designation in the better section.

As for today’s post, much like the tail end of last year, the newer stuff is up here, the older catch-up reviews are down there and it’s all good under the hood. January looks light enough to accommodate my outstanding 2011 reviewage while I sample what the new year is bringing. And based on the release sheets and the stuff showing up in my mailbox already, 2012 is shaping up to be another great year for music. And in case no one’s pointed it out yet, we’ve got exactly 100 years before we can make Rush jokes similar to the crop of George Orwell zingers that went around in 1984. Well, someone can make Rush jokes; those of us in the here and now will all be dust in the wind (let the Kansas jokes commence). Read on, literate music fans, and happy new year!

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by mbreen 08.06.2010
Posted In: Music News at 04:25 PM | Permalink | Comments (2)
 
 

Catfish Collins 1944-2010

We received word this afternoon that legendary Funk guitarist and Cincinnati native Phelps “Catfish” Collins succumbed to cancer today at the age of 66. Collins (along his younger brother Bootsy) was an architect of Funk as a member of James Brown’s JB’s, Parliament/Funkadelic (fellow P-Funk guitarist Gary Shider passed away just a couple of months ago) and Bootsy’s Rubber Band and was responsible for some of the greatest Funk guitar riffs every laid down.

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