I hate festivals. I hate that they’re always at the peak of a heat wave or in the middle of a tornado warning. I hate that 90 percent of festival goers don’t understand the concept of deodorant. I hate the rushing around to multiple stages and the trying to decide who you like best when two awesome bands are both playing at 6 p.m I hate that my friends hate festivals, too, and always refuse to go with me. And I really hate the lack of cold beverages.
And yet Saturday afternoon found me in the middle of the crowd at Bunbury falling hopelessly in love with some band called “Imagine Dragons.”
It began during the second song I heard after arriving late to the Bud Light Stage. The lead singer, Dan Reynolds, bounced from one end of the stage to the other. The crowd around me sang along to songs I’d only heard once before, throwing their hands above their heads, voices to the sky and adoration at the stage. They practically worshiped a guy I’d only seen once in a small picture on Wikipedia. My love deepened when Reynolds spoke with absolute sincerity about how much it meant to see so many people singing along to their songs. Imagine Dragons hadn’t even performed in Cincinnati until their stop at Bunbury.
Then, as it often does, my heart melted at the sound of motorcycle boots and a palm on the chest as they thumped out a beat. Finally, my mug o’ love filled with melt-y heart goo, overflowed when the drummer, Daniel Platzman, flung himself off the stage after their set and bequeathed drumsticks to his adoring fans. These guys were perfect. Their music was made for screaming and dancing and the band members seemed so genuine.Nothing gets to me faster than a shaggy-haired dude saying a heartfelt “thank you” to his fans.
Thirty minutes into my time at Bunbury and I was madly in love.
It happens all the time, my falling in love at festivals In 1998, it was Hanson at a radio station festival in Miami. In 2001, it was a boy named Justin at the Buzz Bake Sale. Last year, it was The David Mayfield Parade at Appalachian Uprising and Avett Brothers at Memphis in May. This year I fell in love with Ben Howard at Bonnaroo and Imagine Dragons at Bunbury.
That feeling you get when you realize you’ve happened upon something amazing is pretty rare. Festivals, though, are like breeding grounds for that sensation. I’m certain that while music fans think festivals exist so they can see all their favorite bands at once, their organizers think festivals exist only for the purpose of making people gain new favorite bands.
Study any festival schedule and you’ll see what I mean. At some point during the day there will be about an hour of time where there will be three bands playing and you won’t have heard of any of them. You’ll call that, “dinner time.” However, as you wander along, looking for the perfect supper, you’ll also shuffle past three stages of random music. Almost inevitably the sound from of those stages will catch your attention and pull you across the grass to the barricade. Forty-five minutes later, you’re buying the band’s EP and mass texting your friends to tell them to check out this new band you just heard.
On Saturday I saw, among others, Manchester Orchestra, Gaslight Anthem and Weezer. (Weezer!) They were awesome, just as I’d expected. I flew from stage to stage, trying to catch as much of everything as possible. But the show that held my attention for the longest time was on the smaller stage and it lured me in while I was looking around for something to drink other than beer. The performance I’ll remember years from now won’t be Weezer, whom I’ve waited so long to see. It will be Imagine Dragons and it will be a memory of yet another time I fell in love.
In the words of James Hetfield (Metallica, y’all), “Nothing else matters.”
However, I’m supposed to report on the entire festival. So, here’s how the rest of my evening went something like this: I had Taco Azul for dinner and they were yummy beyond belief. I left for a bit to make my first ever walk across the Purple People Bridge to score photos of the fest from afar and I don’t regret that decision.
I spent a very long time wandering from one end of the park to the other in search of cold soda/pop, found none and I spent a hot second hoping that my poor editor thought to bring his Diet Pepsi from home. So, I bought a warm beer and immediately regretted that decision. I refused to use the porta-potties. I wandered by a DJed stage and considered how much better that section would be if it were more like Bonnaroo’s Silent Disco where everyone listened to music through headphones instead. Also, I briefly questioned the logic of scheduling the festival on the same weekend as a Reds game and the World Choir Games.
It was an awesome day. Fell in love, lost five pounds from sweating so much, and saw (here it comes, again) Weezer! And you know what else? I still don’t smell like a hobo.
Whenever I would get a phone call from Tebbe Farrell, I’d usually save whatever I was working on and put my computer into sleep mode. Regardless of the purpose of the call — to hip me to an upcoming show, to pitch a story that she wanted me to write, to alert me to some injustice that required a damn good righting — I knew it would ultimately turn into a marathon conversation that was destined to go completely and wonderfully off tangent. The primary reason for this was quite simple; if Tebbe felt passionate about something, whether it had to do with music or a social cause or a political issue, she made sure that, a) you knew how passionate she felt about it, and b) by the end of the conversation, you’d feel passionate about it too.
The group behind last fall's successful effort to erect a Rock & Roll Hall of Fame historical marker at the former King Records studio is at it again. They're now hoping to memorialize Herzog Studios' contributions to local and national music history.
At a press conference downtown this morning, leaders of the Cincinnati Music Heritage Foundation announced plans for a marker at 811 Race St., where in the 1940s and ’50s Herzog Studios hosted recording sessions by Hank Williams, Patti Page, Ernest Tubbs, Flatt and Scruggs and other notable "Country & Western" acts.
We caught up with local singer/songwriter Kim Taylor after her show at HullabaLOU Music Festival at Churchill Downs in Lousiville a few weeks ago. We wanted to get the scoop on her new album, Little Miracle.
Kim has been working on new music and will release her latest recording Friday night at Northside Tavern Her music can often be heard on TV shows like Grey’s Anatomy, Lost and Hawthorne.
If you attend tonight’s free MidPoint Indie Summer show on Fountain Square, you’ll not only have a chance to check out some excellent local bands (Buffalo Killers, The Guitars, Soapland and The Lions Rampant), but you’ll also be among the first to see the brand new Lions Rampant music video for the song “Crazy or a Liar?,” to be screened on the Square’s giant video board.
Zeng is an award-winning performer and a music educator but he’s never ventured into song writing, until now. He’s currently working on an upcoming album titled Through These Doors about the discrimination he’s faced and he wants to influence others.
"During difficult times in my life, I have always turned to music. This time, for the first time, I was inspired to write and perform my own music. After personally experiencing discrimination, I hope that my music will help others who face similar situations,” said Zeng in a press release.
Combining his story with his professional knowledge in opera and musical theater to create an album that’s both emotionally driven and musically appealing.
His singles “Through These Doors” and “Now” are currently available on iTunes and other major music distribution sites, but audiences have to wait until October to get the full album.
Zeng is hosting a free launch party on Friday, Oct. 19 from 8-10 p.m. at the Below Zero Lounge in Over-The-Rhine. The party is open to the public and those attending will see Zeng perform his singles as well as unveil other album songs.
Music Saturday: This weeks' CityBeat cover stars The Kentucky Struts have reached the end of their yearlong recording/art project, The Year of the Horse. After releasing one track online from the album each month in 2011, as well as showcasing a corresponding, horse-themed piece of art commissioned to accompany the song, the Roots/Country/Rock band will have copies of the full release available at Saturday's release party at Newport's Southgate House. The visual artists featured on the project are a mix of local and national artists, including Joshua Black Wilkins (also an acclaimed singer/songwriter), Rob Warnick, Karen Heyl, Matthew Shleton and Julie Hill. Some proceeds from the release show (featuring openers The Sundresses), as well as profits from prints of the artwork, will be donated to the Kentucky-based horse rescue organization, Speak Up For Horses. Click here and here for more on the project (and to look at some of the amazing art pieces). Below, take a gander at the pre-launch video, which explains the ambitious venture.
The initial lineup for this year's local-music-heavy Indie Summer series (taking place each Friday this summer on Fountain Square) has been announced. The successful series has teamed with the MidPoint Music Festival this year (musicians, don't forget the submission deadline is May 1) and will include a few special "late" shows of note. On June 26, Chicago's Mucca Pazza plays at 10 p.m., while locals Bad Veins take that timeslot on July 24 for their official release party for their Dangerbird Records debut. Below is the rest of the schedule so far.
Before its current successful run of reunion concerts across the globe, The Afghan Whigs played its final live show at a New York City club called Hush on Sept. 29, 1999. But that was a private concert. The Whigs last public appearance was Sept. 25, 1999, at Cincinnati's Bogart's with special guests Howlin' Maggie. (The set list featured a large chunk of final album 1965, as well as lots of dips into cover tunes and snippets, including opener "The Boys Are Back in Town," and dashes of "Superstition," "In-A-Gadda-Da-Vida," "Little Red Corvette," "People Get Ready," "Hot for Teacher," "All You Need is Love" and Madonna's "Express Yourself," among others.)
Today it was announced that The Afghan Whigs will return to the scene of the crime and perform their first hometown show in over a decade on Oct. 25 at Bogart's, one month and 13 years after that final concert. Tickets are $33.50 ($45.86 with fees). The fan pre-sale starts this morning at 10 a.m.; tickets go on sale to the general public this Friday at 10 a.m. Click here for info. (Check The Afghan Whigs' official site for a password to get in on the pre-sale.)
Though the neighborhood has changed a lot since The Whigs roamed the earth originally, the band returning to Corryville is fitting. While frontman Greg Dulli would eventually bring his band The Twilight Singers to Newport's Southgate House frequently, Bogart's was the Whigs hometown concert home. Before that, the group played many shows at long-since-shuttered Sudsy Malone's across the street from Bogart's, while it and Top Cat's just a few blocks up the street were the sites of a few epic "secret shows," warm-up gigs for tours where the band would perform under a pseudonym like The Havana Sugar Kings or Gato Negro.
Update: The fan pre-sale password for Bogart's is uptownagain. Use it here starting at 10 a.m. today.
Update2: The pre-sale is now at noon today, according to the ticketing site.
One of Cincinnati's all-time greatest bands, The Afghan Whigs, have announced numerous overseas dates on its forthcoming reunion tour, but the only U.S. show announced was the Sept. 22 concert headlining the Greg Dulli co-curated "I'll Be Your Mirror" event in Asbury Park, NJ. Today, another American show was announced with the release of the 2012 Lollapalooza lineup (the event takes place in Chicago's Grant Park, Aug. 3-5). The Whigs were up pretty high on the poster for the event, but the top-billed acts announced are soon-to-be Rock & Roll Hall of Famers the Red Hot Chili Peppers, The Black Keys, Black Sabbath and Jack White. (Check the full lineup here and the announcement video below.) Lolla tickets are on-sale here.
That sets up a loose timeframe for more U.S. dates for the Whigs — Aug. 3-Sept. 22 (minus about three days in August when they'll be back overseas). We've been hearing about a few offers to the band for shows in Cincinnati from a pair of larger festivals, but so far nothing official has been ironed out (at least to the point that an appearance could be announced). Stay tuned. The band now has about 20 dates booked worldwide.