The Bunbury Music Festival in Cincinnati falls on the same weekend as two other big regional music fests, one 100 miles to our south and the other about 300 miles northwest of the Queen City. Like Bunbury, the Pitchfork Music Festival in Chicago and the 10th annual Forecastle fest are happening July 13-15.
In theory, the proximity (geographically and time-wise) should lead to some crossover, as artists from one event might run their tour route to the other cities to score some of those big festival performance fees. (MidPoint's 2011 fest in Cincy, for example, shared some acts with the somewhat nearby Pygmalion Music Festival in Urbana-Champaign, Ill.) But so far that hasn't happened with Bunbury, which seems to be focusing on more mainstream "Alternative" artists, as opposed to Pitchfork's more esoteric lineup and Forecastle's endearing mishmash of styles.
Louisville's Forecastle previously announced that hometown heroes My Morning Jacket would be curating the event and performing. This morning organizers announced that joining them will be Dubstep superstar Bassnectar and Dad Rock champs Wilco, plus Andrew Bird, Girl Talk, Atmosphere, Neko Case, Sleigh Bells, A-Trak, Dean Wareham (playing Galaxie 500 songs), Galactic, Clutch, Flying Lotus, Preservation Hall Jazz Band, Mike Doughty, Real Estate, Deer Tick, Charles Bradley, JEFF the Brotherhood and Cincinnati's Walk the Moon, among others. Click here for ticket info and the the full lineup so far.
Meanwhile, here is who Pitchfork announced yesterday for this year's event in Chicago's Union Park: Vampire Weekend, Feist, Godspeed You! Black Emperor, Hot Chip, AraabMUZIK, A$AP Rocky, The Field, Liturgy, Kendrick Lamar, Grimes, Cloud Nothings, Tim Hecker and Willis Earl Beal. Thirty more artists will be announced later.
Pitchfork tickets go on sale next Friday, March 9, at noon via the Pitchfork fest's site here.
So if you could go to any of the three festivals, based on the info available so far (and not counting travel costs and lodging arrangements) which one would you attend — Cincinnati's, Louisville's or Chicago's?
By now, if you watch television at all, you've likely seen the commercials promoting the upcoming Reds' baseball season. And if you've seen the spot, you've probably thought, "What's that song?"
This morning, the annual Bunbury Music Festival, coming up July 11-13 and returning to Sawyer Point/Yeatman’s Cove along the Ohio River, announced the first acts for this summer’s event. Fall Out Boy, which won the People’s Choice Award for Favorite Alternative Band last night, will be joined at the fest by consistent Pop/Rock hit makers Paramore (who were up against FOB for that People’s Choice Award and are doing a co-headlining tour with the band this summer, something that leaked early, allegedly angering Paramore) and up-and-coming Danish alt-rockers New Politics (also on the FOB/Paramore jaunt).
The full lineup for the Bunbury Music Festival is scheduled to be announced next month. Tickets are on sale now; below are details:
One-day, Any-day: $55.00 (U.S.) Buy on layaway until January 31, 2014
Three-day: $130.00 (U.S.) Buy on layaway until January 31, 2014
Three-day VIP: $325 (U.S.) Buy on layaway until January 31, 2014
Hotel and Ticket Package: Buy one three-day, get one free. Book now
Please note that ticket prices will increase after February 15 and again after July 1.
Also this morning, it was announced that The Afghan Whigs, one of the best musical exports to ever come out of Cincinnati, are returning to the road in 2014 to play (at least) the Coachella festival in California this summer. (The full Coachella lineup, which was released this morning and includes Arcade Fire, OutKast and The Replacements, can be found here.) Sounds like a good fit for this year’s Bunbury lineup, too.
Rumors of a Led Zeppelin tour have been floating around since the band reunited for a one-off show in England in 2007. Every week or so a "reliable source" has announced it was a sure thing, only to be followed by official statements that singer Robert Plant has no interest.
The latest word comes from Zeppelin's manager Peter Mensch, who says the musicians are having fun without Plant and want to find a singer, tour and possibly even record.
Last night, Cincinnati's Walk the Moon hosted an album release show at New York City's Mercury Lounge in honor of their full-length debut for RCA Records. To promote the record on a bit of a wider scale, the quartet also performed on The Late Show with David Letterman. The band played its signature tune, "Anna Sun," which has been named "song of the summer" two years running and, therefore, deserves a ranking on the list of all-time songs of summer.
WtM's appearance on The Late Show also elicited some nostalgia from the host. Letterman introduced the band as "from the Queen City, Cincinnati, Ohio … home of Oscar Robertson and your Cincinnati Royals." Lettterman grew up in Indiana and has talked about his affinity for Cincinnati (and, particularly, its sports teams, including our one-time NBA franchise) frequently.
After the tune, Letterman seemed to enjoy the group so much, he joked with them, "Now wait a minute — during your song, we made some calls and we've arranged for you guys to move from Cincinnati and live here at the YMCA."
Walk the Moon killed it. Look ma — no face paint?! Here's the video:
On this date in 1972, Les Harvey — guitarist for the Scottish band (which many believed would become huge) Stone the Crows — died on stage when he was electrocuted by a microphone. He reportedly died when he touched the (probably) ungrounded mic and his guitar at the same time during soundcheck (with what many believe were wet hands).
Harvey is a member of the sad club of rockers who died at the age of 27. He's also a member of a smaller club of known musicians who died from electrocution.
Keith Relf, singer for The Yardbirds, died in 1976 at the age of 33 after being electrocuted by an (again) ungrounded electric guitar.
John Rostill was the bassist for the British Pop group that gave Cliff Richard to the world, The Shadows (he was also a member of Zoot Money Quartet alongside future Police guitarist Andy Summers). Rostill was found dead in 1973, electrocuted by a guitar that was (again!) believed to be improperly grounded.
French Pop singer/songwriter Claude Francois — who cowrote the classic Sinatra tune "My Way" and sold over 70 million records in his career — died in 1978 at the age of 39. Francois returned to his Paris abode after recording a BBC special and was standing in a full bathtub when he tried to adjust a light on the wall above the tub. He was electrocuted and died. As far as I know, everything was properly grounded in the bathroom.
Lessons: Bathtubs and electronics don't mix. And always make sure your equipment is grounded before touching anything.
Born This Day: Musical movers and shakers sharing a May 3 birthday include singer/actor Bing Crosby (1903); early Blues musician and slide guitarist Homesick James (1914); late Funk superhero James Brown (1933); Pop star with the Four Seasons, Frankie Valii (1934); bassist for proto-Garage band The Troggs ("Wild Thing"), Pete Staples (1944); Soft Rock superstar Christopher Cross (1951); singer for Nu Metal band Saliva, Josey Scott (1971); singer/guitarist for Indie Rock favorites Interpol, Paul Banks (1978); and Folk legend Pete Seeger (1919).
Seeger — who will be awarded a "Distinguished Service" honor from the American Academy of Arts and Letters on May 16 — popped up in the news recently in a manner befitting the revolutionary singer/songwriter who penned (or co-penned) standards like "Where Have All the Flowers Gone?," "If I Had Hammer" and "Turn, Turn, Turn!" He also popularized the spiritual "We Shall Overcome," which became the Civil Rights Movement's theme song.
Seeger's social consciousness in song was used once again in a powerful way last week when tens of thousands of Norwegians joined together for a marathon singalong of his song, "My Rainbow Race" (the Norwegian version is called "Children of the Rainbow") as a way to protest/heckle admitted mass murderer Anders Behring Breivik during his trial for murdering 77 people last summer. Breivek had previously dissed the song because it "brainwashed" children into believing that things like cultural diversity and racial harmony are good. He said, in court, that the song was brought to schools by "cultural Marxists."
"The curriculum is stripped of knowledge relating to the codes of honor that have been so important for Europe for thousands of years,” Breivik said. “They put up these songs and propaganda films to get students to despise their forefathers.”
Here's Lillebjørn Nilsen leading the singalong (he popularized the original Norwegian version).
Invitations to the performers chosen from online music submissions are set to begin rolling out soon, but today, the first artists coming to Cincy for this September’s MidPoint Music Festival were announced. Below are the initial 20 national artists booked for the fest, which runs Sept. 22-24 in various venues in Downtown and Over-the-Rhine, as well as a few more acts for the MidPoint Indie Summer series on Fountain Square.
We've written a bit in the past about the new film-meets-music "One Shot Music Video" series, beautifully shot, black-and-white short films of various local musical acts shot at the historic Emery Theatre (which is back in action as a functional venue this weekend). Shot by world renowned photographer Michael Wilson with audio help from the musical duo Pop Empire, the clips are filmed in one continuous take (thus the name).
The project has started to take shape and is on a roll now. Pop Empire's Cameron Cochran reports that the series is now named for the venue — "The Emery Sessions" — and will be comprised of footage from 10 artists, all shot at the theater. It's a great way to not only spotlight local music, but also show off the theater in a great light.
Wilson and Pop Empire have completed a couple of videos for Daniel Martin Moore for the first of the series. The second in the series is Over the Rhine (longtime compadres of Wilson's, who has shot OTR album covers and promo shots — including the one above — since the band's very beginning). OTR is familiar with the surroundings; the band played the "preview party" hosted by The Requiem Project which re-introduced the 100-year-old theater to locals late last year.
Here's a clip of Over the Rhine's Linford Detweiler and Karin Bergquist performing "The Laugh of Recognition" from the twosome's latest album, The Long Surrender. (Click over to local blog Each Note Secure to check out another clip from the project.)
Cochran also runs the all-free, all-digital "record label" The Recording Label, which has issued stellar recordings by The Kickaways, Vacation, Sacred Spirits and Pop Empire. He says working on "The Emery Sessions" inspired him to give the label a more local-specific name. The Recording Label is now called Cincinnati Recording Service. Click here for the new site.
And here are a few words from Cochran on the Sessions and the label:
If we are consuming light then sound is accompanied by sight. Many musical performers understand this concept and will incorporate a visual component to their audio performance. The idea behind the "One Shot Music Video" is to approach music from the opposite direction. The audience approaches the music from a visual perspective first because whether they know it or not the first performance they see is the photographer's. It is the photographer's eye that navigates them through the musical performance. The hidden live performance is the one done with the camera.
The Emery Theatre was the perfect place to begin our exploration of this relationship between listening and watching live musical performances. Each musician we have recorded and that we are going to record have a love for this amazing space and understands what the Emery Theatre means to our great city of Cincinnati. It is perhaps our own experiences working in this theatre and the pride that has developed for our hometown of Cincinnati that inspired us to change the name of The Recording Label to Cincinnati Recording Service. This name change is also a tip of the hat to another person who loved his city as well as the power that American music has to bring people together, Memphis' very own Sam Philips.
Touring the country in a van is not for softies. It's a daunting proposition for even the heartiest, scrappiest bands (see Henry Rollins' melodramatic yet entertaining Get in the Van for proof). But for anyone with a rusty Econoline and a rag-tag group of fellow-minded musical miscreants, it's a sort of birthright that's there for the taking. It's also a definite American rite of passage.
Area label Sol Records is taking pre-orders now for the Dallas Moore Band’s next release, Hank To Thank, culled from the locally-based Country crew’s sessions one year ago with longtime Willie Nelson guitarist Jody Payne at the site of Cincinnati’s Herzog studios where Hank Williams laid down some of his early, big hits.