The winners of the "Best New Artist" trophy at the most recent Cincinnati Entertainment Awards, DAAP Girls, will celebrate the debut of their new music video tonight at Japp's Annex on Main Street in Over-the-Rhine.
The spooky, visually arresting clip is for "Molly," one of the many great tracks off of the band's debut album, Tape Songs (every song has a girl's name). Shot at the Kenneweg Compound in Alexandria, Ky., "Molly" was directed by local visual artist Philip LaVelle, alongside graphic designer Josh Jacob and videographer Sean Steininger. The video is mesmerizing and matches up with the lurching, dreamy swagger of the song perfectly. It's fairly low-budget, but doesn't look it, with it's creatively captivating effects and overall vibe.
DAAP Girls guitarist/singer Stuart MacKenzie provided this synopsis of the video:
"The video tells a story of five young people on the cusp of adulthood enjoying a last weekend together. (Unbeknown) to them, they are being viewed by the ghosts of their future's past. The video incorporates aspects of romance, nostalgia and magical realism to tell an alternate, complimentary story to the song."
Tonight's new video celebration at Japp's kicks off at 9 p.m. with a DAAP Girls performance, followed by the screening of the clip at 10 p.m. The band will perform after the screening as well.
Here's a sneak peek of "Molly," followed by the video's creative credits:
Directed by Philip LaVelle
Filmed by Sean Steinger and Josh Jacob
Edited by Sean Steinger, Josh Jacob and Philip LaVelle
Special effects by Josh Jacob
Casting by Erica Turer
Catering by Joe Diedenhofer
Filmmed on location at Kenneweg Compound, Alexandria, KY
Special thanks to Josh and Stephanie Kenneweg
Cast: Cody Reinhard Amir Gamble, Zachary Müller, Sarah Davenport, Rosie Carpenter, Emma Roberts, and Allison Gathof
DAAP Girls is: Jay Duckworth, Stuart MacKenzie, Daniel Peterson, Alex Duckworth, Michael Felger, Collin Thompson, Brian Gilronan.
Locally born and bred musical icon Bootsy Collins celebrates his 60th birthday today! The living legend has a firm handle on his position near the top of any list of the most famous and important Cincinnatians, helping to design the blueprint for Funk music during his time as a crucial member of James Brown's band and, of course, his years holding down the low-end for Funk superheroes Parliament/Funkadelic. Those foundational years fiddling with the Funk recipe also made him one of the most crucial musicians in Hip Hop history — between his work with Brown and George Clinton (not to mention his solo work), there may not be another bassist on the planet whose riffs have been sampled more throughout Hip Hop's nearly 40-year history. In honor of Bootsy's 60th, enjoy a sampling of some of his many career highlights below, including the excellent Unsung documentary about the bass master.
The first time I heard Yo-Yo Ma was on the episode of West Wing when his White House performance triggered Josh Lyman’s PTSD. Obviously, this was a horrible first impression. It tainted my opinion of the cellist for nearly a decade. Recently, though, I’ve become rather fond of Mr. Ma. That fondness only multiplied when his new album, The Goat Rodeo Sessions, found its way into my hands. A “goat rodeo” is a situation where a thousand things must come together and go perfectly in order for it to work. The album, a collection of Americana/Bluegrass works, must have felt like exactly that when Ma sat down and began collaborating with bassist Edgar Meyer, mandolin virtuoso Chris Thile (Punch Brothers, Nickle Creek), and fiddler Stuart Duncan. The album contains only one song with vocals, sung by vocalist Aoife O’Donovan (who sounds a lot like Alison Krauss).
The Goat Rodeo Sessions is available for purchase now, but on Jan. 31, music fans across the country will have the chance to see it performed live.
Deft local MC Buggs Tha Rocka, who balances his excellent solo work with performances and recordings with the group Gold Shoes, has become the first Hip Hop artist to participate in the ongoing "Emery Sessions," a series of excellent music videos, filmed in one-shot by world-class photographer Michael Wilson at the restored classic Cincinnati venue, The Emery Theatre. Audio was handled once again by local musicians Cameron Cochran and Henry Wilson.
The series not only celebrates local music but also showcases the grand old theatre, a century-old Cincinnati treasure that fell into disrepair but has recently returned to "active venue" status thanks to the work of The Requiem Project.
Buggs and DJ Ghost performed "Stephanie's Song" for their Session. Unlike previous clips (which have spotlighted a host of local artists, from Over the Rhine to Jeremy Pinnell and the 55s, as well as Bluegrass legend Ralph Stanley and many others), Buggs and DJ Ghost don't perform on the theatre's stage, but in another nook and cranny elsewhere in the building.
"Stephanie's Song" is from Buggs Tha Rocka's fantastic The Wrath of Zeus mixtape, which is available for free download here.
Take a look at some of the other Emery Sessions here.
A pair of Cincinnati Hip Hop acts have recently released music videos showcasing new material. Both are compelling, well-produced clips for solid new tracks.
Alternative Hip Hop group Valley High issued the video for "That One Too" at the start of the month. The clip was directed by SnowRowe (who plays keys in the group) and, according to the YouTube page, the track is from the Valley High or Die Tape, due for release today. The group is fronted by MCs Moxy Monster and M.O. Click here for more on Valley High.
Last year, area MC Puck released the high-pro video for "Gitit," the latest of several clips. Now, Puck has returned with a new track and video that's perhaps his strongest yet. "Jordan Vs. Bird" is built around a hook from a remix of the band Grouplove's song "Colours." The video was directed by Dan Gotti. Puck is offering a free download of the track via his Soundcloud page here. Find out more about Puck here.
On this day in 1970, a Cincinnati native (whose "celebrity" we do not celebrate locally, Nick Lachey-style) released one of the few albums we will gladly tell you to seek out and download illegally, should you need to hear it. Lie: The Love and Terror Cult, the "debut album" from singer/songwriter/cult leader/convicted murderer Charles Manson, was recorded on Sept. 11, 1967, and released just months before the murder trial of Manson and his "family." A year after the album was released, four Manson Family members (including Manson) were sentenced to death (in 1972, the sentences were reduced to life in prison after California abolished the death penalty in that state).
The album's original pressing reportedly only sold 300 copies, but subsequent reissues (proceeds from which were given to the families of Manson's victims) kept the notorious cult leader's weirdly experimental, psychedelic Folk Rock songs alive for future generations of musicians to cover. Guns N' Roses were the biggest band to ever cover one of Manson's songs. The convicted killer was an aspiring Rock Star who had schmoozed his way into the SoCal music scene of the late ’60s, most notoriously befriending Beach Boys drummer Dennis Wilson (The Boys' reworked one of Manson's compositions on the 1969 album 20/20).
Other artists covering Manson over the years include Marilyn Manson (no relation) and wacky actor Crispin Glover.
Here's the song GNR recorded for its 1993 covers album The Spaghetti Incident?, "Look at Your Game, Girl."
Click on for Born This Day featuring Pink Floyd's David Gilmour and more …
Grammy-winning Classical music ensemble eighth blackbird will be joined by Philip Glass tonight at Memorial Hall for Day 2 of the MusicNOW festival (which kicked off last night at the Christ Church Cathedral and Westminster Abbey assistant organist James McVinnie). Glass — also in town to check out the Cincinnati Symphony Orchestra's world premiere of one of his latest works Friday and Saturday at Music Hall — will join 8bb onstage for the performance of his piece, "Music In Similar Motion." The ensemble will also perform a piece by Glass protege Nico Muhly (likely to be in the audience or guesting at some point, as he's performing at tomorrow's MusicNOW event) and other material, including a specially-composed tribute to Glass.
The appearance is 8bb's birthday/thank you gift to the legendary, now 75-year-old modern composer.
“Our entire concert is a birthday present for Philip Glass,” 8bb flautist and spokesperson Tim Munro told our Anne Arenstein. “When we knew we’d be collaborating with Philip, we decided to create a program with three compositions that represent three times in his life. We also have four pieces by composers influenced by Glass.”
Read the full interview with 8bb here.
Sandro Perri is also on tonight's bill. Read Jason Gargano's interview with Perri here.
Music Saturday: If Herman Munster had decided he wanted to play stand-up Country/Rockabilly bass, he'd have a gig in the band of enigmatic performer Unknown Hinson offered to him immediately. Despite the high camp of UH's persona (his bio says he looks like "Dracula's nasty little brother who spent some hard years drinking and working as a carnival barker for a second-rate freak show"), the super-charged, funny-as-all-hell Honky Tonk he and his band pump out is seriously kick-ass. Billy Bob Thorton has called Unknown one of his favorite songwriters and a "genius picker," Simpsons creator Matt Groening has lauded his guitar playing (and comedic sensibility) and Hank Williams III has Unknown's face tattooed on his arm — all high (and kinda weird, fittingly) praise. Combined, the image and sound make for a thoroughly entertaining concert experience. Read more about Hinson (who voices the character Early Cuyler on The Squidbillies) from this week's CityBeat here. Unknown Hinson is at the Southgate House in Newport Saturday with The Lewis Brothers. Showtime is 9 p.m. Tickets are $15 in advance or $18 at the door. And bring all your gal pals — "womens likes it," or so I've heard. Give a listen to a li'l Hinson holiday cheer in the form of "Black and Blue Christmas" below.