Jonathan Tyler and the Northern Lights (JTNL) is a Texas-born/California-based Rock band with a bluesy, rootsy edge that has been a workhorse on the road, touring anywhere and everywhere since forming in 2007. Along with tour jaunts with musical giants like ZZ Top, JTNL has also been very popular on the festival scene, every summer playing to large crowds all over the country. Although the band hasn’t released an album since 2010’s major label debut, Pardon Me (on F-Stop Music/Atlantic), there was promise of a lot of new music on their current tour when Tyler spoke with CityBeat recently. JTNL plays Bogart’s this Wednesday with friends and fellow rockers Taddy Porter. (Click here for tickets and further show info.)
CityBeat: You are currently on tour with Taddy Porter. How did this tour come about?
Jonathan Tyler: We have toured with them a lot in the past. Both of our bands formed around the same time. I think about three or four years ago. We started playing shows together and became friends. When we were looking into a tour this fall, their name came up and everybody was really excited about it. It just came together naturally.
CB: You have been touring pretty extensively since 2007. What is the best part of being on the road for you?
JT: I love playing music live. There is something really special about it. It is one of my favorite things to do. It is really fun to get in front of a live audience and play songs and to just kind of get that energy going between the crowd and the band. It is fun to see what happens, a lot of unique, special, unexpected things happen sometimes and it makes it more fun. It is always fun to try out new songs on people as well.
CB: Are you guys working on new music currently?
JT: Oh yeah, pretty regularly, all the time. We will be playing new songs at the Cincinnati show.
CB: What does the perfect day look like for you?
JT: Well, I live in California so I love to go to the beach and I love to surf and I love to eat good food and spend time with my girlfriend. When I am on the road, I love to walk around. We usually travel during the day, early in the morning, to the city we are playing in. We will set up our gear and we usually have a few hours off. I try to find a good restaurant in town and try out new places basically. I try to see what the city is all about.
CB: I know you are in different cities every day so it all merges together sometimes.
JT: Yeah. For some reason we haven’t played Cincinnati very much. I don’t know why. We are looking forward to it.
CB: At one point weren’t you living in Texas?
JT: Yeah, that is where the band was formed. I moved in January to California.
CB: What music are you currently listening to that is inspiring you?
JT: There is a lot of different stuff. I really like the band Endless Boogie from New York. It is like a ZZ Top style Rock & Roll band. I really like those guys. There’s some Electronic music also that I like, which probably doesn’t seem likely because I play Rock music and it may surprise some people. I listen to a lot of different music, really anything that will inspire me. I’m also really into Bruce Springsteen right now.
CB: Some people are saying that Rock is dying. Do you believe that, with the popularity of EDM and other genres of music, that is happening right now?
JT: Yeah, I do. I think it will come back around. I think everything kind of goes in cycles. I think it is easier right now for musicians to do the Electronic thing because it is cheaper. You can just make it with one person really. You don’t need an entire band to make tracks and people are making recordings out of their houses. The whole industry is turned up on its side. It’s interesting for sure, but I think Rock is always going to live on.
CB: If you could trade places with anyone for a month who would it be?
JT: I have to think about that. I really don’t want to be anyone else. That’s a hard one. I honestly can’t say.
CB: Do you have any habits you’d like to break?
JT: So many. Smoking cigarettes would probably be the No. 1 thing. I guess I don’t want to break it that badly since I still do it.
CB: What can the fans look forward to in Cincinnati next week?
JT: They can look forward to some new music. We will probably play a lot of new songs. They can look forward to a high-energy Rock & Roll show.
CB: I have seen you many times over the years. I look forward to it. It is always high energy and great Rock & Roll.
JT: Well thanks, I appreciate that. We will probably play half new music and half of the older songs. I think people will be happy to come out and see something different if they have seen us before, but maybe hear the songs they love as well.
The three-piece “art-rock-influenced-punk-pop” band (download their EP Cavity Castle for free here and come up with your own interpretation) consisting of Véronique Allaer on guitar, Kirsten Bladh on bass and Chris Campbell on drums are fresh off their residency at The Comet. Allaer writes the lyrics, and cites musicians such as St. Vincent and Lana Del Ray as her influences. This is evident in the track “Sweet Teeth,” with its inherent sexy-yet-sassy, tragic-yet-empowered lyricism. Allaer’s pouty voice is one of the quintessential elements that make Leggy, well, Leggy. If Audrey Horne (from David Lynch’s Twin Peaks) ever wanted to be a rock star, she would make a band like Leggy.
When a band is given a Comet residency, they commit to playing once a week for a month, and get to pick the other bands that play on their bill.
For a DIY band, or for any aspiring musicians, a regular gig at a popular music bar is a pretty big deal. So how does a band get a residency? For Leggy all they had to do was drink enough alcohol.
“Do you know about Fogger Nights at Rake’s End?” Bladh asks. “We got way too drunk. It was like 2:30 a.m. so we went over to the Ice Cream Factory and drank with our friend who works at The Comet and eventually we were like, ‘Hey, we should have a residency at The Comet,’ and he was like, ‘Totally.’”
A night of drinking might have been the catalyst for the residency, but Leggy’s résumé speaks for itself. They’re getting widespread attention internationally, and playing with acts like Ghost Wolves and Paul Collins and even playing in The Northside Rock N’ Roll carnival tonight.
With each success, it’s hard to find a new way to progress forward, and — bar selling out Great American Ballpark — Leggy has accomplished a lot in our little corner of Ohio. So now they are headed out into the world — specifically, across the Midwest. Leggy’s next move is to go on tour and they say they’ll walk the Midwest if they have to — and they might have to.
“The biggest issue is not booking shows, it’s figuring out how to get there,” Allaer says. “A friend of ours was going to let us use his van, but he hurt his back so now he needs it and none of us are 25.”
In case you forgot or don’t know, a person isn’t legally allowed to rent a car until they are 25. Every member of Leggy is 24, and the tour starts mid-August.
“We are trying to contact our 25-year-old friends,” Bladh says.
Regardless the transportation, Leggy is a band that treats successes like stepping stones and ambition is more valuable than gasoline and shitty vans. July 4th, coincidentally, is a day Allaer will always remember as her wake up call for creating a successful band.
“Two years ago today, I was wasted and fell off a three-story building and broke my hip. I basically could have died, and it made me reevaluate my priorities,” she says.
Seven hundred acres of Manchester farmland is transformed into Tennessee’s sixth-largest city every June when 80,000 people invade the area for the annual Bonnaroo Music & Arts Festival. With live music from over a hundred bands on twelve stages from noon ‘til dawn for four days, Bonnaroo presents attendees with an experience that is almost overwhelming.
Unquestionably the most diverse music festival of its kind, this year’s top dog headliners include Elton John, Jack White, Kanye West, Vampire Weekend, Lionel Richie, The Flaming Lips, Wiz Khalifa, Arctic Monkeys, The Avett Brothers and dozens more.
Often described as “James Brown singing with Led Zeppelin”, Vintage Trouble is an L.A.-based band that has built a worldwide following after three years of non-stop touring in support of their 2010 debut album, including a much-coveted slot as the opening act for The Who on their 2013 tour. As the summer festival season is ramping up, Vintage Trouble continues their grueling tour schedule with a stop this weekend at Bonnaroo. I recently spoke to the band’s bassist Rick Barrio Dill. Calling from Los Angeles, where he is recovering from recent surgery after a retinal detachment scare, Dill was upbeat and eager to discuss the band’s history, philosophy and enthusiasm for the road ahead. I asked him if the band changes their approach when preparing for a festival stage, as opposed to theaters and arenas.
“Not really,” he said. “We might tweak the edges differently, but overall our approach to a festival gig is the same kind of sweaty, sexy late night vibe as the clubs of Los Angeles where we kind of honed our thing. We’d only been a band about nine months before we got the gig opening for Brian May that immediately put us in front of the theater crowds that were sitting down. Then we got the Bon Jovi tour where we were playing in stadiums to 40, 50, sometimes 70,000 people.
“It taught us that we like setting up really tight, really close together, so we can literally touch each other no matter what kind of stage we’re on. And everything is contained in that sort of mentality. So, no matter if it’s a giant stadium or a 150, 200-seat room, we want it to get sweaty and we want it to be as intimate feeling as we can make it on the stage and within ourselves and what we can throw out and I think everybody connects. So even when we’re opening up for The Who, it still sort of feels that same 200-seater room.”
Dill said that translates to the way Vintage Trouble records, as well.
“We recorded our whole record in two and a half days, all in one room, doing all full takes,” he said. “We sort of fell into this method and later saw similarities in the footage of The Beatles at Shea Stadium, where they’re set up real tight in the middle of this giant stadium. We don’t wanna spread out. We set up in a tight circle where we can touch each other and then everything’s gonna come out from there.”
I mentioned to Dill how refreshing and somewhat ironic it is in this modern age of technological advances in the way music is generated and delivered to the listener that the old method of just coming out onstage and kicking people in the ass still works.
Chuckling a bit, he replied, “Well, it works for us! You know, we’ve played in front of hardcore Death Metal audiences, Hip Hop audiences, Country audiences and we always seem to land on our feet. I think it’s kind of a testament to how somewhere in our DNA it always traces back to old Soul, Rhythm & Blues, old, early Jazz, and early Rock & Roll.
“One of the things we try to do is we try to pull everybody into it. And it’s funny because even if you aren’t familiar with music from 50 or 60 years ago or they way they performed back then, people seem to understand. People can sort of hear some trace of that sort of thumbprint in their DNA even if they don’t necessarily have those records or haven’t been privy to what those performances were like. People get it. And that’s what’s so great about music, especially the kind of music that we do. It just seems to kind of transcend a lot of genre-making that has gone on over the last 30-40 years.”
Andy Grammer has a unique blend of musical talent, meshing his piano and guitar playing skills, smooth vocals and Hip Hop-like hooks to get crowds across the world fired up. Since his self-titled debut album in 2011, he has found great success through radio airplay and tours with the likes of Train, Natasha Bedingfield, and Colbie Caillat. Grammer is now embarking on his first headlining tour, which brings him to Covington’s Madison Theater this Saturday. The tour stop will be your chance to see Grammer in an intimate venue setting and see him up close and personal as he delivers his hits. (Click here for tickets and show info.)
CityBeat: What can the fans expect from the new album coming in August?
Andy Grammer: They can expect a lot of different vibes. I took a lot of chances sonically on this one. There is some acoustic stuff. There is one that sounds to me a little like Imagine Dragons meets Kanye. There is one that sounds like an MGMT track. There is one sounds like an old Lauryn Hill jam. I just made sure the songs were, in my opinion great, and I had a blast with the stuff I am really into right now.
CB: The album is called Magazines or Novels. Is there a story behind the title?
AG: It’s like how we ingest music these days. We are very ADD. A lot of times we just read through it, like magazines — tear through it, then throw it away. My goal was that not to be the case with this record. I built like 100 songs. I wrote the first 50 and realized I had a lot more magazines than novels, so I wrote another 50 and I think it is really good, actually. I am really excited about this album.
CB: What is your songwriting process?
AG: My process is more like … (chase) something all the way to the end and then step back and see if it is any good. Sometimes it is and, more often than not, it is not. I have to write a whole hell of a lot to get the jams I’m real proud to have on the album.
CB: You have had several huge hits on radio in your career. Do you know right away when you have a hit on your hands when writing?
AG: I don’t. I really don’t. That’s what is so confusing about it. I wouldn’t write it unless I thought it was great. I write it and am super stoked about it. As time goes by I can kind of tell whether it’s going to hold up.
CB: Do you have people close to you that can give you the feedback?
AG: Yeah, my manager and I pretty much are the ones that make the decision.
CB: What is the best and the worst thing about being on the road for you?
AG: We are doing shows that are like half old stuff and half new stuff and the fans will be really into it. The worst thing about being on tour is finding food that is good. It is pretty difficult to do, to find good food. It is easier to find McDonald’s and then you fall into (it) and feel bad. The best part of this tour, specifically, is playing new songs and seeing the fans react to it. It’s really exciting.
CB: I have seen you play in Cincinnati when you opened for Train. Do you have any specific Cincinnati tour memories that you remember or fun things in Cincinnati you like to do?
AG: Fans in Ohio are the best. Any show in Ohio, fans know how to have a good time, they party harder than anyone else at shows. It’s real. I’m not sure you know that about yourselves. I have toured around the whole country and it is just better in Ohio.
CB: Have you ever been starstruck?
AG: Sure. When I met Sara Bareilles I was a little bit starstruck and I don’t even know why. I really liked her and was excited to meet her.
CB: Is there anybody you want to collaborate with, maybe a different genre of music?
AG: I would like to do a song where I did the hook and Macklemore did the rap. I think that would be dope.
CB: Do you have a favorite guitar that you like to play?
AG: Yeah, Taylor is my jam. They hook me up with guitars and they sound amazing.
CB: Is there one specifically? Some people have one guitar. I saw one person last week with one they had played so much they had worn a hole in it.
AG: I don’t have that. I bust them up a lot and I have to get them fixed. I have also had this thing where I have had like three of my guitars stolen out of my car in L.A., and I don’t live in a terrible place. I think someone is on to me.
CB: I guess you shouldn’t get attached then. Well, what can the fans expect when you come through Cincinnati. I know you said you were playing half old and half new material, but what can the fans expect from your headlining show?
AG: Expect to see a little bit different light. One song has a vocoder on it. There is a little more high energy stuff. I am really excited. High energy is, in my opinion, better.