Who knew it would take a 75-year-old to make the best movie of the summer (so far)?
Woody Allen's 41st feature is his most engaging effort in years,a whimsical comedy that seamlessly melds moments of dreamy, nostalgic delight —its protagonist, played by Allen surrogate Owen Wilson, is somehow, each midnight, transported back to Paris' 1920s bohemian heyday where he hangs out with Ernest Hemingway, Pablo Picasso and F. Scott Fitzgerald, among others — with the filmmaker's longstanding themes of acute self-loathing, romantic longing and the role of the artist in society.
And he's not done yet: Fincher's American version of Stieg Larsson’s The Girl with the Dragon Tattoo is currently in production and has a release date of Dec. 20. How’s that for an early Christmas present?
Will Ferrell takes a break from his usual comic shenanigans this week to star writer/director Dan Rush's feature debut, Everything Must Go, an adaptation of a Raymond Carver short story. Ferrell in a Carver story, a story in which Ferrell's character is a listless, downtrodden “functioning alcoholic” with straying loins? Apparently. And, according to tt stern-enzi's positive review, apparently he does it well.
Versatile special-effects maestro Shane Mahan knows his summer blockbusters — he's worked with everyone from Steven Spielberg and James Cameron to Tim Burton and Jon Favreau.
"They are the best communicators, and I think they’re also the best visionaries,” Mahan says.
Mahan is something of a visionary himself.
The Room —a low-budget indie melodrama about a love triangle between a “successful banker,” his “beautiful blonde fiance” and his “independent best friend” written, directed and starring aspiring filmmaker Tommy Wiseau — has been called everything from the worst film ever made to the Citizen Kaneof bad movies. I've yet to experience it, but the film’s trailer brings to mind an overripe episode of Guiding Lightwith the production values and acting prowess of a late-night Cinemax C movie. (Curious side note: On the film's poster, Wiseau looks strikingly similar to Gene Simmons. Coincidence, or kismet?)
Hearing the police knock on your door never gives anyone the warm fuzzies. It’s nerve-wracking. But imagine opening your door to a police officer who’s come to take away a member of your family. They’ll be locked in confinement until a) you can permanently relocate him or her, or b) time runs out and your loved one is killed.
That’s been the harsh reality for many pit bull owners in breed-discriminatory cities, as depicted in Beyond the Myth: A Film About Pit Bulls and Breed Discrimination by filmmaker Libby R. Sherrill.