Here it is: Everything (well, probably) that you need to know today.
The struggle to pay for renovations for Union Terminal and Music Hall continues to make news, with articles out this morning exploring the details of the buildings’ ownership and why a tax hike to fix them up won’t be like the much-loathed 1996 stadium deal. The Enquirer delves into the reasons why the city isn’t responsible for upkeep of the buildings even though it technically owns them. Basically, non-profits that lease the spaces are contractually obligated to pay for their maintenance, though the city also pitches in some funds to help. Meanwhile, the Business Courier has a look at the way a tax hike would be structured. The piece points out that the increase doesn’t make the same assumptions about economic growth that the stadium deal did, and is therefore unlikely to balloon out of control.
• P&G left the game, but it turns out the game needs it. That game is adult diapers. The Cincinnati company is considering jumping back into adult incontinence products after leaving a decade ago. P&G already makes diapers for babies, and with the market for adult diapers growing by 8 percent a year, it’s an easy and attractive step that could net P&G $500 million annually. That’s great, but I find it a little depressing that as a nation we’re having a harder and harder time not peeing ourselves. But hey, the market is getting bigger because we’re all getting older because we’re living longer, right? That’s a good thing.
• One of the many reasons I left my former city of residence, Washington D.C., was a whale. A pink, cartoonish whale with a smug smile. Call it a reverse Ahab situation–I tried to avoid it, but instead of being elusive, it was ubiquitous. I came back here, to landlocked Ohio, partially to escape it. But now it has followed me. I’m talking about the logo for Vineyard Vines, an up-market clothing brand that recently announced it may build its first Ohio store in Kenwood. The brand specializes in a certain kind of east coast prep look. Think boat shoes. Novelty ties. Business casual pants in salt water taffy colors, or with little whales all over them. It’s a very Washington vibe, and before now you had to drive hours to get it. But soon, you too can be covered in little pink whales. It’s great news on the development front, to be sure, but it also gives me flashbacks to my time elbowing through gaggles of Georgetown grads for a spot at many a bar in DC.
• Cincinnati Symphony Orchestra and Christian Moerlein are teaming up to create a Lumenocity-themed beer for next month’s light show. Do I really need to say anything else about that? Sounds awesome.
• Ohio’s Board of Education is investigating reports that a Dayton charter school has been the site of racism, sexual misconduct, testing irregularities, misreporting of attendance figures, and other problems. A number of former teachers have testified that Horizon Science Academy has been mismanaged. The school is run by Chicago-based Concept Schools, which operates 19 schools in Ohio. The education organization is already under investigation by the FBI.
• Finally, the Transportation Safety Administration (you know, the folks who make you wait in line forever and have a machine that can see through your clothes) is probably one of the most-hated government agencies, but they can write a good blog. Their last few, about some of the crazy things people try to take through airport security, are pretty good reads (with pics!) Highlights include loaded guns, bullet-shaped knives, throwing knives, blades stashed in Scooby Doo greeting cards, fireworks, spent artillery shells and bear repellent. Four words for Samuel L. Jackson in case he’s looking for his next project/sequel opportunity: Bears on a Plane.
Good morning all. I may be writing this news rundown from my porch at home, enjoying the amazing weather and eating Graeter’s black cherry ice cream for breakfast, but that doesn’t mean I’m not real, real serious about the news. Let’s do this.
As we reported yesterday, the Obama administration is expected to jump into the fight over early voting in Ohio. U.S. Attorney General Eric Holder made remarks, released yesterday, indicating that the Justice Department will file with the Ohio ACLU and other civil rights organizations already fighting reductions to early voting in the state. The administration has made voting rights a key issue following last year’s Supreme Court decision that rolled back certain sections of the 1965 Voting Rights Act.
• The head of Cincinnati Metro resigned yesterday, according to a press release by the Southern Ohio Regional Transit Authority. Metro’s CEO Terry Garcia Crews will step down immediately and will be temporarily replaced by Darryl Haley, who was Metro’s executive director of development. Metro will conduct a national search for her permanent replacement. In the press release, Crews says she’s leaving to focus on her family, including her parents, who live out of town, and to continue her transportation consulting business.
“I have great confidence in the leadership and the team at Metro and community leaders to carry forth the discussion and implementation of expanding public transportation in this community,” Garcia Crews said.
Metro gives about 17 million individual rides each year. Its role looks to grow as transit needs in the city expand and the streetcar comes online next year.
• There was some drama in Over-the-Rhine last night, though the actual situation was not quite as intense as initial reports made it out to be. Police entered a building at 13th and Walnut to do an inspection at the request of the building’s owner. They came upon a man who fled from them. As he fled, a gun the man was carrying went off. Multiple news outlets reported the officers had been fired upon and that a standoff situation was developing. In reality, the gun accidentally went off as the man attempted to hide it in his pants. Which, yeah, probably not a great idea, but there you have it. The man fled to another building, threw the gun out a window and hid. He was arrested a short time later and faces multiple charges today. Still a scary scenario, but, you know, not exactly a police shootout.
• A list put together by CityLab shows that Cincinnati is among the top cities in the country when it comes to design. While we all know the Queen City has some great graphic design and marketing talent, it’s surprising to see the city also ranks impressively high for industrial design. Our fair city is well-represented in nearly every category measured, which is pretty cool.
• Remember that guy who threatened to shoot down a helicopter a couple days ago? Yeah, a judge told him today to cool it with the guns for a while, and required him to turn over his firearms to authorities. I’m sure there are some hardcore gun rights activists out there fuming about how the government is infringing on his 1st Amendment right to express displeasure with helicopters and his 2nd Amendment right to bear arms, but me, I’m perfectly OK with it in this particular case. At least he didn't try hiding them in his pants.
• The race for Ohio governor is getting interesting. Democratic contender Ed FitzGerald’s campaign is citing polls that show him neck and neck with incumbent Gov. John Kasich, though, as with any poll that a campaign is excited about, it’s probably best to be wary. The poll was paid for by the Ohio Democratic Party and echoes another recent Democrat-funded poll showing FitzGerald within striking distance. However, both of these polls contradict earlier independent polling done this spring showing Kasich ahead by as many as 15 points.
FitzGerald’s campaign is getting proactive, though, dropping its first TV ad today. In the ad, FitzGerald implies that Gov. Kasich is all about the 1 percenters.
“Who is the promise of Ohio meant for?” FitzGerald asks in the 30 second spot. “Just the wealthy and well-connected?”
FitzGerald gives a shout out to “Ohioans who get up early and get it done every day,” which made me kind of feel bad about working from home while eating ice cream. He goes on to promise support for the state’s middle class, including more funding for teachers, police and firefighters. Though he never mentions Kasich by name, he hits on the idea that the current administration favors the wealthy again at the end of the ad.
Meanwhile, an attack site paid for by the Ohio Republican Party against the challenger called fitzgeraldforohio.com just sprung up. The site mostly attacks FitzGerald on his first choice of running mate, former lieutenant governor candidate Eric Kearney. Kearney quit the ticket in December last year after it was revealed he owed a large amount in back taxes. The site also features an ad linking FitzGerald to former Gov. Ted Strickland, who has endorsed FitzGerald. The ad argues that Strickland was bad for Ohio and FitzGerald would be, too.
In a kind of strange twist, however, the ad seems to blame Strickland for many ills Ohio faced due to the great recession, including spiking unemployment and budget overruns. As if those same dynamics weren’t happening in nearly every state around the country during Strickland’s term from 2007 to 2011, when the recession was at its worst. The candidates’ next filing deadline is just a couple weeks away, and it will be interesting to see if either grab more big bucks. Stay tuned.
It is only through an understanding of the undeniable facts of history that we can even begin to consider the evil that was Josef Mengele, the Nazi doctor who conducted the most horrific experiments on Jewish subjects during the Holocaust and then was able to elude the ensuing global manhunt for him that lasted decades. But writer-director Lucía Puenzo, in approaching one of the known episodes of his long-term flight from justice, offers a glimpse into the subtle charm (with more than a touch of real menace) of the man, which allowed him to roam the civilized world so freely.
The German Doctor finds Mengele (Àlex Brendemühl) crossing paths with an Argentinian family, and slipping through their defenses by focusing his attention on their young daughter Lilith (Florencia Bado), who develops a crush on the doctor. The family, headed by the suspicious Enzo (Diego Peretti) and his beautiful and quite pregnant wife Eva (Natalia Oreiro), is on its way to takeover the small hotel where Eva was raised.
Mengele, too, is headed to the same location and joins the family’s caravan. He immediately insinuates himself into Lilith’s good graces, speaking to her in conspiratorial fashion, treating her more as an adult than a child, which entices her rebellious nature. His interest in animal genetics piques her curiosity and leads her to ask the doctor for advice about her own physical development, since she, as a premature birth, has failed to grow and mature like her peers. Mengele gently tests, probes and measures her, offering assurances, especially to Lilith’s mother, who is worried about her current pregnancy. (And it turns out that Eva is to birth twins, which certainly intrigues Mengele and his nefarious interests in human genetics.)
All at once, Mengele uses each family member’s concerns to his advantage. Even Enzo, the most distrustful from the start, gets drawn in by Mengele, who invests in Enzo’s handcrafted doll-making enterprise, shifting the exquisite individuality and precise detail of Enzo’s efforts toward a more uniform production line approach incorporating what could have been a degree of heavy-handedness in this display of the Nazi’s master race mentality. Instead, it comes across as an example of chess-like manipulation of human nature in pursuit of an overall goal.
The seductive nature of evil is all the more powerful thanks to Bredemühl’s performance, which casts a strong dark shadow that never simply devolves into mere moustache twirling. His Mengele is all cold calculation, despite the fact that he could be mistaken for having a degree of human care and concern in him. Is he, in fact, truly infatuated with Lilith, or even Eva, for that matter? Enzo reacts out of what could be understood as jealousy for the attention Mengele shows to his wife and daughter, but again, history tells us that Mengele is all business.
This puts a certain perspective on the ability of the Third Reich to sweep a nation and much of Europe up in its fevered march toward domination and genocide. Popular culture representations hint at our curious fascination with such dark figures, but what emerges from those characterizations is a desire to remove any trace of human sensitivity or connection. Evil is best and most recognizable if there’s no way for us to miss its absence of heart and/or soul.
But could that kind of portrayal do justice to men like Mengele and Adolf Eichmann (Nazi officer and a major organizer of the Holocaust), who actively participated in such inhuman practices and escaped capture for so long, walking among us? We long to believe their lives were hellacious, in some way, as they were forced to constantly look over their shoulders while putting on a show or a mask of humanity.
The German Doctor presents a dry, yet far more likely scenario that highlights the indelible stain on all of us. Mengele is all too human, truth be told, eagerly pursuing his aims with an expansive network of support at the ready. He was not some lone predator outside the scope of civilized society, just as the Nazis weren’t a philosophical fringe group in Europe, ripping clumps of hair from their heads while foaming at the mouth; that kind of crazy we could have seen and avoided.
Think of all the evil geniuses we’ve encountered onscreen over the last 20 years. The Hannibal Lectors of film and television. The diabolical Jigsaw from the Saw franchise. Col. Hans Landa (Christoph Waltz) from Inglourious Basterds. What have they taught us? Evil ain’t crazy. Just watch (and watch out for) The German Doctor. (Opens Friday at Esquire Theatre) (R) Grade: A-
Holder revealed the DOJ’s intention to join the fight in Ohio over early voting during an interview about terrorism with ABC News in London July 11. That portion of the interview was unaired. Holder’s comments were revealed when the DOJ released transcripts to the press this week.
The Ohio suit, originally brought by the Ohio American Civil Liberties Union and other civil rights groups, claims the Republican-led elimination of early voting hours is unconstitutional because it will disproportionately affect minorities.
Ohio’s General Assembly, which is controlled by Republicans, passed laws in February eliminating six early voting days and same-day voter registration. Ohio Secretary of State Jon Husted subsequently eliminated early voting the last two Sundays before elections and on weekday evenings in the days before elections.
Some of Husted’s cuts to early voting the Sunday before elections were undone by a federal district court judge, who ruled that the state must reinstitute early voting in the final three days before an election. Despite that victory, the other cuts have yet to be restored and are the grounds for the ACLU’s lawsuit.
In the interview, Holder said voting is “the most basic of our rights” and vowed that he “will use every power that I have, every ability that I have as Attorney General to defend that right to vote.”
Holder also said the DOJ will file in another voting rights case over Wisconsin’s voter ID law, which has seen a pitched battle in federal courts.
Ohio Democratic gubernatorial candidate Ed FitzGerald applauded Holder’s comments in a news release today.
“I’m pleased that the U.S. Department of Justice will be joining the fight to protect voter rights in Ohio,” FitzGerald said in the release. “Under Governor Kasich, access to the polls has significantly decreased for hardworking Ohioans across the state.”
If you were excited to catch New Jersey Indie Pop duo Brick + Mortar at last weekend’s Bunbury Music Festival, you were probably also disappointed that the twosome’s set was cut short due to bad weather. But next month you’ll have another chance to see the band. And it won’t cost you a penny.
When the MidPoint Indie Summer series on Fountain Square was announced, organizers held back unveiling the full lineup for the Aug. 15 show. Ohio party rockers The Nightbeast were the only performers announced at the time. (Below is The Nightbeast's latest music video, "Paid and Rowdy.")
Now that Bunbury is over, organizers have announced that Brick + Mortar will join The Nightbeast as co-headliners for the free Aug. 15 show. B+M is signed to Island Records and its track “Locked in a Cage,” released earlier this year, did well on the Alt music charts.
The rest of Aug. 15 lineup will be announced soon. For the full rundown of Indie Summer shows on Fountain Square, click here.
UPDATE: The other two acts for the Aug. 15 Indie Summer show have been announced: The Protomen (who will be fresh off their stint on the Warped Tour) will headline and Dayton's Dangerkids will also perform.
Another Bunbury band, Ohio Folk Rock crew Saintseneca, will also be returning to Cincinnati soon. The band is slated to perform at the MidPoint Music Festival in late September. Check out Saintseneca's recent appearance on World Cafe here.
Get tickets, check out the ever-growing lineup and find more MPMF info here.
Morning, y'all. It's only Tuesday and there is already lots and lots going on. Here we go.
A Hamilton County Common Pleas judge has allowed troubled charter school VLT Academy to stay open and ordered the Ohio Department of Education to help fund it. In a decision yesterday, Judge Nadine Allen ordered ODE to become the school’s sponsoring organization and provide almost $300,000 to pay staff and administration there. The school, which serves about 600 students in Pendleton, was scheduled to close last month because its sponsoring organization did not renew its contract. Education Resource Consultants of Ohio declined to continue supporting the school due to its academic performance and financial situation.
Ohio law stipulates that charter schools must have a sponsor to operate. VLT tried unsuccessfully to obtain a new sponsor, asking several organizations including the Ohio Department of Education. When ODE declined, citing the school’s poor academic performance, VLT sued in Hamilton County Common Please Court. VLT argued that its performance was never poor enough to trigger automatic closure. The school says that ODE is playing politics and that it warned other potential sponsoring organizations not to sponsor the school. ODE acknowledges it made organizations aware of the school’s performance issues.
Allen ruled that ODE made it difficult for the school to find a new sponsor and that closing the school would do harm to its students. Ninety-nine percent of VLT’s students are economically disadvantaged. The school has lost a third of its student body, and subsequently almost $2 million in funding, in the past three years as Pendleton and Over-the-Rhine undergo demographic shifts.
• State Rep. Connie Pillich will hold a roundtable discussion today in Cincinnati as part of a state-wide tour around veterans’ issues. That tour began July 2 in Huber Heights. The meeting with local veterans will focus on financial challenges facing the military community, including the need for financial literacy education for veterans and state-level unemployment benefits for their spouses. Pillich is a Democrat who has represented Montgomery in the state legislature since 2009. She’s currently vacating that seat to challenge State Treasurer Josh Mandel. She’s touting her efforts on veterans issues and her service in the armed forces as she travels around the state to meet with veterans and their families. Before her political career, Pillich served in the U.S. Air Force for eight years and did support duties during Operation Desert Storm.
• The Cincinnati Park Board settled a federal lawsuit today brought by several residents of Over-the-Rhine regarding rules put in place after the 2012 renovation at Washington Park. The residents said the rules, which forbade distributing food and clothing in the park and taking items out of trashcans, were drawn up without public scrutiny and designed to keep the homeless out of the park. The city dropped the rules in September 2012. The city has not commented on how it decided upon the rules in the first place. The amount of today’s settlement in the case wasn’t disclosed.
• Architect Magazine pulled no punches in an editorial on General Electric’s proposed new building at The Banks yesterday. Written by former Cincinnati Art Museum Director Aaron Betsky, a noted architecture critic, the piece caustically derided the building, and The Banks, for a gutless lack of panache.
“Cincinnati, a proud city with a great heritage busily squandering it, will be stuck with the results of its own shortsightedness,” Betsky wrote in the piece. Ouch.
• Gubernatorial candidate Ed FitzGerald and attorney general hopeful David Pepper will ask the Ohio General Assembly to provide more money for heroin clinics today in a press conference in Columbus. The Democrats say clinics around the state face a $20 million shortfall after recent changes in the way federal money is distributed. The heroin crisis has been a big talking point for Pepper, who has criticized Ohio Attorney General Mike DeWine over his handling of the surge in addiction-related deaths.
• The number of people commuting by bicycle is up 60 percent nationally from the year 2000, according to recent data from the U.S. Census. But that data also show another dynamic–most of that increase has come from relatively wealthy, white commuters who can afford to choose how they roll. Among low-income people, especially people of color, the desire for car ownership is much higher and the value placed on alternate means of commuting is much lower. This may be because people in low income neighborhoods face much longer commute times and an environment without the necessary infrastructure for safe cycling. But there are also probably social factors at play — cars are still strong symbols of success across all levels of society in the U.S., and low income commuters desire those symbols as much as anyone.
• Finally, if you’re looking for the next big (literally, huge) thing in hip living arrangements, I’ve got you covered. If a renovated row house makes you yawn, and a partially reconstructed loft space is just too domestic for you, how about living in a Boeing 727? Bruce Campbell (no, not THAT Bruce Campbell, though I can totally see this plane abode being the setting of a campy horror flick) of Oregon is leading the way on this brave new trend. Share with all your friends who are still really, really, into Lost.
A perfect day, hot enough but not so hot as to suggest the idea that the ghosts of dead ants broiled by sadistic children with magnifying glasses were somehow exacting their revenge from beyond the veil of ant Valhalla. Why, yes, the '70s were good to me. Why do you ask?
At any rate, the potential for another spectacular launch to Bunbury's first day was palpable as ID was proffered, the laminate was provided and the wristband was snapped into position. The game is afoot (or as my wife's podiatrist might counter, the foot is a game … but I digress. Why, yes the ’70s were good to me. Why do you ask?) and another spectacular Bunbury awaits.
The beginning of the day was essentially a sampler platter of roaming about and checking out a few songs from a variety of sources. I started off down at the Amphitheater Stage to check out The Upset Victory, who had drawn a pretty sizable crowd for their muscular U2-tinged brand of melodically gritty Roots/Punk. Then it was down to the Warsteiner Stage for a more lengthy taste of Snowmine, who return to the '80s/'90s with a 21st century vengeance, mining a thick vein of Depeche Mode, along with a '90s aggressive Ambient quality and a quietly powerful modern edge. Then it was down to the Main Stage for a quick shot of X Ambassadors, who blend big tribal drumming with a Punk-fueled Pop core, a little like Imagine Dragons with a few hundred thousand volts pumped directly into their hearts. Finally it was back to the Amphitheater for a few songs from the soon-to-be-large Let It Happen, who were delivering their Green Day-esque anthemics in the blistering mid-afternoon glare of the unfiltered sun.
Then it was time to hit the Lawn Stage for the triumphant return of 500 Miles to Memphis. Frontman Ryan Malott has streamlined the band down to a potent quintet (guitarist Aaron Whalen, bassist Noah Sugarman, drummer-of-the-gods Kevin Hogle and the lap-steel-and-all-round-magnificence of David Rhodes Brown) and turned up the juice to emphasize the Roots/Rock thunder and downplay the Country lightning. There's still plenty of twang in their thang, but the sizzle and the sound is turned up to 11 in the slimmer, trimmer 500MTM. The band was clearly itching to tear shit up; they've been hard at work for the last couple of years or more assembling their new album, the imminent Stand There and Bleed (the title is a Tombstone reference; if you know the movie, you know the exact scene, and if you don't, shame on you for missing the greatest Western depiction of Wyatt Earp and Doc Holliday ever, so go fix that before another hour goes by).
Malott and the 500 blew through a set that was stacked with great new material (particularly "Bethel," a tribute to Malott's hometown), but they didn't forget to give the master his due, pulling DRB up from his lap steel duties to haul out yet another chilling spin on Trent Reznor's "Hurt"; if the hair doesn't stand up on your neck when the Colonel's baritone rumbles out, "You can have it all, my empire of dirt," you've got one of those weird, hairless necks. 500 Miles to Memphis has been well out of the public eye for the last year as they concentrated on life pursuits and sporadic turns in the studio to finesse Stand There and Bleed, so there was an urgency to get their fresh live set across as a clarion call to let everyone know they're back. Are they ever.
After a quick stop to water my horse (namely, me), it was a fast walk over to the Acoustic Stage for an hour of blissful Roots/Folk brilliance from Aaron Lee Tasjan, whose sideman work with Todd Snider, the New York Dolls, Drivin' N' Cryin' and Tim Easton has earned him a reputation as one of Americana's most reliably astonishing guitarists. But it's his solo persona that is becoming even more fully realized, as his sterling EP releases — 2011's August Moon, 2012's The Thinking Man's Filth and the just released Crooked River Burning — have shown Tasjan to be a songwriter of depth and beauty will beyond his calendar age. Listen to any given ALT song and you'll hear hints of Nick Drake, Bob Dylan, Will Kimbrough, Rodney Crowell and Ryan Adams in his delivery.
In Tasjan's Folk world, there is no bellybutton introspection set to a strummed acoustic guitar; he'll peel off a solo worthy of Jimi Hendrix after telling a story about seeing Ted Nugent shoot flaming arrows into cardboard effigies of his enemies list worthy of Arlo Guthrie. There aren't many singer/songwriters (read that: any) who are writing tributes to the late, great Judee Sill, and fewer still who make incisive observations like "You can't play Beatles music with bullshit hair." Deals don't get any realer than Aaron Lee Tasjan, and you all need to make him a star at your earliest convenience. Go. I'll wait.
After ALT's hour of power, it was back to the Amphitheater for the transcendent magnificence of Lydia Loveless. She may have grown up in the hillbilly hinterlands of Coshocton, Ohio, but she is a city girl with enough Rock sass to satisfy any Indie hipster and enough twang to hold the interest of any Americana aficionado. In a set laced with electric greatness, primarily drawn from her latest album, Somewhere Else, Loveless and her brilliant band finished with an absolutely scorching take on "Boy Crazy," the title track from her 2013 EP. The song reached a fever pitch when guitarist Todd May, cigarette dangling from the corner of his mouth with noir-detective-meets-Bun-E.-Carlos nonchalance, sat on his feet in front of his amp at the back of the stage, coaxing an exquisite din of feedback from his guitar, while bassist/husband Ben Lamb concocted similarly haunted sounds by running his bass down Nick German's drum kit and Loveless herself fell onto her back on the stage and cranked out sheets of heart-stopping guitar madness. It was an extraordinary end to a truly amazing and all too brief set.
Exactly what is it about the Black Owls that resonates so completely with me? First, they effortlessly tap into that primal part of my brain that was developing during my teenage years when I was soaking up insane amounts of T. Rex, Mott the Hoople, David Bowie and the Stooges. Next, they punch forcefully into the neighboring brain cells, the ones that house the memories of discovering Television, Richard Hell & the Voidoids, Talking Heads, New York Dolls and Be Bop Deluxe. And it's not that they sound like any of those bands (although occasionally they do), it's that they remind me of that beautiful, mysterious time in my life when there was still music to be revealed, and the visceral thrill that accompanied every new discovery. That is what it is about the Black Owls. They once again made that abundantly clear at the Lawn Stage when they tore through old favorites ("Wild Children," "Julias Morningstar," "Sometimes I Wish You Were a Ghost"), brand new classics in waiting ("Gasoline" and "Rook") and an absolutely hair-raising spin through Harry Nilsson's "Jump Into the Fire."
It was the standard Black Owls greatness, which is to say the quintet, as usual, presented their most familiar elements in new and unexpected ways so that even a grizzled old veteran Owls watcher such as myself was knocked back a pace and surprised by it all. Black Owls make me long for the days when bands put out two albums a year for not other reason than they could. Bassist Kip Roe continues to weave himself into the fabric of the Owls' sound and, as frontman David Butler pointed out, guitarist Brandon Losacker is proving to be a perfect songwriting foil for Butler and co-founding guitarist Ed Shuttleworth. The Black Owls seem to be entering a period of gritty reassessment, where dirty Glam riffs and anthemic chord structures are dominating the proceedings. Yes, please, and quite a bit more, if it's quite all right. And even if it's not.
Before I review the psychodots' Bunbury debut, perhaps a history lesson is in order. A good many years ago, music mogul and purported industry genius Clive Davis sauntered into Cincinnati with the stated goal of checking out The Raisins and perhaps offering them a lucrative and much-deserved contract. When Davis departed from our fair city without signing The Raisins, he explained the lack of a deal thusly: "They're an embarrassment of riches."
Please allow me to read between the lines and translate that five word headscratcher into layman's terms. What Mr. Davis was so obtusely attempting to convey was this: "The Raisins are a stellar band and I don't have the slightest idea how to market them without making them as smooth and textureless as Gerber's babyshit and as lame as a beggar in the Bible, essentially stripping them of the elements that make them unique, and if you think I'm going to dismantle and destroy this band or permanently stain my sparklingly legendary resume with the ugly reality that I was unable to sell the music of a gifted band to a quality-starved public simply because I didn't understand the complexities of either one, you've got several unpleasantly aromatic things coming in a flaming bag on your front porch."
Of course, The Raisins famously broke up, reassembling as the Bears with guitarist Adrian Belew and refashioning as psychodots without Belew. So in a very tangible sense, we owe the existence of psychodots to Clive Davis' short-sighted inability to recognize their root band's brilliance. I was devastated that The Raisins didn't make it and, after the 'dots' loosely tight/tightly loose set at Bunbury, I am relieved beyond measure The Raisins didn't make it. Success would have come at a great and terrible cost, and we would not have enjoyed 20+ sporadically splendid years of psychodots Power Pop bliss.
There may have only been 100 or so bodies at the Amphitheater Stage to witness psychodots' fabulousness (Fitz and the Tantrums were sucking up bodies like a UFO set to "harvest," and rightly so) but the 'dots never give less than 89%, and they were in full charge mode on Friday afternoon. There was Rob Fetters' squiggly guitar magnificence (I'd put him up against any guitarist in the history of Rock, and he'd be only mildly uncomfortable at being up against any of them), Bob Nyswonger's bass conjuring, using his instrument to evoke lead guitar and keyboard mayhem (and by instrument, I'm still talking about his bass) and Chris Arduser's master class in How to Drum with Power and Grace and Still Maintain a Smartass Attitude.
It was a delightfully eclectic set, with a number of old favorites ("Master of Disaster," "Living in a Lincoln," complete with Fetters' mom-inspired balloon-on-the-strings gimmick), a few quasi-oddities ("Candy," the rarely performed "The Problem Song") and a handful of non-'dots nuggets ("She Might Try" from Arduser's exquisite The Celebrity Motorcade, The Bears' "Veneer" from their last album Eureka, "Play Your Guitar" from Fetters' patently perfect new solo album, Saint Ain't, The Raisins' fist-pumping "Fear is Never Boring") and the band's always entertaining banter (Fetters apropos of everything: "Is anyone tripping?"; Bob Nyswonger after Arduser's observation that the evening was balmy: "Balmy," stretched langorously into two words). It was, in a number of words, a standard psychodots show, which means one of the best shows you'll ever see, local or otherwise. Long may they reign.
After the breathless 'dots set, I was torn between the Heartless Bastards' triumphant return to the area or the unlikely but much welcomed reunion of Veruca Salt's original lineup. With more than a couple of Bastards sets under my belt and the prospect of many more to come, I opted for Veruca Salt because, even if the reunion sticks, the possibility of the band's return to Cincinnati seems remote. The foursome did not disappoint, hauling out blistering favorites from their slim catalog in this iteration and reinforcing why we've loved their Glam/Pop brilliance for so very long. Whatever caused the rift between co-fronts Louise Post (who has kept Veruca Salt going in some form or other for the past 21 years) and Nina Gordon (who departed for a solo career in 1998), there was no evidence of any residual friction as the quartet blew like a hurricane through "Volcano Girls," "Straight" and their signature brain-boiler "Seether." The band even teased a couple of songs – including "It's Holy" from this year's Record Store Day single — from what was described as "their upcoming thing;" that thing cannot come soon enough. As final proof of Veruca Salt's newly minted reunion, Post and Gordon kissed at center stage amid a beautiful howl of squalling feedback. As the lights came up, the '90s called, they want their awesome back; they can blow it out their ass, because Veruca Salt is hanging onto it with all eight arms.
For the evening's closer, Empire of the Sun, the Main Stage was nearly as packed with bodies and gear as the field in front of it. The band's epic stage show, which has been described as Cirque Du Soleiel without the airshow, requires a lot of moving parts, and the Bunbury crowd arrived in significant numbers to witness the Rock/Synth Pop/Electronic spectacle. Empire of the Sun's primary sparkplugs, Luke Steele and Nick Littlemore, and a veritable army of players and dancers offered up a wall of Prince-like Glam/Pop guitar and a danceable solution of Depeche Mode Synth Pop menace, all updated to a millennial frenzy of Muse/Daft Punk proportions. But rather than non-descript and identity shielding space/BMX helmets, EOTS prefers elaborate tribal headdresses that look like giant pre-immolation phoenixes atop the principals' heads. At one point, the dancers were all playing fake neon guitars in a 21st century version of Robert Palmer's "Addicted to Love" video. All of this plays out in front of a constantly shifting projection of disparate and arty images and screen saver light squiggles combined with a choreographed and dazzling light show that is both compelling and distracting. That dichotomy within the Empire of the Sun presentation matches the broad spectrum of reactions to the band's Cincinnati debut (and one of only a handful of American dates); the majority of the crowd was fully engaged in the band's expansive Vistavision sprawl, while a few canvased friends offered up opinions that ranged from "That was as exciting as watching glitter paint dry," to "Meh, it's okay," to "I totally love this." Editorial critique aside, Empire of the Sun was every bit as epic as advertised, and everyone who looks for spectacle in their Dancetronic music mix got more than their money's worth with Friday night's Bunbury closer.
• I started the day with a deliciously smokey pulled pork sandwich from the geniuses at Eli's, a bun so overstuffed with barbeque goodness that it's actually a pulled pork sandwich with a side of pulled pork. It's as close to a religious experience as I've ever had outside of a church (where I have oddly never had a religious experience … go figure) or a music venue (where I've had plenty; I'm looking at you, Iggy Pop). Washed down with a Fathead beer, it was the perfect start to the third charmed Bunbury.
• At the Snowmine show, I ran into "Hey-look-everybody-it's" Stu, from Paul Roberts' Three-Amigos crew. Stu reported that Paul and maybe Big Jim would be along shortly. And, in fact, they were.
• On the way from X Ambassadors to the Amphitheater/Lawn Stage area, I ran into Eddy Mullet and his daughter Jess. Eddy is the volunteer host of the Friday night 6:00-8:00 pm shift at Class X Radio, where I have surreptitiously installed myself as his quasi-co-host; I do the weekly CityBeat Report, a rundown of weekend music events, and a segment I concocted called the Gang of Four Set, four songs that are connected by a theme of my own twisted design. Eddy is also the longstanding host of Kindred Sanction, the area’s longest-running local music program that was founded by Cynthia Dye Wimmer a fair number of years ago at WAIF. Cynthia brought the show to Class X six years ago, Eddy sat in occasionally as co-host and Cynthia backed out of the show to attend to her life. Eddy's passion for and knowledge of the local music scene is legendary, and anyone who has ever dealt with him knows him as a straight up guy and maybe one of the best boosters that local music has ever seen. Class X management has seen fit to cut the show's hours and alter the format, all of which is wrong-headed and counterproductive, but all that really matters to Eddy is spreading the gospel of greater Cincinnati's music scene. And Jess is turning into a Rock chick of the first order (not like that, you gutter-minded dimbulbs). Under Eddy's tutelage, she's becoming a pretty fair aficionado of local music herself; smart, funny and fearless, she will be a force to be reckoned with in some near future. At any rate, if you see Eddy wandering around, shake his hand and thank him for his long-suffering and often unappreciated work on behalf of local music.
• Eddy and Jess and I hit a run of shows together, including the ever amazing 500 Miles to Memphis, the astonishing Aaron Lee Tasjan (who Eddy hipped me to through his love of Drivin' n' Cryin'), the gear-stripping Lydia Loveless and the transcendent Black Owls. Eddy and I could talk music for days on end, which we do at every given opportunity. Eddy also introduced me to Aaron, who he'd met after a Drivin' n' Cryin' show; that kid is going places, if Eddy and I have anything to say about it.
• Finally ran into Paul and Big Jim at the Aaron Lee Tasjan set, with "Hey-everybody-it's" Stu in tow. These three are also a great bunch of music lovers and supporters, local and otherwise, with weird, esoteric tastes. In other words, my people. I love running into them, and swapping stories and having Paul buy me beers, which he most generously did during the psychodots' set.
• Also briefly caught up with the ever-stellar Kip Roe, freshly installed bassist for the Black Owls and a prince among men. His boys, Kip Jr. and Ben, were there to witness the Owls' casual brilliance (anchored by their dad's bedrock solid basslines), but post-show were anxious to head down to the Main Stage to witness the Soul/Pop frenzy of Fitz and the Tantrums. Kip and the boys won't be spending Saturday doing any Bunbury adventuring, as they're headed to a Modest Mouse show in Columbus (a bucket list event, as Kip described it), but they will be back for the Flaming Lips on Sunday. Kip's boys are huge Flaming Lips fans. God, I love Rock & Roll families.
• And speaking of such, my other favorite component of Black Owls shows is the chance to catch up with the Owl wives, Amy Butler, Carrie Losacker and Sarah Kitzmiller (and let's not forget Ed's girlfriend, whose name, like so many other things, slips my addled brain. Why, yes, I did enjoy the '70s. Why do you ask?). We were trying to come up with a name for their defacto support group; I propose the Owlettes, and given Friday's heat and humidity, the Moist Owlettes probably was more apt. At any rate, they are wonderful people to interact with, and I look forward to their company every bit as much as the Owls' soul-stirring, flashback-triggering presentations.
• And on that subject, Ed, his girlfriend and her daughter (again, names … I remember knowing them in some distant past; maybe if they had hats with their names on them. That's how Stu solved his dilemma …) caught up with me while I scarfing down a couple of cheese coneys before leaving Friday night and offered a heartfelt Rock & Roll tale. Ed's girlfriend's daughter (note to self: this would be better with names) is a huge fan of Walk the Moon and as fate would have it, frontman Nick Petricca happened to be in town and was catching the Empire of the Sun show. Ed's girlfriend's daughter spotted Nick, professed her undying love for Walk the Moon, they chatted for a bit and she got her picture taken with him. Nick is clearly one of the good guys and his very open and engaging response to a fan's sincere outpouring of love and support is one of the reasons for the band's incredible success. And, as I noted to Ed's girlfriend's daughter, "It's always nice when you meet your heroes and they're not dicks." Thus should it ever be.
• The only thing that could have made the night complete after that uplifting moment would be a quick run-in with Jacob Heintz, former Buckra guitarist and Rock volunteer of the gods, as his constant presence at MidPoint and now Bunbury will attest. Another one of the truly great people that define the Cincinnati music scene as one of best in the known universe. I am physically fading and spiritually soaring. It's a good feeling for the end of the first day of another fantastic Bunbury.
One year ago today, the city signed contracts to start construction on the streetcar. Fast forward 365 days, and the new transit loop through downtown and Over-the-Rhine is quickly taking shape. Roads are closed as major sections of track go in. Workers are constructing concrete slabs for the passenger stops. The cars themselves are being built. And the city recently named downtown-based Kolar Design to do branding work for the streetcar. The Business Courier has photos of the progress so far. Or you can just drive through Over-the-Rhine and see for yourself. Just don’t take Race Street if you’re hoping to get downtown — it's still closed at 12th Street.
• We’ve all lived with roommates who don’t always take out their garbage. It’s gross. But I guess it could be worse. Like, tens of thousands of times worse. The city recently shut down a compost company called Cincy Compost in Winton Hills after two years of complaints from miles around about the ghastly smells emanating from what is effectively an 80,000 pound pile of rotting food, but things could get worse before they get better. The heap, which is piled two feet deep, needs to be cleaned up by the city now that the company is no longer in business. It seems the business didn’t get the correct balance of garbage for the compost process to work and was overwhelmed by the sheer volume of garbage it took in. It racked up 45 code violations while it was open. Now the city will have to spend $250,000 to kick-start the process and finish turning the garbage into soil. That involves stirring all that garbage around, basically, which is only going to make the smell worse in the short-term. Gross.
• Community groups in the city will be holding a rally calling for an end to violence in the city at 7 p.m. in Piatt Park today. Last week, four people were shot, one fatally, in two separate but related incidents at the park. Cincinnati saw a surge in shootings early in the year, though that trend has slowed and the city may not see an increase over last year’s 75 murders. Forty-two people have been murdered in the city this year, many with guns.
• One guy who will not be at that rally, I’d imagine, is this dude, who threatened to shoot down a University of Cincinnati Health Air Care helicopter yesterday. Angry that the helicopter was flying too low over his Green Township house, Leonard Pflanz is accused of driving to Mercy West Hospital and telling the helicopter’s pilot that he would shoot him if he did it again. Pflanz is appearing in court this morning over charges stemming from the threat.
• General Motors may soon be in some big trouble with federal prosecutors, who are investigating whether the company made false statements about a defect in some of its cars that has killed at least 13 people. The defect relates to an ignition switch problem that has caused some GM cars to lose power while operating. The feds accuse GM of making misleading statements to the public about the defect, downplaying the dangers of the defective switches. The company has already been fined $35 million by the National Highway Traffic Safety Administration for dragging its feet in response to the problem. Some believe GM’s ultimate liability could end up being even more than the $1.2 billion Toyota was ordered to pay earlier this year over similar charges.
• Finally, Smithsonian Magazine reports that skin cells may be able to detect odors and that some of these odors may aid the body in the healing process. Basically, this means the whole surface of your body is receptive to smells in one way or another. This is interesting, maybe even great news, unless of course you live near a failed composting facility or something.
So let's get to what's happened in the past three days in the real world while we were all busy watching fireworks and drinking beers, shall we?
The Great Recession dropped incomes in 111 of 120 communities in the Greater Cincinnati area, according to a report today by The Cincinnati Enquirer. The recession lasted from 2007 to 2009, though its reverberations are still being felt today. The drop hit wealthy neighborhoods like Indian Hill and low-income areas like Over-the-Rhine alike. The average drop in income was more than 7 percent across the region, though reasons for the loss and how quickly various neighborhoods have recovered are highly variable. Wealthier places like Indian Hill, where income is tied more to the stock market, are well-positioned to continue an already-underway rebound. Meanwhile, places with lower-income residents like Price Hill still face big challenges.
• A Centerville man filed a lawsuit against Cincinnati’s Horseshoe Casino Friday, charging that the downtown gambling complex engaged in false imprisonment and malicious prosecution last year. Mark DiSalvo claims that he was detained while leaving the casino after a dispute over $2,000 in video poker winnings. DiSalvo wasn’t able to immediately claim the winnings because he didn’t have the proper identification, but was told he would receive paperwork allowing him to claim the money later. He says he waited two hours before receiving the forms. Afterward, as he stopped to check the nametag of an employee who was less than kind to him, he was confronted by casino security officers, who called police. Three Cincinnati police officers were originally named in the suit as well, but the department settled out of court. DiSalvo claims casino employees and police gave false testimony about him and his prior record.
• Sometimes, something is better than nothing. At least, that appears to be the thinking for groups supporting the Hamilton County Commissioners’ compromise icon tax plan to renovate Union Terminal. The Cincinnati Museum Center board decided to back the commissioners’ version of the plan last week, despite earlier misgivings. That plan replaced a proposal by the Cultural Facilities Task Force that would have also renovated Music Hall.
Now the task force, led by Ross, Sinclaire and Associates CEO Murray Sinclaire, is regrouping and looking for ways to fund the Music Hall fixes without tax dollars.
“Initially we were very disappointed and somewhat frustrated because of all the time we spent” on the initial proposal, Murray said, but “we’ve got an amazing group of people with a lot of expertise and we’ll figure it out.”
Meanwhile, Republican Commissioner Chris Monzel, who helped orchestrate the new, more limited deal, has said he supports it. Initially, he indicated he wasn’t sure if he would vote for the plan himself. The backing of the Museum Center board has swayed him, however, and he now says he’s an enthusiastic supporter of the effort to shore up Union Terminal.
• The Cincinnati Cyclones have a new logo, which is exciting, at least in theory. The team’s prior logo looked a lot like a stack of bicycle tires brought to life by a stiff dose of methamphetamines, and the one before that looked Jason Voorhees fan art. Neither of which is really all that bad if you want to strike fear and confusion (mostly confusion) into the hearts of your opponents. But the team, making a bid for a higher level of professionalism, tapped Cincinnati-based design and branding firm LPK for a new look. The results are slick and clean, with the team’s colors adorning a sleek sans-serif font and a big “C” with a kind of weather-report tornado symbol in the middle. The team’s marketing reps call the new logo “versatile,” while fans have taken to the team’s social media sites to call it boring and generic and to compare it to water circling a toilet bowl. Personally, they can put just about whatever they want on their jerseys and I’d still hit up any game on $1 dollar hotdog night. Not a lot of hockey options around here.
• In the past three days, federal judges have stayed or struck down some of the nation’s strictest laws against women’s health facilities that provide abortions, enacted last summer in Texas and Louisiana. The laws stipulated very specific standards for clinics. The Louisiana law, which was put on hold by a federal judge Sunday night, set requirements that facilities have admitting privileges at hospitals within 30 miles, a rule that could have shut down every clinic in the state. The Texas law stipulated that clinics had to meet the same standards applied to hospitals, which would have dictated how wide hallways had to be in the facilities and other burdensome rules. That law was struck down by a federal judge Friday. The law would have caused the closure of 12 clinics in the state. Ohio has laws similar to Louisiana’s requiring hospital admitting privileges. That has caused problems for many facilities here, including one in Sharonville which a Hamilton County magistrate ordered to stop providing abortion services last month.
There is a giant leap being planned for one of Cincinnati's film festivals — one that could make it the city's pre-eminent such event and an impactful cultural occurrence.
The Cincinnati ReelAbilities Film Festival, which presents films that explore the lives of people with disabilities, will be announcing its 2015 schedule at an event next Thursday, Sept. 4, from 7-9 p.m. at Obscura Cincinnati, 645 Walnut St., Downtown. It's free and open to the public, but advance registration is requested at cincyra.org/event/obscura. The event is hosted by actor/performer John Lawson and Q102’s Jenn Jordan. After the announcement, the schedule will be posted at cincyra.org.
For its third installment in Cincinnati, which will occur Feb. 27 to March 7, 2015, the ReelAbilities Film Festival plans to significantly increase its scope and draw more than 7,500 people. Among the planned events are an awards luncheon, a gala and 30 film and speaking events throughout Greater Cincinnati.
While ReelAbilities has been around with festivals in 13 cities nationally, this will be the first since Cincinnati's Living Arrangements for the Developmentally Disabled (LADD) contracted with the JCC of Manhattan to oversee the film fest nationally — making it a division of LADD's non-profit operations. The Cincinnati ReelAbilities Festival will be one of the largest. A jury in New York selects films deemed appropriate for ReelAbilities' regional festivals — there currently are about 100. Local juries then make their selections from that library.
All of the film screenings benefit local nonprofit organizations that serve people with disabilities. For more information about LADD, visit laddinc.org.
Three-day “All Music Access” tickets for the 13th annual MidPoint Music Festival remain one of the best music fest deals in the country. But if you wait until after Monday to get yours, you’ll have to pay a little more.
On Tuesday, prices for the three-day passes will increase from $69 to $79. It’ll still be a great deal with the $10 bump, but you like to save money, right? Click here to get your tickets, which will get you into all of the shows throughout the three-day affair (barring shows that reach capacity by the time you get there).
The festival returns in less that a month, running Sept. 25-27 on multiple stages throughout Downtown and Over-the-Rhine and featuring more than 150 performers from all over the world.
MPMF (which is owned and operated by CityBeat) has added a few acts over the past few weeks. Artists added to the lineup in just this past week include Nashville’s Mary Bragg, Columbus, Ohio’s Old Hundred, Stockholm, Sweden’s Baskery, returning MPMF faves Sol Cat (from Nashville), Louisiana’s Baby Bee and L.A. Pop band machineheart.
To check out some tunes from this year’s crop of MPMF artists, click below for a 10-and-a-half-hour Spotify playlist.
There is so much happening today and I'm going to tell you about
all most of it.
The board of the Cincinnati Museum Center yesterday voted to support county commissioners’ plan to fund renovations of historic Union Terminal, which houses the museum. Officials for the Museum Center originally criticized the plan, which replaced an earlier proposal that included Music Hall, because it seemed to put some funding sources for renovations to both Union Terminal and Music Hall in jeopardy. Republican Commissioners Chris Monzel and Greg Hartmann voted to put the new plan on the November ballot despite these concerns. Now officials with the Museum Center say their concerns have been addressed and they’re comfortable putting their support behind the new, Union Terminal-only deal, which will raise about $170 million through a .25 percent sales tax increase. The renovation project is expected to cost about $208 million. The gap will need to be covered by private donations and possible historic tax credits.
• Speaking of lots of money (seems like we’re always talking about lots of money around here, but hey, cities are expensive) the streetcar battle continues as the city searches for funds to pay operating costs. Right now, the city needs to account for a slightly less than $4 million a year to run the streetcar plus another $1 million in startup funds, which will need to be raised by next July. Supporters on city council say this shouldn’t be a problem and that multiple options exist for ways to raise the funds, including sponsorships and advertising, selling gift cards for rides on the streetcar, different property tax districts, possible grants and private donations. But opponents of the project, including Mayor John Cranley, are more doom and gloom, saying that the shortfall is just the kind of scenario they had in mind when they spoke out against the streetcar. Either way, the city is committed at this point. It agreed to run the streetcar for 25 years when it accepted millions in federal grant money for its construction. Is there a really large couch somewhere in the city with lots of change under the cushions? I’d start there.
• Ah, the early days of presidential campaigns, when the candidates are about as committal as those tentative, nascent romances you had your freshman year of college. Sen. Rob Portman has officially decided he wants to think about the possibility he might run for president in 2016 and is considering setting up an exploratory committee so he can raise and spend money should he decide he wants to try for the big gig. That’s basically the campaign equivalent of texting someone, “hey, ‘sup?” The presidency has yet to text him back, but I’ll keep you updated. Portman has been also non-committal in his statements, saying he’ll think about a run for the White House if no other Republican candidates seem capable of winning but that right now he’s just working on his Senate campaign. He’s raised $5 million toward that end, money he could shift that over toward a national campaign.
• California lawmakers have passed a law requiring its colleges to adopt the most precise standards yet for what constitutes sexual consent as part of a drive to curb the sexual assault crisis sweeping college campuses. The so-called "yes means yes" bill is controversial, which is kind of mind-boggling since its provisions sound like common sense when you read them.
The prospective law says that consent is "an affirmative, conscious and voluntary agreement to engage in sexual activity" and that lack of struggle, silence or the use of drugs or alcohol do not invalidate claims of sexual abuse. Opponents say the bill is an overreach and too politically correct and that it could open up universities to lawsuits. California Gov. Jerry Brown must still sign the bill into law, and has until September to do so.
• A while back we talked about New York City’s mixed-income developments and so-called “poor doors,” or separate entrances the buildings’ low-income residents must use. The battle over those doors rages on, and the New York Times has an in-depth look at the fight. As large-scale public housing goes the way of the dodo across the country and affordable housing becomes more a private enterprise, it’s a debate worth check out.
• So. There are a lot of important things going on in the world. We’re struggling with how to handle ISIL, a militant, fundamentalist insurgent group in Iraq, and the UK just raised its terror alert level due to threats from the group. Russia continues to dance all over the Ukraine. Our economy is struggling to support America’s middle class. Racial tensions in the U.S. continue to simmer and our police forces are becoming more militarized. But the most breathtaking news of all happened yesterday, when President Barack Obama wore a tan suit. TAN. In what only further proves that journalists on Twitter are the absolute worst people on the planet, that little bit of ephemera went viral as every reporter ostensibly paid to inform you about a news conference discussing some of the aforementioned important events flipped their wig about Obama’s new fashion statement. The suit was completely unremarkable– a little too baggy, a little too buff-colored, maybe, but come on now. The response to Obama's suit even spawned an article about the response, because that’s journalism now. Someone got paid to write that article about journalists' response to Obama's suit, and now I’m writing about the article about the response. Sigh.
• In other important national news, forget those cases of beer that have like, 30 beers in them. Reuters reports that a small brewery has invented the 99-pack of beer. Alas, it’s only available in Texas, where gas station beer caves are the size of airplane hangers and the average Super Bowl party attracts 500 people.
Owner Brittany Baum was inspired to open her hand-rolled Bavarian pretzel bakery after a trip to Germany in 2008.
"Being a vegetarian in Germany, there aren't a lot of food options, so I pretty much lived on pretzels," she says in a recent press release.
Germany's preponderance of pretzels was tough to find back home in Columbus, so she set out to make her own. And after three successful years in a home kitchen, she opened her first Brezel storefront at the North Market in March of 2011. When she visited Findlay Market in August 2013, she fell in love with Over-the-Rhine and decided to try her hand at pretzeling down here as well.
Brezel Cincinnati will be located in the Parvis Building at 6 W. 14th St., next door to the Graeter's. The bakery has developed more than 30 different flavored soft pretzels — including jalapeno cheddar, French onion and asiago and roasted garlic and cheddar — along with the traditional salted soft pretzel. Pretzels range in price fro $4-$5 and customers will also have the choice of ordering mini pretzel twists ($1) or pretzel bites and dips, pretzel buns, pretzel soup bowls and pretzel pizza dough.
Baum hopes to be open in time for Oktoberfest, but no official opening date has been set. They're also currently hiring full- and part-time positions.
This week is almost over, and that's a great thing. I haven't had my customary coffee and donut yet this morning, so let's do this news so I can get to that.
Security footage from the Beavercreek Walmart where police shot John Crawford III shows that Crawford was not acting violently, an attorney for his family said yesterday in a statement. Attorney Michael Wright says Crawford was facing some shelves and talking on his cellphone when he was fired upon and that police “shot him on sight.”
This contradicts officers’ reports. They say Crawford was waiving the pellet gun he had picked up from a shelf at the store and refused to drop it. Reports said, “he looked like he was going to go violently.”
Crawford, 22, is one of a number of young black men who have died during incidents with police recently under controversial circumstances. The death of Mike Brown in Ferguson, Missouri, a few days after Crawford’s death sparked wide-scale unrest in the St. Louis suburb.
Activists in Beavercreek and across the country have demanded release of the security footage of Crawford’s shooting, which Attorney General Mike DeWine has refused to release until a grand jury is convened Sept. 3. DeWine says releasing the tapes to the public could bias the jury pool and hinder the ongoing investigation.
• There has been talk lately of changing some one-way streets in Over-the-Rhine to two-way, including parts of Main Street. The shift could slow traffic to levels safer for pedestrians and help local businesses, traffic experts say. UrbanCincy has a much more detailed rundown of proposed changes and the history of traffic patterns in OTR here. It’s interesting stuff, especially if you have to drive through the area every day or live there and have to deal with the increased traffic zooming through.
• The Hamilton County Board of Elections today announced it will host a “vote check” where county residents can call into a the board to make sure their voter registration is good to go. The phone-bank style call-in session will be held Sept. 23 from 5 to 6 p.m. and on Oct. 6 at the same time. That Oct. 6 date is the last day to register or change your voter registration information in Ohio. Put it on your calendar.
• I didn’t know a place in America could be more or less American than any other place in America, but apparently there’s a listicle for a city’s degree of American-ness, and Cincinnati came in second behind Nashville. The report by WalletHub.com, a personal finance website, considered 26 factors in the country’s 366 largest metro areas including age, income, housing, gender and other demographic measures to come to its ranking of places most statistically like America’s overall averages. Indianapolis came in third in the most-American sweepstakes. The southwest dominated the bottom five, with two Texas cities (Brownsville and McAllen) and an Arizona burg (Yuma) hanging out and being all un-American (whatever that means) with the likes of Altoona, Pa. and Boulder, Co. America!
• If you spend a lot of time up in West Chester, well, first, sorry about that. That’s unfortunate. But if you are hanging around up there in the land of Ikea and you’re hoping for that rare, elusive, thrilling sighting of House Speaker John Boehner, who reps the area hard in Congress, well, you may as well be looking for a yeti. You won’t see Boehner at the local Red Robin or whatever the heck other fancy, all-you-can-eat-fries restaurants they have up there, shaking hands and kissing babies in his district, because he’s out raising millions for the GOP. Yes, he has a Democratic challenger for his re-election bid, Miami University professor Tom Poetter, but Boehner’s not sweating him too much. His campaign has raised more than $2 million to Poetter’s $60,000, and Boehner’s coasted to re-election easily in the past. Instead, Boehner is wooing party donors in Wyoming (the state, not the neighborhood) resort towns and shoring up his power base with fellow establishment GOPers, hustling hard to keep his seat as speaker as he fights off attacks from his right.
• Finally — cheer up! The economy is getting better. For someone. Somewhere. Economic growth was better than expected in the last quarter, according to the Department of Commerce. Despite this, more Americans are anxious about the state of the economy now than during the Great Recession, a new Rutgers University poll reports. Some of this has to do with the fact that the average worker still hasn’t recovered fully financially from the economic downturn, wages have remained stagnant even as unemployment has decreased and perceptions of job security are lower than ever, even as Wall Street rebounds and corporate profits have soared.
Morning y'all! After a rough start (a bit more on that later), I'm here and ready to give you the news.
Two prosecutors from Hamilton County will lead the state’s investigation into the police shooting death of John Crawford III, Ohio Attorney General Mike DeWine announced yesterday.
Stacey DeGraffenreid and Mark Piepermeierand were appointed by the AG yesterday. Piepermeierand, of Sharonville, heads the Hamilton County Prosecutor’s office criminal division and has handled many high-profile cases in that capacity. He’s responsible for reviewing all police use-of-force issues in Hamilton County and has done so for the past 15 years.
Police shot Crawford inside a Beavercreek Walmart Aug. 6. Another customer called 911 when he saw Crawford with what he thought was an assault rifle. Officers arrived and demanded Crawford drop the weapon, which turned out to be a pellet gun from the store. When he didn’t comply immediately, officers shot him and he died. Crawford’s family, along with activists, have called for answers as to why he was shot.
• The state of Ohio has ordered embattled restaurant Mahogany’s closed after it didn’t follow state sales tax rules. The restaurant on The Banks has struggled to pay rent and loans owed to the city and was almost evicted in April. The restaurant was able to catch up on the rent but still owes more than $300,000 to the city in loans. Owner Liz Rogers has said that the restaurant has struggled after $80,000 was embezzled from the establishment and a rough winter kept business slow. Rogers has also pointed the finger toward someone in the city’s administration who she says has been leaking untrue information about the business. Mahogany’s can reopen after it pays back the undisclosed amount it owes the state in sales taxes.
• Think sky-high executive pay is kind of absurd? You’re not alone. Former Kroger CEO David Dillion said during a panel on management at the Aspen Ideas Summit last month that his paycheck for leading the company was “ludicrous." A video of that summit is just now trickling out, with Huffington Post covering the statement yesterday.
Dillion’s $13 million paycheck last year was actually below the $15 million average for CEOs in America, which makes his compensation “seem a little more responsible,” he said during the summit. “Still you’d argue, I think,” he continued, “it was pretty damn high.”
Dillion said his eight-figure pay package started out fairly reasonable but ballooned out of control as Kroger’s stock went up. That’s a terrible problem to have. That dang stock price, that dang paycheck, both just rising and rising and rising like the temperature needle on my poor struggling car as I sat in traffic this morning (yes, my car overheated on the way here and I’m bitter). There’s just nothing you can do about that. If only Dillion had like, RUN THE COMPANY or something, maybe he could have gotten that ludicrous pay rate under control. Oh, wait…
• Speaking of big ole billowy clouds o’ cash, former 20102 Republican presidential candidate Mitt Romney is on his way to Kentucky to help make it rain for Sen. Mitch McConnell, who is fighting a tough battle against his Democratic opponent Alison Lundergan-Grimes. McConnell has been pulling out all the conservative A-listers to raise cash, a sign that he’s seriously worried he could lose his seat in what looks to be one of the most contentious and expensive Senate campaigns in history. It’s certainly the fight of his career, but the stakes go higher than that. Every seat matters come November, when Democrats will struggle to maintain their slim majority in the Senate. Should Republicans take enough seats, they’ll run both that chamber and the House, making President Obama’s last two years in office one big bummer.
• Another politician experiencing a big ole bummer right now is Texas Gov. Rick Perry, who was indicted a couple weeks back on some pretty serious felony charges involving abuse of power. It's a long, complicated story that involves a DUI (not Perry's), some backroom dealings, a possibly shady cancer research organization and more. So much more. Anyway, Perry's been kinda sailing through this whole thing, smirking in his mugshot and getting ice cream afterward, the whole deal. He's also played it well politically, refusing public money for his defense team of all-star attorneys. But he recently dropped a comment about that that is less than great PR. He's not turning down public money for his defense because it's the right thing to do, but "to keep folks from grousing about it," he said. The whole Texas-sized imbroglio (gotta love that word) has also hit Perry where it hurts: his holster.
• I usually try to end with some weird news to lighten the mood a lil, but this story is just crazy and sad and confusing. A shooting instructor in Arizona died Monday while teaching a 9-year-old girl how to shoot an uzi. The girl lost control of the semi-automatic weapon due to its recoil as she was firing, and the instructor was shot in the head. An investigation is ongoing to determine the exact sequence of events.
Eight finalists in ArtWorks' Big Pitch competition will each get a five-minute business-pitch session before a panel of judges and a live audience tomorrow night, starting at 6 p.m. at the American Sign Museum, 1330 Monmouth St. in Camp Washington. The judges will decide the $15,000 grand prize winner; the audience will pick a $5,000 winner. Two runners-up will receive professional services from Dinsmore & Shohl; Clark, Schaeffer, Hackett and Co.; and/or LPK. Seated tickets for this event are sold-out but standing-room tickets are still available at artworkscincinnati.org.
Check out the finalists:
The Canopy Crew, owner Django Kroner
Chocolats Latour, owner Shalini Latour
Golden Hour Moving Pictures, owner C. Jacqueline Wood
Heather Britt Dance Collective, owner Heather Britt
Madisono’s Gelato and Sorbet, owner Matt Madison
Modern Misfit Classic Genius, co-owner Cordario Collier
Noble Denim, owner Chris Sutton
Steam Whistle Letterpress and Design, owner Brian Stuparyk