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by Rick Pender 01.18.2013
Posted In: Arts community, Visual Art, Theater at 09:11 AM | Permalink | Comments (0)
 
 
a&c1_abigail1702_photo_clintonbphotography

Stage Door: Options Abound

An avalanche of theater heads our way next week — including the touring Broadway musical Memphis (not Million Dollar Quartet, as mistakenly published in last Sunday's Enquirer), the regional premiere of Freud's Last Session at Ensemble Theatre Cincinnati (not "Freud's Last Stand" as the same Enquirer piece labeled it — doesn't our daily paper employ copy editors and fact checkers?), the world premiere of Roberto Aguirre-Sacasa's Abigail/1702 (in previews this weekend; read more here) and a concert staging of Lerner & Loewe's lovely musical Camelot at the Carnegie Center in Covington (with accompaniment by Mischa Santora and members of the Cincinnati Chamber Orchestra). 

By the way, there's apparently such anticipation for Freud's Last Session, which features local actor Bruce Cromer, that tickets are selling out for some performances. As a result, even before the show opens on Jan. 23, ETC has extended the show's run by a week, to Feb. 16. Box office: 513-421-3555

If you haven't yet caught Cincinnati Shakespeare Company's staging of Richard II, you really should make a point of doing so. In my review, I pointed to Brent Vimtrup's multi-faceted performance. I'll add here that there are strong supporting performances from Jim Hopkins, Nick Rose and Giles Davies (this longtime CSC favorite is back in town for a few productions). This show isn't often produced (it's the first time for Cincy Shakes in its 19-year history), but this staging will make you wonder why. It's bursting with poetry, and there's lots to look at with beautiful 14th-century-styled costumes. An Acclaim Awards panel cited Vimtrup's performance as well as Andrew Hungerford's lighting design; I gave the production a Critic's Pick. Need any more encouragement? Tickets: 513-381-2273, x1

Elsewhere, you'll find a production of Adam Rapp's Red Light Winter by Untethered Theater at Clifton Performance Theatre. This is a chilly drama about a weird love triangle. It's a great piece for three young actors. Look for a review in the next issue of CityBeat. (Tickets: 513-939-0599) If you want something a little lighter, consider Moonlight and Magnolias at Mariemont Players, a very dependable community theater on Cincinnati's east side. The show is an amusing reconstruction of the behind-the-scenes shenanigans involved in writing the script for Gone with the Wind. It's told with a lot of slapstick that will have audiences laughing out loud. (513-684-1236)

 
 
by Rick Pender 01.11.2013
Posted In: Theater at 10:29 AM | Permalink | Comments (0)
 
 
Photo: Rich Sofranki

Stage Door: Cincy Shakes Opens 2013

Cincinnati Shakespeare Company is the first out of the chute with a new production in 2013. Of course, it's a 400-year-old play about a king from two centuries before that. But Shakespeare proved with his script for Richard II that there are universal traits that make us all human, even if we're a king who's supposedly given his powers directly from God.

Richard was thrust onto the throne while still a teenager, and in Shakespeare's version he's an adult but very uncertain of his right to rule and doubtful of his ability to do so. That kind of anxiety still makes sense in the 21st century. So CSC's first-ever staging of the show is something that should interest both to your average theatergoer as well as anyone looking to complete the experience of seeing every play the Bard penned. This one marks No. 37 of 38 for CSC; one more year and they'll have staged every one of Shakespeare's surviving works, quite an accomplishment. With a fine actor, Brent Vimtrup, playing Richard, and a script that's all poetry, this one promises to be both fascinating and satisfying.

More things start up next week and the one after that has a veritable avalanche of shows, so I suggest you hustle on downtown to Cincy Shakes venue and catch this one before you have too many choices. 

 
 
by Rick Pender 01.04.2013
Posted In: Theater, Visual Art at 09:50 AM | Permalink | Comments (0)
 
 
end days at etc - richard lowenburg as nelson - photo ryan kurtz

Stage Door: New Year Edition

There's not much onstage locally yet as our theater companies prepare their first productions of 2013, so here's a tip for this weekend. WVXU's airing of Deborah Zoe Laufer's End Days on L.A. Theatre Works on Saturday evening at 8 p.m. (That's FM 91.7 if you're still using a radio or wvxu.org if you prefer to listen online.)

It's the story of a middle-American housewife who has found salvation and her rebellious teenage daughter who wants nothing to do with it. But when a bookish young suitor in an Elvis suit comes calling, the daughter experiences an unexpected revelation of her own. If you're a regular at Ensemble Theatre Cincinnati, you will remember this show from a darkly funny production in March 2011. (Read my review here.)

And a further note of interest: A world premiere work by Laufer is headed our way in February at the Cincinnati Playhouse: It's called Leveling Up, a show about twentysomethings making the transition from college to a "real" life of video games in a Las Vegas basement. Laufer has a knack for catching the drift of contemporary culture, so tune in for End Days on Saturday and get ready for Leveling Up coming soon.

 
 
by Rick Pender 12.14.2012
Posted In: Theater, Arts community at 11:49 AM | Permalink | Comments (1)
 
 
holiday_onstage_achristmascarol

Stage Door: Making Merry Edition

By next weekend you'll be all crazy with gift shopping and baking cookies, so theater might not be such a high priority. So how about catching a great holiday show this weekend to put in in the holiday mood?

Starting Sunday evening you can get caught up on Christmas lore — well, at least a funny, off-kilter version of it — thanks to the jolly folks at Cincinnati Shakespeare Company who are presenting Every Christmas Story Ever Told (and then some)! The mash-up of Rudolph and Frosty and Santa and Ebenezer and George Bailey (and a lot more) opens on Sunday evening. Cincy Shakes used to offer this one in the courtyard at Arnold's Bar & Grill, but they had such demand for tickets that they've moved it to their mainstage, over on Race Street in Downtown Cincinnati. They seem to have been correct in anticipating that people wanted to see the show: Several days before it opened, almost all the tickets had been sold! So they've added four more performances, 2 p.m. on Dec. 22-23 and 29-30. It all wraps up on Dec. 30, so don't waste any time figuring out when you're going fit this in. And to keep up your holiday spirits, Cincy Shakes has scored a temporary liquor permit for the run of this show. Cheers! Tickets: 513-381-2273, x1.

Speaking of Cincy Shakes, you still have a few more chances to see The Importance of Being Earnest (see review here) before it vacates the premises for Every Christmas Story. Oscar Wilde's witty farce is not a holiday show, but it's a great deal of fun, guaranteed to put you in a good mood. Although I haven't seen Falcon Theater's production of It's a Wonderful Life — recreating the story of George Bailey and Bedford Falls as it might have been without him —  it's picked up some solid recognition from a panel of judges for the Acclaim Awards. The story is presented as a production of a 1940s radio play, and it's happening in Newport's intimate Monmouth Theatre. Tickets: 513-479-6783.

Ensemble Theatre's fractured musical retelling of Alice in Wonderland (see review here) offers a colorful, visual feast as well as a take on the story that has a few lessons for kids, but plenty of entertainment for everyone. (Tickets: 513-421-3555) And the most traditional of all the holiday shows, A Christmas Carol at the Cincinnati Playhouse, continues to be a great outing for families. We had out of town guests last weekend who came to Cincinnati to see it, and they loved every minute of it. If you haven't seen it, this is one you'll remember — and probably want to add as a must-see every holiday season. Tickets: 513-421-3888.
 

 
 
by Rick Pender 12.07.2012
Posted In: Theater at 10:38 AM | Permalink | Comments (0)
 
 
naughty list

Stage Door: More Holiday Cheer

As I wrote in my column in the current issue of CityBeat, there's a lot of good holiday theater available on Cincinnati stages right now. The Playhouse's production of A Christmas Carol, now in its 22nd year, is best in class — a well-told traditional tale with some of the best professional actors in town onstage, from Bruce Cromer as Scrooge and Dale Hodges as the Ghost of Christmas past. There are a few new faces, too, playing the Cratchits. And speaking of new faces, I feel comfortable recommending New Edgecliff Theatre's one-woman show, The 12 Dates of Christmas, which is being engagingly performed by Annie Kalahurka. It's paired with David Sedaris's The Santaland Diaries, which feels a little shopworn to me, but you can catch the double-bill downtown at the Arnonff's Fifth Third Bank Theater — and maybe go for drinks at Arnold's before or after the show.

If you're looking for something kind of different, try The Naughty List (review here), a holiday-themed improv show (presented in Arnold's courtyard on Sunday, Monday and Tuesday evenings) by Know Theatre. Five quick-witted comics who constitute OTR Improv are doing routines that use audience suggestions (and occasional audience participants) for nearly two hours of entertainment. It's a different show every night.

Have kids you want to take to the theater and give them a taste of what fun it can be? Two good bets are Ensemble Theatre Cincinnati for one of its musical fairytales with a moral (this year the show is a colorful, cartoonish rendition of Alice in Wonderland) and Covedale Center, where Rodgers and Hammerstein's Cinderella is singing and dancing its way through another familiar story the kids will know. The prince is handsome, Cinderella is sweet and the nasty Stepmother is played by a guy.

As far as familiar stories go, you've probably seen Frank Capra's classic holiday film It's a Wonderful Life a few times during the holidays. But I bet you haven't experienced in the unique way that Falcon Theater offers it up at Newport's Monmouth Theatre: The script frames the story as an old-time radio drama, and you get to watch behind-the-scenes as a handful of actors play all the roles and a few others create  the necessary sound effects. It opens this weekend and runs for a week. I haven't seen this year's edition, but I've enjoyed past incarnations, and I suspect this one will be entertaining as well.

Happy holidays!

 
 
by Stefanie Kremer 12.03.2012
Posted In: Theater at 11:09 AM | Permalink | Comments (0)
 
 
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Pro-Gay Marriage Play Tonight at Ensemble Theatre

CPT to perform '8' in conjunction with expected Supreme Court Decision on Prop 8

Paralleling today's likely U.S. Supreme Court decision on California's Proposition 8, Clifton Performance Theatre is hosting a one-night performance of 8 at Ensemble Theatre tonight at 8 p.m.

8 is the real-life story about two loving same-sex couples living in California who want to get married but can't because in 2008 Proposition 8 took away the right for LGBT couples to marry in California.

Written by Academy-Award winner Dustin Lance Black (Milk, J. Edgar) and directed by Kevin Crowley, this play is based on actual transcripts from the Perry v. Brown trial. 8 flashes in and out of the courtroom while also providing a glimpse into the lives of the average American same-sex couple through the struggles of real-life couples Kris and Sandy and Paul and Jeff. 

Just like these couples, gay-rights activists have been fighting for same-sex marriages across America for more than a decade. Some progress has been made as gay marriage is now legal in nine states and the District of Columbia, but many California residents feel left out and are eager to resume same-sex marriage in their state.

According to studies from the Williams Institute at UCLA law school, there are nearly 100,000 same-sex couples living in California and if given the opportunity to legally marry, 24,000 would do so.

After being engrossed with all the drama of the courtroom and seeing how the case affects the plaintiffs in 8, tune back into reality as the U.S. Supreme Court is likely to announce a decision about Proposition 8 today.

Tickets to "8" may only be purchased through the Clifton Performance Theatre by calling 513-861-SHOW or clicking here. All proceeds benefit Equality Cincinnati and the Human Rights Campaign.

 
 
by Rick Pender 11.30.2012
Posted In: Theater at 09:42 AM | Permalink | Comments (0)
 
 
onstage - brent vimtrup as algernon moncrieff in the importance of being earnest @ cincy shakes - photo rich sofranko

Stage Door: Non-Holiday Edition

So Thanksgiving was early this year, and that means that not only retailers but all of our local theaters have fired their starting guns earlier than usual with family-friendly holiday shows. That began with Ensemble Theatre's opening of Alice in Wonderland on Nov. 28, and continues with Cinderella at the Covedale, A Christmas Carol at the Playhouse and New Edgecliff's Santaland Diaries (newly paired with The 12 Dates of Christmas) using a new venue, the Aronoff's Fifth Third Bank Theater.

But before you start wearing your Christmas sweaters and holiday socks, I have a few non-seasonal but highly entertaining productions you should consider:


Let's start with Cincinnati Shakespeare's staging of
The Importance of Being Earnest. This is a classic comedy from 1895 by Oscar Wilde, but don't think there's anything old and musty about it. The production of this witty, romantic tale of harmless manipulation bubbles with laughter and sprightly performances. I gave it a Critic's Pick here and I suspect it will be another sold-out run for Cincy Shakes, which has assembled a gangbuster season. You should note that it's only onstage through Dec. 16, so if you want to see it, don't wait too long. (As of the 16th it will be supplanted by Every Christmas Story Ever Told (and then some), Cincy Shakes' holiday offering.) Box office: 513-381-2273 x.1.

And if smiles without holiday trimming are something you seek, I highly recommend the touring production of
Jersey Boys. This is the true story of Frankie Valli and the Four Seasons, Pop stars from the 1960s, and the show is stuffed full of their memorable, tuneful hits. The four leading actors faithfully recreate the group's close harmonies and Valli's soaring falsetto tenor — he's one of the great Pop vocalists of all time, and Nick Cosgrove nails the role. Although the history of these four singers has its ups and downs, the story is told with a sense of wry humor (and numerous F-bombs) that keeps things light and entertaining. Audiences have been clamoring for Broadway in Cincinnati to bring this show back since it appeared at the Aronoff back in 2008, and tickets are selling fast. Box office: 800-982-2787.

Don't forget
Hank Williams: Lost Highway at the Playhouse's Shelterhouse stage. (Review here.) It's another genuine reincarnation of a singer who made an indelible mark on the world of Pop music. Box office: 513-421-3888.

 
 
by Rick Pender 11.16.2012
Posted In: Arts community, Theater at 10:18 AM | Permalink | Comments (0)
 
 
onstage to do 11-21 - leah strasser and mindy heitkamp  in savage in limbo by untethered theatre company - photo kirk sheppard

Stage Door: Thanksgiving Edition

The weekends around Thanksgiving tend to offer fewer theater opportunities than most since lots of companies are readying holiday productions that open near the end of the month. (In fact, from Nov. 28 to 30, eight shows will open!) But that doesn't mean you should look elsewhere for entertainment.

First and foremost is Street Scene at UC's College-Conservatory of Music, the kick-off of a year-long celebration of works by Kurt Weill. It's a dramatic American opera in two acts, a story set in a mid-century Manhattan neighborhood. It's a massive undertaking involving hundreds of students from several CCM departments; Steven Goldstein is directing, and the performances will be musically conducted by Mark Gibson. The opera is based on Elmer Rice's Pulitzer Prize-winning drama; it's sometimes compared to Porgy & Bess, presenting a wide range of multi-ethnic characters and two intertwined love stories. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets ($17-$30): 513-556-4183.

A feisty young theater company, Untethered Theatre, is producing a dark comedy, John Patrick Shanley's Savage in Limbo in a storefront theater on Ludlow Avenue, Clifton Performance Theater. The performers are young and the characters they portray are young adults who haven't yet taken hold of life. The venue is intimate, recreating a bar where the characters gather, and the audience sits amidst the action. Tickets ($15): 513-938-0599. If you show up at 7:55 p.m. you might get lucky and score a rush seat for $5.

Two community theaters are wrapping up productions of classics that ought to be worth seeing: Cincinnati Music Theatre is presenting Stephen Sondheim and George Furth's Tony Award-winning musical from 1970, Company, at the Aronoff Center's Jarson-Kaplan Theatre. Tickets: ($20-$22): 513-621-2787 … And Footlighters' is finishing up a run of Thornton Wilder's 1938 Pulitzer Prize winning play, Our Town, at the Stained Glass Theatre in Newport. Tickets ($20): 859-652-3849.

Finally, if you want an evening of great music with a bit of true life biography, check out Hank Williams: Lost Highway, at the Cincinnati Playhouse. This one runs through the holidays, but tickets will be hard to come by in December, so this would be a perfect weekend to take in a performance of two dozen songs by the guy who blended the Blues with "Hillbilly" tunes and more or less created Country Western music in the early 1950s. You'll know lots of the tunes. Tickets: 513-421-3888.

 
 
by Rick Pender 11.12.2012
Posted In: Theater at 10:05 AM | Permalink | Comments (0)
 
 
Photo: Eric Vosmeier

At Last, We Can Know ...

Looking ahead at Know Theatre's holiday schedule and beyond

In my recent Curtain Call column, I talked about collaboration and made some mention of past ventures by Know Theatre. After a period of self-examination covered in an earlier column ("Big-Picture Thinking at Know Theatre," issue of Oct. 24), the Over-the-Rhine company has now shared some of its programming plans for the holidays and the months ahead.

For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.

Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)

Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.

After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow. 

More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."

One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.

Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.

 
 
by Rick Pender 11.09.2012
Posted In: Theater at 09:01 AM | Permalink | Comments (0)
 
 
to do_onstage_grim and fischer_ kate braidwood and andrew phoenix_photo james douglas

Stage Door: The Little Guys

There's plenty of good theater available around town in the next few days, including the just-opened production of Hank Williams: Lost Highway at the Cincinnati Playhouse, as well as Romeo and Juliet and Titus Andronicus, which finish their runs at Cincinnati Shakespeare this weekend. But for this week's edition of Stage Door, I'm recommending three productions that might not be on your radar.

One of the big hits of the 2012 Cincinnati Fringe Festival, Grim and Fischer, is back for performances on Friday and Saturday. It was only offered three times back in June, and a lot of people missed the unusual "full-face mask" show about death (aka Grim, as in "Grim Reaper") matching wits with elderly Mrs. Fischer, who's not ready to take her leave of this world. Everyone who saw the wordless piece raved about it, so Know Theatre (they guys who present the Fringe) have brought back the two performers from Wonderheads Theatre in Portland, Ore., to give us three more chances, Friday and Saturday evening at 8 p.m. plus a 3 p.m. Saturday matinee. I'm not missing their 50-minute performance this time around. Tickets ($12): 513-300-5669.

Community theater often brings back classics that audiences love, and Footlighters (you can find them at Newport's Stained Glass Theatre, right across the street from the York Street Cafe) is doing just that with Thornton Wilder's 1938 Pulitzer Prize winner, Our Town. But don't think you've been there and done that, since this production takes several familiar conventions and freshens them. The "Stage Manager," usually a folksy older guy, is played by a woman, and many of the references to New England life in the early 1900s are minimized, which makes the show feel a lot more universal and relevant to life today. Through Nov. 18. Tickets ($20): 859-652-3849.

And my third recommendation is from another community theater, one that really knows its way around musicals: Cincinnati Music Theatre is staging Stephen Sondheim and George Furth's Company, a Tony winner from 1970 — and again in 2007 when the Cincinnati Playhouse's revival of the story of Bobby and his married friends moved to Broadway and was named the year's best musical revival. It has a brilliant and energetic score, great comic scenes and songs you're likely to know, including "Another Hundred People," "The Ladies Who Lunch" and "Being Alive." CMT presents its shows at the Aronoff Center's Jarson-Kaplan Theater. Through Nov. 17. Tickets ($22): 513-621-2787.

 
 

 

 

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by Rick Pender 04.16.2014 2 hours ago
Posted In: Theater at 08:46 PM | Permalink | Comments (0)
 
 
2014-fringe-festival-image - designed by alex kesman copy

Know Theatre Announces 2014 Fringe Festival Lineup

This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.

Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”

“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”

The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.

For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:

·     An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.

·     Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.

·     Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”

·     Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.

·     The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.

The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.

In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.

Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.

There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.

 
 
by Rick Pender 04.16.2014 15 hours ago
Posted In: Theater at 07:57 AM | Permalink | Comments (0)
 
 
heist 2

Know to Announce 2014 Fringe Lineup Tonight

Eleventh-annual fest kicks off May 27

This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati will announce the lineup for the 11th annual Cincinnati Fringe Festival. The two-week festival begins on Tuesday, May 27, with the CityBeat Fringe Kick-Off Party, and continues through Saturday, June 7, presenting 33 productions — 17 plays, two musicals, seven solo performers, six dance presentations and one defined as “variety/other.” In addition, there will be four FringeNext productions, featuring area high school students, and an array of special events.

“We had a great mix of new producers and returning favorites in the applicant pool,” says Producing Artistic Director Eric Vosmeier. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”

The pool of applicants, comparable to last year’s record-breaking number, has yielded a mix of local vs. out-of-town producers: 15 from Greater Cincinnati, including the return of Performance Gallery for the 11th consecutive year (it’s the only group that’s been in every Fringe) with a new piece, Heist, about three crooks of questionable ability. There will be 18 productions from beyond Cincinnati, including three international shows.

Vosmeier expects the festival to attract more than 8,000 visitors for 2014. If you’re one of those people who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) that gives you access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can be there for one evening, a “One Night Stand” pass ($25) is available, offering access to any two performances in an evening and one drink at Know Theatre’s Underground bar. Individual tickets to Fringe Festival shows continue to be priced at $12; they’ll go on sale in mid-May.

Look for more information at CityBeat.com after the 7 p.m. announcement tonight. More info: cincyfringe.com.

 
 
by Rick Pender 04.11.2014 5 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Green Day and More

If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot. But since you're reading my weekend theater previews, you must be interested in other kinds of performance, so here's a tip: For two nights only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday only, just three performances, much shorter that Broadway in Cincinnati's two-week presentation of touring Broadway musicals. I can vouch for this one, since I saw it a year ago during a similar tour stop in Dayton.

It's the story of three disaffected guys who take different downward spirals when confronted with the numbing boredom of everyday life — "alien nation" — as they sing in the opening number. The recording was conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated Broadway show in 2010, with a lot of involvement by Green Day's lead singer Billie Joe Armstrong (who actually appeared onstage in New York at various performances; that's not happening here in Cincinnati). There's a day-of-performance lottery for a limited number of $25 tickets; you need to show up two-and-a-half hours before the performance you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday) with a valid photo ID. Complete an entry form and wait 30 minutes to find out if you're a winner. If you prefer to just go ahead and buy your seats ($38-$91), you can call the Aronoff box office: 513-621-2787.

In the classic musical Gypsy, Rose has very concrete ideas regarding how to turn her daughters into stars (long before Green Day was punking out, to be sure): Back in the 1920s and ’30s she pushed her kids onto vaudeville stages whether they liked it or not. Things never went quite as she imagined, which was really a desire for her own fame and stardom. It's one of the great musicals, and the role of Rose has been compared to King Lear. That might be a bit of a stretch, but she's a tragic character who's fascinating to watch. There's a ton of great music, composed by Jule Styne with lyrics by a very young Stephen Sondheim and lots of humor along the way, especially the hilarious number by three strippers, "You Gotta Get a Gimmick." Cincinnati Landmark opened its production Thursday night, and it will be onstage at the Covedale Center for the Performing Arts through May 4. Tickets ($21-$24): 513-241-6550.

Mary Chase's comedy Harvey won the 1945 Pulitzer Prize and had a four-year Broadway run (1,800 performances). The story of Elwood P. Dowd and his invisible friend, a 6-foot tall rabbit named Harvey, is perhaps best known for the 1950 movie featuring Jimmy Stewart in an Oscar-nominated performance. That's all well and good, but it's a show that audiences love to see live and in-person, and you can do just that at Covington's Carnegie for the next three weekends (tonight through April 27). It's directed by Buz Davis, who produced shows at the Carnegie when it was a dilapidated wreck back in the ’80s and ’90s. Now he's returning to stage Harvey in the beautifully renovated Otto M. Budig Theatre.
(Tickets ($17-$24): 859-957-1940.) Davis has assembled a strong cast for this family-friendly comedy, you can catch a few of them in this charming promotional video:



Still onstage are several recommended productions: The Mountaintop at Ensemble Theatre (final extended performance is Saturday evening; 513-421-3555); A Delicate Ship at the Cincinnati Playhouse (through April 20; 513-421-3888; CityBeat review here); and The Twentieth-Century Way at Know Theatre (through May 3; CityBeat review here.) And if Monday comes and you want still more: Check out True Theatre's next installment — True Dating (7:30 p.m. at Know Theatre). This round of monologues of real experiences will feature stories of dating that led to true love, and some that went off the tracks along the way. Tickets ($15): 513-300-5669.
 
 
by Rick Pender 04.08.2014 8 days ago
Posted In: Theater at 03:18 PM | Permalink | Comments (0)
 
 
stage door image for 10-4 - seven spots on the sun - cincy playhouse - photo sandy underwood

Playhouse World Premiere 'Seven Spots on the Sun' Earns National Recognition

Actors Theatre’s Humana Festival is indeed a launching pad for exciting new works. That makes its final weekend the perfect moment for the American Theatre Critics Association to recognize a set of outstanding plays produced at regional theaters during 2013. None of the 2013 Humana Festival shows was nominated, but one of the three works to win a significant cash prize ($7,500) was Martín Zimmerman’s Seven Spots on the Sun, given its world premiere at the Cincinnati Playhouse in the Park last fall. The play blends magical realism and political issues in an affecting tale examining if forgiveness is truly possible. Set in a Central American nation ravaged by civil war, lust, plague and a consuming need for vengeance, it’s about a widowed doctor in a small village and a newly-married soldier charged with subduing dissent. Their journeys towards redemption converge in some painful ways.

The top prize ($25,000) went to Lauren Gunderson for her play I and You, about a cranky high school student who needs a liver transplant. A smart, athletic classmate recruits her to help him finish a school project focused on Whitman’s Leaves of Grass. As their unlikely relationship evolves, they explore the meaning of life and death without a shred of condescension or pretentiousness. I and You was staged last October at Marin Theatre Company in California, where Jasson Minadakis, who founded Cincinnati Shakespeare Company, is now artistic director and nurtured the development of Gunderson’s script. Her play Toil & Trouble was presented locally last summer by Know Theatre.

 
 
by Rick Pender 03.21.2014 26 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 

Stage Door: Excellent Options

The three-week run of the tour of Wicked wraps up this Sunday at the Aronoff Center. It's a faithful reproduction of the Broadway hit, with performers who can give you the experience of seeing the original, a kind of prequel to The Wizard of Oz. (Tickets, $38-$188: 513-621-2787, but each performance has a pre-show lottery; if your name is pulled, you can buy a ticket for $25). If you've already seen this one, I suggest you check out one of the great new productions on local stages.

Ensemble Theatre Cincinnati has offered another powerhouse season this year, but I'll venture to say that The Mountaintop is aptly named: It's at the peak. It's an imagined story about Rev. Martin Luther King Jr. on the night before he was assassinated. I'll venture to say that you've never seen him in quite this altogether human light, as portrayed — dare I say wholly embodied — by Gavin Lawrence. And then he's visited by Camae, a sassy maid who evolves into something so much more as he contemplates the meaning of his life. The always watchable Torie Wiggins takes on this role, and it might be one of her best performances yet at ETC. The Mountaintop won London's Olivier Award for Best New Play in 2011, and in my opinion, it's one of the best productions we'll see here in Cincinnati this theater season. Through April 6. (Tickets, $25-$43: 513-421-3555).

I caught up with the Cincinnati Playhouse's production of Pride and Prejudice at the Playhouse earlier this week. (It opened a week ago, but I was out of town.) It's a faithful rendition of Jane Austen's beloved novel, gorgeously staged and costumed. It has a big cast, so all the characters, quirky and memorable, are present and accounted for — a few actors need to play more than one role. If you're an Austen fan, I suspect you'll like this one; if not, you might find it kind of uneven, since some characters come across as cartoons (especially Elizabeth Bennet's meddlesome, garrulous mother and the arrogant Lady Catherine de Bourgh) while others are more naturalistic. Kate Cook's Lizzie has all the right notes (she ought to, as she's played the role several times elsewhere) and Loren Dunn's Mr. Darcy, while a bit slow out of the gate, eventually captures the character's aloof charm. Director Blake Robison has done a good job with an interesting adaptation that has scenes that flow swiftly one into the next, sometimes with overlapping elements that recall past moments. Through April 5. (Tickets, $30-$80: 513-421-3888).

Back in the early 1980s, the musical A … My Name is Alice had a long run at New York City's The Village Gate. Northern Kentucky University is producing its version of this collection of songs focused on the paradoxes women face — beauty, strength and heart. The show, created by an array of comedians, lyricists and composers, has 20 songs. It's being staged by Corrie Daniely, the newest faculty member in NKU's theater and dance department. Through April 30. (Tickets, $8-$14: 859-572-5464).

 
 
by Rick Pender 03.14.2014 33 days ago
Posted In: Theater at 08:25 AM | Permalink | Comments (0)
 
 
ccm musical theater seniors 2014 - photo mark lyons

Stage Door: Broadway's Future

I had a glimpse of Broadway's future last night on campus at UC. I attended Not Yet Famous, the 22nd edition of CCM's musical theater showcase, featuring the about-to-graduate senior class. The 19 vibrant performers presented a 45-minute program that they'll take to New York City on April 7 to present to casting agents, producers and others. It's how they begin to land contracts and establish relationships that will give them solid professional careers. With accompanist Julie Spangler at the piano, the singers worked as a large ensemble and smaller sets, but each one had multiple chances to show off her or his strengths as a singer, dancer and actor — they're all trained to be "triple threats" with a polished arsenal of vocal and movement skills. They were warmly received by the Friends of CCM, the support group that helps keep various programs at the conservatory going; the evening was a benefit. You have a chance to see the showcase for free if you act quickly: There will be performances on Saturday at 5 and 8 p.m. at Patricia Corbett Theater. No charge, but you need to call CCM's box office to reserve a seat (limit of two per order). I suspect tickets will be snapped up, so call right away: 513-556-4183.

Wicked is in the midst of its three-week run at the Aronoff Center. This is one of the most popular Broadway shows of the 21st century (it's been running for a decade, as well as spawning productions around the world plus two national tours, one of which is in our midst). It's here through April 23, but tickets are expensive (cheap seats are $38 and anything else is more), so you might want to try your chances in the daily lottery for a $25 orchestra seats. Grab your valid ID and show up in person 2.5 hours before the curtain time to enter; if your name is chosen, you can purchase one or two tickets. Of course, if you're flush you can guarantee seats by buying what you need at 513-621-2787.

The Playhouse just opened Pride and Prejudice, a theatrical adaptation of Jane Austen's most popular 200-year-old novel. I won't see it until next week (busy schedule), but if you're a fan — and it seems that everyone loves her novels of manners and romance — you probably need to line up to see this one. Director Blake Robison calls his production "epic," adding, "The story is a satire of the marriage market and an exploration of true love. What could be more fun than that?" It's onstage through April 5. Tickets: 513-421-3888.

What with St. Patrick’s Day coming on Monday, this might be the perfect weekend to see Clifton Players’ production of The Irish Curse (at Clifton Performance Theatre, 404 Ludlow Ave.). Lots of folks have told me they enjoyed this tale about a group of Irish-American men who meet weekly in a self-help group in a Catholic church basement to discuss a sad “shortcoming” — let’s call it “small equipment,” a curse they believe has ruined their lives. It gets its final performance on Sunday, right before you line up for your first green beer. Tickets: 513-861-7469.

 
 
by Rick Pender 03.07.2014 40 days ago
Posted In: Theater at 09:24 AM | Permalink | Comments (0)
 
 
les miserables @ ccm - the thenardiers (emily schexnadre and matthew paul hill) whoop it up at their inn - photo mark lyons

Stage Door: Options for All Ages

Can you imagine Les Misérables without a turntable or the immense barricades lumbering down from the wings? Aubrey Berg, head of the University of Cincinnati's College-Conservatory of Music’s renowned musical theater program, has dramatically re-imagined the legendary show for a run at UC, using a largely bare stage backed by a wall of ladders, staircases, shelves and recessed ledges. Berg's simplified physical production earned my Critic's Pick with its sharper focus on characters, action and music. Les Mis has a remarkable cast of 40 or so with soaring vocal talent for solo numbers and breathtaking choral power when they combine forces in iconic numbers such as “Do You Hear the People Sing?” and “One Day More.” It's a spectacular production, onstage through Sunday. Tickets: 513-556-4183.

Wicked just opened a three-week run at the Aronoff (it's the third time the show has been here, and it's set box office records every time). Tickets can be expensive (the cheap seats start at $38 and go up quickly from there), so keep in mind there's lottery for a limited number of $25 orchestra seats for each performance. You need to show up in person 2.5 hours before the curtain time (with a valid photo ID) to submit your name; if it's pulled you can purchase one or two tickets. It's worth a shot. Otherwise, you can purchase tickets by calling 513-621-2787.

If you're a Tony Bennett fan, you might consider heading to the West Side for I Left My Heart at the Covedale Center, a salute to the legendary crooner. You'll get to hear 40 standards that he's known for — "Because of You," "I Wanna Be Around," "The Good Life" and, of course, "I Left My Heart in San Francisco." Tom Highley, Deondra Kamau Means and Brian Wylie will be singing, with Mark Magistrelli at the piano. Through March 23. Tickets: 513-241-6550.

Here's an item worth considering for Monday evening: The Educational Theatre Association, a national organization for high school kids involved in theater, is headquartered here in Cincinnati. (They're the folks behind the National Thespian Society.) They're partnering with the School for Creative and Performing Arts on Monday at 7 p.m. for Making Magic, Defying Gravity. Presented at SCPA's Corbett Theatre (108 Central Parkway in Over-the-Rhine), the evening offers a program of music and conversation featuring members of the touring cast of Wicked (as noted above) and performances by high school students from the area. You'll hear from Jason Daunter, Wicked's production stage manager, and Matt Conover, VP with Walt Disney Parks and Resorts. They'll talk about how their high school dreams led to careers in the theater. Tickets are $10 in advance; 15 at the door (going on sale at 5:45 p.m.). Proceeds from this event will benefit the Friends of SCPA Scholarship Fund and the Educational Theatre Association's Scholarship Fund, both of which will help develop talent for the future of the theater.

 
 
by Rick Pender 03.03.2014 44 days ago
Posted In: Theater at 07:00 PM | Permalink | Comments (0)
 
 
onstage_blake robison - photo sarah bradley

Playhouse in the Park Announces 2014-15 Season

Season ahead includes homegrown works, award-winning shows and a couple of musicals

The Cincinnati Playhouse announced its 2014-15 season on Monday. 

I’m especially looking forward to Peter and the Starcatcher, Vanya and Sonia and Masha and Spike and Circle Mirror Transformation, as well as the premiere production, Safe House

Here’s what’s coming our way, in chronological order:
  • Jeffrey Hatcher’s new whodunit featuring the world’s favorite detective, Sherlock Holmes and the Adventure of the Suicide Club. (Marx Theatre, Sept. 6-Oct. 4, 2014)
  • I Loved, I Lost, I Made Spaghetti, adapted from foodie Giulia Melucci’s hilarious memoir. (Shelterhouse Theatre, Sept. 27-Oct. 26, 2014)
  • A world premiere by up-and-coming playwright and Cincinnati native Keith Josef Adkins, Safe House, inspired by his Kentucky ancestors. (Marx Theatre, Oct. 18-Nov. 15, 2014)
  • Tenderly: The Rosemary Clooney Musical, which traces America’s favorite girl singer from her Cincinnati childhood and Hollywood stardom to triumphant comeback. It’s by the local team of composer Janet Yates Vogt and writer Mark Friedman. (Shelterhouse Theatre, Nov. 15-Dec. 28)
  • The season also includes Charles Dickens’ A Christmas Carol, back for its 24th year. (Marx Theatre, Nov. 26-Dec. 28, 2014)
  • A new version of the recent Broadway show, Ring of Fire: The Music of Johnny Cash, directed by and featuring the star of the Broadway production, Jason Edwards. (Marx Theatre, Jan. 17-Feb. 15, 2015)
  • The second U.S. production of an offbeat love story, Chapatti, a tasty new comedy of misadventures involving love and pets. (Shelterhouse Theatre, Feb. 7-March 8, 2015)
  • Peter and the Starcatcher, the magical, family-friendly Peter Pan prequel that hooked five Tony Awards. (Marx Theatre, March 7-April 4, 2015)
  • A compelling, darkly funny new play by Tracey Scott Wilson, Buzzer, getting its world premiere at Chicago’s Goodman Theatre this month. (Shelterhouse Theatre, March 21-April 19, 2015)
  • The 2013 Tony Award-winning best play, Christopher Durang’s hit comedy Vanya and Sonia and Masha and Spike, full of echoes of Anton Chekhov. (Marx Theatre, April 25-May 23, 2015)
  • The comic off-Broadway hit Circle Mirror Transformation, winner of the 2009 Obie Award for best new American play. (Shelterhouse Theatre, May 9-June 7, 2015)

In a recent conversation, Artistic Director Blake Robison described his program priorities and told me the Playhouse takes them seriously. “Variety is one of our hallmarks. We’re always going to make sure there are new works and culturally diverse works and that there are family-friendly or multigenerational things. We will find ways to continue to support and entertain the traditional audience while reaching out in various directions to new audiences. It’s our responsibility to bring the best theatrical material both old and new to our community.” 

I’d say Robison’s third season sticks to his priorities.

 
 
by Rick Pender 02.28.2014 47 days ago
Posted In: Theater at 08:32 AM | Permalink | Comments (0)
 
 
stage door for 2-28 - lesmiz @ ccm - blaine alden krauss as valjean & kimber sprawl as fantine - photo mark lyons

Stage Door: Hapless Heroes at Cincy Shakes

There's a magnificent production of the legendary musical Les Misérables at the University of Cincinnati's College-Conservatory of Music. I attended the opening performance at Patricia Corbett on Thursday evening, and a show that I've seen umpteen times has been given new life with fresh direction, impassioned staging and innovative design — even if you've seen the legendary original with its turntable and massive barricades, you'll find CCM's rendition, directed by Aubrey Berg, an eye-opener. It's simpler and more dramatic (that's quite a claim for a show designed to pluck your heart-strings), and it's especially noteworthy for the leads' strong vocal performances — Jean Valjean and Inspector Javert are double-cast, a demonstration of the depth of talent in this nationally renowned program — as well as each and every every performer in an ensemble of more than 40.

The 16-musician orchestra, conducted energetically by Steve Goers, sounds larger whole lot more, since several players handle three to five instruments. Berg's staging gives the show a clarity and power that makes it feel fresh and new. It has vivid feature characters and storytelling with momentum and emotional impact. This one is a must-see, so it's great that the production runs longer than many at CCM, where it's usually one-weekend and done: There are nine more performances through Sunday, March 9, which means that more tickets ($31-$35; $18-$24 for students) are available. Nonetheless, they'll be snatched up quickly, so you should call right away to get yours. 513-556-4183.

I saw Cincinnati Shakespeare's Rosencrantz and Guildenstern Are Dead a week ago, and gave it a Critic's Pick in my CityBeat review here. It's a one-off from Hamlet, which Cincy Shakes just staged, using the same cast — but Tom Stoppard's 1966 script puts two throwaway characters in the limelight. Just like the Prince of Denmark, his college chums are perplexed and bedeviled by questions of existence and the meaning of life. They're caught in the swirl of the court — the characters of Hamlet dart in and out around them and add to their confusion — which adds to their confusion about their own roles, the expectations they need to fulfill and their ultimate fate. Billy Chace and Justin McCombs have a firm grasp on their hapless characters: Their sure-handed comic portraits of loquacious Guildenstern and bewildered Rosencrantz might remind you of the movie comedy team of Laurel and Hardy. This classic modern work of absurdity drawn from perhaps the greatest Elizabethan tragedy makes for a fine evening for lovers of great drama. Tickets ($22-$31): 513-381-2273, x1

Andrew Lloyd Webber’s classic musical Evita is at the Aronoff Center through Sunday. It looks great with some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. But Caroline Bowman’s Eva Perón is shrill, and Sean MacLaughlin's Juan Perón lacks the sinister gravitas that the role requires. So there's not nearly enough of the complex passion and manipulation that bonded them as a political machine. The tale of the ambitious woman who rose to the highest levels of power in Argentina then crashed and burned at age 32 is a memorable modern tragedy, and Andrew Lloyd Webber’s rock-opera tunes by will stick in your head. Tickets: 513-621-2787.

 
 
by Rick Pender 02.26.2014 49 days ago
Posted In: Theater at 06:00 PM | Permalink | Comments (0)
 
 
godard

Cincinnati Shakespeare Company Announces 2014-15 Season

Cincy Shakes to offer Gatsby, Birds, Godot and the Bard; NKU has hit musicals and more

Cincinnati Shakespeare Company today announced its 21st season, commencing in July. The company is committed to staging works by Shakespeare, of course, but its goal is broader: It also presents definitive works of drama and literary classics adapted for the stage. As far as the Bard's work, the 2014-2015 season will include a holiday staging of the silly but hilarious The Comedy of Errors. Also on tap is the powerful history play, Henry V, another step in the company's epic five-year, eight-play history cycle that began with Richard II and continues during the current season with the upcoming Henry IV. Additionally, there will be a production in April 2015 of the comic battle of the sexes, The Taming of the Shrew, a popular work that Cincy Shakes staged during its first season in 1994 (as well as in 1999, 2003 and 2009). 

Aside from Shakespeare's works, the coming season will offer stage versions of two beloved American classics: a new adaptation of F. Scott Fitzgerald’s Jazz Age classic The Great Gatsby and the regional premiere of Louisa May Alcott’s Little Women. Daphne du Maurier's thriller, The Birds (familiar to many as a 1963 film by Alfred Hitchcock) will show up in a 2009 adaptation by Irish playwright Conor McPherson (known for numerous works staged locally, including St. Nicholas, The Weir, Port Authority, Shining City and The Seafarer). Next January will bring forth Samuel Beckett’s profound comedy, Waiting for Godot featuring veteran actors Joneal Joplin and Bruce Cromer, and the season concludes in June 2015 with the Cincinnati debut of the Tony-award winning, West-End smash hit comedy, Richard Bean's One Man, Two Guvnors, a 2011 play based on Carlo Goldoni's 1743 comic masterpiece, The Servant of Two Masters.

Tickets for the 2014-2015 season went on sale earlier this month, resulting in a record-breaking first day of sales on Feb. 3. Single tickets are now on sale. For more information, go to cincyshakes.com or call the box office at 513-381-2273, x1.

On Wednesday the department of theater and dance at Northern Kentucky University also announced its productions for the 2014-2015 academic year, a mix of classics and contemporary works. The year kicks off in late September with the ancient Greek tragedy The Bacchae by Euripedes. The fall semester also includes the hit 2003 Tony Award-winning musical Hairspray in October-November and, in November-December, Philip Dawkins' Failure: A Love Story, the magical story of three sisters in 1928 Chicago who live and die in a rickety home by the Chicago River. In February, launching the spring semester, NKU will stage the epic musical Les Misérables, the popular masterpiece that affirms the human desire to achieve redemption. The academic year's theater productions will conclude with the 17th Biennial Year End Series Festival of New Plays. During April, the "YES" festival, as it's shorthanded, will present three world-premiere plays which have not yet been selected. Info: theatre.nku.edu or 859-572-5464.

 
 
 
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