Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.
JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year.
• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Cincinnati greats Wussy continue to surge into the national spotlight, playing sold-out shows across the country and continuing to garner glowing press for their spectacular Attica! album. The band also recently posted several photos of the members filming something for CBS in New York City recently (more info TBA), which should escalate its status even more (a film crew was on hand she the band played the MidPoint Music Festival recently, as well). Can’t think of a more deserved local band.
This evening you can catch the band live FOR FREE on Fountain Square as Wussy headlines this week’s happy-hour “Rocktober on the Square” series. Music starts at 5 p.m. with the fantastic Roots Rock ensemble Arlo McKinley and the Lonesome Sound.
Here’s Wussy’s full appearance on KEXP recorded earlier this year.
• Nashville rockers Those Darlins are also a band on the rise and their fan base in Cincinnati continues to grow thanks to their repeated visits to the Queen City (and their great sound and live show). The group plays a free show at Northside Tavern tonight with guests Jeremy Pinnell and the 55’s and Even Tiles. Doors open at 8 p.m.
• The two-night, “whole house” showcase at the Southgate House Revival in Newport celebrating local indie label Phratry Records kicks off tonight. Showtime is 8 p.m. and admission is $5 each night. Click here and here for details. A documentary film about Phratry is currently in the works. Here’s the trailer:
• London Pop band Bastille was supposed to play at Covington’s Madison Theater back in May but cancelled and then got HUGE (or HUGER — its music had already been selling big and the band appeared on Saturday Night Live in January). So tonight the group is playing its make-up date at our riverfront arena. A review of Bastille’s recent show in Toronto said the young crowd screamed a lot.
Fellow Synth Pop band Grizfolk opens tonight’s 8 p.m. show at U.S. Bank Arena. Tickets are $29.50-$35.
• It’s looking more and more like you’ll never get a chance to see Led Zeppelin perform live and in person ever again. But tonight you can see the “American Led Zeppelin,” Get the Led Out, at the Aronoff Center. Showtime is 8 p.m .Next best thing? If you go, let us know. It’s certainly going to cost you less than what it would to see the real deal — tickets are $33-$46.
• Eclectic Americana singer/songwriter Cory Branan plays Saturday night at 10 p.m. at Over-the-Rhine’s The Drinkery, one of the best newer live music clubs in the area. Local duo Rucca opens.
Branan has been drawing attention for his dynamic, boundless sound over the past 15 years, but his most recent album, The No-Hit Wonder, is earning him some of the best reviews of his career.
Writer Brian Baker spoke with Branan for a feature story in this week’s CityBeat. Branan said the diversity of styles that crop up in his songs just kind of happen naturally and is something never predetermined while a song is being written.
“I try not to impose on the song,” Branan says. “I end up in much more interesting places if I follow and see where it’s going. I overwrite a lot and go back with a machete instead of clippers, so I can end up three songs down from the one I started with, and that’s the interesting place for me. Then I sort of let them tell me what clothes they want to go out in, even down to the studio. Like ‘Sour Mash,’ I always pictured it as a flat-picked barnburner with fiddle and banjo, and then we were doing the record and I found out that Joe Fick, who’s a Memphis boy, was up in Nashville and he’s just the best doghouse (upright bass) player I’ve ever heard, so I was like, ‘OK, we’ll go a little more Sun Records on this one.’ I pivoted at the last minute.”
• Chicago Blues singer/songwriter/guitarist E.G. Kight performs Saturday at the DownTowne Listening Room, the intimate, “listener-friendly” new venue downtown in the historic Shillito’s building. Born in Georgie and based in Chicago, Kight is a cult favorite and has worked with everyone from B.B. King and Koko Taylor to Merle Haggard and George Jones. Showtime is 7:30 p.m. Admission is $15 (all proceeds from shows at the Listening Room go to the performing artists).
• Legendary British Folk artist Richard Thompson plays the Dave Finkelman Auditorium on the campus of Miami University-Middletown Saturday night. Amanda Shires opens the 7:30 p.m. concert. The show is a part of Thompson's current acoustic tour in support of Acoustic Classics, an album featuring acoustic takes on some of the songwriter's favorite songs from his storied catalog. Tickets are $35 and available in advance here.
Check out Jason Gargano’s show preview for CityBeat here.
• Australian Electronic music composer/performer Ben Frost brings his tour behind his latest album A U R O R A to the Contemporary Arts Center on Sunday. Showtime is 8 p.m. Tickets are $15 ($10 for CAC members).
This is Electronica, but it’s neither conventional Electronic Dance music, pure-noise Industrial nor (solely) peacefully Ambient droning. Noirish and foreboding, thrilling and involving, it aurally paints a landscape that has been compared to Blade Runner. It unfolds for 40 minutes, like an urgent story. The music can be lulling, even comforting, in its brooding introspection, but it keeps building — it’s complicated like a symphony. Overall, it’s tough and emotional, with moments of grandeur along with reverence to minimalism.
• Some other Australian musicians will also be in town Sunday night. Psych Folk/Rock band Immigrant Union — fronted by Dandy Warhols member Brian DeBoer — plays Sunday a 10 p.m. show at Over-the-Rhine’s MOTR Pub with guests White Violet. Like all MOTR shows, it’s a freebie. DeBoer describes the 10-year-old band’s sound as “Spiritualized being (baptized) in a river of Creedence Clearwater.”
Click here for more live music events in Greater Cincinnati this weekend and feel free to promote other cool shows that were unmentioned in the comments.
Let’s take a moment to talk about Rock venues in the States, shall we? In my mind, there are two distinct types: you either have the nice, well-kept venues that often lack a certain spark that make them truly special or the dives that feel like a Punk Rock haven but smell like a dirty sock filled with cheese. You have to choose between fantastic atmosphere or a bathroom that’s actually been cleaned since The Sex Pistols were the next big thing.
Well, my friends, it seems that you can get the best out of both worlds; you just have to hop the pond and check out European venues. On this trip, I’ve been in an underground hall converted into a bar, a warehouse covered in graffiti and stickers, a youth center filled with murals slapped in the middle of a small town (and next to a church) and a venue in Berlin filled with so many weird and wonderful knick-knacks, I can’t wait to get home and start redecorating a little bit. I wanted to share some pictures and highlights of what we’ve seen so far.
The venue in Freiburg was called The White Rabbit and it was located underground, down several flights of stairs. The entrance was narrow but opened up to a large, cylindrical structure. We guessed that it was used as a bomb shelter or wine storage but the real origin was even more intriguing. It was originally the town’s coal chamber; the building above it had been leveled during the war and had been rebuilt.
Hamburg’s venue was the most surprising so far. As a Metal kid through and through, the graffiti and sticker-laden walls of Hafenklang instantly appealed to me. It had an industrial air about it and it felt just dirty enough. The wall adornments actually gave the place an artistic element. Somehow, hundreds — if not thousands — of taggers managed to create a cohesive composition worthy of any modern art museum.
Berlin has the honor of housing my favorite club yet. The Bassy Club was full of odd and awesome artifacts. I’m a big fan of weird decorations and this place was absolutely chock full of them. When we walked in, we all went into full tourist mode and started snapping pictures left and right. I now fully intend on finding a cow skull and making him a new light fixture when I make it back to the states.
Special kudos goes to Berlin for being an awesome city. We got a few hours to roam around and we ran into some sort of festival and found an awesome “Horror Rock Bar” called Last Cathedral. Sadly, it wasn’t open when we were walking around, so Nick and I had to resort to pulling an Immortal pose in front.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
Though the traditional 10th anniversary gift is tin or aluminum (WTF?), a more fitting present for the Cincinnati label Phratry Records to congratulate it on its 10th year of service is your attendance at this weekend’s two-night Phratry showcase at Newport’s Southgate House Revival.
Local musician Jerry Dirr (Knife the Symphony) launched the label in 2004 with the release of the debut album by Cincinnati’s Caterpillar Tracks. Since then, the label has put out around 50 releases, which are distributed nationally by Stickfigure Distribution & Mailorder.
Friday and Saturday’s anniversary showcase will feature a mix of Phratry signees (both local and out-of-towners), reunions and special guests. Here’s the lineup info from my Spill It column in this week’s CityBeat:
Friday night, the Phratry showcase will present non-Cincinnati signings Ultrasphinx (Akron, Ohio), Tyranny is Tyranny (Madison, Wisc.) and The Shanks (Toronto), plus currently active local Phratry bands Mad Anthony and Gazer. Friday will also see the return of Covington and thistle, whose own Tiberius Records teamed up with Dirr just as Phratry was getting started to release the compilation album Organelle. It will be thistle’s first show in three years. Friday’s lineup is rounded out by Indie Folk artist A.M. Nice, Reggae/Rock crew New Third Worlds, a reunion of former local Punk favorites Saturday Supercade and Jonathan Lohr & the Angel Shale, an AltCountry project that features former members of Caterpillar Tracks (whose debut album was Phratry’s first release).
Dirr’s own band Knife the Symphony plays the Phratry showcase Saturday, joined by one of the label’s most recent local signees Smoke Signals …, the hard-touring Ampline, progressive Post Punk/Metal band Mala in Se, State Song (which released the spectacular full-length Sleepcrawling earlier this year on the label) and blistering Punk group Swear Jar. Also performing Saturday are Pittsburgh-based Ed fROMOHIO, the former singer/guitarist of Mike Watt’s post-Minutemen band fIREHOSE whose more recent band Food records for Phratry, experimental unit Aperiodic and Heevahava, a former Greater Cincinnati band now based in Roanoke, Va. Saturday also features a pair of reunion shows local Punk fans should be pretty psyched about; both East Arcadia (which included/includes members of Phratry band Arms Exploding) and The Scrubs will reactivate their wonder-twin powers for the event.
In honor of Phratry’s 10th birthday, I’ve selected 10 of my favorite tracks from the label’s output so far. I hesitate to call these Phratry’s “greatest hits,” because everything the label puts out is excellent, but these tracks should give you a good idea of what the imprint is all about. You can peruse the entire catalog of available Phratry releases here.
Caterpillar Tracks - “Slippery Slope” from Scrape the Summer (2007)
thistle - “Ribbons” from The Small Hours (2008)
Humans Bow Down - “The White Sun” from A Mirror (2004)
Mad Anthony - “Sank for Days” from Sank for Days (2014)
Tyranny is Tyranny - “Manufacturing Truth” from Let It Come From Whom It May (2013)
State Song - “Skeleton Key” from Dear Hearts & Gentle People (2010)
Ampline - “Our Carbon Dreams” from You Will Be Buried Here (2010)
Knife the Symphony - “Rusted Satellites” from Dead Tongues (2009)
Arms Exploding - “Race Card Driver” from Ruminari (2008)
Gazer - “A Nurse for a Human” from Fake Bulbs (2014)
Texas Blues artist Ruthie Foster plays Oakley’s 20th Century tonight with local great Kim Taylor opening. Foster’s first album came out in 1997, but her last two (2009’s The Truth According to Ruthie Foster and 2012’s Let It Burn) really helped her make a name for herself; both earned Grammy nominations. Her latest is Promise of a Brand New Day, which mixes her Blues base with a variety of other influences.
From Steven Rosen's CityBeat show preview:
The singer/bassist Meshell Ndegeocello produced Promise of a Brand New Day and her and Foster’s intentions are announced in the very first song, the Foster-penned “Singing the Blues,” on which Foster intones “A little bit of Bobby ‘Blue’ Bland never gets old.” Bland, the great and dramatic singer whose voice could smoothly move from a whisper to a scream, proves a great inspiration for Foster. So, too, does Bonnie Raitt — Foster’s voice has the same level of warmth and generosity on some of the new songs.
Tickets for tonight’s show (a “seats only” affair) are $22-$25.
• Buzzin’ indie rockers Dreamers play a free show tonight at 10 p.m. at MOTR Pub. Great Columbus, Ohio Indie Rock crew Indigo Wild opens. In promo materials, Dreamers’ sound is described as a “unique brand of grunge that is nostalgic for a space somewhere between art-school eccentric and the late 1970s punk scene” and Stereogum says, “They’ve taken little bits and pieces from the past six decades of rock and molded it into something fresh and interesting.”
Dreamers’ self-titled debut EP is set for release Nov. 18. The music video for the EP’s “Waste My Night” recently premiered on Vice/Noisey.
• For the past several years longtime local Pop radio station Q102 has been bringing in hitmakers to perform at its Bosom Ball concert, raising money for various breast cancer research and awareness organizations. The Bosom Ball returns tonight to Covington’s Madison Theater for its 10th annual event.
This year’s concert features popular Pop Rock band O.A.R., British Pop singer Katy Tiz, the duo Alex & Sierra (winners of season three of The X Factor) and Mary Lambert, the Seattle singer/songwriter whose appearance on Macklemore and Ryan Lewis’ hit “Same Love” thrust her into the national spotlight (her debut full-length for Capitol Records, Heart on My Sleeve, was released Oct. 14). Bosom Ball proceeds are being donated to Susan G. Komen and The American Cancer Society’s breast cancer programs.
The show (open to those 21-and-up only) officially sold out earlier this week, but tickets are still available for the all-ages “Q102 Bosom Ball Underage Sound Check Party,” which takes place at 4 p.m. and features a performance from Alex & Sierra. Tickets are $10. http://www.cincyticket.com/eventperformances.asp?evt=2286
• Punk legends Misfits play Newport’s Thompson House tonight. The influential band was formed in 1977 by Glenn Danzig, who dissolved the band in the early ’80s when he formed Samhain (and then Danzig). Band members Doyle Wolfgang von Frankenstein and Jerry Only reactivated Misfits in the mid ’90s and, with various lineup changes, Misfits have continued to release albums and tour ever since. The current lineup of the band includes Only, singer/guitarist Dez Cadena (who spent some time fronting Black Flag in the early ’80s) and Eric "Chupacabra" Arce, former drummer for Murphy’s Law.
Here’s a track off of Misfits’ recent live album, Dead Alive!
Tonight’s show starts at 7 p.m. Tickets are $25.
• Dynamic Roots Rock crew Sons of Bill plays Newport’s Southgate House Revival tonight at 9 p.m. with guests Brave Baby. Tickets are $10.
Sons of Bill recently released its new album, Love and Logic, produced by former Wilco member Ken Coomer. The music video for Sons of Bill’s “Lost in the Cosmos” single (a tribute to Big Star singer/songwriter/guitarist Chris Bell) was recently premiered by Rolling Stone, which calls the new album “a classic roots-rock record for the modern age, filled with B3 organ, acoustic guitar, envelope-pushing arrangements and the sound of three siblings whose voices were born to mesh.”
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
• Ohio Hip Hop crew Bone Thugs-N-Harmony are still kicking. The ensemble, called by MTV the “most melodic Hip Hop group of all time” (thanks largely to their deft ability to work melodies not only into chorus hooks, but also their rhymes), performs at Bogart’s tonight at 7 p.m.
The group, which came into the national spotlight in 1993 when Eazy-E signed it to Ruthless Records, won a Grammy in 1997 for “The Crossroads” (a tribute to their late mentor). Bone Thugs’ current tour is their first in a while to feature all of the original members. The group recently made news when it started its own “TV channel,” which is actually an internet channel that will simulcast the crew’s homecoming concert in Cleveland tomorrow night (for a fee). The big homecoming show will feature backing from a full orchestra; proceeds from the pay-per-view broadcast benefit their hometown non-profit, Roots of American Music.
This should be one of the last times to catch the original Bone Thugs — the group has announced its next album and upcoming dates will be its last with the full lineup.
• Indie Rock heroes Surfer Blood perform tonight at The Southgate House Revival in Newport. The Florida-based band broke through in 2010, the same year Surfer Blood appeared at Cincinnati’s MidPoint Music Festival (where so many people showed up for the show, many had to be turned away at the door). The band is currently touring behind its sophomore album, last year’s Pythons. Surfer Blood recently came off a tour with We Are Scientists. The two bands also released a tour-only split single; you can hear Surfer Blood’s contribution here.
Read Jason Gargano's preview of the show from this week's CityBeat here.
Virginia based trio Eternal Summers opens tonight’s 8 p.m. show. Tickets are $17.
• Folk/Roots duo The Hobo Nephews of Uncle Frank play a free show tonight at MOTR Pub. The Minnesota-based twosome’s 2013 album Number One Contender was called one of the best Minnesota-made albums of last year by the Minneapolis Star Tribune. You can listen to it in its entirety below.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Shelton’s solo career began when NewFound Road’s mandolinist decided he needed a break from the group. (Shelton was the only original member of the band at that point.)
“He’d been with me for seven years, so it caught me off guard,” Shelton says in his promo bio. “But I thought about it, and literally the next day, I decided, I’m done. I didn’t want to deal with reinventing NewFound Road, I’d been wanting to do other things musically, to go other places, and so I thought, now is the time.” (NewFound Road still does occasional tour dates.)
A southwestern Ohio resident, Shelton hit Ric Hordinski’s Monastery Studio in Walnut Hills this past summer to begin recording a solo effort full of material Shelton says will showcase a wider range of influence than just Bluegrass.
“I just want to make music that isn’t necessarily traditional Bluegrass. I love it, but I also love James Taylor, Jackson Browne, Rock, hard Rock, traditional Country — all of those. Just music. I think that people listen to the way I sing, and they assume I must be ‘going Country,’ but that’s not the direction I’m going. The vocals sound Country because it’s me, but I’m not setting out to try to make some huge-sounding, very produced record. I want it to sound good, I want the music to be played right, but I don’t want a wall of sound — I’m not trying to make a Rascal Flatts or Jason Aldean record.”
Shelton is offering a free download of his single “I Wish You Were Here” through his Facebook page here.
Here’s an earlier single Shelton released this summer called “Learning How to Live Alone”:
Tonight’s Southgate House Revival show begins at 7 p.m. Tickets are $10.
Saturday night contained a lot of firsts. It was the first time I ran merch, the first time we played in Germany, it marked the first appearance of the hot dog suit and the first time I said “fuck you, asshole” in German.
We got a late start on our trip from Antwerp, Belgium to Oelsnitz, Germany. Alarms weren’t properly set, showers were needed all around and the beds were comfier than they first appeared. Once we got our shit in gear (and loaded up on croissants) we were on our way. Ahead of us was one of our longest drives on the tour, a seven-hour voyage across country lines. The trip was punctuated by two pit stops; during one we saw a new bride run into the bathroom while still in her wedding dress.
A quick note on European bathrooms — they’re fantastic. You often have to pay for entry, but in many ways it’s worth it. We stopped in one gas station that had completed the checklist for being a dive. Porn mags on the racks? Check. Dirt and grime everywhere? Check. Attendants who seem to be hopped up on some sort of … something? You know it! So I wasn’t too hopeful when I dropped my 70 pence into the bathroom machine.
But man, oh man, was I wrong. The toilets are automated and include a self-cleaning system. It’s majestic. You can buy a vast assortment of sexual tools in the vending machine (part of the aforementioned checklist), but the rest of the bathroom was absolutely spotless. And when you’ve been on the road for four hours and nature comes a-callin’, this is a gift from on high.
Our GPS had us snaking through small German towns and we didn’t see anything resembling a venue. As we reached the end of the directions we still didn’t see anything. So we pulled up a little bit further and there it was: a graffitied beacon of Rock & Roll in the midst of beautiful German countryside. We had arrived.
We parked, met the promoter, met the support and got to unloading. I start grabbing the merch boxes and dove right in. And by dive right in, I mean that I stared at them blankly until Aaron came over and explained how everything worked and gave some suggestions on how to set up. From there, my retails skills came back and I became a folding, sorting and styling machine. I gave each style of shirt their own home in a box, put out a size run of each, spread out the small stuff and waited. And waited. And waited. And ate some homemade goulash. And waited some more.
Finally, the crowd began to build — and our game of “dibs” began anew — while we waited for our slot. Finally, the boys hit the stage and the crowd started to wake up. But, still, they needed a little push, a little something to get the mood just right. It was time for the hot dog costume. I slipped it on, ran to the front, got a laugh from the boys and the crowd and made my exit.
It seemed to have worked.
As the set wrapped up, the merch sales started to roll in. Thankfully, it wasn’t super busy, so I was able to get a feel for pricing, exchanging Euro change (who buys an EP with a 50€ note!?) and trying to translate thick German accents.
After the show finished, the party started up and it was a fun one. Nick was throwing down peppermint shots, courtesy of a fan. Ryan had to dodge the advances of two older women who had a bit too much to drink (and then drank some more on top of that). I, on the other hand, spent my time with a lovely young lady named Jenny and her friends as she gushed over her love of Barney Stinson and Nirvana. She also taught me all of the major German curse words and phrases when her friends got jealous of the attention I was getting. I wish I could’ve remembered some of the words; they will surely come in handy sometime on this trip.
Finally, the free beer was safely stowed in our bellies and it was time for bed. We found our hotel, made plans for the next day, stripped down and passed out.
This morning we’re on our way to Berlin for show number three. We actually left on time today so we should have some time to see the city (and replace Aaron’s broken double bass pedal) before we get down to rocking.
Spinal Tap moments: 4.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
With cool, rainy weather in the forecast, this weekend’s planned Mayesfest Bluegrass & Americana Festival in Bellevue has been cancelled. But with artists traveling into Northern Kentucky for the outdoor, riverside event, and many fans excited for it, organizers have decided to present what they’ve called on their Facebook page a “mini Mayes,” moving the music indoors to Over-the-Rhine’s Christian Moerlein Taproom (1621 Moore St., near the Shell gas station on Liberty), which hosted two stages during the recent MidPoint Music Festival.
The event will now begin at 5 p.m. on Friday and Saturday and feature a stripped-down but still excellent lineup of local and touring Bluegrass and Americana artists.
Here is the new lineup:
5 p.m. Price Hill Hustle
6:30 p.m. Al Scorch
8 p.m. Morgan O'Kane
9:30 p.m. Henhouse Prowlers
5 p.m. Honey & Houston
6:30 p.m. Jack Grelle
8 p.m. Woody Pines
9:30 p.m. Morgan O'Kane
(Editor’s Note: CityBeat contributor Nick Grever leaves today for Europe, where he’ll be on tour with Cincinnati Rock group Valley of the Sun as the band’s “merch guy.” Nick has graciously agreed to blog about his journey for citybeat.com over the next three weeks. Below is his first installment, an introduction written last night when he was [possibly over] packing for the trip.)
Hello, my name is Nick and since I’ve been a teenager, I’ve dreamt about living the Rock & Roll lifestyle. There’s just one problem – I can’t play music worth a damn.
As a freelancer for this fine publication, I have been able to get a taste of my dream but one element has always eluded me: touring. So imagine my excitement when local rockers Valley of the Sun invited me to work merch for them on their second European tour. I just never expected to be touring the world in a hotdog costume.
Maybe a little background is in order. I’ve known the Valley guys (guitarist/vocalist Ryan Ferrier, drummer Aaron Boyer and bassist Ryan McAllister) for several years, culminating in a profile piece in the pages of CityBeat for their first full-length release, Electric Talons of the Thunderhawk. With that release (and my expertly devised words of praise, no doubt), the band has risen to new heights.
Valley of the Sun signed with Fuzzorama Records and has already toured Europe once, in support of Desert Rock titans Truckfighters. Now it’s time for them to return for another three week tour for shows ranging from massive fests to small dives. We’ll be traveling throughout Germany, France, Italy, Belgium, Switzerland and other countries, joined by Valley’s sound guy across the pond, Arnaud Merckling. In their infinite wisdom, the band invited me along to run their merch; Mangrenade’s Nick Thieme is also on the trip, playing bass in McAllister’s absence.
I’m writing this the night before we leave and I’m still not entirely sure what to expect. But here’s what I do know: I’ll be writing constantly, I probably over packed and Ryan, Nick and Aaron are really excited to see me run around in a venue in my new skeleton onesie (far warmer and more comfortable than it has any right to be) and hotdog ensemble.
These blog entries will ultimately be a record of our trip but it’s going to be more than just a recap of the shenanigans we’re sure to get into and the excellent food we’re sure to eat — although expect a few Instragram worthy images of foreign cuisine, too. (I love me some sausage.) It’s going to examine all the parts of tour life that arise over the course of our trip. What is it like to sit in a small van with four other guys for eight hours when none of us have showered for three days? Is German beer really as good as people say? What happens at 4 a.m. when Ryan starts spouting off about the multiverse as we sit around a bar in Switzerland? Seriously, did I pack enough underwear?
These hard hitting questions, along with my observations and insights, will fill these digital pages. Hopefully they’ll be interesting enough for you to come back and read some more. Expect updates at least every few days — it all depends on how reliable the wifi is in Europe. Hey, that’s another blog entry topic!
The new EP began as an entirely different project. Ill Poetic was working on a music video for The Synesthesia Yellow single “Silhouette.” The video grew into a short film and Ill Poetic changed course and created an entirely new EP, which he calls a “companion piece” to Synesthesia Yellow that also “exists in a universe of its own.”
“These are my words about love,” Ill Po says about the new project in a press release. “The record store opened me to genres of music I’d never been aware of but quickly fell in love with, greatly influencing my production. So the music is inspired by what I imagine my favorite artists and producers interpret love to be when they create. Each song is inspired by how I feel love translates through their music.”
On April 1, Ill Poetic’s made The Silhouette Project’s ethereal, melodic and soulful slo-mo jam “It’s All Around” available to stream on Spotify and purchase on iTunes. Check out the single via SoundCloud below.
The EP is being released through Ill Poetic’s Definition Music, which has morphed into a music, art and film collective. You can find out more about Definition Music here.
Ill Poetic is embarking on a Midwest tour in support of
the new EP that kicks of April 29 with a free show (it’s $5 for those
18-20) at Northside’s Urban Artifact. The show will
also feature performances by Raised x Wolves, FAROUT, Jay Al, Hafrican
and Ronin. Click here for details.
If there’s one benefit to being a part of Cincinnati’s small but mighty music scene, it’s the ability to meet and mingle with artists far outside of your own particular genre. This accessibility to other musicians and creators is what led to the Cincinnati Soundclash show, featuring Jess Lamb and the Factory, The Cliftones and Buggs Tha Rocka, at Over-the-Rhine’s Woodward Theater this Friday. The three 2016 Cincinnati Entertainment Awards winners will be joined by Dayton’s Moira and Cincinnati altrockers See You in the Funnies.
Lamb and The Cliftones met at the 2016 CEA awards show and immediately saw opportunities that couldn’t be passed up. Neither act had any major, local shows planned in the upcoming months, had the same date available and wanted to bring fans together for a night of vastly differing musical styles. (Read CityBeat’s recent interview with The Cliftones about their newly-released debut album here.)
While Lamb and The Cliftones have been planning this shindig for months, Buggs Tha Rocka entered the picture on a more casual basis, by simply hanging out with Lamb and her group at their base of operations. Talking about music led to rough vocal melodies, which led to rough pre-recordings, which led to tons of polishing and mixing to produce “Take Two” and “Just Breathe” (listen below). The two tracks will be available to show-goers as a free download from Soundcloud, with physical copies becoming available in the future.
While each act will be bringing their own unique styles to the Woodward stage, they will also be intermixing their performances to give show attendees a truly unique experience. Lamb will perform with the The Cliftones and Buggs Tha Rocka will be showcasing the two tracks that he has recorded with Lamb and the Factory at their home studio. And that’s just the beginning.
In addition to Lamb’s “Industrial Gospel,” The Cliftones’ Reggae and Buggs Tha Rocka’s Hip Hop on display, Moira’s ethereal Pop sensibilities and See You in the Funnies AltRock drive will round out what is assuredly one of the more eclectic lineups seen in town outside of a major festival.
The show is 18 and up, tickets are $7 in advance here, or $10 at the door. Show starts at 8 p.m.
An EP can be a risky endeavor for any musician. The shorter run time leaves little room for a filler track; the artist has to make their impression and showcase their style in the span of time it takes for some full-lengths to start stretching their legs. Of course, crafting a journey for the listener is a bit easier when their leader is a scene veteran with a wide array of releases to his name. And that’s exactly what makes Northern Kentucky resident Jimmy Snowden’s new EP, Mandarin, so enjoyable. (In his solo guise, Snowden is billed as simply “Jims.”)
Snowden is a member of Cincinnati-area acts like Smoke Signals… and Sweet Ray Laurel, and each of his projects places a spotlight on his myriad influences, from unpredictable Post Punk to acoustic-guitar-driven Indie Pop. Mandarin’s five tracks are undeniably Snowden’s design, each showing a fragment of his musical sensibilities. As a whole, they coalesce to provide a complete picture of the artist and his broad skill set. Snowden wrote, performed, and recorded the EP entirely on his own, and Mandarin bleeds Snowden’s individual playstyles as a result.
The first track, “Systems,” has an initially startling introduction. The track features vocal loops layered over downplayed percussion and acoustic guitar, which lead to a track that mixes unease and catchy melody in equal measure. It highlights Snowden’s more experimental qualities before allowing the rest of the EP to showcase his more traditional, Indie roots. It may not initially line up with the rest of the EP’s auditory aesthetic, but it’s an important track due to its insight into Snowden’s more forceful proclivities.
What follows are four tracks that thematically fall in line more evenly than what “Systems” initially hints at. “She’s Down” and “Hey Nola” feature driving guitar riffs and unconventional percussion set just under Snowden’s emotive singing voice. Snowden’s layering techniques are in full effect on each track. At times, it sounds like Snowden was running between instruments during recording to give each their own standout moment in the mix. The guitar is the star of the show, with Snowden crafting licks that enter your eardrum, weave into the folds of your brain and take up residence long after the disc has stopped spinning.
On the final tracks, “LOVE” and “ALONE,” Snowden takes his formula and makes subtle shifts to alter the mood and take the listener to a more introspective and thoughtful place. “LOVE” introduces keys at critical points of the song to create an almost mournful tone to the balance of guitar and upbeat percussion. Snowden carries the same feeling into “ALONE” by stripping away almost every layer that he had so carefully constructed on the previous tracks and focusing mainly on his vocals and guitar. What comes out on the other side is an artist laid bare. It’s a song that easily climbs beyond its self-imposed limitations and works as a suitably antithetical bookend with EP opener, “Systems.”
While Mandarin’s run time is a scant 14 minutes, Snowden is able to expose his listeners to the many elements of his musical style that enables him to be a part of so many disparate bands and be successful with all of them. Mandarin is a release that gives new listeners a fantastic introduction to Snowden’s skills. But for those of us who are already aware, it’s a solid reminder of his eclectic talents.
A pair of Cincinnati Rock bands had new projects revealed today on a couple of popular and far-reaching music websites.
Wussy’s music video for “Dropping Houses,” the first single from the band’s forthcoming Forever Sounds album, debuted on Stereogum this morning. The clip was made locally, directed by Lightborne’s Scott Fredette (who gets a shout-out in the accompanying write-up and also plays with local band Culture Queer). Check the clip out below.
Forever Sounds is released by the Cincy imprint Shake It on March 4 and the band plays a pre-release show this Saturday at Woodward Theater. Read CityBeat’s cover story on the band from last week here.
Meanwhile, another band with national/international attention on them growing, Electric Citizen, has its second album for the Riding Easy label, Higher Time, due for release May 13 (you can pre-order here). Today the website for popular Rock mag Revolver premiered a new song from the album, “Golden Mean.” Click here to listen.
The Higher Time track “Evil” can be heard below.
Electric Citizen heads out on an extensive European tour supporting Wolfmother beginning in April.
This morning, organizers of the Bunbury Music Festival — which returns to Cincinnati’s riverfront (on stages throughout Sawyer Point and Yeatman’s Cove) June 3-5 — announced the lineup for this year’s event. This is Bunbury’s second year under the ownership of Columbus, Ohio-based concert promoters PromoWest Productions and its fifth overall.
Scheduled to perform at the 2016 Bunbury festival: The Killers, Florence + the Machine, Mudcrutch (featuring Tom Petty), Tears for Fears, Haim, Ice Cube, Of Monsters and Men, Grimes, Big Grams, Umphrey’s McGee, The Neighbourhood, X Ambassadors, Elle King, G. Love & Special Sauce, Charles Bradley, J. Roddy Walston & The Business, Bayside, The Wombats, The Dear Hunter, The Mowgli’s, Diarrhea Planet, Grizfolk, Cincinnati native Cal Scruby, Here Come the Mummies, Austin Plaine, Red Wanting Blue, Oddisee, Coleman Hell, Lany, Whilk & Misky, Connor Youngblood, PVRIS, Louis the Child, Foxing, Lydia, The Shelters and Holy White Hounds.
Three-day passes are available now for $169 (single day tickets will also be available for $89). VIP ticket options are also available. Click here for more info.
If you can’t make it out to this Sunday’s Cincinnati Entertainment Awards ceremony at the Madison Theater, you can still watch the performances and see which local musicians won by watching this year’s live stream, brought to you again by the folks at ICRC-TV.
Starting at 6:45 p.m. the show, featuring performances by The Slippery Lips, The Whiskey Shambles, Rumpke Mountain Boys, Noah Wotherspoon Band, Buffalo Wabs and the Price Hill Shuffle, Abiyah and Jess Lamb, will be simulcast on YouTube. You can watch below:
The show will be rebroadcast television on Sunday, Feb. 21 at 8 p.m. (channels TBA; we’ll keep you posted).
If you’re attending this year’s event in person Sunday, doors open at 6 p.m. Tickets are available in advance here and also at the door. Click here for more info.
CityBeat was on-board for all the fun of the seventh annual ShipRocked cruise, sailing from Miami to Costa Maya, Mexico last week. The cruise provides a unique experience for diehard rock fans to get up close and personal with their favorite bands on the high seas.
ShipRocked is made up of a tight-knit group of fans called “ShipRockers” They are divided into two categories: Survivors who have endured previous ShipRocked cruises, and first time cruisers called Newbs.The ShipRocked group of friends stays in touch with each other year-round through a Facebook forum where cruisers can support each other and reminisce about their amazing cruise experiences.
Diehard Shiprockers start a day early on Sunday night at the official pre-party at the Clevelander Hotel in South Beach, where fans saw performances by The Dead Deads and a surprise acoustic performance with Joe Hottinger and Lzzy Hale from Halestorm.
Halestorm kicked off the party playing “Apolcolyptica” off their new album, Into the Wild Life, and continued to play their hits for an hour as the Norwegian Pearl sailed away from Miami.
While on board, fans saw live music everyday from 1 p.m. until 2 a.m. These fans go from show to show with no nap in sight to see all of the bands perform live. Every band performed two to three shows while on-board to give each person a chance to see every show. Bands included Halestorm, Five Finger Death Punch, Seether, Nonpoint, HellYeah, Stitched Up Heart, Red Sun Rising, Helmet, 10 Years, Avatar, We Are Harlot, Doll Skin, The Dead Deads, and many more.
Besides the non-stop Rock, other activities also take place, like Deck Wars, where fans competed against each other with members on Nonpoint band teams. Some activities were canceled due to the high winds at sea, but there was always something to do between your favorite band performances. Whether you started your day with Rock & Roll yoga, participated in scavenger hunts or tried your hand at late night karaoke.
Cruise ships in general are pretty fancy, so you really never get over the sight of dudes with mohawks and huge tattoos sipping beverages and eating their four-course meals on fine china.
On Tuesday, Avatar performed as the sunset over day two. Avatar was the most fan-requested band to be added to the ShipRocked lineup and the Swedes did not disappoint. Their high energy show kicked off a night of music that included We Are Harlot, Seether and an on-fire set by HellYeah on the deck that may have been the loudest of the week.
Band members can be seen all throughout the boat taking photos and talking to fans. All bands also participate in meet and greets, where fans can meet and take a photo with their favorites on Tuesday and Thursday.
The cruise pulled into Mexico on Wednesday and cruisers could disembark for a beach-party option in Costa Maya, where Like a Storm led beach wars and fans could relax with an open bar on the beautiful Mexican sandy beaches.
One of the highlights of Wednesday night was seeing The Stowaways perform. The Stowaways were assembled by Danny Hill with guitar axe throwers like Dave Ellefson of Megadeth/Metal Allegiance, Oli Herbert from All That Remains and Bumblefoot. The band pulled in as many artists onboard as possible and practiced for many hours on Monday and Tuesday to pull off a show that highlighted everyone on stage. Special tribute was made to Scott Weiland and there was also an all-hands-on-deck finale tribute to Lemmy Kilmister and Motorhead.
There were weather issues that forced the cruise to move live performances scheduled for Thursday indoors. Five Finger Death Punch was one of the cruise headliners that was supposed to close out the whole event on the pool deck stage. In true ShipRocked family fashion, when the storm rolled in the band stepped up immediately and said they would play two back to back shows inside the Stardust Theater so that all fans could see the final show. The band played until 2 a.m. to make sure everyone could close out the party in true Metal fashion.
For Amy Harris' photos from 2016's ShipRocked, click here.
Madonna performed in Louisville, Ky., on Saturday for the first time ever. "The Material Girl" took the stage at the KFC Yum! Center around 10:30 p.m., but fans didn’t seem surprised, since the tour has had late starts each night. The tour stop is one of 64 cities on her Rebel Heart Tour.
Madonna has been the “Queen of Pop” for three decades. Most everyone would agree that she paved the way for all of the current reigning Pop stars, including Katy Perry, Taylor Swift and Rihanna and she proved that she still reigns supreme on Saturday night in Louisville. She appeared on the heart-shaped arrow stage in a grand Samurai-themed setup and immediately let everyone know “I’m Madonna Bitch!” as only Madonna can.
"The Rebel Heart Tour" is filled with spectacle: a host of top dancers and elaborate stage design and set pieces, with Madonna at the center of it all. Even with the grand stage setup that takes 23 semi trucks to pull off, she remains the focus, with her over-the-top personality highlighting her art and athleticism.
The show features four themed sets clocking in at around 30 minutes each, with seamless transitions. The show opened with "Japanese inspired Samurai performance" theme, followed by "Rockabilly Meets Tokyo," "Latin Matador Gypsy" and "1920s Flapper," and each was defined equally by the music, costuming and choreography.
The music reached all the way back to 1980s “Holiday” era, but seemed to disappoint some fans because she doesn’t play the original arrangements of her classics. Most of the show highlighted her most recent album, Rebel Heart. Older songs, like "Material Girl" and "Dress You Up," were reinvented for the stage performance so that they could be inserted into the different themed sections of the show.
“Like a Virgin” was performed by a solo Madonna on stage, but took an EDM/Hip Hop turn for the worse. "Like A Prayer" and "True Blue" were both stripped down to their basic elements. “True Blue” was played as an almost acoustic song on a ukulele sitting on her Rockabilly Car Shop stage setup,
Madonna still rides the line between overtly sexual themes on stage and providing a show to which one could bring the whole family. During a few interludes she spoke directly to the Kentucky audience and at one point saying “In the words of Colonel Sanders, my six-pack is finger licking good” as her dancers all showed off their six-pack abs for the crowd. Sex was also a main theme for one set change, as the amazingly talented dancers performed acrobatics on beds in front of the big screen images that looked straight out of the Truth or Dare movie.
The show was a time capsule that took fans through albums that fill 30 years of Pop Music. Madonna showed everyone that she is still on top and, in her words, “Nobody fucks with the Queen.”
On Jan. 31, 2016, the Cincinnati Entertainment Awards winners will be announced at the 19th-annual ceremony/show/party at Covington’s Madison Theater. Today we are happy to announce the nominees for the CEAs, which are presented by CityBeat and honor Greater Cincinnati’s rich and eclectic music scene.
Again this year, the public was invited to submit nominee suggestions via an online ballot; a list of the top vote-getters in each category was given to members of the CEA nominating committee for consideration. The committee, which features local music writers, club owners, radio DJs and others, helped decide the final slate of nominees in the genre categories, as well as categories for Best Live Act, Singer/Songwriter and Best Music Vide (which are open to all genres). Public vote decides the winner of a majority of the categories; the nominating committee determines the winner of the Critical Achievement categories (Album of the Year, New Artist of the Year and Artist of the Year).
This year’s nominees include several artists who have previously been nominated (or won) CEAs, as well as numerous first-time nominees. Walk the Moon have scored two Artist of the Year CEAs in past years and return to the category after exploding internationally with its ubiquitous, Platinum-selling hit “Shut Up and Dance” and Talking is Hard album (both released towards the end of 2014). Singer/songwriter Jess Lamb, who kicked off 2015 by appearing as a contestant on American Idol (and is a previous CEA performer and nominee), earned five nominations, including her first Artist of the Year nod. Artist of the Year nominee Wonky Tonk (the Indie/Country guise of Jasmine Poole) also earned nominations in the Singer/Songwriter, Best Music Video and Country categories, following a 2015 that saw her Stuff We Leave Behind album earn widespread national acclaim. Perennial Hip Hop nominee Buggs tha Rocka, who has been working with indie Hip Hop legend Talib Kweli’s Javotti Media label and played the 2015 A3C Hip Hop fest in Atlanta and Cincinnati’s own Ubahn fest, earned his first Artist of the Year nomination.
First-time CEA nominees this year include Country artist Taylor Shannon, Jazz player/composer Brad Myers, Metal newcomers Casino Warrior and jazzy Soul/Pop ensemble Krystal Peterson & the Queen City Band.
The New Artist of the Year category (as well as other promising new performers) will again be spotlighted at CityBeat’s Best New Bands showcase at Bogart’s on Jan. 16. This year’s New Artist of the Year nominees are Dawg Yawp, Coconut Milk, The Skulx, Go Go Buffalo, JSPH and Mutlimagic. New Artist nominees from the 18th-annual awards program returning to the CEA ballot this year in a big way include Leggy, Honeyspiders and Noah Smith.
Public voting opens at noon on Monday, Dec. 21 here.
Ma Crow and the Lady Slippers
The Missy Werner Band
Rumpke Mountain Boys
Comet Bluegrass All-Stars
My Brother’s Keeper
Arlo Mckinley & The Lonesome Sound
Willow Tree Carolers
Buffalo Wabs and the Price Hill Hustle
Honey & Houston
Elementree Livity Project
Queen City Silver Stars
Alone at 3AM
Zebras in Public
Lift The Medium
Wonky Tonk (Jasmine Poole)
Royal Holland (Matt Mooney)
Daniel Van Vechten
Daniel in Stereo
The Slippery Lips
Noah Wotherspoon Band
Silver Pockets Trio
Johnny Fink and The Intrusion
The Whiskey Shambles
The Almighty Get Down
Krystal Peterson and the Queen City Band
The Perfect Children
The Cincy Brass
Freekbass & the Bump Assembly
Dan Karlsberg and the ’Nati Six
The Faux Frenchmen
Cincinnati Contemporary Jazz Orchestra
Blue Wisp Big Band
The Hot Magnolias
Buggs Tha Rocka
Best Live Act
The Whiskey Shambles
The Slippery Lips
Buffalo Wabs and the Price Hill Hustle
Best Music Video
Molly Sullivan - "Before”
Jess Lamb - "Memories"
Automagik – “Pop Kiss”
Playfully Yours – “Colorvision”
Puck – “Ruined”
Electric Citizen – “Light Years Beyond”
Wonky Tonk – “Denmark”
Zebras in Public – “John Doe”
Critical Achievement Awards
Album Of The Year
Honeyspiders – Honeyspiders
Us, Today - T E N E N E M I E S
Dawg Yawp - Two Hearted
Honey & Houston – Barcelona
Jess Lamb - Circles
Noah Wotherspoon Band – Mystic Mud
Dan Karlsberg - The ’Nati 6
The Sundresses – This Machine Kills
New Artist Of the Year
Go Go Buffalo
Artist Of The Year
Walk the Moon
Buggs tha Rocka
David Rhodes Brown's Warsaw Falcons and Nick Dellaposta's To No End could not possibly be any further from each other on the musical continuum.
The Falcons, recently reborn with the classic lineup of Brown on guitar/vocals, the thunderous John Schmidt on bass and the irrepressible Doug Waggoner on drums, are Rockabilly personified, heavy on the Rock and hypercaffeinated to the point of heart palpitations.
At the other end of the spectrum, Dellaposta's To No End is a Prog-tinted Blues unit with a propensity for lilting atmospherics and visceral Pop/Hard Rock anthemics.
Oddly enough, both bands are touting new releases, and each one is, in different ways, associated with a legendary entertainment figure. The Warsaw Falcons' new EP, Warsaw Falcons Live with Bobby Keys, features the work of the saxophonist sharing the title, one of Rock's most travelled and compelling sidemen who boasted near-membership with The Rolling Stones and sessions with Joe Cocker, Eric Clapton, Carly Simon and three of the four Beatles, among many others.
To No End's new video for the track "Twisted Knives" from its third album, Remora, features the on-screen talents of Michael Parks, one of Hollywood's most versatile and durable actors whose television credits include Then Came Bronson in the late '60s and Twin Peaks in the '90s, and who has since become part of Quentin Tarentino's ensemble of reliable players.
The Warsaw Falcons' latest archive release is a five-song excerpt from a live recording done at Top Cat's in Clifton in the very early '90s. Keys, already a fixture in the industry (his iconic blowing was all over the Stones' Sticky Fingers, one of Rock's acknowledged masterworks), had played with Brown in Nashville and had become a semi-official member of the Falcons, eventually guesting on their 2003 album Right It on the Rock Wall.
At the time of the Top Cat's gig, Brown had just returned to Cincinnati to care for aging mother, and had reassembled the Falcons for occasional in-town performances. Bassist John Schmidt reclaimed his spot with the band, while guitarist George Cunningham and drummer Maxwell Schauf rounded out the quartet.
For the Top Cat's recording, the Falcons blew through a jumped-up set of band faves with Keys, visiting from Nashville to lend his towering sax fills. Although there was a good deal more material delivered at the Top Cat's set, the five tracks on the EP represent the songs where Keys was most directly and completely spotlighted. And Live with Bobby Keys might well stand as the most incendiary and pulse pounding 22-and-a-half minutes released this year.
The release starts with the rafter-rattling thrash of "Jello Sal," a five-minute Rockabilly workout featuring Brown's distinctive vocal rasp and his and Cunningham's slinky yet muscular guitar gyrations, grounded by Schmidt's bedrock solid bass and Schauf's technicolor timekeeping. On the EP’s second track, "Sometimes," Keys intros the song by thanking the Falcons for inviting him to the gig and pledging his admiration for Cincinnati and its desire to Rock and Roll.
"That's what we do," Keys declares in his authentic Texas accent. "Rock and roll!"
What follows is the Falcons' version of a ballad, a slow-cooking slab of meaty, bluesy Rock that gives way to its primal impulses and howls with blood-boiling intensity, even as the band maintains an almost laconic pace. Brown and the Falcons mix a jaunty Blues stroll with an effervescent Chuck Berry bounce on "You Can't Do That to Me," switching to spy-theme noir for the insistently smoky and sultry "Two Cigarettes in the Dark" and finishing with a pulsating version of Mitch Ryder and the Detroit Wheels' classic cover of the Righteous Brothers' "Little Latin Lupe Lu," with Brown doing his best hip-twitching, lip-hitching impression of Elvis while the band kicks up its heels and swings with deliberate abandon.
Through it all, Keys — who passed away last year at age 70 — does what he always did best; find the emotional heart of the songs and then play the living hell out of them. Keys had the intuitive gift to know when to serve as a brilliant supporting accompanist or elevate his position to an equal partnership in the arrangement, as evidenced by his call and response lick-trading on "Jello Sal." Brown says there may be more recordings of Keys in the Falcons' extensive and as-yet largely unplumbed archive. Based on the results of Live with Bobby Keys, which was officially be released at a Thanksgiving Eve extravaganza at the Southgate House Revival, we can only hope there's a lot more.
Meanwhile, To No End's new release, Remora, the band's third album since forming in 2012, is not only musically dichotomous from the Falcons' EP, it's quantitatively different as well, with an additional 11 tracks over two discs. But, as noted, the one area where the two bands intersect is in their use of a celebrity guest to enhance their presentation.
With TNE, it's the presence of famed actor Michael Parks in the band's video for "Twisted Knives." TNE frontman Nick Dellaposta secured Parks' services for the video through Dellaposta's lifelong friend Josh Roush, whose journey is the subject of "Twisted Knives," perhaps the most personal and deliberately direct song he's ever written.
A decade ago, Roush departed Ohio for Los Angeles, where he has worked in the film industry in various capacities, which led to a position last year on the set of director Kevin Smith's horror film Tusk. During production, Roush met and became friends with Parks, who had a role in Tusk. When Dellaposta invited Roush to partner up to produce the "Twisted Knives" video (the two had worked together on TNE's first video, "Somethin' Wrong with You"), the pair decided to ask Parks if he would be interested in appearing the video, which is largely made up of eerie atmospheric footage that Roush has shot himself over the years.
As for the rest of Remora, Dellaposta takes To No End further down the similar path he and the band explored on last year's excellent Peril & Paracosm, which blended the Kenny Wayne Shepherd-meets-Warren Haynes
Blues direction of the band’s debut with a blistering ’70s Hard Rock energy. In addition, Dellaposta has divided Remora into a pair of 30-plus-minute sides that are stylistically distinct. The harder Side A is subtitled “The Underworld,” while the gentler and more contemplative Side B is themed “The Great Unknown.”
“The Underworld” songs clearly follow Peril & Paracosm's general blueprint, with Dellaposta and guitarist Grant Evans soaring and scorching with the intensity and focus of '70s guitar heroes like UFO's Michael Schenker and Budgie's Tony Bourge, polished to a contemporary but never overproduced shimmer. The opener and ostensible title track, "The Afterlife II (The Underworld)," is a perfect example of Dellaposta's modern Blues/Hard Rock translation, a riff-laden celebration of the forms painted with a new brush. The guitars careen and howl while the rhythm section of bassist Eli Booth and drummer David Nester provide a sturdy but flexible foundation for the song's shifty mood swing between jaunty minor key melodicism and darkly menacing wordplay.
Elsewhere, "Shatter" starts out with the reflective quiet of an O.A.R./Red Wanting Blue ballad but becomes more forceful and expansive as the song unfolds. "Everybody Talks" offers an indiosyncratic New Wave clockwork guitar motif that displays an interesting new songwriting wrinkle for TNE, while "Like Hell" and "Play That Card" show that Dellaposta's heart will never stray too far away from his KWS/Gov't Mule roots — even if they come out in fascinatingly different ways.
Remora's second "side," “The Great Unknown,” dials down the volume but not the songwriting intensity. Two songs from “The Underworld,” "Twisted Knives" and "Trash Day," are reprised on the second disc, with "Twisted Knives II" presented in an almost Folk/Americana light. "Trash Day" is similarly counterpointed between the pummeling Zeppelinesque boogie of “The Underworld” version and the lilting yet still powerful take of "Trash Day II.” And for sheer beauty, look no further than the acoustic heart-tug of "Hinterland Empire," a gorgeous evocation of The Beatles' classic "Blackbird."
While Remora's 16 songs would have fit comfortably onto a single CD, Dellaposta was clearly more interested in thematic continuity than production costs. Rather than interspersing Remora's more sedate songs with its amped-up fist-pumping anthems, Dellaposta and To No End show two different sides of themselves to suit your listening moods, further proof of his thoughtful creativity and amazing talent.
Warsaw Falcons’ Warsaw Falcons Live with Bobby Keys is currently only available at live shows (look for copies in brick-and-mortar, local-friendly record shops soon). Click here and here for show updates and more.