The dispute stems from a plot of land that, through some legal wrangling and a Joint Economic Development Agreement, Harrison Township officials say can only be used for industrial purposes that create jobs.
The Southwest Ohio Assembly Hall of Jehovah’s Witnesses wants to build a massive assembly hall that they say would be a draw to the 28,000 Jehovah’s Witnesses in the region and create jobs in surrounding service sector businesses.
The Hamilton County Rural Zoning Commission denied permission to the Jehovah’s Witnesses, citing fear over the impact to local businesses and traffic, causing the religious group to appeal the decision to the Board of County Commissioners.
Board President Greg Hartmann said commissioners would set a date in the coming weeks to arrive at a decision.
Coalition Opposed to Additional Spending and Taxes lawyer Chris Finney represented the Witnesses before the board.
Finney argued that the Zoning Commission was wrong to deny permission to build the assembly hall. He pointed to the positive economic impact such halls have had in other states and brought witnesses to testify about the potential impact it could have on Cincinnati.
According to a slide show presented before the board, the hall could result in $1.19 million in annual tax revenue and create 421 jobs in the service industry surrounding the site.
Being a religious institution, the hall would be tax-exempt and would be staffed by volunteers.
Harrison Township officials argued that the area was created under a special agreement that requires industrial use and that any businesses located there create jobs and enhance economic development.
Mayor Joel McGuire said the township had offered up other locations for the assembly hall, but the Witnesses were fixated on the one.
“That’s why we’re in the all-or-nothing situation we’re in because they insist on this particular spot as opposed to the many other locations where there’d be no problems at all,” McGuire said.
If you're looking for your own 15 minutes of fame but find your skill sets are generally limited to things that are superfluous — or, in this case, possibly self-destructive — your best bet might be to take up one of these local eating challenges (these are the ones we know of — we bet there's a lot more of 'em) so you can achieve glory, superstar status and indigestion — right after you unbuckle your pants.
Everybody knows Cincinnati is obsessed with food, probably because there's a lot of it around here. Good food, that is. Whether you want to show off, naturally induce hibernation, experience a lifetime's worth of a particular dish in one sitting or just want a good story to tell, there are plenty of opportunities to make it happen with eating challenges around the city.
Heart introduced a fresh, rebellious sound in the early 1970s when a particular voice was truly needed. That timeless voice belonged to singer Ann Wilson. In a time when the female frontwoman was just gaining steam, Heart found their identity in theirs. To this day Wilson embodies the band’s sound and message. She helped make it possible for generations of others to find their voice in Rock & Roll.
The band's legacy was celebrated on a grand scale this year when Ann, her sister, guitarist Nancy Wilson, and the rest of the Heart family were inducted into the 2013 class of the Rock and Roll Hall of Fame with the likes of fellow legendary groups Rush and Public Enemy.
CityBeat had the privilege of speaking with the legendary vocalist in advance of Heart's performance Saturday at Riverbend Music Center. Audiences can anticipate hearing classics like “Barracuda” and "Crazy on You," as well as fresh music off of the 2012 album Fanatic, which nicely continues the Heart legacy. Don’t miss the finale with Jason Bonham (opening the show with his Led Zeppelin tribute) joining them on stage.
CityBeat: What was the highlight of your Rock and Roll Hall of Fame Induction this year?
Ann Wilson: The highlight of my (RRHOF) induction this year was standing beside Nancy at the podium. That was a feeling of great pride I will never forget.
CB: What is the most number of days you have gone without playing music?
AW: I have gone months sometimes without playing a guitar, but never a day goes by where I don't sing.
CB: What does your ideal day look like these days?
AW: Sleep in late, have a great pilates/yoga workout, hang out with my kids and their kids, cook dinner, meditate, sleep with my dog nearby.
CB: If you could trade places with someone for a month who would it be and why?
AW: I guess I couldn't do that. I don't envy anyone else that much!
CB: You have seen music recording formats change from vinyl and 8-track to cassette, CD and MP3 through the years. Do you feel like music sounds better or worse with the use of technology?
AW: Music definitely sounds worse to my ears because of digital technology. There is a hard, brittle sound to it. Analog music sounded warmer and deeper, though maybe not as " perfect." Auto-Tune makes me crazy because it removes all individuality from a person's voice. Everyone ends up sounding anonymous. The imperfections are where the soul is, I say leave them in. Leave in the humanity.
CB: How did the latest tour come about with Jason Bonham? Any favorite tour stories from the current tour?
AW: Many people saw the Kennedy Center Honors show on TV or YouTube and loved the tribute to Led Zeppelin. The management was listening and everyone agreed it would be a beautiful idea. We've only done two weeks so far, and it's been amazing. No train wrecks yet!
CB: Do you journal or take photos over the years with special tour memories. How do you document your stories and memories?
AW: We record every night and have photographers on sight. Occasionally I will blog, but I am usually pretty wound up after a show. Maybe this will be the year I take up a journal. A person can't count on their memory forever!!
CB: Does it ever get tough being on the road with family? How have you handled it for so many years?
AW: Yes, the road is rough. Traveling and performing together takes a lot out of you and sometimes things do get emotional. We are lucky to have each other for support. I don't know how I would have made it all these years without Nancy's love, strength and sense of humor!
CB: Are you working on new music while on the road?
AW: My head is full of new songs at the moment.
CB: What can fans looks forward to when the tour hits Cincinnati?
AW: The show in Cincinnati will open with Jason Bonham's Led Zeppelin Experience, Next will be the heart show, after which there will be a finale consisting of about 30 minutes of Zeppelin songs with Jason Bonham and (Bonham's guitarist) Tony Catania joining in.
Cincinnati will see the regional premiere of The Book of Mormon a year from now. The winner of nine Tony Awards will be the highlight of Broadway in Cincinnati's 2013-2014 season at downtown's Aronoff Center for the Arts. It's set for a three-week run, Jan. 7-26, 2014. A show described as "the funniest musical of all time" that was created by the guys behind the satirical South Park TV series has enough raucous, off-color humor to melt away any winter chill that settles in following the holidays. It's about two naive and optimistic Mormon missionaries who tryto persuade residents of Uganda to follow their faith — but threatened by a maniacal warlord, the locals are more concerned with war, famine, poverty and AIDS than religion. The satire is laid on thick, and it's the kind of show that's bound to offend some people. Nevertheless, it's been a gigantic Broadway hit since it opened in March 2011; the tour that comes our way began back in August, so Cincinnati is an early stop.The season will have a number of familiar titles, including another three-week run for the Broadway hit Wicked (March 5-23, 2014). The Wizard of Oz musical has been running on Broadway for a decade. There will also be two Andrew Lloyd Webber musicals, a new production of his 1978 musical Evita (Feb. 18-March 2, 2014), based on the show's successful 2012 Broadway revival; as well as another chance to see Lloyd Webber's phenomenal hit, The Phantom of the Opera (April 30-May, 11, 2014).
Cincinnati heats up, but it does little to slow down the fans eager to follow their favorites all over the grounds of the Open. Another day of racing between matches to catch the highlights as a scattered flurry of notable pairings dot the landscape.
Jumping right in, I head over to Court 9 for a look at two players I caught on Day 1. American wild card Sloane Stephens against fellow wild card Italian Camila Giorgi who took out Francesca Schiavone with relative ease. Both women seemed sharp and ready in the opening round and this match promised more of the same.
Thanks to early double faults, Stephens breaks Giorgi for a 2-1 lead. Both players are striking the ball exceptionally hard. After a Stephens hold, Giorgi loses her concentration for a moment – a swinging volley on a shot that was going to drop long – and that leads to another break and a request to talk things over with her coach.
Stephens keeps her head down and gets to 5-1, before Giorgi is able to hold again, but it matters little once Stephens holds at love for a 6-2 first set.
Another outer court beckons me. Shuai Peng of China battles Italian Roberta Vinci on Court 7. Peng displayed great discipline in taking out last year’s finalist Jelena Jankovic in a marathon match Monday night, but she had no worries today. By the time I arrived, she had just broken to take a 5-3 lead. A quick hold gave her the first set.
Once again, I found myself seated near her coach on the bleachers.
Peng breaks quickly in the second set for a 2-1 lead and then just handles business to capture the match at 6-4. The only weak link in her game seems to be an inability to secure net volleys. This may haunt her as she moves further into the tournament.
Back on Court 9, Stephens is up 5-1. As with her first match, she’s clicking and looks extremely poised on the court. While Peng has a slight crack in her armor, Stephens appears to be a bit more fortified and ready for another round or two here.
Both women have strong and vocal fan bases as well who are excited to go on with them.
The second round of matches for the morning feature our first glimpses at the top seeds of the tournament.
Questions have dominated the discussion about the number two seed Novak Djokovic, facing off against Italy’s Andreas Seppi, with many seeking to compare his standing this year to where he was a year ago. Last August, he suffered just his second loss up to that point here against Andy Murray in the final. It was a run for the ages and his win at the US Open capped off a three-out-of-four Grand Slams and a world number one ranking.
Of course, now we see how the wear and tear of a long tennis season along with the constant media scrutiny can chip away at the resolve of even the best players. This year, Djokovic has seemed far more mortal, while still having an enviable record – he earned another Australian Open and looks poised to defend his US Open title.
During his first match here, fans got to observe how a top player works himself into a match and a tournament. For a comparable sports analogy might be fitting to look to boxing and the early rounds where the boxers are getting their bearings, moving and punching, but not for points or power yet, more to settle their nerves before establishing their game plans.
Djokovic was loose and a bit free-swinging initially, but he found his range on serve and then focused on picking the right opportunity to pounce on Seppi, who gamely fought through a few tough service games, but held his own. By the first set tiebreak though, Djokovic scored the min-break he needed to win 7-4 and the inevitability began to creep in for Seppi.
Over on the Grandstand, the number four seed Petra Kvitova (CZE) ran into a strong challenge from Mona Barthel of Germany who wisely decided early on to play a safe return game because Kvitova started off quite error-prone. Down 5-1, Kvitova looked listless and luckless as shot after shot either sailed out or flew of the net cord or the side of her racket. She kept at it though and picked her way back into the set before finally falling 6-4, but the last couple of games showed that if she found her hard-hitting form, she might be able to punch her way back into the match.
Djokovic found the next gear quickly and jumped up to a 5-1 lead in the second set, but Seppi dug in for a hold to make it 5-2, forcing Djokovic to serve it out. The final point of the match came on a soft volley into the open court and with a gentle smile for the fans, Djokovic, the winner last weekend in Toronto, was ready to move on.
Kvitova apparently was ready to prove my assumption correct. She pounded shots at Barthel, hard and heavy body blows and knocked her down in the second set 6-2. The match really was looking like a pair of boxers, one using finesse, the other a power puncher, somehow going toe-to-toe.
On Center Court, Sam Querrey, the American wild card, was preparing to face off against the number three seed from Great Britain, Andy Murray, last year’s winner and thanks to his runner-up spot at Wimbledon and then his Olympic Gold against Roger Federer (a replay of the Wimbledon final), a man on a mission to shatter the glass ceiling keeping him from the rare air of the top three ranking in the world and Grand Slam glory.
As I mentioned while covering Querrey’s previous match, he’s got skill and form to spare but he hasn’t found the intangible that will take him to the next level consistently. While watching the first set of his match against Murray, I found myself comparing him to one of the competing interns on that season of the medical drama House, when Dr. House was trying to pick a new diagnostic team. A host of talent and knowledgeable doctors and specialist raced and clawed their way through challenges to land a spot and Querrey’s one of those in the hunt in tennis, but Murray, well, he’s a bit like Foreman (Omar Epps), a former team player who hangs around, but everyone knows he’s just not quite ready to take over for House (ever). Of course, he can out-diagnose any pesky intern, any day of the week.
And like a classic episode of House, it’s only a matter of time before the intern falls.
Kvitova has to grind it out in the third set because Barthel has the nerve to stand in the center of the ring and trade punches with her. They go back and forth and there’s something surprising about Barthel’s tenacity, her pesky spirit that gains depth as the match goes on.
But she slips up on her way to a possible tiebreak, losing the third set 7-5, and sadly the match. Has Kvitova gotten herself on track though?
Unforced errors kill Querrey (6-2, 6-4). All that time I spent coming up with the House analogy, Querrey was guessing and guessing wrong. If there really had been a patient on the table, they would have died repeatedly and their next of kin would have earned millions in medical malpractice.
While I’m not quite a junkie, I am fairly addicted to the “33 1/3” book series from publisher Continuum. If you’ve yet to hear about the series, the books are each dedicated to one specific album that has gained some sort of notoriety in the music world. The records chosen are mostly cult favorites with a few influential blockbusters mixed in. Of the 60 books written so far (each by a different author), the series has covered Pet Sounds, Songs in the Key in Life, Exile on Main St. and Led Zeppelin II but also lower-selling but no less influential recordings by the Magnetic Fields, Belle & Sebastian, Guided By Voices, DJ Shadow and Sonic Youth. (For a great overview, pick up one of the two Greatest Hits volumes released by the publisher.)
The tomes vary in approach, with some offering strictly historical examinations, some more about the author’s personal relationship with the album and others a mix of both. Chicago-based writer and music industry vet Bob Gendron has written what will likely be the only Cincinnati-connected album in the series, telling the tale behind Gentlemen, the major-label debut and relative breakthrough album by The Afghan Whigs. I would argue that records by Over the Rhine and The Ass Ponys, among others, deserve the 33 1/3 treatment, but they’re likely not well known enough to pique the publisher’s interest. I’d also argue that my personal favorite Whigs’ album, Black Love, should get a book, but the chances of having two Whigs stories in the series are just as slim.
Gendron mostly plays historian, telling the story via research and numerous interviews with the prime players, including all of the Whigs (drummer Steve Earle included), Sub Pop employees (Gendron himself used to be one) and other friends and industry connections. He also does a fantastic job of recreating the state of the Whigs at the time, a band of tight friends on the brink of major success yet also inflicted with drug issues and internal and external squabbles.
The story of Gentlemen is bookended by the tale of the band’s beginnings and their breakup, all the way up through last year’s greatest hits album. There are a lot of interesting tidbits and revelations. Gendron gets singer/songwriter Greg Dulli to talk about his serious relationship with the mysterious “Kris,” the dissolution of which led to the album’s tortuous, heartbroken tone. Other fun facts: Dulli recorded several of the album’s lead vocal tracks in one night while flying on coke and trying to impress a girl; Steve Earle was booted for several reasons (alcohol abuse, meddling girlfriend, creative control issues, ego conflict); and labelmate Linda Ronstadt was allegedly furious about the album’s cover (depicting a young boy and girl lounging on a bed), apparently under the impression that it was a naked bellybutton away from being child porn. It was also interesting to read that one of the band’s main friends at Elektra Records was feeding information to the nasty, slanderous 'zine Fat Greg Dulli.
Gendron gets to about every detail of the album, from the cover art’s original inspiration and liner notes to the songs’ inspirations and recording. But he doesn’t just relay facts. He also talks about Gentlemen as an artistic statement, carefully dissecting and describing the individual songs’ and the general album’s mood, cause and effect. Not only does Gendron’s book offer the last word on Gentlemen, it also shows what a compelling story The Afghan Whigs’ entire career remains.
For Whigs fans or even just those who were around Cincinnati to witness the band’s rise from little underground touring unit to soulful, seductive Rock machine, the book is a fascinating remembrance. For those who’ve never even heard of the Afghan Whigs, the story is universal and dramatic enough to be read as a novel (save the music-critic-y song dissertations).
The story is so good, in fact, that it would be great to see Gendron expand it beyond the 113 pages of this book. As his Gentlemen proves, the Whigs are deserving of a long-form biography that tells the band’s complete story. Who knows? Maybe Gentlemen: The Movie isn’t totally out of the realm of possibility.
Too bad John Belushi isn't around to play Greg. And Jimmy Page is too old to play Rick McCollum.
— Mike Breen
The effect My Morning Jacket has had on live Rock music in America over the past several years is hard to deny. Spawned from the fertile Louisville music scene, the band’s legendary live show is an electrifying experience for all who attend. At the end of May, MMJ put out its sixth studio album, Circuital, which earned a career-high first-week entry into the Billboard Top 200 album chart, bowing at No. 5. Bo Koster, MMJ keyboardist since 2004, joining the band during the gap between its major label debut, It Still Moves, and the wildly diverse Z. CityBeat spoke with Koster about the band’s Cincinnati stop Wednesday at PNC Pavilion with Neko Case, as well as My Morning Jacket’s memorable live performances and passion for local record shops.
David Hebert was the man shot and killed last night in Northside by police. But most who knew him wouldn’t recognize the name. Hebert, a beloved, longtime local musician and local music supporter, is far better known by his nickname, Bones. An expressive drummer, in the ’90s he was the rhythmic foundation for local bands like AMF and Shoot the Gift, as well as other Rock and Punk bands.
Today I was scanning the pop culture information super highway to catch up on the latest fads. What's cool, what's hott, what's in, what's not. As I clicked around I came across some newly published pictures of Jessica Simpson. As I gazed at her face with my bedroom eyes, they slowly transformed into bulging ping-pong balls. My F-stop quickly went from an f/8 to an f/1.4 in 1/500 of a second. The sight of this fat woman that was almost finished devouring Jessica Simpson's body, feet first, was on the front page of People magazine.