Cincinnati will see the regional premiere of The Book of Mormon a year from now. The winner of nine Tony Awards will be the highlight of Broadway in Cincinnati's 2013-2014 season at downtown's Aronoff Center for the Arts. It's set for a three-week run, Jan. 7-26, 2014. A show described as "the funniest musical of all time" that was created by the guys behind the satirical South Park TV series has enough raucous, off-color humor to melt away any winter chill that settles in following the holidays. It's about two naive and optimistic Mormon missionaries who tryto persuade residents of Uganda to follow their faith — but threatened by a maniacal warlord, the locals are more concerned with war, famine, poverty and AIDS than religion. The satire is laid on thick, and it's the kind of show that's bound to offend some people. Nevertheless, it's been a gigantic Broadway hit since it opened in March 2011; the tour that comes our way began back in August, so Cincinnati is an early stop.The season will have a number of familiar titles, including another three-week run for the Broadway hit Wicked (March 5-23, 2014). The Wizard of Oz musical has been running on Broadway for a decade. There will also be two Andrew Lloyd Webber musicals, a new production of his 1978 musical Evita (Feb. 18-March 2, 2014), based on the show's successful 2012 Broadway revival; as well as another chance to see Lloyd Webber's phenomenal hit, The Phantom of the Opera (April 30-May, 11, 2014).
David Hebert was the man shot and killed last night in Northside by police. But most who knew him wouldn’t recognize the name. Hebert, a beloved, longtime local musician and local music supporter, is far better known by his nickname, Bones. An expressive drummer, in the ’90s he was the rhythmic foundation for local bands like AMF and Shoot the Gift, as well as other Rock and Punk bands.
Founder and Cincinnati resident Ashley Volbrecht hopes to offer consumers a different shopping perspective. “Creating a pop-up shop in my mind just represented a new way to get people to think about shopping,” Volbrecht said in a press release. “We’re here today, gone tomorrow. I want shoppers to forget they are inside of a truck when they enter.”
The truck itself is a former bread delivery truck that has been reconstructed to reflect the trendy vibe of the shop’s clothing. Former tin walls are now pink and white shelves boasting a variety of dresses and tops. A dingy floor has been converted into a pristine black and white striped pathway leading shoppers through racks of clothing and accessories. The former white exterior now stands out with bright colors and an elegant store name that lets consumers know this isn’t your run-of-the-mill mobile vendor.
Most shoppers know that entering a boutique usually entails a bit of sticker shock, but Truckshop is changing that assumption for its customers. Truckshop sells dresses, tops, jewelry and accessories, all for $65 or less. “Price point is one of the most important parts,” Volbrecht explained. “I love finding pieces I’m obsessed with and I love finding a bargain. I tried to use this same approach when choosing pieces for the boutique.”
Truckshop, opened this past Saturday, is leading the way for mobile boutiques in the Midwest. Truckshop will be at various festivals this summer including City Flea and Second Sundays on Main. And now everyone can feel like a celebrity with a store that comes to you: Truckshop is available for private parties of six or more people. Customers can also shop online through Facebook and Instagram pages.
The launch party is tonight from 6-9 p.m. at the Columbia Center, 3500 Columbia Pkwy. For more information about Truckshop, visit www.facebook.com/shopthetruck or follow Truckshop on Twitter @shopthetruck.
Heart introduced a fresh, rebellious sound in the early 1970s when a particular voice was truly needed. That timeless voice belonged to singer Ann Wilson. In a time when the female frontwoman was just gaining steam, Heart found their identity in theirs. To this day Wilson embodies the band’s sound and message. She helped make it possible for generations of others to find their voice in Rock & Roll.
The band's legacy was celebrated on a grand scale this year when Ann, her sister, guitarist Nancy Wilson, and the rest of the Heart family were inducted into the 2013 class of the Rock and Roll Hall of Fame with the likes of fellow legendary groups Rush and Public Enemy.
CityBeat had the privilege of speaking with the legendary vocalist in advance of Heart's performance Saturday at Riverbend Music Center. Audiences can anticipate hearing classics like “Barracuda” and "Crazy on You," as well as fresh music off of the 2012 album Fanatic, which nicely continues the Heart legacy. Don’t miss the finale with Jason Bonham (opening the show with his Led Zeppelin tribute) joining them on stage.
CityBeat: What was the highlight of your Rock and Roll Hall of Fame Induction this year?
Ann Wilson: The highlight of my (RRHOF) induction this year was standing beside Nancy at the podium. That was a feeling of great pride I will never forget.
CB: What is the most number of days you have gone without playing music?
AW: I have gone months sometimes without playing a guitar, but never a day goes by where I don't sing.
CB: What does your ideal day look like these days?
AW: Sleep in late, have a great pilates/yoga workout, hang out with my kids and their kids, cook dinner, meditate, sleep with my dog nearby.
CB: If you could trade places with someone for a month who would it be and why?
AW: I guess I couldn't do that. I don't envy anyone else that much!
CB: You have seen music recording formats change from vinyl and 8-track to cassette, CD and MP3 through the years. Do you feel like music sounds better or worse with the use of technology?
AW: Music definitely sounds worse to my ears because of digital technology. There is a hard, brittle sound to it. Analog music sounded warmer and deeper, though maybe not as " perfect." Auto-Tune makes me crazy because it removes all individuality from a person's voice. Everyone ends up sounding anonymous. The imperfections are where the soul is, I say leave them in. Leave in the humanity.
CB: How did the latest tour come about with Jason Bonham? Any favorite tour stories from the current tour?
AW: Many people saw the Kennedy Center Honors show on TV or YouTube and loved the tribute to Led Zeppelin. The management was listening and everyone agreed it would be a beautiful idea. We've only done two weeks so far, and it's been amazing. No train wrecks yet!
CB: Do you journal or take photos over the years with special tour memories. How do you document your stories and memories?
AW: We record every night and have photographers on sight. Occasionally I will blog, but I am usually pretty wound up after a show. Maybe this will be the year I take up a journal. A person can't count on their memory forever!!
CB: Does it ever get tough being on the road with family? How have you handled it for so many years?
AW: Yes, the road is rough. Traveling and performing together takes a lot out of you and sometimes things do get emotional. We are lucky to have each other for support. I don't know how I would have made it all these years without Nancy's love, strength and sense of humor!
CB: Are you working on new music while on the road?
AW: My head is full of new songs at the moment.
CB: What can fans looks forward to when the tour hits Cincinnati?
AW: The show in Cincinnati will open with Jason Bonham's Led Zeppelin Experience, Next will be the heart show, after which there will be a finale consisting of about 30 minutes of Zeppelin songs with Jason Bonham and (Bonham's guitarist) Tony Catania joining in.
Today I was scanning the pop culture information super highway to catch up on the latest fads. What's cool, what's hott, what's in, what's not. As I clicked around I came across some newly published pictures of Jessica Simpson. As I gazed at her face with my bedroom eyes, they slowly transformed into bulging ping-pong balls. My F-stop quickly went from an f/8 to an f/1.4 in 1/500 of a second. The sight of this fat woman that was almost finished devouring Jessica Simpson's body, feet first, was on the front page of People magazine.
In advance of The National’s highly anticipated free performance this Thursday at Fountain Square, I had the opportunity to talk with the lead singer of the band, Matt Berninger. The concert is part of a rally in support of Democratic presidential nominee Barack Obama, donning the title “Vote Early, Rock Late.” It will feature political speakers and buses to take people to early voting locations, as well as two bands — Dayton natives The Breeders followed by Cincinnati’s own (though they live in Brooklyn now) The National. And, of course, there will be “plenty of Rock & Roll and beer,” as Berninger succinctly puts it. (UPDATE: The National's management says they are unsure of what times the bands will play, as of now. The only sure thing — both will play between 5 and 9 p.m.).
Berninger explains that the concert came together rather innocently; they simply wanted to show support for their candidate of choice. Initially the thought was to play a benefit concert, but as it all evolved, a rally seemed more appropriate, both in terms of what the band really wanted to accomplish and the nature of Obama’s campaign.
“It was our idea, but there have been so many people pitching in and helping along the way,” Berninger says. “No one is getting paid here, so it was really exciting to see so many people take the time to make this happen.”
The National’s fundraiser for the Obama campaign developed in a similarly organic manner. Shirts depicting Obama’s face accompanied by the song title of what has become a familiar show-closer for the band, “Mr. November.”
“About nine months ago, that song came (up during a show) and I dedicated it to (Obama),” Berninger remembers. “And it wasn’t until about halfway through the song that I realized just how perfectly it fit, in terms of both mood and timing. That night, Scott (Devendorf, bassist from The National) and I decided to make a T-shirt and a week later we had a box to sell. I think it all happened in the midst of four hours, and since then we’ve been able to raise about $10,000, with all proceeds going directly to the campaign.”
The band — whose song "Fake Empire" was used in a film about Obama showed at the Democratic National Convention — returns to their hometown of Cincinnati in the midst of one of the most significant presidential elections in history. Southwest Ohio – with its conservative reputation and rising liberal and progressive presence -- stands as arguably the most hotly contested location in the election.
“The thing I’ve always loved about the political landscape of Cincinnati is that you have it all,” he says. “You have extremely conservative Cincinnatians and you also have very progressive lefties and often you have that all in the same family. I don’t quite have the same conversations now, being in New York, that I used to in high school or around my dinner table in Cincinnati. And that’s the healthy thing about being there, is that those conversations are happening, truthful, and among people that, at the end of day, you truly respect and love.”
There is no hint of pessimism in Berninger’s voice. Rather, he sounds truly enthused about the opportunity America has to elect a candidate like Barack Obama, a man whom he believes embodies the most admirable qualities.
“There is an intellect, compassion and empathy to (Obama) that doesn’t seem fake,” Berninger says. “I want the best of us to be in the White House. I want the cream of the crop of American thinkers to be making decisions for me, and (decisions) that are going to affect me, my family and our future. I want the smartest guy in the room and the groundswell of support Obama has gathered shows that people see that in him.”
The National have recently wrapped up their tour in support of the critically-acclaimed album Boxer. They have written approximately 10 songs and returned to the studio to begin recording their follow-up. No word yet on a release date.
— Dave Tobias
(All photos by Keith Klenowski)
The "Best of Taste" awards — a precursor to the Taste of Cincinnati food fest later this month — were doled out today. Eighty dishes from 30 restaurants were served to judges — "celebrities, foodies and the epicurious" — and they awarded the Crab and Shrimp Dumpling with Noodle from Arloi Dee Thai Bistro the coveted "Best Damn Dish" prize.
Here's the full list of winners:
Best of Taste: Strasse Haus, Fried Peanut Butter & Jelly
Award of Excellence: LaRosa’s, Spinach Rondo
Award of Merit: Market Street Grille, Stuffed Chicken Amore
Best of Taste: du jours/Courtyard Café, Hunter’s Home Turkey Chili
Award of Excellence: ZZ’s Pizza Company, Caprese Salad
Award of Merit: City Barbeque, Gumbo
Best of Taste: Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Award of Excellence: ZZ’s Pizza Company, Seafood Pizza
Award of Merit: Mahagony’s, Shrimp and Grits
Best of Taste: Andy’s Mediterranean Grille, Gyro Wrap
Award of Excellence: Claddagh Irish Pub, Jameson Burger
Award of Merit: Lazlo’s Iron Skillet, Walking Chicken Saltimbocca
Best of Taste: du jours/Courtyard Café, Black Bean Burrito
Award of Excellence: J. Gumbo’s, Bumblebee Stew
Award of Merit: LaRosa’s, Skinny Wheat Pizza
Best of Taste: ZZ’s Pizza Company, Banana Cream Pie
Award of Excellence: du jour’s/Courtyard Café, Raspberry Cloud Pie
Award of Merit: Claddagh Irish Pub, Bread Pudding
Best Damn Dish
Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Taste of Cincinnati is coming up Memorial Day weekend, May 26-28. Visit TasteofCincinnati.com for more details.
Cincinnati ranked No. 2 for highest child poverty out of 76 major U.S. cities in 2012, the Children’s Defense Fund (CDF) of Ohio said Friday.
The numbers provide a grim reminder that more than half of
Cincinnati’s children lived in poverty in 2012, even as the city’s urban core began a nationally recognized revitalization period.
With 53.1 percent of children in poverty, Cincinnati
performed better in CDF’s ranking than Detroit (59.4 percent) but worse
than Cleveland (52.6 percent), Miami (48 percent) and Toledo (46
percent), which rounded out the top five.
The data, adopted from the U.S. Census Bureau, also shows Ohio’s child poverty rate of 23.6 percent exceeded the national rate of 22.6 percent in 2012, despite slight gains over the previous year.
“When three of the top five American cities with the highest rates of child poverty are in Ohio, it is clear that children are not a priority here,” said Renuka Mayadev, executive director of CDF of Ohio. “Significant numbers of our children do not meet state academic standards because their basic needs are not being met.”
With the contentious streetcar debate over for now, some local leaders are already turning their attention to Cincinnati’s disturbing levels of poverty.
Mayor John Cranley on Thursday told reporters that he intends to unveil an anti-poverty initiative next year. A majority of council members also told CityBeat that they will increase human services funding, which goes to agencies that address issues like poverty and homelessness, even as they work to structurally balance the city’s operating budget.
Outside City Hall, the Strive Partnership and other education-focused organizations are working to guarantee a quality preschool education to all of Cincinnati’s 3- and 4-year-olds. The issue, which will most likely involve a tax hike of some kind, could appear on the 2014 ballot.
I went to high school in West Chester and, once I got a car, I discovered that I was a city mouse. I fell in love with Cincinnati around the time I fell in love with photography. Coming to Provident Camera was a pilgrimage for me. It was the first place I drove to in the city by myself, so it meant adulthood. It was a place filled with people (workers and customers alike) who had as much passion for photography as I did, so it meant I wasn't alone.
The effect My Morning Jacket has had on live Rock music in America over the past several years is hard to deny. Spawned from the fertile Louisville music scene, the band’s legendary live show is an electrifying experience for all who attend. At the end of May, MMJ put out its sixth studio album, Circuital, which earned a career-high first-week entry into the Billboard Top 200 album chart, bowing at No. 5. Bo Koster, MMJ keyboardist since 2004, joining the band during the gap between its major label debut, It Still Moves, and the wildly diverse Z. CityBeat spoke with Koster about the band’s Cincinnati stop Wednesday at PNC Pavilion with Neko Case, as well as My Morning Jacket’s memorable live performances and passion for local record shops.