OK, it's the last day of August and the last true weekend
of summer. That typically means there's almost no theater, since most of
the stages in town are readying their season openers. But you do have a
At the Clifton Performance Theatre you can see the last few performances of Nothing, a production brought back from this year's Cincinnati Fringe Festival. It's a one-man show about bullying and autism, told with lots of illustrative video. It was a popular item during the Fringe in June, so it's certainly worth checking out. Tickets: 513-861-7469.
Another Fringe-like option this weekend is a mash-up of OTR Improv and True Theatre, happening at Know Theater, which is kind of like the crazy uncle of these two groups that make the Over-the-Rhine venue their home. On Saturday evening at 8 p.m., they'll present another installment of The Chronicle, a long-form improvisation based on the real-life stories of special guests. Dave Levy and Jeff Groh, the guys who make True Theatre go, are the starting point for the evening's fun and games. They'll tell stories, and then the improv folks will turn them into something more. You can get tickets (for $5) at the door — located at 1127 Jackson Street in OTR.
The Cincinnati Playhouse in the Park opens its new season (with a new artistic director) next Thursday with The Three Musketeers. But here's a tip: You can see previews starting Saturday, and tickets are more affordable than during the actual run of the show. You might know the story of D'Artagnan and his three swashbuckling buddies, Athos, Porthos and Aramis — but I bet you've never seen such a rollicking, have-a-great-time production as this one. I just finished reading the very conversational and funny script, and I suspect that audiences will love this show, especially if it's pulled off with visual panache. It's our first chance to see a work directed by Blake Robison, the new guy in charge. He says this is the kind of work he wants to bring to the stage regularly. Be among the first to see what he's up to. Box office: 513-421-3555.
Other theaters opening shows next week include Ensemble Theatre Cincinnati on Wednesday (Good People is about unemployed folks dealing with the "new normal") and Cincinnati Shakespeare Company starts its production of To Kill a Mockingbird on Friday. Both productions have fine casts: Annie Fitzpatrick is playing the hard-pressed central character in Good People; Bruce Cromer is the virtuous attorney Atticus Finch in Mockingbird. Both are among our most watchable actors.
My Curtain Call column in CityBeat this week offers more about these shows and others that are opening this month.
Artistic Director Jim Stump tells me that they've been notifying the
actors and designers who had been recruited for a staging of Eric
Talk Radio that the production, scheduled to open on
Sept. 27, is not going to happen. He wrote to me in an email, "This is
due to a number of factors, not the least of which was the suddenness of
our losing the Columbia with little warning. This meant we spent a
significant portion of the time we would normally dedicate to the first
production to the search for a new venue. In the end, we didn't feel we
could present a production of the quality our audiences would expect."
NET is still seeking a permanent solution to its venue needs, but Stump says the company will present The Santaland Diaries and The 12 Dates of Christmas at the Aronoff's Fifth Third Bank Theater in December.
Most of the theaters in town are gathering their strength
for the fall season, so there's not much to recommend this weekend —
unless you haven't made it to the Carnegie in Covington yet to see the
delightfully silly production of Xanadu. (Review here.) The recipe for
this delicious concoction is a really lame movie from 1980, some clever
new writing by playwright Douglas Carter Bean, really inventive
direction by Alan Patrick Kenny (the guy who staged Jerry Springer: The Musical
a few summers back) and a cast who can sing (Pop tunes from the ’80s),
dance (to a disco beat, no less), act (like Greek muses, well, kind of)
and do it all on roller skates! This weekend is your final chance to see
After Xanadu closes on Sunday, our local theaters will pretty much be dark for a week or so. Then right after Labor Day, you'll have tons of choices. Look for my Curtain Call column in the upcoming issue of CityBeat for a glimpse of what's in store for September.
If it weren't for the Carnegie's production of Xanadu,
there wouldn't much to point you for theater choices in mid-August. I'm
happy to report that the judges from the League of Cincinnati Theatres
and I are in agreement that
this frothy piece of roller-disco and Greek mythology is a great piece
of silly entertainment. (Review here.) It's great to see the work of Alan Patrick Kenny
onstage again in Cincinnati. I should mention that this show
constituted his master's thesis for his graduate degree from U.C.L.A.,
and his advisors came to town to pass judgment on it. They apparently
gave him a passing grade, completing his academic efforts and
green-lighting him for his new job teaching musical theater at the
University of Wisconsin at Stevens Point. I hope it's not too long
before he gets another gig locally, but in the meantime, I bet the folks
in central Wisconsin will be highly entertained. If you want to catch
Xanadu, you should call for tickets now, since the positive buzz means
that tickets will be getting snapped up between now and the final
performance on Aug. 26. Box office: 859-957-1940.
One other show that some of you might find entertaining is Rounding Third, on board the Showboat Majestic. It's about two wildly different guys coaching a Little League team — one is a win-at-all-costs kind of guy, the other is a geek who just wants the kids to have fun. You can imagine the fireworks. The LCT judging panel recommended it, and I can say that it's got two solid actors performing it. I thought the script was a tad predictable, but it's got some good laughs, and if you love baseball (or if you played Knothole ball here in Cincinnati) you'll find a lot to identify with. Box office: 513-241-6550.
The theater scene is still in vacation mode this weekend,
so there are only a few choices. Your best sure bet is the final weekend
of The Hound of the Baskervilles at Cincinnati
Shakespeare Company through Sunday. [REVIEW LINK]I suspect if you're a
Sherlock Holmes fan with a sense of humor, you'll love this production:
It does follow the plot of Sir Arthur Conan-Doyle's ace detective's
greatest adventure, but it does so in a very tongue-in-cheek and
slapstick manner. It's also a romp for three actors who play all the
roles, including veteran CSC actor Jeremy Dubin who is Holmes as well as
all the villains (or potential villains) in the piece. It's as much fun
watching the trio do quick costume changes as it is following the story
of a cursed family on a remote moor in Northern England. It's been a
busy box office for this production, so be sure to call in advance if
you want a ticket. 513-381-2273, x1.
The Carnegie Center's production of Xanadu doesn't open until Saturday, but the odds are good that it will be worth seeing since it's being staged by wunderkind director Alan Patrick Kenny. Read more about Kenny here. The musical is based on the cult-favorite cinematic flop from 1980, reinvented more recently as a stage production by a clever creative team. Kenny, who dazzled local audiences for three years with productions at New Stage Collective (2007-2009), returns for a brief directing stint before he moves off to Stevens Point, Wisc., where he'll be teaching theater at a University of Wisconsin campus. He's spent the past two years studying directing at UCLA — and being engaged in some creative staging and a bit of professional work, too, while on the West Coast. He's one of the most inventive and fearless directors to stage work in Cincinnati in recent years, so Xanadu at the Carnegie s a production that's probably going to draw a crowd. (It's only having eight performances, through Aug. 26. Box office: 859-957-1940.
I saw the Showboat Majestic's Rounding Third when it opened on Wednesday evening. It's a tale of dads who coach Little League baseball from very different perspectives. I'm afraid the script is rife with cliches and stereotypes, but the actors — it's a two-man show; when they address the team, they're talking to the audience — capture the essence of their characters. Mike Sherman plays a win-at-all-costs head coach while Michael Schlotterbeck is a gentle nebbish who's trying to connect with his geeky son by offering to be an assistant coach. They're differing philosophies are the meat of the story, and they do end up learning from one another — although the story is pretty predictable from the get-go. Nevertheless, a baseball story in August might be just the thing you're looking for in some summer entertainment. 513-241-6550.
Light entertainment is what most of us are looking for
onstage during August, and Cincinnati Shakespeare Company has just the
answer: The Hound of the Baskervilles. The amusing script
takes Sir Arthur Conan Doyle's class Sherlock Holmes tale and turns it
into a silly romp around the moor. CSC's cast of three veteran
performers — Nick Rose, Jeremy Dubin and Brent Vimtrup — have just the
right attitude to keep it amusing from start to finish without becoming
tiresome. That's also due to the work of director Michael Evan Haney.
He's the longtime associate artistic director at the Cincinnati
Playhouse in the Park, and he's done fine work on other stages locally,
but this is his debut with Cincy Shakes. It's a fine partnership,
building on his experience with a similar show — a funny romp through
Around the World in 80 Days that entertained Playhouse/Shelterhouse
audiences several years back and then moved on to New York City where it
had a successful run at the Irish Repertory Theatre. Hound is like
drinking fine English tea from a dribble cup. Review here. Tickets: 513-381-2273, x1.
While other theaters are largely dormant, the folks at Cincy Shakes are very busy in August. In addition to the aforementioned production at their Race Street theater, they also launch their Shakespeare in the Park series this weekend with a performance of The Tempest at Seasongood Pavilion in Eden Park. It gets its first outing on Saturday evening at 7 p.m. Go to cincyshakes.com for more dates and locations. These are free performances, so they're definitely worth checking out.
And in case you need a reminder that we have a great theater scene locally, here's a tidbit. The Phoenix Theatre in Indianapolis just announced its 2012-2013 season; this is a fine theater company, rather like Ensemble Theatre Cincinnati in its presentation of new works. But they're touting their September production of Bloody Bloody Andrew Jackson as the "Midwest Premiere," and they've given a similar designation to their January-February staging of next to normal. Um, I'm sorry to burst their bubble, but those shows have already been onstage here in Cincinnati (and I believe we're in the Midwest). Both were produced last season. In fact, ETC offered next to normal last September (not long after the Tony and Pulitzer prize winner closed in New York) and already presented a sold-out revival in June. Know Theatre gave us the hard-rockin' version of our seventh president in a heavily sold run last spring. So the Indy theater's claims are more than a bit overblown. But we'll let them believe their own hype, and aren't we smug that we didn't have to leave town to see those shows. That being said, the Phoenix is offering Seminar, a snarky drama by Cincinnati native Theresa Rebeck (her play Dead Accounts had its world premiere at the Cincinnati Playhouse back in January) this fall (Oct. 25-Nov. 25) and Nicky Silver's dark comedy The Lyons next spring (Feb. 28-March 31). Both could be worth the drive. www.phoenixtheatre.org.
I can't say that a musical based on the Adam Sandler film The Wedding Singer
is going to be either edifying or educational for a bunch of teens. But
I can assure you that the kids from all over the region involved in
Cincinnati Young People's Theatre, which opens its production of the
show tonight, will be having a blast at the Covedale Center for the
Performing Arts. I bet their good times with this goofy show will mean
contagious entertainment for everyone who shows up to see it. Whether
they're related to the kids or not! It's onstage through Aug. 5. Box
It appears that Cincinnati Shakespeare Company has a summertime hit on its hands with its very tongue-in-cheek staging of The Hound of the Baskervilles using three of its best actors. The show opened a week ago and there is so much demand for tickets that CSC has added matinee performances through the production's three-week run. Several performances have completely sold out. It's directed by Michael Evan Haney, associate artistic director at the Cincinnati Playhouse and one of our area's best at staging witty and complicated pieces — his Cincinnati Playhouse production of Around the World in Eighty Days was a big hit several seasons back (it used four actors) and it moved on to a well-received run in New York City. While Hound retells the well known Sherlock Holmes tale, it does it with actors in multiple roles (Jeremy Dubin, who portrays Holmes, for instance, also plays all the villains) and a lot of visual humor and slapstick physicality. Through Aug. 12. Box office: 513-381-2273.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Some fine entertainment can be found onstage this weekend. Just opening is Cincinnati Shakespeare's production of The Hound of the Baskervilles, a clever, three-man rendition done in the style of The 39 Steps,
with actors taking on multiple roles and looking for moments of humor
and slapstick. In addition to using three fine actors from CSC's company
— Jeremy Dubin, Nick Rose and Brent Vimtrup — the show is being staged
by Michael Evan Haney, associate artistic director at the Cincinnati
Playhouse. A few years back he staged a similar version of Around the World in 80 Days
that was an entertaining delight. Haney is one of our finest local
directors, so you can expect this to be a production definitely worth
seeing. It opens tonight and runs through Aug. 12. Box office: 513-381-2273, x1.
In its final weekend onstage, Commonwealth Dinner Theatre's production of The Foreigner continues through Sunday. It's a daffy situation comedy about a shy Brit stuck at a fishing lodge in rural Georgia where there are a lot of nefarious goings-on. To help him cope, his friend tells the innkeeper that Charlie is a "foreigner" who doesn't speak English. That premise leads to all kinds of complications and a hilariously happy ending. This production is a laugh machine, but its star Roderick Justice is absolutely perfect in the role, giving it a funny physicality to match the comedic writing. Box office: 859-572-5464.
And if the weekend isn't enough for you, call up Know Theatre and make a reservation for Monday evening's quarterly dose of True Theatre. This time the theme for sincerely presented monologues is "true Grit." It will be an evening of storytelling, tales of perseverance, endurance and survival from everyday people. These programs are always fascinating because they're told with heartfelt honesty. I highly recommend attending; tickets are only $15. Box office: 513-300-5669.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The best theatrical entertainment onstage this weekend is
The Foreigner, presented by the Commonwealth Theatre Company at Northern
Kentucky University. I saw it a week ago (review here) and it's a winner — a
very funny play with a marvelously inventive performance by Roderick
Justice in the title role. He plays a painfully shy man who tries to
avoid social contact by posing as someone who doesn't speak English,
even though he's quite literate. The concept doesn't quite work out as
planned when his "cover" means that people have all kinds of revealing
conversations around him. The plot is hilarious, but it's Justice's
performance that makes it run like clockwork. It's part of a dinner
theater package — dinner at 6:30 most nights, show at 8:00 p.m. Tickets:
There's not a lot of theater right now, but if you're looking for great onstage entertainment right now, the World Choir Games have plenty to offer. I've been blogging about it for the past week, and you can read more here. Events and performances through Saturday evening. www.2012worldchoirgames.com.
Sunday winds up Ensemble Theatre Cincinnati’s revival of the Tony Award-winning musical next to normal. (Review here.) The story of a woman struggling with schizophrenia and how it affects her family is even better than it was back in September. The show uses the power of a brilliant Rock score to enhance the impact of this painful story. ETC has reassembled most of its superb cast from last fall, including Jessica Hendy in the central role. Her beleaguered husband is now played by Bruce Cromer, who you might know as Ebenezer Scrooge in the Playhouse’s annual A Christmas Carol. His character’s relationship with Hendy’s makes their struggles all the more deeply felt. Box office: 513-421-3555.
Last Sunday I had some good laughs at the classic comedy Arsenic and Old Lace on the Showboat Majestic. It’s an old chestnut (it was a hit in 1944), but it’s one of the funniest shows you’re likely to see, about a pair of off-kilter elderly maiden aunts who keep their rather normal nephew astonished and scrambling to keep them in line. The kind-hearted women take in boarders, quiet elderly men who are “all alone in the world,” and polish them off with elderberry wine laced with arsenic. They convince another nephew, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re Panama Canal works who are victims of yellow fever. A great show for the whole family. Box office: 513-241-6550.
Also winding up this weekend is Cincinnati Shakespeare Company’s production of The Complete Works of William Shakespeare (Abridged). This rambunctious show mentions of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish guys who undertake the task. Order your tickets online where you’ll find an automatic buy-one, get-one offer. Website: www.cincyshakes.com.
Cincinnati Opera is offering Porgy & Bess for the first time ever, with a performances on Saturday evening (as well as July 6 and 8). (Preview here.) Is it an opera or a musical? Judge for yourself (and read about it in my Curtain Call column in next week’s issue of CityBeat). It’s at Music Hall, with lots of seats, but as always, a limited run. This is one you shouldn’t miss. I saw it Thursday night, and the leading performers are great: Measha Brueggergosman is a conflicted Bess, Jonathan Lemalu conveys Porgy’s dignified but depressed life, Gordon Hawkins is the brutal Crown, and Steven Cole steals the show as the animated, irreverent Sporting Life. And pay attention to the chorus — it’s a wonderful ensemble. Box office: 513-241-2742.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
OK, the holidays are officially here. If you have any strength left after shopping last night and all day today, there are numerous theatrical offerings to consider.
The theater season takes a bit of a pause around Thanksgiving, since many companies are readying holiday productions. But there are plenty of choices available this weekend.
I'm not the only one who enjoyed the laugh-fest that is The Complete History of Comedy (abridged) at the Cincinnati Playhouse. I've heard numerous people who saw it say they were recommending it to others. In two hours the Reduced Shakespeare Company puts forth more humor than you can shake a stick at. (But be careful shaking sticks. You might get a pie in the face.) No matter your tastes in comedy — witty, loud or rude and crude — you'll find it in this production. How about Abe Lincoln as a deadpan rapper? This could be a good outing this weekend or a lot of fun for out-of-town guests who descend on you next week. Tickets: 513-421-3888.
Tonight is an opening at Cincinnati Shakespeare Company, the very frothy comedy Twelfth Night. (It's subtitle is "or What You Will," indicating that it's a lot of foolishness, which is an apt description.) In fact, Twelfth Night is a beautiful piece with clever situations, amusing characters, a bit of intrigue and a lot of mistaken identities. And several of the most laughable characters Shakespeare ever created, from the bombastic Malvolio to his persecutor Sir Toby Belch and Sir Andrew Aguecheek, plus the best of all Shakespeare's fools, Feste. It's a safe bet that this is a production that even those who fear Shakespeare will truly enjoy. Tickets: 513-381-2273 x 1.
If you're more into storefront theater, you might check out the current production by Untethered Theater at Clifton Performance Theatre on Ludlow, just east of the business district. It's a tiny space (only 50 seats), but that makes it all the more interesting. The current production is Wendy Macleod's The House of Yes, a very dark comedy about a weirdly dysfunctional family. The story focuses happens while there's a Thanksgiving hurricane outside, so it's timely, too. Performances Friday and Saturday (through Dec. 7). Go here for tickets.
This is the last weekend for Boeing Boeing, a crazy farce about a guy juggling three fiancees who happen to be flight attendants. It's at the Carnegie, featuring performers from the drama program at UC's College-Conservatory of Music. Tickets: 859-957-1940.
There's a fine community theater production of A Chorus Line at the Aronoff Center's Jarson-Kaplan Theater. It's by Cincinnati Music Theatre, and they've recruited a talented cast of dancers, singers and actors to tell the stories of 16 performers competing for roles in the chorus of a Broadway show. There are many fine performances in this show — the characters become known, one by one as they tell their stories, some humorous, some heartbreaking — but the show's greatest emotional wallop comes when they are all in synch, wearing glitter and gold, hats cocked and performing as "One." Final performance is Saturday evening. Tickets: 513-621-2787.
If you're looking for a good musical closer to home, I can certainly recommend the Cincinnati Playhouse production of Cabaret, which gets my Critic's Pick in the current issue (see review here). Director Marcia Milgrom Dodge has taken it back to 1929 with costumes and choreography very true to the period in a seedy, sexy Berlin nightclub. The Playhouse doesn't often do musicals, but this one is done right. Tickets: 513-421-3888
Know Theatre is staging another work by Mike Bartlett. Last spring it was Cock; this time it's Bull (review here). It's a story of two people bullying a third as they compete for jobs. A nasty tale, not for the faint-hearted, but some fine writing and acting. You'll feel ashamed of yourself for enjoying it, I suspect. Tickets: 513-300-5669
A fine production of John Steinbeck's Depression era tale of migrant workers and a guy who just doesn't fit in, Of Mice and Men (review here), finishes its run this weekend at Cincinnati Shakespeare. Jeremy Dubin's performance as cranky George and Jim Hopkins as simpleminded Lenny are examples of the kind of fine acting that's a regular commodity at Cincy Shakes. Tickets: 513-381-2273.
Finally, if you're in the mood for a hilarious farce, your destination should be the Carnegie in Covington. CCM Drama has transported some of its actors from the UC Campus to Covington, Ky., for a production of a deliriously funny tale of one man in Paris juggling three fiancees, Boeing Boeing. They're all flight attendants, but advances in aviation screw up his neat schedule to keep them discreet from one another. Comedy ensues. Tickets: 859-957-1940
If you love musicals, you should run, don’t walk to the University of Cincinnati’s College-Conservatory of Music this weekend for the short run of Singin’ in the Rain. It's a fabulous recreation of the iconic 1952 movie that featured Gene Kelly. It's about the transition from silent to talking pictures in the late 1920s. Even if you’ve never seen the film, I’m bet you know Kelly’s iconic splash down a movie-set street, joyously stomping in puddles and swinging from a lamppost. That's what's onstage at Corbett Auditorium — a whole stage full of tap dancers and a torrential rainfall! But it's only there through Sunday afternoon; shows at CCM seldom run more than one weekend. So if you want to see this one, call for tickets right away: 513-556-4183.
There's water falling on another stage right now: The touring production of Flashdance: The Musical is at the Aronoff through Nov. 10, and its star, Jenny Mueller as the free-spirited welder who aspires to be a dancer concludes the first act with a memorable sequence where she performs at a club, culminating in a backlit shower. Mueller is a fine dancer and onstage from start to finish, but the show is full of shallow characters and too many subplots that make for slow going. Tickets: 800-982-2787.
One more musical item: I gave the Cincinnati Playhouse in the Park's production of Cabaret a Critic's Pick, and it's definitely worth seeing. Despite the fact that it first appeared on Broadway 50 years ago, it's still a powerful piece of theater — about intolerance and willful ignorance. But it's framed in a great story with a memorable score by John Kander and Fred Ebb (who also created Chicago, Kiss of the Spider Woman and more) with a new production by Broadway veteran Marcia Milgrom Dodge. Tickets: 513-421-3888.
If you're in the mood for something more serious, there are plenty of choices that have received good reviews: Check out Cincinnati Shakespeare's staging of Of Mice and Men or their joint project with Xavier University of The Crucible. Tickets: 513- 381-2273, x1. And I hope you have on your radar Know Theatre's staging of Bull (which runs throughout November) by Mike Bartlett, the same playwright who wrote Cock, presented last spring. It opens tonight. Tickets: 513-300-5669.
Find reviews of Flashdance, Cabaret, Of Mice and Men and The Crucible at citybeat.com.
The Cincinnati Playhouse's production of Cabaret is a must-see for anyone who is a fan of musicals. (CityBeat review here.) Kander and Ebb's Tony Award winner from the late '60s has been brought to the main stage with inventive verve by veteran Broadway choreographer and director Marsha Milgrom Dodge. Sure, it's set in 1929 Berlin, populated by amoral entertainers and Nazis rising to power. But its scrutiny of prejudice and bigotry in the context of jaunty, thoughtless entertainment is a fascinating way to bring attention to topics that are timeless. Dodge has assembled a cast of triple-threats (who can sing, act and dance), given them choreography rooted in the 1920s, costumed them in period clothing (and some clever get-ups for the cabaret routines) and set them spinning on a stage arrayed with Expressionist imagery. It's a winning combination. Cabaret just opened on Thursday evening; you have until Nov. 16 to catch it, but it's likely to be a hot ticket, so this is a good weekend to head to Mount Adams. The other choice at the Playhouse, Seven Spots on the Sun, is in its final weekend on the Shelterhouse stage. It's a powerful drama set in a Latin American nation, torn asunder by civil war. Serious theatergoers have been giving this one a thumbs-up. Tickets: 513-421-3888.
My best recommendation for this weekend is Ensemble Theatre's staging of Gina Gionfriddo's Rapture, Blister, Burn. This is an ultra-natural piece of writing with several generations of women arguing and contesting over the ways women should behave. (CityBeat review here.) It's focused on two women, once friends, one married to the other's ex college boyfriend. It's years later and neither woman is very happy with her present life. How that plays out will keep you engaged from start to finish. Some exceptional acting, with strong direction by D. Lynn Meyers. Tickets: 513-421-3555.
Several great choices for theatergoing this weekend. At the top of your list should be Rapture, Blister, Burn at Ensemble Theatre Cincinnati. I was at the opening of Gina Gionfriddo's 2013 Pulitzer Prize runner-up on Wednesday, and it's another fine example of the kind of excellent production we've come to expect from ETC. Lynn Meyers has a knack for finding exactly the right actors for her shows, and she's assembled a perfect cast for this one, the story of a twisty relationship between three one-time college friends. Two women, played by Jen Joplin and Corinne Mohlenhoff, were roommates back then, and Mohlenhoff's character had a charismatic boyfriend. She went off to a renowned academic career and Joplin's character ended up marrying Don, played by Charlie Clark. Twenty years later they're back in close proximity, and neither woman is feeling fulfilled by her life. Don is a willing player in trading places, which makes for some amusing drama. Mohlenhoff's character offers a summer seminar in feminism, film and pornography which plays out some interesting theorizing among the show's female characters about the roles women play. It's a great stew of talking and experimenting, which takes some interesting turns along the way. Definitely watchable and entertaining. Onstage through Oct. 27. Tickets: 513-421-3555.
You have two good choices at the Cincinnati Playhouse in the Park this weekend. Last evening I attended the opening of Martín Zimmerman's Seven Spots on the Sun (it's onstage through Oct. 27). It's a thoughtful and gripping drama about the fallout of civil war in an unnamed Latin American country. Warring factions draw lines and commit atrocities that make for inconsolable lives afterward, even when something magical seems to offer a chance for healing. It's a challenging story that will remind audiences that wars create more strife than they solve. Well-acted and swiftly staged (it's 90 minutes long, no intermission, on the Playhouse's Shelterhouse Stage), this is a world premiere by a playwright who's name will surely become familiar to audiences in the future. Meanwhile, this weekend offers the final performances of Fly on the Playhouse's mainstage. It's the story of valiant African Americans who we know today as the Tuskegee Airmen, men who overcame prejudice and doubt to be heroes during World War II. It's inventively staged using video and tap dancing. Definitely worth seeing; final performance is Saturday evening. (Tickets: 513-421-3888)
Perhaps this weekend you want to take a last-chance trip down Memory Lane. You have that option as the Showboat Majestic is wrapping up its production of Showboat Follies, the final show that Cincinnati Landmark Productions will stage on the historic vessel. It's a revue of songs and skits that should be fun if not profound, but if you go (final performance is Sunday), you'll be able to tell you foriends that you were among the last to visit this nostalgic Cincinnati venue. (Unless the City of Cincinnati finds another operator — which they've been seeking with no success.) Tickets: 513-241-6550.