The big show for the night saw me head to
Brooklyn Academy of Music (BAM) with CAC Director and Chief Curator Raphaela
Platow to see Sun, the latest dance piece from acclaimed Israeli-born,
Britain-based choreographer Hofesh Shechter. A packed theater was introduced to
the work via an announcement that the company was to show us a snippet of the
very end of the piece in order to ensure us that “everything is going to be
OK”. A comedic beginning to a performance full of sharp wit and contrast.
Consisting of various vignettes that reappeared at points throughout the
performance, Sun utilizes smart lighting and a brutal sound design
(composed for the most part by Shechter himself) to rather brilliantly and
swiftly turn on a dime and take the piece from moments of intensity and anger
to those of subtle and soft humor; highly sexualized slo-mo gyrations of female
dancers to male dancers prancing around the stage with cutout sheep drawings. Sun
was certainly intent on making a political point of some kind. The
aforementioned sheep cutouts were being stalked by a wolf, cutouts of
indigenous tribesmen were being stalked into conversing with a colonist, and at
one point a dancer addresses (shrieks at) the crowd with, “The wolf is behind
The city aced categories for its relationship with the LGBT community, law enforcement and non-discrimination laws, which ban employment, housing and public accommodation discrimination based on sexual orientation and gender identity. It also fared well with municipal services and opportunities provided to city workers.
The index also gave Cincinnati various bonus points, including three for the election of Councilman Chris Seelbach, the city’s first openly gay elected official.
But the city was docked for failing to recognize LGBT relationships through a domestic partner registry. Seelbach told CityBeat last week that establishing a registry will be one of his priorities in his upcoming four-year term.
This year, establishing a domestic partner registry would have been enough to give Cincinnati a perfect overall score in the Municipal Equality Index — a strong upward shift from the 77 out of 100 the city received in 2012.
The 90 out of 100 was enough to place Cincinnati in the top 25 percent of cities. The top 10 percent got a 96 or higher, and 25 of 291 cities got perfect scores in 2013.
Urban schools spend considerably less on basic education for a typical student than previously assumed after accounting for miscellaneous expenditures related to poverty, according to a Nov. 19 report from three school advocacy groups.
If it’s accepted by state officials and taxpayers, the report could give way to a reorientation of how school funds are allocated in Ohio — perhaps with a more favorable approach to urban and rural school districts.
The report’s formula acknowledges that some students, particularly those in poverty, take more resources to educate, typically to make up for external factors that depress academic performance. After those higher costs are taken into account, the report calculates how much money schools have left over for a typical student.
“If under-funded, districts with concentrations of poverty will not have the resources left over for the educational opportunities we want to see for all students,” said Howard Fleeter, the report’s author, in a statement.
The report finds urban school districts like Cincinnati
Public Schools (CPS) and Lockland Schools spend considerably less on basic education for a typical student than wealthy suburban school districts like
Indian Hill Schools and Sycamore Community Schools.
After weighing spending on poverty and other miscellaneous programs, major urban school districts lose more than 39 percent in per-pupil education spending and poor rural school districts lose nearly 24 percent, while wealthy suburban schools lose slightly more than 14 percent.
Following the deductions, CPS drops from a pre-weighted rank of No. 17 most per-pupil funding out of 605 school districts in the state to No. 55. Lockland Schools falls from No. 64 to No. 234.
The report similarly drops New Miami Schools, a poor rural district in Butler County, from No. 327 to No. 588.
Indian Hill actually gains in overall state rankings, going from No. 11 to No. 4. Sycamore Community Schools also rise from No. 22 to No. 14.
The Ohio School Boards Association, the Buckeye Association of School Administrators and the Ohio Association of School Business Officials commissioned the report through the Education Tax Policy Institute, an Ohio-based group of researchers and analysts.
Is it merely coincidence that I revisited Lou Reed's Metal Machine Music in the same week that the latest missive from Another Cultural Landslide wound up in that same CD drawer? Probably. Is it happenstance that ACL's new soundtrack for the imminent end of the world, Last Days Last Days, is coming out at a moment in human history where everything on the planet seems to be going to shit on a shovel? I wouldn't rush to that particular judgment, but there's a certain logic to the conclusion.
To be clear, there's no direct correlation between Reed's masterful mindfuck and ACL's post-Pop apocalyptic song quilt beyond a sense of unsettled exhilaration that accompanies both albums. That and the fact that both artists pre-supposed their respective works would be considered "difficult" listening experiences. The difference is in their messages? Reed was screaming "Fuck you," while ACL is calmly noting "We don't have to fuck you, you're fucked already."
Is Last Days Last Days a millennial Rock opera by Christians with a bruised faith or agnostics who have found God in the foxhole? Maybe both, maybe neither. The important thing to remember is that ACL wants you to do something productive with your free floating anxiety over the state of the world. At the same time, Last Days Last Days doesn't offer any definitive answers in that regard, it simply insists that you ask better questions. Kirk and Wendy, the brain trust behind ACL, adhere to a simple rule in the making of their music; no two songs alike. While that could result in a checkered and incoherent album in the wrong hands, ACL's laser focus on theme assures a consistent and satisfying whole.
The album begins with "Looking for Answers," its ostensible title cut, a pacesetting track that bristles with Talking Heads/Television verve and Pop/Funk bounce, not to mention a sprinkling of Tusk-like bombast and Zappaesque tomfoolery. It's very nearly a straight-ahead Rock anthem, except for the subversively swaying tempo that purposefully wobbles your gyroscope in order to maintain your attention and guide you to the song's ultimate message, contained in this lyric toward the end: "So if you want to get through tomorrow, you'd better stand up and get through today, we're just saying we're looking for answers, we don't want to give our future away."
From there, ACL tosses convention into their home recording Mixmaster and creates a chunky musical salsa that includes the operatic Disco of "Old" ("Giving up at age 32, I know 90-year-olds that are younger than you"), the stuttering Sesame Street-on-acid lesson plan of "Everybody's Got a Brain," the Laurie Anderson-on-Quaaludes cautionary tale of "Standing Nail," the tribal lounge Pop of "Next," which mixes romantic end-of-the-world lyrical cliches (sun don't rise, moon don't shine, rivers don't run) with real consequences ("Won't be dancing in the streets no more, close your blinds and you lock your door, just lay down and die, kiss your ass goodbye") and the Calypso-fired undead-limbo Rock of "A Meditation on the Impending Zombie Apocalypse," with its irresistible lyrical hook ("Drop the bomb and then we can dance"), and the evolutionary heartland Power Pop of "Monkey."
Is Last Days Last Days a perfect musical statement? Far from it. Kirk and Wendy are home recordists not music professionals. The Cincinnati expatriates crank out their amazingly fulsome productions in a spare bedroom in their Florida apartment, their composing and performing pursuits crowbarred into their busy schedules that include the day jobs, family lives and health issues that dog us all. Like all the best music, ACL's intention with Last Days Last Days overcomes the blemishes of its creation and appreciation of it as a whole will grow with every successive listen. On top of that, the duo have always given and will continue to give their music away; if you want to hear the fruits of their many labors, click here.
There is plenty of heart and head in the pure music and sonic ephemera on Last Days Last Days, but like Harry Nilsson's Oblio, the instant you perceive ACL has a point, as in the heart-rending hymnal of "Not Enough Bullets," it seemingly dissipates in a crash of guitar chords, a chorus of quacking ducks or an army of brain-starved zombies. Last Days Last Days is the sound of outsider music being made from the inside, of Art Pop being crafted with a keen sense of both art and Pop. Kirk and Wendy have collaborated on nearly a dozen albums and EPs under the banner of Another Cultural Landslide, but we can only hope that Last Days Last Days doesn't fulfill the prophecy of its title.
Listen to the album below and click on the player for a free download of it.
Cincinnati’s State Sen. Bill Seitz says he will introduce a “compromise” bill that still weakens Ohio’s energy efficiency and renewable standards but allows some of the current requirements for in-state renewable sources to remain for a few years. Environmental and business groups argue Seitz’s original bill would effectively gut the state’s energy standards and, according to a study from Ohio State University and the Ohio Advanced Energy Economy, force Ohioans to pay an extra $3.65 billion in electricity bills over 12 years. But some utility companies, particularly Akron-based FirstEnergy, claim the current standards are too burdensome and impose extra costs on consumers.
Meanwhile, Ohioans on Nov. 16 rallied in front of the Ohio Statehouse to call on U.S. Sens. Sherrod Brown and Rob Portman to support federal regulations that would attempt to curtail human-caused global warming. The regulations are part of President Barack Obama’s second-term plan to limit carbon emissions from power plants, which Environment Ohio says are responsible for 41 percent of U.S. carbon emissions — a primary contributor to global warming. Although some conservatives deny human-caused global warming, scientists stated in the 2013 report from the Intergovernmental Panel on Climate Change that they are at least 95 percent certain that human actions contribute to global warming.
Hamilton County commissioners will vote on Wednesday on a plan that would increase the tax return received by property taxpayers. Republican Commissioner Greg Hartmann’s proposal would increase the rebate from $10 million to $12 million, or $35 for each $100,000 of property value in 2013 to $42 in 2014. But Democratic Commissioner Todd Portune, the lone Democrat in the three-member board, says he would rather focus on increasing the sales tax to make the stadium fund sustainable and not reliant on casino revenue, which could go to other investments.
Commissioners also agreed to not place a property tax levy renewal for the Cincinnati Museum Center on the ballot until there’s a plan to fix Union Terminal. The informal decision followed the recommendations of the Hamilton County’s Tax Levy Review Committee, which reported that it will only support the levy renewal if the city, county and museum develop a plan to transfer ownership of Union Terminal from the city to a new, to-be-formed entity and locate public and private funds to renovate and upkeep the terminal in a sustainable fashion.
Ohio Attorney General Mike DeWine announced on Monday that he’s forming a heroin unit to tackle what he describes as a drug epidemic sweeping across Ohio’s communities. The effort, which is estimated at $1 million, will focus on education, outreach and law enforcement. David Pepper, DeWine’s likely Democratic opponent for the attorney general position in 2014, argues DeWine, a Republican, moved too slowly on the issue; Pepper says the problem began in 2011, more than two years before DeWine’s proposal.
Cincinnati council members Charlie Winburn and Christopher Smitherman yesterday reiterated their opposition to the city’s responsible bidder policy, which requires bidders for Metropolitan Sewer District (MSD) work to follow specific standards for apprenticeship programs. The law has caused an impasse between the county, which owns MSD, and the city, which is in charge of management. The conflict comes in the middle of a federal mandate asking MSD to retrofit Cincinnati’s sewer system — a project that will cost $3.2 billion over 15 years. CityBeat covered the conflict in greater detail here.
Cincinnati’s Department of Public Services will expedite the delivery of bigger trash carts. The deliveries are part of Mayor Mark Mallory’s controversial trash policy, which limits each household to one trash cart that can be picked up by automated trucks in an effort to save money and avoid workers’ injuries. Mayor-elect John Cranley says the policy is too limiting and causing people to dump trash in public areas.
Cincinnati’s Metro is the most efficient bus service
compared to 11 peer cities, but it ranks in the middle of the pack when
it comes to level of service, according to a study from the University of Cincinnati Economics Center.
Metro plans to announce today that it will balance its operational
budget without fare increases or service cuts for the fourth year in a
For Thanksgiving Day, Metro will run on a holiday schedule. The sales office will also be closed for Thanksgiving and the day after.
Ohio will receive nearly $717,000
in a multi-state settlement involving Google, which supposedly overrode
some browsers’ settings to plant cookies that collect information for advertisements.
The U.S. Supreme Court yesterday disbarred Stan Chesley, which means the local attorney can no longer practice law in front of the nation’s highest court. The controversy surrounding Chesley began more than a decade ago when he was accused of misconduct for his involvement with a $200 million fen-phen diet-drug settlement.
Some organisms might evolve the ability to evolve.
More than 200 Ohioans gathered at the Ohio Statehouse on Saturday to call on U.S. Sens. Sherrod Brown and Rob Portman to support federal regulations that would attempt to curtail human-caused global warming.
The regulations would impose stricter pollution limits on power plants across the nation, which Environment Ohio says are responsible for 41 percent of U.S. carbon emissions — a primary contributor to global warming.
The new rules are part of the climate plan President Barack Obama proposed in June to skip legislative action from a gridlocked Congress and slow down global warming by using the already-established regulatory arm of the Environmental Protection Agency (EPA).
“Our message today is clear. The time is now to act on climate,” said Christian Adams, state associate with Environment Ohio, in a statement. “Global warming threatens our health, our environment and our children’s future. Ohioans support President Obama’s plan to clean up the biggest carbon polluters.”
The Obama administration proposed regulations on new power plants on Sept. 20 that effectively prevent any new coal power plants from opening up if they don’t capture and sequester carbon pollution. Experts argue those limits will have little effect on future carbon emissions because new coal power plants are already being phased out by natural gas.
But the statehouse rally asked Ohio’s senators to support incoming regulations that will impose further restrictions on existing power plants and — if they’re effective — reduce the amount of carbon going into the atmosphere.
The regulations could have large implications for Ohio. A previous report from Environment Ohio found Ohio’s power plants pollute more than those in any state except Texas.
Coal companies warn the regulations could cost jobs. St. Louis-based Patriot Coal says “burdensome environmental and governmental regulations” have already “impacted demand for coal and increased costs.”
But the regulations could simply shift jobs to cleaner energy sectors. A 2012 report from Environment Ohio found Cincinnati could become the regional capital of solar power and help revitalize its economy with new jobs in the process.
Scientists have historically called for reducing global warming to 2 degrees Celsius to avoid the worst effects of climate change. That would involve greatly reducing the amount of carbon that goes into the atmosphere over the next few decades, according to the Intergovernmental Panel on Climate Change (IPCC).
In the IPCC’s 2013 report, scientists said they are at least 95 percent certain that human actions contribute to global warming.
Many economists argue a carbon tax and a cap-and-trade system
are better ways to tackle climate change than regulations. But those
policies would require legislative action that is unlikely in the
current political climate, especially since many Republican legislators deny the science behind human-caused global warming.
Jonathan Tyler and the Northern Lights (JTNL) is a Texas-born/California-based Rock band with a bluesy, rootsy edge that has been a workhorse on the road, touring anywhere and everywhere since forming in 2007. Along with tour jaunts with musical giants like ZZ Top, JTNL has also been very popular on the festival scene, every summer playing to large crowds all over the country. Although the band hasn’t released an album since 2010’s major label debut, Pardon Me (on F-Stop Music/Atlantic), there was promise of a lot of new music on their current tour when Tyler spoke with CityBeat recently. JTNL plays Bogart’s this Wednesday with friends and fellow rockers Taddy Porter. (Click here for tickets and further show info.)
CityBeat: You are currently on tour with Taddy Porter. How did this tour come about?
Jonathan Tyler: We have toured with them a lot in the past. Both of our bands formed around the same time. I think about three or four years ago. We started playing shows together and became friends. When we were looking into a tour this fall, their name came up and everybody was really excited about it. It just came together naturally.
CB: You have been touring pretty extensively since 2007. What is the best part of being on the road for you?
JT: I love playing music live. There is something really special about it. It is one of my favorite things to do. It is really fun to get in front of a live audience and play songs and to just kind of get that energy going between the crowd and the band. It is fun to see what happens, a lot of unique, special, unexpected things happen sometimes and it makes it more fun. It is always fun to try out new songs on people as well.
CB: Are you guys working on new music currently?
JT: Oh yeah, pretty regularly, all the time. We will be playing new songs at the Cincinnati show.
CB: What does the perfect day look like for you?
JT: Well, I live in California so I love to go to the beach and I love to surf and I love to eat good food and spend time with my girlfriend. When I am on the road, I love to walk around. We usually travel during the day, early in the morning, to the city we are playing in. We will set up our gear and we usually have a few hours off. I try to find a good restaurant in town and try out new places basically. I try to see what the city is all about.
CB: I know you are in different cities every day so it all merges together sometimes.
JT: Yeah. For some reason we haven’t played Cincinnati very much. I don’t know why. We are looking forward to it.
CB: At one point weren’t you living in Texas?
JT: Yeah, that is where the band was formed. I moved in January to California.
CB: What music are you currently listening to that is inspiring you?
JT: There is a lot of different stuff. I really like the band Endless Boogie from New York. It is like a ZZ Top style Rock & Roll band. I really like those guys. There’s some Electronic music also that I like, which probably doesn’t seem likely because I play Rock music and it may surprise some people. I listen to a lot of different music, really anything that will inspire me. I’m also really into Bruce Springsteen right now.
CB: Some people are saying that Rock is dying. Do you believe that, with the popularity of EDM and other genres of music, that is happening right now?
JT: Yeah, I do. I think it will come back around. I think everything kind of goes in cycles. I think it is easier right now for musicians to do the Electronic thing because it is cheaper. You can just make it with one person really. You don’t need an entire band to make tracks and people are making recordings out of their houses. The whole industry is turned up on its side. It’s interesting for sure, but I think Rock is always going to live on.
CB: If you could trade places with anyone for a month who would it be?
JT: I have to think about that. I really don’t want to be anyone else. That’s a hard one. I honestly can’t say.
CB: Do you have any habits you’d like to break?
JT: So many. Smoking cigarettes would probably be the No. 1 thing. I guess I don’t want to break it that badly since I still do it.
CB: What can the fans look forward to in Cincinnati next week?
JT: They can look forward to some new music. We will probably play a lot of new songs. They can look forward to a high-energy Rock & Roll show.
CB: I have seen you many times over the years. I look forward to it. It is always high energy and great Rock & Roll.
JT: Well thanks, I appreciate that. We will probably play half new music and half of the older songs. I think people will be happy to come out and see something different if they have seen us before, but maybe hear the songs they love as well.
A lot of the great up-and-coming touring artists that made September’s MidPoint Music Festival one of the best yet have been building on their MPMF momentum and returning to the area. Even some of the bands that canceled their MPMF appearances have made their way back.
Korea’s Love X Stereo had travel issues and missed this year’s MidPoint, but recently played MOTR Pub (the club owned by MPMF artistic director Dan McCabe) and now the amazing seven-piece Wisconsin crew PHOX (who missed MPMF to tour with Blitzen Trapper) is headed to the same venue tonight for a great double-bill with San Francisco Psych Rock/Shoegaze outfit (and MPMF alumnus) Sleepy Sun.
The wonderfully eclectic PHOX, which recently announced a new recording was in the works, appear to be on the verge of very big things; seems like everyone who hears the band’s gorgeous and unique mesh of Folk, Indie Rock, Soul, Americana, Jazz, Chamber Pop and other styles instantly falls in love with them. In September, the group issued a live EP taken from its appearance at the ITunes Festival in London. It was the follow-up to its Confetti EP, released earlier this year with an endearing companion “music video EP” featuring clips for each track on the release. Check it out below:
Tonight’s show at MOTR (the venue’s website is calling it “a once-in-a-lifetime MUST SEE Mind Melting Monday Mash-Up”) starts at 9:30 p.m. and, like all MOTR shows, is free.
The main event Thursday evening was not a part of Performa 13. Instead, the evening saw my virgin visit to the Metropolitan Opera to take in the final night of composer (and frequent Cincinnati visitor) Nico Muhly's Two Boys. Muhly became the youngest composer to be commissioned by the Met when they asked him to create a new work in 2006. Having a run in 2011 in London in a co-production with English National Opera, Two Boys finally made its American debut last month.
Based on true events in Manchester, England, 10 years ago, the story centers on a seemingly normal 16-year-old boy and his involvement in a confusing web of chat room relationships that ultimately lead to him stabbing and nearly killing a 13-year-old boy. It was, shall we say, not your standard opera fare. While I've not been to many an opera in my life thus far, I don't imagine there have been many to have featured projected chat acronyms and two separate instances of onstage masturbation. But on to the show.
The story of Two Boys is a complicated one, without question. A young boy has been stabbed, his friend and the only witness, Brian, is the key suspect, and an over-worked and under-appreciated police detective is tasked with putting the pieces together in a case she never wanted to take. As we begin to learn more about Brian, we are shown a world of chat room conversations and desperate boys seeking connections that mean something. By the end, we understand that the young boy pretended to be three different people in various roles and chats with Brian, concocting an insanely complex story before, essentially, convincing Brian to stab him while he would repeat, “I love you, bro” to the dying boy. Everyone has access to a search engine, so I'll let you look up the story on your own...
A certain triumph for Two Boys is the set design and realization of an online world on a physical stage. Multiple large-scale projections land upon movable walls that dance across the stage at various depths. Frequently these walls become transparent and reveal young people inside, half-illuminated by laptop screens. The multimedia execution inspired and amazed, serving to highlight the production's digital world concept and add a new and exciting layer to a traditional performance form.
Knowing Muhly's work rather well, and having enjoyed the chance to see him twice in Cincinnati in the past 18 months as part of MusicNOW and Tatiana Berman's Constella Festival, I was eager to hear what he had done for Two Boys. I was somewhat surprised — though pleased — to find that this work did not veer too far from his compositional oeuvre; dark with intricate rhythms, the score never threatens to take complete control of the production, while the influence of modern composers like Benjamin Britten and Meredith Monk, as he acknowledged in the program notes, could be felt throughout. For me, the standout compositional moments came in the form of choral scenes performed by the company carrying laptops in their hands, faces lit and animated by the screens, feeling like a reference to the pull of the digital world and the countless hours young people like Brian spend seeking something of meaning in an environment of empty promises. Multi-layered lines repeating chat room requests and responses, the voices build to a disorienting swirl. In these moments, the marriage of precocity, tradition, and progressivism felt too immense to not hold your breath.
JobsOhio, the state-funded privatized development agency, grants more tax credits around Columbus, the state capital, than anywhere else in the state. According to The Cincinnati Enquirer, the discrepancy might be driven by Columbus’ high growth rate and the city’s proximity to the state government, which could make Columbus officials more aware of tax-credit opportunities. But Hamilton County Commissioner Greg Hartmann also blames local governments in southwest Ohio for failing to act in unison with a concerted economic plan to bring in more tax credits and jobs.
Hartmann today plans to introduce a partial restoration of the property tax return that voters were promised when they approved a half-cent sales tax hike to build Great American Ball Park and Paul Brown Stadium. The return was reduced when there wasn’t enough money in the sales tax fund to pay for the stadiums last year, but there might be enough money now to give property taxpayers more of their money back. It was unclear as of Sunday how much money someone with a $100,000 home would get back under Hartmann’s plan.
Hamilton County’s Tax Levy Review Committee will recommend a tax levy for the Cincinnati Museum Center only if a few conditions are met, including transfer of ownership of the Union Terminal from the city to a new, to-be-formed entity and allocation of public and private funds to renovate and upkeep the terminal in a sustainable fashion.
City Council last week asked the city administration to find and allocate $30,000 for the winter shelter, which would put the shelter closer to the $75,000 it needs to remain open between mid-to-late December and February. The shelter currently estimates it’s at approximately $32,000, according to Josh Spring, executive director of the Greater Cincinnati Homeless Coalition. The city administration now needs to locate the money and turn the transaction into an ordinance that needs City Council approval and would make the allocation of funds official. To contribute to the winter shelter, go to tinyurl.com/WinterShelterCincinnati and type in “winter shelter” in the text box below “Designation (Optional)” before making a donation.
Defense contractor Lockheed Martin announced Thursday that it plans to cut about 500 jobs
in Akron, Ohio. State officials were apparently aware of the plan
in October but underestimated how quickly Lockheed Martin would carry
out the cuts. Ohio Democrats jumped on the opportunity to mock JobsOhio
for failing to move at the “speed of business,” as Republicans claim
only the privatized development agency can, to develop an incentive
package that could have kept Lockheed Martin in Akron. But state
officials say they were led to believe Lockheed Martin’s move would take
Intense storms and tornadoes swept across the Midwest over the weekend, killing at least six.
Ohio has issued a record-breaking amount of concealed-weapons licenses this year. The state issued 82,000 licenses in the first nine months of 2013, more than the 64,000 in 2012 that set the previous record. About 426,000 permits have been issued since the state began the program in 2004.
This week, Ohio gas prices jumped back up but remained lower than the national average.
Popular Science looks at how artificial meat could “save the world.”
Cincinnati ranked No. 2 for highest child poverty out of 76 major U.S. cities in 2012, the Children’s Defense Fund (CDF) of Ohio said Friday.
The numbers provide a grim reminder that more than half of
Cincinnati’s children lived in poverty in 2012, even as the city’s urban core began a nationally recognized revitalization period.
With 53.1 percent of children in poverty, Cincinnati
performed better in CDF’s ranking than Detroit (59.4 percent) but worse
than Cleveland (52.6 percent), Miami (48 percent) and Toledo (46
percent), which rounded out the top five.
The data, adopted from the U.S. Census Bureau, also shows Ohio’s child poverty rate of 23.6 percent exceeded the national rate of 22.6 percent in 2012, despite slight gains over the previous year.
“When three of the top five American cities with the highest rates of child poverty are in Ohio, it is clear that children are not a priority here,” said Renuka Mayadev, executive director of CDF of Ohio. “Significant numbers of our children do not meet state academic standards because their basic needs are not being met.”
With the contentious streetcar debate over for now, some local leaders are already turning their attention to Cincinnati’s disturbing levels of poverty.
Mayor John Cranley on Thursday told reporters that he intends to unveil an anti-poverty initiative next year. A majority of council members also told CityBeat that they will increase human services funding, which goes to agencies that address issues like poverty and homelessness, even as they work to structurally balance the city’s operating budget.
Outside City Hall, the Strive Partnership and other education-focused organizations are working to guarantee a quality preschool education to all of Cincinnati’s 3- and 4-year-olds. The issue, which will most likely involve a tax hike of some kind, could appear on the 2014 ballot.
Beelistic Tattoo on Short Vine presents its second annual Holiday Art Show Friday. The exhibit features works by local and national tattoo artists on sale for $25 or less. In addition to browsing artwork, guests can enjoy free craft cocktails and book future tattoo appointments. Bring a donation of toys, clothing, books or $5 to benefit the Children’s Home of Cincinnati.
The festive fun continues along Short Vine with more art on display at Gallery 77, Popp=d Art and Bogart’s, drink specials at Dive Bar, shopping at Vursa Limited, music at Mio’s Pizzeria and more. Beelistic’s party kicks off at 5 p.m. and continues until midnight (or until the art sells out).
Rabbit Hash’s annual Christmas Parade takes place Saturday at 4 p.m. Cajun Jazz group Lagniappe will inject a little Southern flair at the holiday party that follows. Swing by the General Store, drink a little something to warm you up and frolic with the famous Rabbit Hash dogs!
Former Cincinnati Ballet members Joseph Gatti and Adiarys Almeida return to the city and company for holiday classic The Nutcracker. This family-friendly production opens Friday, runs all weekend and continues through Dec. 29. Read our interview with the couple here.
Nothing says happy holidays like a booze cruise! Enjoy some of Greater Cincinnati’s finest — from beer to views — on the Christian Moerlein Brew Ho Ho Ho Dinner Cruise Saturday. Attendees will board the boat at 6 p.m. and set sail from BB Riverboats 7-9:30 p.m. The night includes a four-beer tasting, buffet, music from a live DJ and a souvenir Moerlein pint glass. Adult tickets are $55, $26 for sightseeing only. Book the cruise here.
Enjoy a Christmas Carol-inspired brunch this Sunday at Orchids at Palm Court’s Dickens Brunch. English favorites like roast beef with Yorkshire pudding, mince meat pie and figgy pudding accompany brunch classics, including an omelet and waffle bar. Sunday is the last chance to try the Dickens Brunch, which runs 10:30 a.m.-2 p.m. Find more information here.
It's the final weekend for most holiday shows, and there are lots of good choices. I'm ranking today's listings according to the laugh-o-meter, starting with the most hilarious:
City Council yesterday decided Cincinnati will get a streetcar after all. After securing the six votes necessary to overturn a mayoral veto, Mayor John Cranley conceded that the $132.8 million streetcar project will restart following a two-week pause. It was a surprising journey for the project, which largely seemed like the underdog ever since the new mayor and council took office earlier in the month. In the end, the project gained its sixth vote from Councilman Kevin Flynn after the philanthropic Haile Foundation signed onto contributing $900,000 a year for 10 years to help underwrite part of the streetcar’s annual operating costs.
Advocacy group FreedomOhio yesterday announced it has enough signatures to place same-sex marriage on Ohio’s 2014 ballot. The group declined to tell Cleveland.com exactly how many signatures it had collected so far, but the organization says it’s aiming to collect 1 million before the July filing deadline. At the same time, FreedomOhio released a poll that found Ohioans are still split on the issue of same-sex marriage. But the poll also found that a good majority of Ohioans support FreedomOhio’s gay marriage legalization amendment, which provides exemptions for religious groups.
Gov. John Kasich yesterday signed a bipartisan Medicaid overhaul bill that seeks to control costs by establishing an oversight commission and a target for spending growth. The legislation also sets a focus on health care outcomes to ensure quality standards in the government-run program. Both parties pursued the bill to tamp down on health care costs that have been taking up more of the state’s budget in the past few years.
A new report from the state attorney general’s office found nearly half the businesses who received state aid in 2012 did not fulfill their end of the deal in terms of producing new jobs and other promises.
Ohio’s unemployment rate dropped to 7.4 percent in November, down from 7.5 percent the month before. But the number was well above the 6.8 percent rate from November 2012, indicating a decline in job growth in the past year.
Police arrested the mother of a 3-year-old for falsification and the mother’s boyfriend for accidentally shooting the child on Tuesday.
Today is Homeless Memorial Day, a day meant to commemorate those who died in 2013 while experiencing homelessness. The Greater Cincinnati Homeless Coalition is gathering at 5:30 p.m. at the corner of 14th and Elm streets to honor the occasion.
Bike Share plans to come to Cincinnati next summer and allow residents to rent out bikes around multiple parts of town.
Miami University is the second most efficient university in the nation in terms of delivering a good education for relatively low cost, according to a study from U.S. News and World Report.
Cincinnati’s housing market marked 29 consecutive months of increased sales last month with a 5-percent rise. The measure indicates the local economy is recovering after the Great Recession crippled housing markets around the nation.
A new product that claims to translate dogs’ thoughts to human speech is bogus.
After today, Morning News and Stuff will take a vacation until Dec. 26. Happy holidays!
Cincinnati will serve as the backdrop for yet another film come spring 2014 as Director Todd Haynes shoots his upcoming film Carol around the city. Starring Cate Blanchett and Rooney Mara, the film is based on the book (also known as The Price of Salt) by Patricia Highsmith. While Carol takes place in 1950s New York City, the entire movie will be shot in Cincinnati.
This locally filmed movie is another win for the Greater Cincinnati and Northern Kentucky Film Commission, the organization that brought George Clooney, Ryan Gosling and other stars to Cincinnati to shoot The Ides of March in early 2011. And while #ClooneyWatch may be over now, there will be plenty of star-spotting when Carol production picks up next year. And come to think of it, #RooneyWatch has a nice ring to it…
Director Todd Haynes’ past work include 1998’s Ziggy Stardust-inspired glam Rock drama Velvet Goldmine and the 2007 Bob Dylan biopic I’m Not There — which also starred Cate Blanchett.
Highsmith’s 1952 publication was a groundbreaking piece of fiction as it deals with a lesbian romance, and the story bucked tradition in gay fiction by giving the couple a positive ending. It’s safe to say Blanchette and Mara will be portraying the lovers.
Follow GCNKFC for more updates on this and other films (including Emilio Estevez’ upcoming horse racing film Johnny Longshot, which begins shooting in Cincinnati next summer.)
After nearly two months of ups and downs, city leaders on Thursday announced Cincinnati will get a streetcar after all.
Speaking prior to a council vote, Mayor John Cranley and Councilman Kevin Flynn announced City Council has the six votes to overcome the mayor's veto and restart construction on the $132.8 million streetcar project.
Flynn was the final holdout in what some council members now call the "streetcar six." He was asking for a commitment from private contributors to cover the annual operating costs for the streetcar, which consulting firm KPMG estimated at $1.88-$2.44 million a year after fares and sponsorships.
The philanthropic Haile Foundation lived up to part
of the commitment by signing onto $900,000 a year for 10 years, Flynn
announced. That was enough of a commitment to move forward as the city
makes a broader effort to get all the operating costs off the city's
books, he said.
"That is a huge commitment, folks," Flynn added.
Flynn also acknowledged that the streetcar could foster new revenues in the city's operating budget and actually allow the city to take on bigger responsibilities.
Previous studies from consulting firm HDR and the
University of Cincinnati found the streetcar project will generate a
2.7-to-1 return on investment over 35 years.
Flynn, a Charterite, joined Democrats David Mann, Chris Seelbach, Yvette Simpson, P.G. Sittenfeld and Wendell Young in support of restarting the project. Republicans Amy Murray and Charlie Winburn and Independent Christopher Smitherman voted against it.Still, Cranley said he will continue opposing the streetcar project. He repeatedly stated council is making the wrong decision.
"I'm disappointed in the outcome," said Cranley, who ran in opposition to the streetcar.
Flynn reiterated his respect for Cranley, despite effectively dealing a major blow to Cranley's agenda.
Cranley "helped me get elected to this position, and I take that trust seriously," Flynn said.
Others were glad the city can now take on different issues without getting mired down in a contentious streetcar debate.
"I am so glad that this issue is done and over with," said Vice Mayor Mann, who voted in favor of the project.
officially changed his stance on the project after KPMG's audit found
canceling the project could cost nearly as much as completing it.
The final decision came at a cost to Cincinnati: The two-week pause of the project, which allowed KPMG to conduct its review, added $1.7-$2.8 million in costs, according to KPMG's audit. The city also allocated $250,000 to pay KPMG for its work.
Once it's completed, the streetcar line will run as a 3.6-mile loop in Over-the-Rhine and downtown.
Updated with results of City Council's vote and additional information.
It was sometime back in September that I stumbled upon the story of Chvrches’ Lauren Mayberry, and her piece in The Guardian about the unfortunate realities she faced as a female musician. Only days later, I heard the stories of classical composers wearing their own diadems of misogyny. All these forces were crumbling away at what I once believed to be the most progressive industry we had at our hands.
With such revelations came a personal desire
for truth at a closer proximity. I honed in my lens and turned it on the state
of our own music scene, and the circumstances of female musicians in the Queen
I may have stumbled a bit the first time I saw Molly Sullivan perform. It could have been the champagne. It could have been the wine. It could have been the sheer, uprooting shock of such a sneakily sultry voice filling all the quiet corners of a room.
It was 2011 and the setting was a birthday party at the neo-historic Marburg Hotel, and local heroes Shadowraptr had just finished their set in the basement — a lush and operatic performance of their usual brand of psychedelic Prog-Rock, with Jazz sensibility. They didn’t disappoint with an expectedly raucous presentation, and we didn’t back down as an ever energetic crowd. It was in a quiet aftermath, among friends and fellows just as imbibed as our beer-soaked shirts, that I wove my way through a hallway maze and sauntered into a living room with an organ against its back wall. At its helm sat Molly Sullivan.
As she would come to tell me nearly three years later, “Going back to when I first started playing out as a singer songwriter, I always felt this extreme pressure and insecurity of being a female musician…whose music was tending to be more on the delicate side of things, an emotionally driven side of things. It required a little stillness from the crowd.”
But back looking back on that night in March 2011, stillness was inevitable. Warm from wine and an approaching spring, the handful of us that sat in the living room did so with an active passivity. But even as heads lolled against neighbors’ shoulders or against the walls at our backs, there was an intensity in every pair of eyes that I glanced into; all were watching, focused, as Molly struck a chord and then another, taking us through the coziest part of the evening with two or three ballads of life, lovelorn.
It was an intimacy that couldn’t have escaped those of us even if it had tried, and only a brief, drunken sampling of where Sullivan had started her story, rising to the ranks of the recognized, respected and regaled. Before that, she was front woman for the electronically infused No No Knots and a few months after that, she would play out as a solo artist with a backing band, making a stop at The Heights Music Festival and a New Year’s Eve show at the Southgate House Revival in 2012, before a brief hiatus kept her choruses hushed.
Sullivan admits that a lot of the anxious cogs of her earlier years were weighed on heavily by being a female musician in a primarily male-dominated scene.
“I feel like it’s a lot
easier for men as artists,” Sullivan Says, “generally, because you have the
potential to be the heartthrob, and also it’s not necessarily a sissying thing
to go to for a guy. So I feel like there’s more of an audience inherently built
In the later months of 2013, however, she re-emerged, armed with a loop-accentuated sound and a solo confidence that she speaks fondly of. Crafting songs, sonically clad with vocal layering and solid to the string guitar work, Sullivan took her one-woman symphony on the Cincinnati circuit, to high acclaim — winning the solo artist bracket of FB’s local “Last Band Standing 2013” battle of the bands, and earning herself a spot on one of the participating MidPoint Music Festival stages.
Sullivan had dedicated time to playing earlier shows in spots she would normally not perform, in venues and around crowds she would normally not consider being her primary audience. She says she found new courage in taking these risks. Though initially unsure about even participating in the event at FB’s, Sullivan came to find her hesitation was unnecessary.
“I made some assumption about the clientele there – it’s kind of known to be like a bro bar,” Sullivan explains. “I was thinking, ‘They’re not gonna get my art.’ That ended up not being true.”
When asked about the
progression of her performance presentation, Sullivan says, “I think I’ve
actually come to learn — just by doing it when I’m in a bar and everybody is
silent — just like recognizing that there’s something captivating about the
simplicity and the emotion of being present with your songs. It’s a really
empowering thing when people are dedicated to listening and joining you in that
Sullivan also recognized the power of community, and the part that earnest encouragement from within the Cincinnati scene played in her career as a musician. One pillar in her support group is claimed by The Daughters of The Midwest, an ensemble stage set of premier, female musicians dominating the Cincinnati area.
“I’ve definitely kind of
geared my energy towards being supportive of other female musicians,” Sullivan
says, “supporting Kelly (Fine), Mia (Carruthers), Maya (Banatwala). And now
that I’m back out there again, because of the support that I’ve been shown.”
“I think it’s a really powerful thing to have a female musician community to support each other,” she continues. “And as soon as I got back into it, it made it a lot easier to go with the flow and be excited for people wholeheartedly.”
And looking outside of the just the female musician community, Sullivan vehemently recognizes the support of Cincinnati as a whole. Sullivan expresses an appreciation for her time playing with The No No Knots, as well as the support she received from the members of Cincinnati’s Marburg Collective. As she explains, "There’s mostly positive reinforcement floating around. There’s kind of this really solid to the earth community here that exists that wants to support."
She admits that what hides outside of Cincinnati is what scares her most. We traded stories and conversations about recent revelations of ignorance and misogynistic skeletons in some of contemporary music’s most renowned scenes, tales of classical composers saying woman have no place in conducting pieces.
Sullivan acknowledges being weary of “the whole, big wide world,” with such possibilities floating around in clouds of reality.
“Cincinnati scares me in its
own ways,” she says. “Almost what scares me more is beyond what’s Cincinnati,
just the competitiveness that can be fruitful if you’re successful in the game.
And I think part of me has been afraid of success, because with that success,
you know what’s gonna come: it’s gonna be that banter online, all those
anonymous people hemorrhaging bullshit…Why bother?”
Even with such uncertainty for outside markets, Sullivan exhibits an insight and strength that propels her forward, even more so because of her acknowledgements of the bad that can come with the good. She says she’s learning to navigate her way around “the hemorrhaging bullshit.” Her awareness of everything that can dampen an otherwise well lit stage is what makes her voice so definitive on the conversation about the regressive mentality of misogyny that can still exist in our present day music-scape.
There exists within Molly Sullivan a partnership between community appreciation and individualistic impetus. She acknowledges the power of community backing, saying it’s a “powerful thing to have a female musician community to support each other.” And she recognizes the groundwork that’s been laid out in years past.
“We’ve seen the rise of a few
female fronted bands come through,” Sullivan says, “and people are more willing
to be excited for that and support it.” (She cites the Seedy Seeds and Wussy as
pioneers for female musicianship.) Sullivan is aware of where we’ve been and
where we are. But what’s more, she’s ready to take us to where we need to be.
And she’s ready to do that with a self-made spirit.
“I’m getting to a point where I don’t give a fuck really,” Sullivan says.
It was with a new impetus
that she’s approached her musicianship. “I’ve grown stronger as a female
musician,” she says. “Now I’m just kind of like, well, if you don’t want to
listen to it then fuck you, you don’t have to be here. It took me a long time
to get to that point, and I still kind of have some insecurity about it. But
most of the time I’m just like, ‘Molly, grow a pair, get over it.’ ”
Sullivan also explains the intentionality behind her current solo-set performances. Much in the same vein of playing in new venues, under possibly uncomfortable lights, she exhibits a drive to explore her boundaries, and expand past her limitations.
“I’ve chosen to do these
things by myself,” she says. “If I’m going to play with a band later, I need to
be OK playing solo first. It’s been really empowering, doing all of that.” She proves herself to be relentless and,
though hurt, unscarred by the outside forces of misinterpretation and
It’s with a knowing, weathered paddle that she navigates these future streams. And it seems she couldn’t be more pleased with the direction she’s headed.
“So far, it’s been really
lovely being back.” She takes a moment, at the end of our conversation, to
reflect out loud. “Would you look at that? I did that. And I don’t need anybody
else. I’m all about collaboration, but it’s really good to know that I don’t
need anybody. I’m capable.”
But hours before City Council expects to make a decision, it's unclear whether the legislative body has the six votes necessary to overcome Mayor John Cranley's veto and restart construction for the streetcar project.
The deciding vote will most likely come from Charterite Kevin Flynn, who says he's working behind the scenes with undisclosed private entities to get the streetcar's operating costs off the city's books. If that deal pulls through, Flynn would provide the sixth vote to keep going.
The project already has five votes in favor: Democrats David Mann, Chris Seelbach, Yvette Simpson, P.G. Sittenfeld and Wendell Young.
Three council members have long opposed the project: Republicans Amy Murray and Charlie Winburn and Independent Christopher Smitherman.
It's a big financial decision for the city.
If the city goes forward with the project, it would cost $53.9-$68.9 million, depending on whether the city convinces courts Duke Energy should pay for $15 million in utility costs, according to an audit from consulting firm KPMG.
If the city cancels, it will incur $16.3-$46.1 million in additional close-out costs, the same audit found. But it will get nothing for those tens of millions spent and could face costly litigation in the future.
Council expects to make a final decision at Thursday's 2 p.m. meeting. Follow @germanrlopez on Twitter for live updates.
The city would save just $7.8-$52.6 million in capital costs if it takes on tens of millions in additional expenditures to cancel the $132.8 million streetcar project, an independent audit revealed yesterday. The news appeared to throw another potential lifeline for the streetcar, which can now claim a five-member majority of supporters on City Council. But with Mayor John Cranley's veto threat, council will likely need six votes to continue the project. Council expects to make a decision today, prior to a Friday deadline for federal grants funding roughly one-third of the project.
Some city leaders are trying to ensure all of Cincinnati's 3- and 4-year-olds attend quality preschool programs through Cincinnati’s Preschool Promise. Citing swaths of studies and data, Greg Landsman, executive director of the education-focused Strive Partnership, says the policy could reach all corners of the city and hugely benefit the city’s economy in the long term. But supporters of the proposal first must find a means to fund it, which Landsman says will likely require some sort of voter-approved tax hike in 2014. Before the Preschool Promise campaign gets there, Landsman vows supporters will heavily engage the community to gather feedback and determine the scope of the proposal.
City Council yesterday unanimously approved $20 million in capital funding for the $106 million uptown interchange project, which will allow the project to move forward with the state and Ohio-Kentucky-Indiana Regional Council of Governments filling the rest of the funding gap. The capital allocation means property taxes will remain higher than they would without the project, as revealed at Monday's Budget and Finance Committee. Mayor Cranley and council members argue the cost is worth it because, as a study from the University of Cincinnati's Economics Center previously found, the project will generate thousands of jobs and other economic gains in the uptown area.
Commentary: "Anti-Streetcar Logic Should Stop Uptown Interchange Project."
The Democratic majority on City Council yesterday dismissed legislation that would have repealed controversial bidding requirements for Metropolitan Sewer District (MSD) projects. Council's decision could put Cincinnati and Hamilton County on a collision course over rules governing a federally mandated revamp of the city's inadequate sewer system. A majority of council members support the bidding requirements as a way to foster local jobs and local job training, while opposing county officials say the rules favor unions and impose a huge burden on MSD contractors. Councilman Chris Seelbach says he's working with Hamilton County Commissioner Greg Hartmann to get both parties in mediation talks and end a county-enforced hold on sewer projects before the federal government begins enforcing its mandate.
The city of Cincinnati is allowing residents to put out extra trash bags next to approved trash containers between Dec. 26 and Jan. 3 in a "trash amnesty."
Gov. John Kasich's 2014 wish list: More infrastructure funding, measures that curb health care costs, new anti-drug and anti-poverty initiatives, and another tax cut.
Ohio's May ballot could include a measure that would tap into existing revenues to boost funding for infrastructure projects around the state.
Seventeen non-U.S. citizens allegedly cast illegal ballots in Ohio's 2012 general election, according to Ohio Secretary of State Jon Husted.
Two Democrats in the Ohio Senate proposed legislation that would allow same-sex couples to file joint tax returns. But Republicans control both chambers of the Ohio legislature, so it's unlikely the bill will pass.
Four Ohio libraries, including the Public Library of Cincinnati and Hamilton County, are collaborating to preserve historical documents, photographs and more.
Congress passed a bipartisan budget deal that will avoid a federal government shutdown and ease previously planned across-the-board spending cuts.
A new study found the Milky Way has four arms, not two as previously believed.