Rumors of a Led Zeppelin tour have been floating around since the band reunited for a one-off show in England in 2007. Every week or so a "reliable source" has announced it was a sure thing, only to be followed by official statements that singer Robert Plant has no interest.
The latest word comes from Zeppelin's manager Peter Mensch, who says the musicians are having fun without Plant and want to find a singer, tour and possibly even record.
Last night, Cincinnati's Walk the Moon hosted an album release show at New York City's Mercury Lounge in honor of their full-length debut for RCA Records. To promote the record on a bit of a wider scale, the quartet also performed on The Late Show with David Letterman. The band played its signature tune, "Anna Sun," which has been named "song of the summer" two years running and, therefore, deserves a ranking on the list of all-time songs of summer.
WtM's appearance on The Late Show also elicited some nostalgia from the host. Letterman introduced the band as "from the Queen City, Cincinnati, Ohio … home of Oscar Robertson and your Cincinnati Royals." Lettterman grew up in Indiana and has talked about his affinity for Cincinnati (and, particularly, its sports teams, including our one-time NBA franchise) frequently.
After the tune, Letterman seemed to enjoy the group so much, he joked with them, "Now wait a minute — during your song, we made some calls and we've arranged for you guys to move from Cincinnati and live here at the YMCA."
Walk the Moon killed it. Look ma — no face paint?! Here's the video:
This morning, the annual Bunbury Music Festival, coming up July 11-13 and returning to Sawyer Point/Yeatman’s Cove along the Ohio River, announced the first acts for this summer’s event. Fall Out Boy, which won the People’s Choice Award for Favorite Alternative Band last night, will be joined at the fest by consistent Pop/Rock hit makers Paramore (who were up against FOB for that People’s Choice Award and are doing a co-headlining tour with the band this summer, something that leaked early, allegedly angering Paramore) and up-and-coming Danish alt-rockers New Politics (also on the FOB/Paramore jaunt).
The full lineup for the Bunbury Music Festival is scheduled to be announced next month. Tickets are on sale now; below are details:
One-day, Any-day: $55.00 (U.S.) Buy on layaway until January 31, 2014
Three-day: $130.00 (U.S.) Buy on layaway until January 31, 2014
Three-day VIP: $325 (U.S.) Buy on layaway until January 31, 2014
Hotel and Ticket Package: Buy one three-day, get one free. Book now
Please note that ticket prices will increase after February 15 and again after July 1.
Also this morning, it was announced that The Afghan Whigs, one of the best musical exports to ever come out of Cincinnati, are returning to the road in 2014 to play (at least) the Coachella festival in California this summer. (The full Coachella lineup, which was released this morning and includes Arcade Fire, OutKast and The Replacements, can be found here.) Sounds like a good fit for this year’s Bunbury lineup, too.
Much has changed for the legendary Cincinnati live music venue the Blue Wisp Jazz Club over its 40-plus-year existence. Though it has consistently been the club for Jazz in Cincinnati over most of that period, the Blue Wisp has moved four different times over four decades. In its most recent locale at the corner of Race and Seventh streets downtown, the club owners also tried to attract more business by serving food and varying the types of music performed. But it wasn’t enough and the Blue Wisp has once again closed its doors (though various reports suggest it could find yet another new location in the future).
One thing that hadn’t changed at the Blue Wisp, at least since it began in 1980, is the Blue Wisp Big Band. The group of all-star local musicians has maintained one of the longest residency in the region, performing its skilled take on vintage Big Band Jazz like clockwork every Wednesday. The band is a Cincinnati institution.
When the Wisp shut down, the members of the Big Band were determined to not let their remarkable run end with a whimper. Instead, the Blue Wisp Big Band sought to continue its every-Wednesday residency at another venue. (In case you’re wondering, the group owns its moniker, so they can legally continue to use the “Blue Wisp” name.)
Veteran local Jazz pianist and Blue Wisp Big Band founding member Steve Schmidt says they’ve landed their new spot, Japp’s Annex on Main St. in Over-the-Rhine, and will pick up its Wednesday night shows beginning this week. Schmidt says the group will perform every Wednesday at Japp’s, at least through the end of July, when they’ll reassess the situation just to make sure it’s a good fit. The Big Band will again be playing two hour-long sets each Wednesday, the first starting at 8:30 p.m. The cover charge will be less than it was at the Wisp — just $5. (Parking is available in the lot on the corner of Main and Central Parkway, as well as in the garage behind the club on Sycamore.)
“We are excited about trying out this (Over-the-Rhine) spot and happy that the ownership and staff at Japp's is excited, too,” Schmidt says. “We are all thinking of ways to make it better for the customer and the band as we go along. The band wanted to start quickly, not to be dormant for too long.”
Several of the principal members of the Blue Wisp Big Band did a walkthrough several days ago to get a feel for the new space and were happy with what they saw (and felt).
“I got a very good feeling about the room,” Schmidt says, “both in terms of space — spacious yet intimate — and acoustics. I think the other guys felt the same way. (Founding BWBB anchor/drummer) John Von Ohlen rightly pointed out that there is a lot of wood — the floors and the large bar. As John said, in the fullest and most complimentary sense of the word, ‘It's a joint!’ It's what he had in mind when he formed the band and put it in the original Blue Wisp in O'Bryonville. He said he wanted a world-class big band in a beer tavern.”
“In a word,” Schmidt adds, “(the new space) has soul.”
Invitations to the performers chosen from online music submissions are set to begin rolling out soon, but today, the first artists coming to Cincy for this September’s MidPoint Music Festival were announced. Below are the initial 20 national artists booked for the fest, which runs Sept. 22-24 in various venues in Downtown and Over-the-Rhine, as well as a few more acts for the MidPoint Indie Summer series on Fountain Square.
On this date in 1972, Les Harvey — guitarist for the Scottish band (which many believed would become huge) Stone the Crows — died on stage when he was electrocuted by a microphone. He reportedly died when he touched the (probably) ungrounded mic and his guitar at the same time during soundcheck (with what many believe were wet hands).
Harvey is a member of the sad club of rockers who died at the age of 27. He's also a member of a smaller club of known musicians who died from electrocution.
Keith Relf, singer for The Yardbirds, died in 1976 at the age of 33 after being electrocuted by an (again) ungrounded electric guitar.
John Rostill was the bassist for the British Pop group that gave Cliff Richard to the world, The Shadows (he was also a member of Zoot Money Quartet alongside future Police guitarist Andy Summers). Rostill was found dead in 1973, electrocuted by a guitar that was (again!) believed to be improperly grounded.
French Pop singer/songwriter Claude Francois — who cowrote the classic Sinatra tune "My Way" and sold over 70 million records in his career — died in 1978 at the age of 39. Francois returned to his Paris abode after recording a BBC special and was standing in a full bathtub when he tried to adjust a light on the wall above the tub. He was electrocuted and died. As far as I know, everything was properly grounded in the bathroom.
Lessons: Bathtubs and electronics don't mix. And always make sure your equipment is grounded before touching anything.
Born This Day: Musical movers and shakers sharing a May 3 birthday include singer/actor Bing Crosby (1903); early Blues musician and slide guitarist Homesick James (1914); late Funk superhero James Brown (1933); Pop star with the Four Seasons, Frankie Valii (1934); bassist for proto-Garage band The Troggs ("Wild Thing"), Pete Staples (1944); Soft Rock superstar Christopher Cross (1951); singer for Nu Metal band Saliva, Josey Scott (1971); singer/guitarist for Indie Rock favorites Interpol, Paul Banks (1978); and Folk legend Pete Seeger (1919).
Seeger — who will be awarded a "Distinguished Service" honor from the American Academy of Arts and Letters on May 16 — popped up in the news recently in a manner befitting the revolutionary singer/songwriter who penned (or co-penned) standards like "Where Have All the Flowers Gone?," "If I Had Hammer" and "Turn, Turn, Turn!" He also popularized the spiritual "We Shall Overcome," which became the Civil Rights Movement's theme song.
Seeger's social consciousness in song was used once again in a powerful way last week when tens of thousands of Norwegians joined together for a marathon singalong of his song, "My Rainbow Race" (the Norwegian version is called "Children of the Rainbow") as a way to protest/heckle admitted mass murderer Anders Behring Breivik during his trial for murdering 77 people last summer. Breivek had previously dissed the song because it "brainwashed" children into believing that things like cultural diversity and racial harmony are good. He said, in court, that the song was brought to schools by "cultural Marxists."
"The curriculum is stripped of knowledge relating to the codes of honor that have been so important for Europe for thousands of years,” Breivik said. “They put up these songs and propaganda films to get students to despise their forefathers.”
Here's Lillebjørn Nilsen leading the singalong (he popularized the original Norwegian version).
Touring the country in a van is not for softies. It's a daunting proposition for even the heartiest, scrappiest bands (see Henry Rollins' melodramatic yet entertaining Get in the Van for proof). But for anyone with a rusty Econoline and a rag-tag group of fellow-minded musical miscreants, it's a sort of birthright that's there for the taking. It's also a definite American rite of passage.
Area label Sol Records is taking pre-orders now for the Dallas Moore Band’s next release, Hank To Thank, culled from the locally-based Country crew’s sessions one year ago with longtime Willie Nelson guitarist Jody Payne at the site of Cincinnati’s Herzog studios where Hank Williams laid down some of his early, big hits.
It was recently announced that the historical marker proposed for the former site of Herzog Studios (811 Race St., current downtown home to CityBeat’s offices) has been approved. Thanks to the hard work of the Cincinnati USA Music Heritage Foundation, Brian Powers and others, the marker will be installed at the site — where Hank Williams recorded trademark tunes like “I’m So Lonesome I Could Cry,” and artists like Flatt & Scruggs and The Delmore Brothers also worked — on Nov. 22, the day of the Cincinnati Entertainment Awards.