Friday, Apr 27 - MerleFest Festival Grounds
Every morning I wake and thank baby Jesus I am a biped, agile and have been blessed with a no mess ability to pee standing up. And in a steady torrent. Just about anywhere without attracting attention (well, there was that county deputy in Abington, Va., a while back who got a bit riled). Middle age is good.
Here's a tip for you campers. Your welcome to stay up as late as you want, but if it's 3 a.m. and your talking like your in your living room, don't complain at 6 a.m. if I'm banging pots like I'm in my kitchen.
Oh, and you've pitched your tent in poison ivy.
Thursday after an early evening catnap (middle age) to the sounds of Daily and Vincent (meh — great Stanley Brothers style harmonies, lay off the Cracker Barrel shtick), I made my way over to to the Dance Tent to catch some Blind Boy Chocolate and the Milk Sheiks. This Asheville, NC, street ensemble features five guys doing hokum string/jug band/blues music from the late 1920's and early ’30s. Guys in newsie caps, mutton chops, bowler hats with tattooed ears (ouch, that had to hurt), nose rings — yep, total 20-sumpthin freaks.
Calling out tunes by long (and soon to be) forgotten Blues and string players from the early part of the last century, Blind Chocolate plays hard-driving, bawdy, syncopated, all-acoustic string music. Lyrically rich in double entendres, liquor and murder. This ain't the square dance stuff my Uncle Blake played and my dad danced to in parlors across the Cumberland Plateau during the Great Depression; this is the music found in jukes and bars and back room drinkeries and the kids love it. Every 10 years or so, string music comes back into fashion, and that, my friends, is a good thing. John Hartford is clapping from his grave. It's comforting to witness people giving over to the coherent dissonance of barely tunable instruments, played together and with vehemence. Banjolin, steel guitar, washtub bass, washboard and tenor banjo, three guys trading vocals, four guys shouting in unison and giving call-backs. Dwight Hawkins (Blind Boy Chocolate?) plays saw, bones and the short scale tenor banjo in a style I've never seen before. And does it really well. The banjolin player, Nicholas Marshall (one of the Milk Sheiks?), occasionally picks up a thoroughly modern looking mandolin, temporarily breaking the temporal enchantment. After a lull at the top of their long set as people wondered in and grew accustom to being ass-to-elbow, the crowd was jumping and yelling, kids from 8 to 80 whirled and shimmied.
After a few cups of coffee this morning (Friday), I headed over to the Americana stage to check out another Asheville based band, The Honeycutters. North Carolina has a rich history of Alternativecountryrootsrockamericana bands. From The Backsliders to the Avett Brothers, this state churns ’em out and the natives support band after great band. The Honeycutters fit the Avett Brothers mold of instantly likable songs and gifted melodies. It's got to be hard, after playing clubs and bars, to get up early enough to hit the stage by 9:30 a.m. The Honeycutters brought their 'A' game and delivered an instantly familiar and pleasant set. Just what my psyche needed after listening all night to my campground neighbors. The mandolin player plays in well-worn territory while acoustic guitar player Peter James fills the space with sweet crosspicking and occasionally lays into his guitar in a fashion somewhat reminiscent of early Paul K. Lead singer Amanda Anne Platt's beautiful alto fills the air — add in some tasteful three part harmonies and you have a AAA Radio winner.
From the Americana tent, my soul freshly refilled, I headed back over to the Cabin Stage for a set by Blues historian, storyteller and performer Frutland Jackson (Fruit Land). Hailing from Chicago, Frutland covers seamlessly and flawlessly all styles of blues from delta to north Mississippi to Chicago to Piedmont, all the while telling in a remarkably engaging and non-professorial way what distinguishes one style from another. I've seen plenty of Blues player who like to lecture during performances, and mostly I feel like shouting, "Shut the fuck up and play!" but Frutland had me wanting to bum rush the stage in awe and anticipation that he may answer some questions I have about Depression-era singers and groups. First set I've seen in a lonnnnng while that ended to soon. Most of his songs were originals done in a specific style with a voice that ranged from guttural to heartfelt tremble (think Ledbetter doing "Goodnight Irene"). Outstanding!
Some of the many things to do at MerleFest besides running from one stage to another trying to catch acts is sitting around and playing music with other attendees. Along with an open mic area, there are three tents set up where you sit down and play — Old Timey, Bluegrass and Anything Goes. The Anything Goes tent is like a hippy camp-out with one bazillion guitars around a raging fire in the middle of the night, playing Casey Jones minus the alcohol and LSD. The stuff nightmares are made of, but if you've never done this kind of thing, there's no reason to be a jaded asshole like me — grab your guitar and jump in. Everyone is clean and welcoming.
I sat around the Old Timey Tent as it had the least guitar-to-other-instrument ratios. (By the way, aspiring musicians — learn guitar to impress the girls or boys; learn something else for a working job.) A couple of old timers were letting fly on some fiddle tunes. Quite nice. The guitar player was strumming a pre-1935 Martin D18. I know about these things, and they tickle me pink.
Time for lunch!
The full lineup for this year’s MidPoint Music Festival is expected to be announced before Friday’s MidPoint Indie Summer concert on Fountain Square, but the schedule for one specially-themed hub of venues is now known. The stages along Jackson Street, the small cut-through road on which Know Theatre (which has two MPMF stages) and ArtWorks (one stage) are being collectively rebranded as “MidPoint’s Bioré Strip,” named for a product from sponsor Bioré Skincare, and will celebrate pioneering women in music and the female artist’s important role in local music and MPMF’s10-year history. The stages on the “Strip” will highlight women solo performers and acts with a female presence, a collection of performers from across the globe that includes the biggest acts at the festival (Deerhoof, Xiu Xiu, The Watson Twins), buzzing up-and-comers (Jessica Lea Mayfield, The Worsties, Lydia Loveless) and local favorites.(Carole Walker, Kelly Fine, The Fairmount Girls). See the full three-day lineup below.
In late March 2010, All Time Low began recording their fourth studio album with producers John Fields and Matt Squire. It will be the band's first album released through Interscope Records.
I caught up with Alex after Bamboozle to discuss the band’s controversies this summer and their upcoming album.
CB: I have read that the band was named for a New Found Glory song, “Head on Collision.” Can you tell me the story about it?
Alex: It was right when we were starting the band, we had a list of terrible, terrible band names and we didn’t pick any of them. We ended up taking a line from the song that caught our ear and went with it.
CB: I recently spent some time photographing them and they were great guys.
Alex: Yeah they are good dudes.
CB: You have started recording your next album. When can we expect it?
Alex: As of right now we are shooting for an early 2011 release. We are about halfway finished with it and we need to figure out what to call it and go through all the steps to get it out.
CB: Can you talk about any of the new songs that you are excited about?
Alex: We are excited about them all and it doesn’t make sense to go into specifics because it is too early.
CB: You have recently had some controversy with Six Flags on this tour. Are you past it?
Alex: We’re past it. We had an issue there and Six Flags security didn’t handle a situation well. They didn’t like the fact that I voiced my opinion about it and have asked us never to come back, which is fine with me since I never want to step foot in there again.
CB: Is it that one or all Six Flags?
Alex: All Six Flags
CB: I’ve seen you a couple times and I see all
these young girls at your show and they are crazy about you guys. A lot
of them are really young, how do you stay out of trouble with the fans?
Alex: What do you mean?
CB: Well, they are obviously not 18.
Alex: We are not really in the business of having relations with our fans so I am not sure it is a problem.
CB: I photograph bands all the time and people
usually think rap concerts are dangerous, but I swear that your shows
have the most dangerous fans with the screaming little girls.
Alex: They are violent little kids and they are our fans. We love them.
CB: Who would be your dream band to go on tour with?
Alex: I would love to tour with Weezer and Blink 182 would also be an obvious choice.
CB: What has been your craziest Bamboozle tour story?
Alex: A negative one would be the Six Flags incident. We also got pretty crazy on Jack’s birthday and I destroyed several TV’s in the hotel. I lived the life of a rock star for a night which was a lot of fun.
CB: What did Jack do?
Alex: Jack was right alongside with me. It was his birthday and everyone was together.
CB: Who would be your favorite Indie band?
Alex: I don’t know. Phoenix is really good and Silversun Pickups are pretty sweet.
CB: Fill in the blank. I can’t go to sleep unless I …
CB: What is up next for the band?
Alex: We are going back to California to finish the album and then we are going overseas to do some festivals in Japan and do a show in Malaysia. We’ll be back in the US in the fall for a tour.
Boys Like Girls is a pop punk band from Andover, Massachusetts who gained mainstream recognition when they released their self-titled debut album Boys Like Girls. The group was formed in the final months of 2005, when vocalist Martin Johnson wrote a handful of songs he wanted to record. He recruited bassist Bryan Donahue and drummer John Keefe. Keefe brought along lead guitarist Paul DiGiovanni.
Boys Like Girls officially released their second album, Love Drunk, on September 8, 2009 and has been touring all year to support it. "Two Is Better Than One," featuring female country singer Taylor Swift was released off Love Drunk as the fourth single. Before performing in Cincinnati, the band and local radio had a contest where the winner from a local high school was chosen to sing Taylor Swift’s part in “Two Is Better Than One” live onstage at Riverbend with the band during Bamboozle.
I caught up with John and Bryan before their set at Bamboozle to discuss the tour and their recent trip performing on the Miss USA pageant.
CB: How has it been on the tour so far?
John: We have been having a great time with a bunch friends hanging out and playing music all day. Good times to start the summer.
Bryan: Every day is like the 4th of July. Lots of grilling and basketball every day and hanging with friends.
CB: What has been your biggest life change since you had your big hits?
John: Just being on the road non-stop is the biggest change. It is weird when we go home.
Bryan: When we go home it is awkward and it is hard to get into a routine. Doing laundry and grocery shopping is weird.
CB: What is the story behind the song, “The Great Escape?”
John: It is a story about getting out of high school and going to pursue other things.
Bryan: Taking the next step in your life. New job, new career, going to college, whatever the big change is in your life and how you are taking the next steps.
CB: What is your favorite song to perform live?
John: It changes all the time. Playing a hit song like starting the set with “Love Drunk” is awesome.
CB: It is the best feeling when they sing along, right?
John: Yes, it is so awesome.
CB: You recently performed on the Miss USA pageant. What was that experience like?
John: It was a dream, come true.
Bryan: Like kids in a candy store with the most beautiful women in the United States. We showed up the day before for rehearsal and they actually had to separate us from the girls. We were introducing ourselves to be polite and someone came up and told us to leave them alone. We were bummed.
CB: What is the biggest pet peave on the road?
John: We all pretty much get along, maybe someone being late and we are waiting when we need to be somewhere.
Bryan: A messy bus is bad, four, five, six guys with all their crap everywhere. It gets bad and we have to clean it up. It gets clausterphobic. A clear house means a clear mind.
CB: What has been your most memorable moment so far as a band?
Bryan: Nothing that trumps anything else. We’ll always remember the first time we hear our songs on the radio. We were all together when we heard “The Great Escape” on the radio. Martin was driving the van and we started screaming .We thought he was going to flip the van. Basically, anything we do together as a band is memorable.
CB: Who were your biggest musical influences?
John: It is across the board. Aerosmith and Nirvana were big influences.
Bryan: My dad was a bass player and he turned me on to a lot of really great music. I had to use his equipment when I started at 12 years old since I couldn’t buy my own stuff. My dad walked me through how to fix a string. I thought I had broke the bass and he calmed me down and said it was just a string and walked me through it. He bought me a lot of great music and was my biggest influence.
CB: I recently saw a band called “The Trouble with
Boys” and they are really young kids who rock out. I am always amazed
at how supportive their families are with their music. I guess your
parents were pretty supportive along the way.
Bryan: In the beginning they weren’t, but they are now. It took awhile for them to understand that I wasn’t going to college and that I was going to pursue music. They are very proud now. Parents are usually proud no matter what their kids do though.
CB: Who are your favorite Indie bands?
John: Great Big Planes and Cady Groves are on the tour and I have been checking them out.
Bryan: I was just handed a CD that is pretty cool called, “Colors.” I feel like it is summer and I should have more new music.
CB: What do you like to listen to in the summer?
Bryan: I like the classics. I am a big Joe Walsh fan. It is funny because I hate the Eagles, but I am in a big Joe Walsh phase right now.
Cady Groves is a 20 year old Oklahoma native who is touring with the Bamboozle Roadshow this summer. She is a multi-talented singer songwriter who has recently signed to RCA records.
I caught up with Cady after her set to discuss her current EP, The Life of a Pirate and what is up next for her as she forms her full band and begins recording her next album.
CB: You are the only girl on the tour. How has that been going?
Cady: I love it. The cool thing about being the different person is being the different person. Every other band can sort of mesh together. I am the girl and the outsider and that is fine with me. Everyone wants to be a gentleman and help me out.
CB: When you date, do you prefer to date musicians?
Cady: I try to be professional. I am not promiscuous at all. I was in a relationship with a musician before all of this happened, but we are just friends now. I could date a fan. I could date anyone. I just really need to have a connection with the person. I really like to be in love though.
CB: You write all your own music about personal experiences. What is your writing process?
Cady: I have a really weird writing process. I have an entire melody in my head with no music to it before I hum it to a guitar. I can hear it in my head. I usually sing all the time into a recorder. I write songs all the time. I actually made up one today.
CB: What is it about?
Cady: It is about my loyalty to people and how it sometimes gets me hurt.
CB: You were recently at SxSW. Do you have any crazy stories from there?
Cady: I got pretty crazy one night when I shouldn’t have. I am usually a stay at home person, but I had fun one night. It was a good night. I think some guy wrote I love Cady Groves on his chest but that is not that crazy.
CB: What is up next for you?
Cady: We have 2 weeks left in the tour and then I have 3 weeks off after that when I will be forming my full band. We will practice and meet lots of producers. Right before this tour I signed with RCA so I haven’t had a chance to hang out with them and get everything started. I will go to NYC, LA and Nashville to get started with them. After that I will be going back out on tour with Stereo Skyline on the “Stuck on Repeat” tour.
CB: Will you be coming back through the area?
Cady: Yes I think we will.
CB: I like the album title. Is there a story behind the pirate?
Cady: It kind of goes along with my life experiences. I have been on my own for awhile. I had a really bad habit of moving around. It is a bad habit that I am trying to break. I would live somewhere for a few months like in my car or on someone’s couch. I would get two jobs and try to make myself be complacent, but once I was, I would just leave. I would get up in the middle of the night and just drive 24 hours and start over. When you think about it, it is a horrible thing to do. It was making life a lot harder and more complicated than it needed to be. It was the life of a pirate. I kept leaving and living in my car. Just moving around.
CB: How long ago was it?
Cady: It was a couple years ago.
CB: So you were right out of high school?
Cady: No, I graduated high school super early when I was 16 and went to college.
CB: Where did you go to college?
Cady: I actually went to culinary school in Vegas. I love it and I think I want to move back there.
CB: Who would be your dream collaboration?
Cady: I want to collaborate with Alanis Morissette. I want my album with RCA to be half as good as “Jagged Little Pill.” I was the youngest of 7 kids. I was really shy and was 4 years old when my mom bought the CD the day it came out. We would ride in this huge van. I was always quiet as a kid. I had long curly hair and I would hide under the seat of the van and then I would just come out from under a chair and sing the whole album. My Mom thought it was the funniest thing. I still will pop in the CD and sing it at the top of my lungs.
Great Big Planes is a new Indie band on the scene
from Tom Rivers, NJ. The band played their first show last Sept, 2009.
Their self-titled album is currently available and features the song
The band consists of Josh Moran- Lead Vocals/Guitar, Patrick Campion- Lead Guitar, and Chad Sabo on Bass and Acoustic Guitar. I caught up with the band after their set at Bamboozle on their bus to talk about their experiences on their first national tour.
CB: You recently came back from Vegas, any crazy stories out there?
Chad: Why don’t you take this one since you were the big winner?
Josh: I won a little bit of money so we had a party at the Hard Rock in a villa.
CB: With the money?
Josh: No, we were with all the bands from the tour. It was fun for everyone to get together.
CB: It doesn’t sound that crazy?
Chad: It was crazy. We had Playmates there. We had a poolside cabana. It was like a Hangover suite.
CB: Anytime playmates are involved it is a good time.
CB: Who is your dream band to tour with?
Patrick: All of us probably have the same answer. I guess Radiohead is a big one for all of us.
Chad: I like Billy Joel a lot. It is not the same genre but I like him a lot.
CB: What is your favorite Indie Band?
Josh: No one really right now. I love Smashing Pumpkins, Led Zeppelin, The Cure, Radiohead, Third Eye Blind, and The Verve.
Chad: We are into the 90’s stuff right now.
CB: I like the song “Lost One.” What is the story behind it? Where did it come from?
Josh: I was kind of going through a transition phase in my life. I didn’t know where I was headed. I was coming out of a tumultuous relationship. It is about letting go and trying to find a place to call home.
CB: What is your favorite song to perform live?
Josh: It is not one of my own. It is “High and Dry” by Radiohead.
CB: You guys just got started last year. What is the biggest thing that has changed in your life since you started out?
Patrick: The bus really. We have never had this luxury before.
Chad: This is our first tour and going National.
Josh: It is the first time we have toured with bands outside our scene. Hanson has been on part of the tour and they have been great. People automatically only think of them as “MmmBop,” but their new album is out and it is awesome. You should check it out. They have changed so much and are super talented.
CB: Finish the sentence I can’t go to sleep unless I’ve…
Chad: I watch Sports Center and make sure I know the scores of my favorite teams.
Patrick: I have to take off my socks before going to bed and sleep barefoot.
Josh: Not naked, just no socks?
Patrick: No, not naked just barefoot.
Josh: I can’t go to sleep unless I’ve shot the air assault gun outside. Last night we were shooting Third Eye Blind.
Check out Great Big Planes at http://www.myspace.com/greatbigplanes
LMFAO is a Grammy-nominated electro-hip hop group from Los Angeles, California that consists of DJ/rappers Redfoo (Stefan Gordy) and Sky Blu (Skyler Gordy). Both artists are related to Berry Gordy; Redfoo is the son of the Motown Records founder and Sky Blu is his nephew.
Their first single was titled "I'm in Miami Bitch” which peaked at #51 on the Billboard Hot 100. LMFAO also provided the opening theme to Kourtney and Khloé Take Miami and Jersey Shore. They last visited Ohio on tour with the Black Eyed Peas in early 2010.
I sat down with the two of them for an interview backstage at Bamboozle to discuss the tour and the upcoming album.
CB: You guys grew up really close to the recording industry. Did it give you an idea what to expect in the business?
RF: You know maybe on the business side, but not as far as touring. When we grew up our family was out of the business. The touring is new with things like being on the bus. We have adjusted really well. Now the bus is now like our home.
CB: What is your favorite track to perform live?
RF: The songs are like tools that will help you out in any situation.
CB: They make me smile.
SB: Smile tools.
RF: When you are at a party you have to play "Shots" to get the party started. Toward the end of the party you may want to say something nice to a girl so you may play, “Scream My Name.”
CB: It is like a progession through the night. Like a soundtrack.
RF: After "Shots" you would play, “Get Crazy.” They are like tools. So when we perform and we want to talk to the sexy ladies we sing “Scream My Name.”
CB: Craziest tour story with the Black Eyed Peas?
SB: Will got stuck one time up in the air during their performance.
CB: Did you guys rescue him?
SB: I was going to, but I didn’t want to put my drink down. The stage hands took care of him.
CB: You are working on a new album. When can we expect it?
RF: The new album is in the works. We are finally getting some momentum on it. Hopefully it will be out around November.
CB: Do you write your own stuff?
RF: Yes we have a lot of concepts that we are working on. It is a process to lay out the tracks. We have a studio on the bus and one at our house now in LA.
CB: You guys live together- roomies?
RF: Yes, we actually have a lot of houses and a lot of girlfriends.
CB: What are your party rules?
RF: You have to bring some Nachos.
SB: Nachos are girls that are “Not Yours,” not your ex, not your current girl, they are like pot luck. You have to take a shot when you walk in. You have to have a TBR- Take Back Room. It can be a bathroom but that can cause problems. These are the party rules.
CB: Who were your musical influences?
RF: Rick James
RF: JB- James Brown
SB: Red Hot Chilis
CB: What do you wish you knew five years ago that you know now?
SB: I wish I knew to put more stock into Apple.
RF: I wish I had read this book Going Against the Grain. It talks about how grains are not good for you. It is a revolutionary book. It explains how they are not edible in nature. I just stopped eating grains and lost 25 lbs in a month.
CB: Not just carbs
RF: No, you can have carbs like fruit and potatoes, just no grains like bread, pasta or anything made with corn. We even switched alcohol. Ciroc has grapes and Petron is a plant so they are approved.
SB: It is funny because in “Shots” those were the two we named.
If you like live music, sharing a port-a-potty with tens of thousands of people, camping and open drug use, you'll be excited to hear the the line-up for the 10th annual Bonnaroo has just been announced! Check it:
* Arcade Fire
* Widespread Panic
* The Black Keys
* Buffalo Springfield feat Richie Furay, Stephen Stills, Neil Young, Rick Rosas, Joe Vitale
* My Morning Jacket
* Lil Wayne
* String Cheese Incident
* Robert Plant & Band of Joy
* Mumford & Sons
* The Strokes
* The Decemberists
* Ray Lamontagne
* Iron & Wine
* Girl Talk
* Dr. John and The Original Meters performing Desitively Bonnaroo
* Alison Krauss and Union Station
* Pretty Lights
* Florence & the Machine
* Superjam ft. Dan Auerbach and Dr. John
* Explosions in the Sky
* Gogol Bordello
* Big Boi
* Scissor Sisters
* Gregg Allman
* Global Gypsy Punk Revue curated by Eugene Htz
* Warren Haynes Band
* Old Crow Medicine Show
* Bootsy Collins & the Funk University
* Wiz Khalifa
* Matt & Kim
* Grace Potter & the Nocturnals
* The Del McCoury Band and the Preservation Hall Jazz Band
* Mavis Staples
* Béla Fleck & the Flecktones
* Chiddy Bang
* Bruce Hornsby & the Noisemakers
* Loretta Lynn
* Cold War Kids
* The Walkmen
* Wanda Jackson
* Neon Trees
* Portugal. The Man
* Sleigh Bells
* Amos Lee
* Best Coast
* The Sword
* The Drums
* The Black Angels
* School of Seven Bells
* J. Cole
* Nicole Atkins & the Black Sea
* Freelance Whales
* Justin Townes Earle
* Ryan Bingham
* Deer Tick
* Band of Skulls
* Sharon Van Etten
* Abigail Washburn
* Omar Souleyman
* Twin Shadow
* Man Man
* The Low Anthem
* Alberta Cross
* Railroad Earth
* Jessica Lea Mayfield
* Smith Westerns
* The Head and the Heart
* Karen Elson
* Beats Antique
* Clare MaGuire
* Hayes Carll
I must admit after pushing back the announcement and basically saying they've got more headliners than they know what to do with, I am a little disappointed. More bands and comedy acts will be confirmed as we get closer to the festival, which takes over Manchester, Ten. June 9-12.
General admission tickets go on sale Saturday. Pre-sale tickets sold out on Black Friday in 2 hours, so they're expected to sell fast. Go here for more details. All you B'rooers out there, what do you think of this preliminary line-up?
MPMF news and musings: Three-day wristbands are running low (get 'em here now, quick-like). If you miss your chance (or are broke like me), there are ways to win freebies. (It's the luck of the draw, so don't bank on it, but definitely worth a shot!)
The fine folks at local club conglomerate 4EG (which operates The Pavilion, The Lackman, Keystone, Righteous Room and several other bars around town) is giving away 10 MPMF 3-day passes. Click here for details. And seek out the CityBeat booth at Oktoberfest this weekend, harass our employees and sign up for s chance to win a pair of fancy-schmancy VIP tickets. (You can find the official Oktoberfest guide in the CityBeat on streets right now.)
And now, with the countdown down to just seven days, here are our daily MidPoint Music Festival 2012 picks …
Laetitia Sadier (France)
Fans of French Post Rock favorites Stereolab need no introduction to Laetitia Sadier. She was the co-founder of Stereolab and also founded Monade in the mid ’90s. Along the way, she was also a frequent collaborator, working with everyone from The High Llamas and Blur to Common and Mouse on Mars. In 2010, Sadier went solo, releasing The Trip on Stereolab’s U.S. label, Drag City Records. This summer, she followed up the record with Silencio, a dynamic album that runs from lush, orchestrated pieces to quirkier electronic Pop to warm Tropicalia, all driven by Sadier’s trademark sensual coo.
You'll Dig It If You Dig: Nico, Jane Birkin, Stereolab. (Mike Breen)
Laetitia Sadier performs at the Contemporary Arts Center on Thursday, Sept. 27, 11 p.m. Here's her new video for the Silencio tune "Find Me the Pulse of The Universe."
Denney and the Jets (Nashville, TN)
Denney and the Jets may be one of Nashville’s most mysterious bands. A Google search reveals almost no biographical information about them, just plenty of references to the quote on their Tumblr page. (“One warm night in July an angel came to me and said, ‘There is nothing I can do for you. Nashville is dead and so is Rock ’N Roll.’ ”), which brings up an interesting question: Do you need to know anything/everything about a band to enjoy their music? As far as Chris Denney and his Jets are concerned, the answer would seem to be a resounding “Hell no.”
UPDATE: Since the official guide went to press, we dug up (i.e. got a press release with) info on the group. From their PR:
Frontman Chris Denney began writing songs in the Spring of 2008, recruiting Wes Traylor (Natural Child), and Jake and Jamin Orrall (of JEFF The Brotherhood) to be the very first of his Jets. After each member parted ways to pursue their own individual careers, Chris signed on Daniel Pujol (eponymously of PUJUOL) and Joe Scala. After Pujol's departure, Denneysolidified the lineup by adding longtime friend Sean Cotton on lead guitar, Joe's little brother Evan Scala and most recently bringing in Ric Alessio on keys and sax. Denney and The Jets have turned songwriting into a full realized communal process and have grown in to one of the South's finest.
After releasing a 7" single and EP (a limited Cassette only release) on JEFF The Brotherhood's Infinity Cat Recordings, the band returns with their new 5-song Self-Titled EP on Miami, FL-based label Limited Fanfare Records -- Recorded in the Spring of 2012 with Producer/Engineer Andrija Tokic (Alabama Shakes, The Parting Gifts) -- with "Close The Blinds" recorded at Cleft Music by Nashville legend, Loney Hutchins. The result is an insanely fiery batch of tunes that Nashville Cream calls "[Straight-up rock and roll music] — not bastardized, compromised, corrupted or contaminated."
Dig: Bob Dylan and Paul Westerberg get drunk on bathtub gin and listen to Chuck Berry and the Beach Boys. (Brian Baker)
Denney and the Jets play MidPoint on Saturday, Sept. 29, at 11 p.m. at the Cincinnati Club. Dig the vintage swagger on this track, "Fun Girls."
LOCAL LOCK PICK
Jody Stapleton and the Generals (Cincinnati, OH)
Jody Stapleton has always had an ear for the past and a finger on today's pulse. With the Stapletons a decade ago, Stapleton made Psych-fueled Garage Rock that sounded vaguely phase shifted from another time and yet completely fresh, a talent that earned them CEA awards for Best New Act and Rock Band of the Year in 2001 and 2003 respectively. With his new outfit, Jody Stapleton and the Generals, Stapleton is similarly tapped into bygone days, this time the sunshine-on-your-shoulder days of '70s AM radio Pop, combined with a modern sensibility and approach.
Dig: Paul Westerberg listening to a transistor radio tuned permanently to 1973. (BB)
Jody and the Generals perform Thursday, Sept. 27, at Main Event, 11 p.m.. Here's a few tunes from the band's recent debut release.
Click here for full MPMF details via the official MidPoint site.
One of the Midwest’s best new music fests, Cincinnati’s own Bunbury Music Festival, presents its second annual event this weekend. With another stellar lineup for the three-day affair — including headliners like Fun., MGMT and Cincinnati-bred Indie Rock stars The National (whose latest album debuted at No. 3 on Billboard’s album chart), plus a great number of Greater Cincinnati’s top acts — a “sophomore slump” seems impossible.
Be sure to arrive early and check out some of the lesser-known acts; there are a lot of up-and-coming gems to discover. Below is the full schedule (click here to auto-download a PDF version of the schedule from the fest.)
Shows run Friday-Sunday and start at 2 p.m. Gates open at 1
p.m. each day. Tickets are $65 or $130 for three-day passes. (Kids 10
and under are free with a paying adult.) Keep your wristband on; Bunbury
allows re-entry, if you need to run to the car and pound a 40, er, grab
From BunburyFestival.com, here is what is and isn't permitted to bring to Bunbury:
What to Bring (Allowed Items)
- Sun Gear (e.g., sunglasses, sunscreen, etc.)
- Seating (e.g., folding chair, blanket, etc.)
- Bug Repellent (no Deet)
- Rain Gear (ponchos are best, but small, hand-held umbrellas are OK)
- Baby strollers
- Empty water bottled (no glass) or Cambelbak
- Wall mounted rapid charger (charging stations provide iPhone and mini-USB chords, but if you have your own chord, you won't have to wait)
What NOT to Bring (Prohibited Items)
- Weapons, fireworks or explosives of any kind
- Illegal substances (including narcotics) or drug paraphernalia
- Framed or large backpacks
- Glass containers of any kind or coolers
- Food, beverages or Cambelbaks that are full
- Carts, bicycles, skateboards, scooters, or personal motorized vehicles (including Segways). There is bike/scooter parking outside the event site
- Tents, large umbrellas or chairs that are NOT sand chairs (seat more than 9" off the ground)
- Pets (except service dogs)
- Any audio recording, professional camera or video equipment
- Moshing, crowd surfing, and/or stage diving
- Vending without a Bunbury license or permit
- Bills over $20. We won't accept them at the beverage booths.
There's more fun AFTER Bunbury at the Bunbury official after-parties, with loads of drink specials and no cover charge. Tonight, DJ Ice Cold Tony will spin at the official after-party at downtown's Igby's. Tomorrow, Bunbury performers Chairlift will DJ the after-party at aliveOne in Mt. Adams. And Sunday's after-party at downtown's The Righteous Room will have DJing by great Cincy Electro duo You, You're Awesome. (Friday and Saturday's parties start at approximately 11 p.m.; Sunday's starts at around 10 p.m.)
FRIDAY, JULY 12
MAIN STAGE: The Features (2:45 p.m.); Delta Rae (4:15 p.m.); Tegan and Sara (5:45 p.m.); Walk the Moon (7:45 p.m.); fun. (10 p.m.)
ROCKSTAR STAGE: Beat Club (2 p.m.); The Dunwells (3:30 p.m.); Red Wanting Blue (5 p.m.); Youngblood Hawke (6:45 p.m.); Devotchka (9 p.m.)
CINCINNATUS STAGE: Billy Wallace (2:45 p.m.); Pete Dressman (4:15 p.m.); Josh Eagle (5:45 p.m.); Jay Nash (7:45 p.m.)
BUD LIGHT STAGE: Public (2 p.m.); American Authors (3:30 p.m.); Everest (5 p.m.); Sky Ferreira (6:30 p.m.); Tokyo Police Club (8:30 p.m.)
LAWN STAGE: Alone At 3am (2:45 p.m.); Old Baby (4:15 p.m.); We Are Snapdragon (5:45 p.m.); Seabird (7:15 p.m.)
AMPHITHEATER STAGE: The Mitchells (2 p.m.); Ohio Knife (3:30 p.m.); State Song (5 p.m.); Buffalo Killers (6:30 p.m.); Those Darlins (8 p.m.)
SATURDAY, JULY 13
MAIN STAGE: Empires (2:45 p.m.); Robert Delong (4:15 p.m.); Twenty One Pilots (5:45 p.m.); Cake (7:45 p.m.); MGMT (10 p.m.)
ROCKSTAR STAGE: X Ambassadors (2:00 p.m.); Civil Twilight (3:30 p.m.); Chairlift (5 p.m.); We Are Scientists (6:45 p.m.); Divine Fits (9 p.m.)
CINCINNATUS STAGE: Margaret Darling (2:45 p.m.); Taylor Alexander (4:15 p.m.); Tim Carr (5:45 p.m.); Christopher Paul Stelling (7:45 p.m.)
BUD LIGHT STAGE: Culture Queer (2 p.m.); Vacationer (3:30 p.m.); The Mowgli's (5 p.m.); Oberhofer (6:30 p.m.); Atlas Genius (8:30 p.m.)
LAWN STAGE: The Ready Stance (2:45 p.m.); The Bears Of Blue River (4:15 p.m.); Black Owls (5:45 p.m.); You, You're Awesome (7:15 p.m.)
AMPHITHEATER STAGE: New Vega (2 p.m.); Messerly And Ewing (3:30 p.m.); Ben Walz Band (5 p.m.); The Pinstripes (6:30 p.m.); Bear Hands (8 p.m.)
SUNDAY, JULY 14
MAIN STAGE: Joe Purdy (2 p.m.); Gregory Alan Isakov (3:30 p.m.); Camera Obscura (5 p.m.); Belle & Sebastian (7 p.m.); The National (9 p.m.) (Read CityBeat's interview with The National here.)
ROCKSTAR STAGE: The Knocks (2:45 p.m.); A Silent Film (4:15 p.m.); Night Terrors of 1927 (6 p.m.); Yo La Tengo (8 p.m.)
CINCINNATUS STAGE: Ben Knight (2 p.m.); Jake Kolesar (3:30 p.m.); Mark Utley (5 p.m.); Channing & Quinn (7 p.m.)
BUD LIGHT STAGE: Gringo Star (2:45 p.m.); High Highs (4:15 p.m.); Savoir Adore (5:45 p.m.); Black Joe Lewis (7:45 p.m.)
LAWN STAGE: Mia Carruthers (2 p.m.); Bethesda (3:30 p.m.); The Harlequins (5 p.m.); DAAP Girls (6:30 p.m.)
AMPHITHEATER STAGE: The Upset Victory (2:45 p.m.); Green Light Morning (4:15 p.m.); The Hiders (5:45 p.m.); Daniel Martin Moore (7:15 p.m.)
Here is Bunbury's official Spotify playlist for the fest featuring many of the performers:
And, finally, here is the map of the Bunbury Festival grounds from bunburyfestival.com: