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by mbreen 11.24.2008
Posted In: CEAs at 01:27 AM | Permalink | Comments (9)
 
 
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Cincinnati Entertainment Awards 2008: The Winners

The afterparty is still going on as I write this, but, while we assess what happened last night at the 12th annual Cincinnati Entertainment Awards event at the Emery Theatre — the first sold-out show and quite possibly the best show in CEA history — here's who won what last night.

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by Deirdre Kaye 09.03.2013
Posted In: Live Music, Festivals, Music Commentary at 02:27 PM | Permalink | Comments (4)
 
 
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REVIEW: Mumford & Sons Gentlemen of the Road Troy, Ohio Stopover

The Gentlemen of the Road stopover tour started off as a rather simple concept. Mumford & Sons would invite a few of their music-playing friends to travel with them. They’d stop over for the weekend in towns they’d never been to before, towns they had no reason to visit. They would play two days’ worth of gigs for people they’d probably not ever played for before.It was just a small, scattered list of dates in BFE. NBD. Somewhere along the way, it became something much different. And much bigger. The “stopover tour” now looks much more like a takeover tour.

“It’s more about the town than the music,” was a sentiment you could hear echoed all over town. From the security guards to the people charging fans $20 to park in their driveway near the festival grounds. And that is an accurate statement.

When the Gentlemen rolled into Troy on the very last weekend of August they did, indeed, take over the tiny town. They did everything possible to put Troy’s best foot forward. The city center, with the fountain that turns pink in June for a strawberry festival, was closed down. WACO airfield was turned into a magnificent parking lot. Multiple school districts sent school buses to help transport music lovers from the parking lot to just a few blocks away from the festival grounds. You never had to wait for a bus, there were always plenty. Why can’t school districts work their own bussing schedules so fluidly? Even the Wendy’s in the next town stayed open until 2 a.m. in order to cater to Mumford fans.

Mumford & Sons ran Troy’s economy. The bakery served a limited menu and from the window hung loaves of bread shaped like mustaches – the international symbol for “Folk band.” A seemingly otherwise unused storefront became Mumford Market, which sold strawberry donuts and other festival essentials. Every storefront had a purpose, featuring window art of the four Brits in charge, of their acoustic instruments or of that omnipresent mustache (it was even painted on the streets). Aside from the Troy High School football field, which held the main stage and the bulk of fest goers, there were still two small stages downtown and another handful of street performers littering the crowded streets.

Heck, they even took over the Troy Police Department. For a town as tiny as Troy, they can’t possibly have very many cops and it seemed like nearly all of them were roaming around inside the closed-off festival area. You know that hard-assed vibe cops often get, especially when pulling security detail? Troy cops were the nicest (and best looking) unit to pull security at a concert I've seen. One of the highlights of the festival was watching an older (clearly drunk) woman swat an officer’s backside with her tambourine. He was quick to whip around and give her a quirk of the brow. When she gave him a grin and a wink, he laughed, wagged his finger and carried on. Later, as the woman and her tambourine flirted endlessly with one of the security guards, the TPD watched with grins and amusement. Nothing more.

And that bout of tambourine-assisted sexual harassment? Probably one of the worst crimes committed during the festival. One of the stage security guards remarked at how surprisingly low-maintenance the crowd was and one of the police officers on duty was quick to agree that the out-of-towners were exceptionally well-behaved. All of his calls had been to deal with locals — and even those calls didn’t seem like anything noteworthy or unusual for a festival environment.

Mumford & Sons fans know how to be polite when overtaking a city.

The festival repaid fans by taking over their nature. When they bought their tickets for the stopover date, they were sent a wristband, a fancy holographic ticket and a passport. The passport held info about last year’s first ever stopover tour, the band, the best restaurants and scenes to check out while in the area. And, just like a real passport, there were places to have stamped. Certain restaurants and stores had stamps. Every performer had a person in a booth at the back of the stadium with a custom stamp. People walked the festival grounds” with the rubber stamp, ready to bequeath another ink splotch on each passport. It was a race to get them all. A chance to maybe, just maybe, win a prize or learn something new.
    
What you really want to know about is the music though, right?

The festival may have been more about the town than the music, but the music was still what drew thousands of people to Troy’s gorgeous city streets. It was, after all, a concert, and the music that took over Troy’s stadium needs to be discussed.

Friday was a short day, with the festivities not kicking off until after everyone had time to show up after work. Of course, Edward Sharpe and the Magnetic Zeros, the Friday night headliners, were the clear draw for fans on Day 1. The Zeros have traveled with Mumford & Sons before, most notably on their "railroad revival" tour, and even released their newest album on the Communion label, a pet project of Mumford’s piano player, Ben Lovett. Technically, the band is solid. The only difference between their records and their live performances is the sheer amount of energy they bring to the stage. The group has fun on stage and that fun easily makes its way into the crowd. But if you’ve seen one Edward Sharpe concert, you’ve seen them all. If you haven’t ever seen them, then you’re missing out.

Saturday was magnificent, loud and the best kind of exhausting you could imagine. A little after lunch, the stage came to life with the lovely Indie Brit Rock band Bear’s Den (who will be back in Ohio to play Cincinnati's MidPoint Music Festival at the end of the month). They might have only kicked off the day, but their talent deserved a later slot. After Bear’s Den came Nashville’s Those Darlins, headed by Jessi Darlin, a wisp of a girl with a set of dragon-sized lungs. Rubblebucket, from Brooklyn, showed up next and bestowed upon festival goers all their weird, twitching energy. They’re awesome, but putting them before the decidedly more mellow (but still oh-so-awesome) Justin Townes Earle seemed a little ill-placed. It felt a little like revving the engine of a Mustang when you’re still three stop signs away from an open country road. Justin Townes Earle was brilliant, of course, but very laid back, and Rubblebucket left everyone pretty amped. On the upside, Earle’s joke about the Westboro Baptist Church earned him laughs.

Mumford & Sons also imported their friends, The Vaccines. Also hailing from England, The Vaccines’ lead singer Justin Young previously recorded on the Communion label as Jay Jay Pistolet, a far more tame version of the vintage Rock that evolved to make The Vaccines what they are today. This new creation doesn’t seem to get quite as much love from Communion’s heads as some of their other friends and that’s really a shame. The Vaccines are with Columbia now and blowing up in the U.K., but still floundering in America. They’re brilliant, though, and crowds eat them up. They sound gritty and much more Punk Rock than anything on the radio right now, but they could very easily end up on those playlists. They bring an insane amount of sexual energy to the stage, too. Remember that old Almost Famous quote about the fans “getting off?” One guttural bellow from Young ignited a crowd full of shrieks. The end of The Vaccines meant half the crowd needed a cigarette.

Earlier in the day, one of the security guards said he’d worried the concert would be full of Bluegrass bands, something he hated. So far, though, he liked what he had heard. He had no idea that after The Vaccines, things were about to get real blue, real fast. Old Crow Medicine Show are old pros by now. Not only have they toured with Mumford & Sons previously, but they’ve also been around for ages. Maybe that’s why their concerts always seem similar. They’re a blast and, if you know all their songs, you’ll be hoarse by the end of their set. But, at the end of the day, nothing changes much from concert to concert … not even the between-song banter.

Somewhere during the Old Crow set an older, surlier photographer made a comment that I caught just the tail-end of. He either said “They’re better than this” or “I’m better than this.” The answer to both of those sentimentswas the same, however. “Clearly Not.” If Old Crow were better than doing a clone show in a tiny town, then millions of people wouldn’t be singing along to “Wagon Wheel” right now and thinking it was by Darius freaking Rucker. And, if that photog were better than that festival, well, he wouldn’t have been there. Oh, the egos.

Mumford & Sons finally took the stage just as the sun was sinking down past the stadium, though we’d seen them during the set before when they crashed a few Old Crow songs. The first time I saw them was in 2010 at Beachland Ballroom. They sold out the 500-person capacity room and joked their way through the entire set. Not much has changed in those three years except the size of the crowd. As I bought a pair of Vaccines underwear from the merchandise barn (because, why not?), one of the boys added a sincere moment.  Winston Marshall (I think. I was really far from the stage by then and trying to size underwear) told the fans there were a lot of people in America that the band loved “very, very much.” And that there were a few dickheads, too. Whether playing to a crowd of 500 or 50,000, the guys of Mumford know how to make each group of people feel awesome. Even if it’s just knowing to say, “O-H!” and grin when the Ohio crowd screams back the usual reply of, “I-O!” After all these years, they still really get a kick out of that trick.

Their performance was great, too. But it seems pointless to tell you that. At this point, Mumford & Sons have become so famous, so overplayed on the radio, you’ve no doubt already made up your mind about those four mates from London. Either you love them or you hate them. End of story. For me, the answer is love. I can respect a well-informed adverse opinion on the matter, however. So I won’t try to change your mind.

I walked back to my car as the Yacht Club DJs began their cool-down set after Mumford & Sons left the stage. Troy was quiet except for the bands and the revelers and drunks (so it wasn’t very quiet at all). But the town has a peaceful vibe to it and the band has always had a respectful sense to themselves that together kept everyone in check.

Would I do it again? Yes. But do I still absolutely hate festivals? Yes. Would I recommend the experience to anyone that made it this far in my review? Without hesitation, I recommend that you go visit Troy. And I will always tell everyone I meet that Mumford & Sons puts on the best show around and you should witness it once in your life. Whether you decide to hold out for their next stopover tour or settle for their next arena show, that’s up to you. Or, if you decide to wait a decade until the fuss dies down and they’re back to playing places like the Beachland or Bogart’s, I won’t judge you. I already know those gigs will be just as amazing.

 
 
by mbreen 01.27.2013
Posted In: Live Music, Music News, CEAs at 10:42 PM | Permalink | Comments (2)
 
 
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Cincinnati Entertainment Awards: The Winners

The winners from tonight's epic CEA blowout at the Madison Theater

It was another epic Cincinnati Entertainment Awards ceremony tonight at the Madison Theater, as a full house celebrated some of the best Greater Cincinnati music has to offer. And drank. A lot.

The show went off great, with some excellent live performances from nominees and lots of fun from new host Ted Clark. I'll have more on the CEA show tomorrow (the afterparty is still in full effect as I type this), but gotta give props to CityBeat's own Jac Kern, who provided one of the funniest moments in CEA history before presenting the CEA for Hip Hop. Beyonce ain't got nothing on you, Jac!

More tomorrow (fear not — the show will actually be broadcast on cable this year; details coming soon), but, in the meantime, here's who won what at tonight's ceremony. Wussy — which has been on a serious roll since releasing the fantastic Strawberry near the end of 2011 (it made the cut-off for this year's awards, since the album came out around the same time as the last CEAs) — had the best night, taking home both the Artist of the Year and Album of the Year CEAs.

Congrats to all of the nominees and winners and everyone who showed up to party. Y'all are crazy.

1 Country - Mason James

2 Jazz - Blue Wisp Big Band

3 Singer/Songwriter - Kelly Thomas
4 World Music/Reggae - The Cliftones
5 Metal - Pulse8

6 Blues - Ricky Nye
7 Alternative/Indie - The Seedy Seeds
8 Hip Hop - Gold Shoes
9 Folk/Americana - The Tillers

10 Rock - Buffalo Killers

11 Bluegrass - Rumpke Mountain Boys

12 Electronic - You, You're Awesome

13 Live Act - 500 Miles to Memphis

14 Hard Rock - Chakras

15 R&B/Soul/Funk - The Cincy Brass

16 Punk - Switchblade Syndicate


17 Best new Artist – DAAP Girls

18 Album of the year - Wussy's Strawberry
19 Artists of the year - Wussy
 
 
by Jennifer Saltsman 01.19.2012
Posted In: Recipes, News at 12:32 PM | Permalink | Comments (0)
 
 
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Pig Out on Veggie Pigs-in-a-Blanket

Here's the dish on hogs: they rank among the smartest in the animal kingdom and despite the phrase "pigging out," they actually savor their food. On March 1, National Pig Day, Americans across the Midwest don snouts, dress in pink and "eat like pigs" to celebrate their intelligence and contributions to mankind.

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by Anne Mitchell 05.15.2012
Posted In: Events at 08:40 AM | Permalink | Comments (0)
 
 
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Farm to Table Event Benefits Community Farm Alliance

Chefs Steven Geddes of Local 127 and Justin Dean of Relish Group to participate

Napoleon Ridge Farm is hosting “Dinner on the Farm” on Friday, June 1 at their farm in Gallatin County. The fundraising dinner is part of this year’s Farmers’ Fair: Know Your Farmer, Know Your Food series. The event will raise funds for Community Farm Alliance, a 26-year-old nonprofit Kentucky grassroots organization that advocates for farms, farmers and food systems. The dinner will take place under the eaves of their large barn so rain will not be a problem. As this is a working farm, the animals will be there to say hello, and portable restrooms will be available for use as well.

Chef Steven Geddes from Local 127 and Chef Justin Dean from Relish Group will be harvesting, butchering and cooking the dinner — and having enjoyed Napoleon Ridge’s delicious pork and fresh herbs that I purchased at the Covington Farmer’s Market for the last two Saturdays, I know they will be working with wonderful ingredients. Wine to compliment the food will be from StoneBrook Winery in Camp Springs, and delicious musical entertainment will be provided by Kyle Knapp and Chris Cusentino of The Turkeys. There will also be Kentucky Ale and non-alcoholic drinks available.

Tickets are $100 per seat, limited to the first 50 paid seats, which includes all food, beverages including wine and beer, entertainment and a shuttle ride to the farm and back from Fountain Square — about a 70 mile round trip, so that makes it a real bargain! To make a reservation, contact Napoleon Ridge's owner, Tricia Houston, tricia@napoleonridgefarm.com or call 859-643-FARM for more information.

 
 
by mbreen 01.08.2010
Posted In: Music News, Local Music at 10:57 AM | Permalink | Comments (0)
 
 
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Things Heat Up for Foxy Shazam

The hard work local experimental Rock/Soul/Pop/Prog/Glam oddballs Foxy Shazam have put in on the road the past couple of years is starting to pay off big time. Recent Foxy news includes everything from the impending release of the band’s major-label debut for Sire Records to gigging with Courtney Love in the U.K. to collaborations with Rock legend Meat Loaf.

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by Amy Harris 05.18.2012
Posted In: Live Music, Festivals, Interview at 12:42 PM | Permalink | Comments (0)
 
 
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Q&A with Megadeth

Metal giants headed to Columbus for Rock on the Range festival this weekend

Megadeth can be considered one of today's legendary bands, not just in Metal, but in all of music. They are synonymous with a time period, moments in the lives of so many of their fans. They may have a different look than when the band was formed in 1983 but they are one of the founding fathers and would definitely find themselves on the Mount Rushmore of American Metal and can still fill festival stadiums all over the world. Megadeth have been doing their thing for almost 30 years and show no signs of stopping. They had released their fittingly named 13th studio album TH1RT3EN last year before they came to Cincinnati. They will return to Ohio as one of the main acts at next week’s Rock on The Range.

Over the past year, CityBeat spoke with band drummer Shawn Drover twice and lead guitarist Chris Broderick at Mayhem Festival about life on tour and what the future holds for the band. Megadeth's timeless sound continues on. Hear for yourself when the group performs on the Main Stage in Columbus Sunday night with Marilyn Manson and Rob Zombie for the Rock on the Range festival.

CityBeat: I know you joined the band in 2008, right?

Chris Broderick: Yeah, the very beginning.

CB: What was it like the first time you played and jammed with Dave (Mustaine)?

Chris: It was a little intimidating at first I think. But one of the things that really happened was we had to get to work so quickly. We had to get so much done so fast. 

CB: Because of the album and the tour right?

Chris: Well yeah because of the tour at the time. I didn’t really have time to think about what was going on. I was just working. I was trying to knock out as many songs as I could before we went on tour less than a month away. That was my focus really.

CB: You are a classically trained guitarist, right? Can you tell me, how do you think that prepared you for Megadeth and to play metal music?

Chris: Well I don’t know if anything prepares you for Metal music or Megadeth. But I do think it does give me a different skill set, one where I can look at more melodies and harmonies and construction of those types of the aspects of the music and apply what I’ve learned in classical guitar theory or classical theory to the Metal genre.

CB: That’s kind of what stood out to them, right, when they called you to join the band, because you did a lot of classically trained type work?

Chris: It’s hard for me to say. I know it was an influence on their decision, but I know that it was a recommendation of Glen Drover and Shawn Drover that encouraged them to call me.

CB: Good recommendations. They probably didn’t even have to ask.

Chris: And then some of the YouTube clips that I had posted also.

CB: I have been hearing so many bands that are picking people off YouTube. It’s really amazing, Cinderella type stories of people being picked up off YouTube videos.

Chris: Well, it’s one of those things that is awesome in a way because it gives the individual the power of PR, somebody that can market you and get you to the right people to get you a gig or get you the right contact. So it is kind of cool that way.

CB: What was your highlight from the Big 4 concerts?

Chris: It was probably the last Big 4 show actually in the UK. That was pretty huge. We got to play on stage with some of the original members of Diamond Head. Honestly, they weren’t my biggest influence. They were a little bit before my time. But because I am playing with so many people that they heavily influenced, it was instant respect on my behalf and their behalf. It was quite awe-inspiring to see Hetfield  (James) kind of bowing down before him when he went to do the solo. It was awesome.

CB: What is it like on the road these days? Is it really clean living?

Chris: Yeah. It almost has to be because we have so much going on. I couldn’t do all this press and all the meet and greets and stuff like that. It works out pretty well for me too because luckily I never acquired a taste for that kind of that thing. I guess I am too Type A. I always want to be in control.

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by Maija Zummo 10.16.2008
Posted In: Reviews at 12:03 PM | Permalink | Comments (7)
 
 

I Love Natalie Portman...

Mike Breen just posted a schedule of events on the music blog, so I won't do that here, but the schedule goes something like this: Mark Mallory, The Breeders, speeches, Natalie Portman, The National. I know people are really excited about seeing The National and The Breeders, for free, on a lovely autumn evening. And I know people are really excited about Barack Obama.

But I'm really excited about Natalie Portman.Yes, Natalie Portman. At first I had to ask myself, why is she here? Is she just such an avid Obama supporter that she'll fly to random rallies? Did she have some sort of layover at CVG and had to get out of the airport Max & Erma's? Is she really bored? No. Maybe not. I did some Google research to get to the bottom of this conundrum and I learned that her mother, Shelley, is from Cincinnati. That makes more sense ... especially if Nat Port really likes The National, like most girls do. And we are a swing state.

Another thing that most girls like, besides croony sort of bands, is finding out what beautiful celebrities look like in real life. Sure, with the right lighting and hours of hair and makeup, anyone can look good. I mean you've seen those horrid photos of "celebrities without makeup" in gossip magazines. A majority of them look sub-par, to put it gently. And the paparazzi generally gets shots of these unmade women when they're about to take a bite of their salad or right after they ran like four miles, so that's to be taken into consideration, but still. Women like to compare themselves to other women. That's why that stupid "Celebrities are Just Like Us" thing is so popular in People or Us or whatever it's in. Madonna grocery shops? So do I!

But putting all that nonsense aside, Natalie Portman seems amazing, talented, smart and beautiful. She's a great actress who makes intelligent fashion choices and doesn't make a spectacle of herself. She has sassy hair and great skin. All in all, I take her very seriously as a normal person, which is a feeling I don't have about most celebrities. In general, I think celebrities are gawdy drunk drivers who spend too much money on sunglasses.

I'm looking forward to hearing what Natalie has to say. I feel like Queen Padme Amidala must have come this far to deliver a serious message to our people. And I'm looking forward to seeing what she's wearing. I also want to see how tall she is. I bet she's pretty adorable.

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View photos of the event on Fountain Square here.

 
 
by Charlie Gibson 12.02.2008
Posted In: Charlie's Corner at 01:53 PM | Permalink | Comments (3)
 
 

Losing My Friends to Farts

Passing gas is sometimes considered a reaction to a good meal from a satisfied consumer, but actually farts are made during the release of gas that your body produces during digestion. My farts however are starting to push my friends away. I have always farted throughout my life, like most people, but recently things have been getting out of control.

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by Jac Kern 04.07.2011
Posted In: Life, Sharks at 10:16 AM | Permalink | Comments (1)
 
 

Calling All Baby Bumps!

Drop those pickles and ice cream, ladies! Becoming Mom Spa in Mason is looking for the hottest pregnant gut in the Tristate for its Beautiful Belly Contest.

Knocked up chicks are encouraged to send in a photo of their lovely lady lumps, which will be displayed on the spa's Facebook page for public voting. Because that doesn't sound like it could go horrifyingly wrong.

For every vote on the photos, Becoming Mom will donate $1 to the March of Dimes. Prizes for top-voted bellies include gift certificates to The Polo Grille, Buy Buy Baby, Radiant Hair Removal (which you should probably think about before you submit a photo...) and other businesses. Becoming Mom will also crown Most Creative Belly Shot, Belly Shot that Best Represents the Journey to Motherhood and Most Beautiful Belly with $100 a pop.

Before MomsLikeMe.com hijacks this shit, I want to be clear. Being pregnant is totally cool (as long as you aren't a white trash idiot who learned the hard way that a pregnancy pact doesn't come with an MTV contract). I mean, you and a dude made a person! Holy shit, that's like one of the coolest things humans can do. And it's particularly special for women, because they get to let the thing simmer in 'em, pop it out and then feed it with milk their own bodies produce. That's hella eco-friendly. Pregnant women even look cool most of the time.

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                                       Terrifying other times.

Motherhood should totally be celebrated. I don't think a pregnant woman needs to hide her belly under a tent dress by any means, but do you really have to go to Sears, strip down and get a portrait of yourself covering up your boobs and vag like you're some kind of bloated Venus? No amount of retouching in Photoshop is going to make you feel like you look like Demi.

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                               Not pictured: a normal pregnant person

But I know what you're thinking. You're going the tasteful route: planning on the denim/white oxford ensemble? 

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                                  What a unique idea!

And let's think about who's truly affected by a contest like this: the little tadpole inside. How's Junior gonna feel when he finds out mom whored him out on Facebook before he was even born? All this for a couple bones and some Greater's gift cards. It's bad enough you picked the kid's name off a Web site, then tweaked it to end with "-ayden."

But if you disagree, send your belly shot to info@becomingmomspa.com by April 22. Winners will be announced on - wait for it - Mothers Day. Aw!

This is the caliber of photo Becoming Mom is looking for, so, preggy ladies, take note:

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Mariah Carey continues to set the bar high:

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