In March of 1999, after running the Cincinnati-based Shake It Records label for several years, brothers Jim and Darren Blase opened a new record store in the Northside neighborhood. The store, also called Shake It Records, was an instant hit with local record-buyers, offering a huge chunk of vinyl alongside their CD stock, as well as books, magazines and various musical merchandise (among many other items).
Since then, word of Shake It’s awesomeness has spread far and wide — the well-stocked and unique shop has often earned nods in the national press as one of the best record stores in the country, and music heads from across the region always make trips to Shake It when in Cincinnati (or they make trips just to go Shake It). Indie Rock star/hardcore record lover Bob Pollard, for example, comes down from Dayton often and frequently leaves with a big stack of LPs for his (surely gargantuan) collection.
The beloved shop has also regularly featured in-store performances from both local artists and national touring acts (a Tegan and Sara in-store a few years ago drew the attention of local TV news stations because of the huge turnout to meet the Pop duo). To celebrate its 15th anniversary — a remarkable milestone considering Shake It’s rise coincided with the rise of digital music and the alleged death march of brick-and-mortar record stores — Shake it will be presenting a string of performances throughout March.
The free, intimate shows kick off tomorrow (Saturday, March 1) with a 7 p.m. performance from Cincinnati Pop/Rock guitar/songwriting legend Rob Fetters. Fetters, who kicked off the 2014 Cincinnati Entertainment Awards in January with a surprise performance, will be supporting his latest solo release, Saint Ain’t, and you’re bound to hear a few songs from his expansive songwriting legacy with the bands The Raisins, psychodots and The Bears.
Shake It recently released the schedule of in-store performances for the rest of the month, with more to be added. Not that an excuse is needed for a Shake It visit, but the following events are great chances to stop in and wish the store a happy birthday.
March 15: Cincy Honky Tonk ensemble Jeremy Pinnell & The 55's (7 p.m.)
March 19: Luther Dickinson of the North Mississippi Allstars, supporting his third solo release, Rock ’n’ Roll Blues, which comes out March 18. (time TBA)
March 21: Northern Kentucky singer/songwriter Daniel Martin Moore, who’s released acclaimed material through the Sub Pop label, and “Friends.” (8 p.m.)
March 22: The Shake It label’s biggest success story, Cincy rockers Wussy, who will preview their new album, Attica, which releases nationally on May 6. (7 p.m.)
March 29: Covington Indie Rock crew Frontier Folk Nebraska, whose releases are distributed through the Shake It label. (7 p.m.)
Each week our intern Amber will be exploring what Cincinnatians are interested in by scouring the local Twitter trends and reporting on what she’s found. From serious tweets to goofy hashtags, she’ll highlight what Cincy’s been buzzing about. So get to tweeting, folks.
Kilpatrick became the second player to score 2,000 career points at UC during the
Bearcats’ game against Louisville on Feb. 22. The only other Bearcat who tops
his record is Oscar Robertson, "The Big O," whose career points
totaled 2,973 by 1960. Fans from Cincinnati and beyond were showing their love
for Kilpatrick all over Twitter on Sunday.
As in Dale Earnhardt Jr., the superstar of NASCAR. Earnhardt won the Daytona 500 for the second year in a row and as part of his celebration, he finally decided to create a Twitter. In 10 hours, the racecar driver accumulated over 450,000 followers — 515,000 by Wednesday and 526,000 by Friday. I’ve had my Twitter for years and I’m barely pushing 200 followers. Anyway, who says NASCAR is only for the Southern folk?
A judge in Texas voided the ban on gay marriage in the state this week. An outpour of support for the judge’s decision was evident throughout the nation. Following suit in equality, an Arizona judge vetoed a bill that would allow businesses to refuse service to the LGBT community due to their “religious rights” being violated. Of course, Cincinnati also made moves toward a more equal community when announcements of a domestic partner registry for same-sex couples were made.
Thursday was the start of spring training for the Reds. The boys took the win, 8-3 over the Indians, in the Cactus League Opener. It doesn't matter if you think Homer Bailey's extension is a total waste or that Joey Votto should have won the Face of MLB competition, one thing we can all enjoy is the sweet sound of Marty Brennaman’s voice and the memories of warm weather it has brought with it for the past 50 years.
You know I had to do at least one funny trend. People just made up categories that should be in the Oscars:
Tyler Perry presents the Tyler Perry Oscar for best performance by Tyler Perry.
@startpuking: Movies so bad you yell, Sharkeisha! No!
@MnightShelton: Best Seth Rogan film in a non-Apatow production
Also trending: Stiles, #WatchingTop13, Taco Bell, #Scandal, Penn State, Son of God and #BBN.
An EP can serve several purposes — a stopgap release between full-length releases; fresh merch to offer at shows; a teaser for more material down the road; or an exploratory release to test the waters for a response to a new band or an existing band's new direction (among others).
In any event, whatever a band's reason might be for offering up a small dose of their material for reduced consumption, the inviolable rule of the EP is simple — always leave the listener wanting more. If you elicit even a modicum of boredom or disinterest in a spare handful of tracks, you're not likely to entice listeners to take a chance on a full-length or get them out to a show, which is, as stated, sort of the point.
Luckily, no such lapse is even remotely evident on Real Far East, Saturn Batteries' second EP in just over a year. Since the Cincinnati bands formation in 2010, guitarist/vocalist/lyricist Brad Gibson — who's put in bass time with the likes of Charlie Hustle, Young Heirlooms and Walk the Moon — has presented his brainchild as a trio, quartet and quintet along the way, all in the service of Beatlesque Pop filtered through the New Wave aesthetic of the Police and XTC and adrenalized with a heart needle full of the Pixies' jittery satellite Rock.
On last year's Ever Been in Love? Gibson and the Batteries du jour hewed a little closer to the John Lennon/Frank Black strands of their DNA, but Real Far East finds the freshly minted foursome (Gibson, guitarist Brad Rutledge, drummer Justin Sheldon, bassist Archie Niebuhr) drifting more toward the Paul McCartney/Andy Partridge end of their gene pool. And while the Batteries soften the edges ever so subtly and polish their surface to a slightly more reflective shine on Real Far East, these refinements don't diminish the band's energetic charm in the least.
One of the reasons for that is the Batteries have never forsaken one direction for another, preferring to incorporate differing elements into their foundational sound in an effective display of their diversity. The soulful "It's Not About the Money" and propulsive "Overtime" are both Pop gems that swing and swagger in a groove that isn't far removed from the benchmarks established by Walk the Moon in their march toward global domination. "You Really Live Twice" features previous members Rob Barnes and Rich Shivener, naturally hearkening back to the moody energy of Ever Been in Love? "Every Last Time" updates '60s/'70s AM Pop to the 21st century, while "Cherry Times" is a solid hybrid of the sweet and dissonant Pop that has characterized everything that Saturn Batteries has done well to this point in their history.
Real Far East shows that Saturn Batteries can have fun within their core Pop/Rock sound and clearly points the way toward a bright future for the quartet going forward.
Saturn Batteries celebrates the release of Real Far East tonight (Friday) at The Drinkery in Over-the-Rhine (click here for details). Below is the EP track “Every Last Time”; click the player or here to sample/download the entire release.
There's a magnificent production of the legendary musical Les Misérables at the University of Cincinnati's College-Conservatory of Music. I attended the opening performance at Patricia Corbett on Thursday
evening, and a show that I've seen umpteen times has been given new
life with fresh direction, impassioned staging and innovative design —
even if you've seen the legendary original with its turntable and
massive barricades, you'll find CCM's rendition, directed by Aubrey
Berg, an eye-opener. It's simpler and more dramatic (that's quite a
claim for a show designed to pluck your heart-strings), and it's
especially noteworthy for the leads' strong vocal performances — Jean
Valjean and Inspector Javert are double-cast, a demonstration of the
depth of talent in this nationally renowned program — as well as each
and every every performer in an ensemble of more than 40.
The 16-musician orchestra, conducted energetically by Steve Goers, sounds larger whole lot more, since several players handle three to five instruments. Berg's staging gives the show a clarity and power that makes it feel fresh and new. It has vivid feature characters and storytelling with momentum and emotional impact. This one is a must-see, so it's great that the production runs longer than many at CCM, where it's usually one-weekend and done: There are nine more performances through Sunday, March 9, which means that more tickets ($31-$35; $18-$24 for students) are available. Nonetheless, they'll be snatched up quickly, so you should call right away to get yours. 513-556-4183.
Andrew Lloyd Webber’s classic musical Evita is at the Aronoff Center through Sunday. It looks great with some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. But Caroline Bowman’s Eva Perón is shrill, and Sean MacLaughlin's Juan Perón lacks the sinister gravitas that the role requires. So there's not nearly enough of the complex passion and manipulation that bonded them as a political machine. The tale of the ambitious woman who rose to the highest levels of power in Argentina then crashed and burned at age 32 is a memorable modern tragedy, and Andrew Lloyd Webber’s rock-opera tunes by will stick in your head. Tickets: 513-621-2787.
Taft's Ale House will be a new OTR brewery and pub, christened after Cincinnati's greatest political export, William Howard Taft — the 27th president of the United States, the 10th Chief Justice of the United States and the first person to hold both positions in their lifetime. He's also probably our greatest mustachioed export as well (and reportedly the last sitting president with facial hair). Taft's will be a full-service restaurant serving local beer as well as a variety of in-house brews.
The ale house will reside on all three floors of the former St. Paul's location. The historic Greek Revival church was built in 1850 and then abandoned in the 1980s, falling into disrepair. 3CDC started stabilization efforts several years ago.
Read more about the history of the building and its preservation in this Enquirer article or this fantastic piece from Digging Cincinnati History. And keep up with the progress of Taft's Ale House on Facebook.
The combined musical experience of the members of the Denim Road Band easily eclipses the century-and-a-half mark and encompasses every conceivable type of band and genre of music; local show/dance/cover outfits to nationally recognized entities playing Classic Rock, Blues, R&B, Jazz, Fusion, Top 40 Country, Funk and everything between and beyond.
DRB's sense of history and classicism invests their original material with the same soulful expanse and crisp Pop approach of the defining bands (The Doobie Brothers, Hall & Oates, Santana, Steely Dan) that have provided DRB with inspiration and a template for success.
There is certainly a formula to what the Denim Road Band does live and in the studio, but there's a huge difference between having a formula and being formulaic. On their third album, the silky smooth Blame It On the Stars, DRB hits the same markers as its previous discs (DRB's eponymous 2009 debut, 2010's Back to Mexico), utilizing George Harp's crystalline-yet-earthy vocal range, Craig Ballard's sinewy percussion and the almost impossibly adaptable journeymen rhythm section of bassist Robbie Lewis and drummer Kevin Ross to maximum groove effect.
Woven within that tightly knit fabric is the impeccable guitar work of Jim Zuzow, who channels everyone from Tom Johnston to Walter Becker to Steve Miller to the guitar legacies of the Eagles and Santana, creating a sound that is reminiscent of past Classic Rock glories
but delights in advancing the flag a little farther up the hill. Denim Road Band sets up shop at the corner of passion and professionalism and delivers the sophisticated goods with a showman's flair and a fan's devotion.
For more on Denim Road Band, click here.
City Council yesterday expressed support for a barebones parking plan that would upgrade all meters to accept credit card payments and increase enforcement around the city, which should boost annual revenues. The plan does not increase rates or hours at meters, as Mayor John Cranley originally called for. It also doesn’t allow people to pay for parking meters through smartphones. The plan ultimately means death for the parking privatization plan, which faced widespread criticism after the previous city administration and council passed it as a means to jumpstart new investments and help fix the city’s operating budget and pension system.
Councilman Christopher Smitherman plans to pursue changes to the city’s political structure to give more power to the mayor and less to the city manager. Smitherman says the current system is broken because it doesn’t clearly define the role of the mayor. Under Smitherman’s system, the mayor would run the city and hire department heads; the city manager, who currently runs the city and handles hiring, would primarily preside over budget issues; and City Council would pass legislation and act as a check to the mayor. Smitherman aims to put the plan to voters this November.
Commentary: “WCPO’s Sloppy Streetcar Reporting Misses Real Concerns.”
The Cincinnati Art Museum maintains five political cartoons from the famed Dr. Seuss (Theodore Seuss Geisel), but none are currently on public display. The cartoons call back to the history before World War II, when most of the world played ignorant to the horrors of the Holocaust and Americans had yet to enter the war. Dr. Seuss loathed the villains on the world stage, and his cartoons promoted a message of interventionism that would eventually lead him to join the Army to help in the fight against the Axis powers. When he returned home, he would write the famous stories and books he’s now so well known for.
Mayor Cranley and some council members appear reluctant to accept a routine grant application that would allow the Cincinnati Health Department to open two more clinics because of the potential effect the clinics could have on the city’s budget. Cranley and other council members also seem concerned that the Health Department played a role in the recent closing of Neighborhood Health Care, which shut down four clinics and three school-based programs after it lost federal funding.
Ohio legislators approved a bill that forces absentee voters to submit more information and reduces the amount of time provisional voters have to confirm their identities from 10 days to one week. For Democrats, the bill adds to previous concerns that Republicans are attempting to suppress voters. The bill now goes to Gov. John Kasich, a Republican who’s expected to sign the measure into law.
The Ohio legislature continues wrangling over how to give schools more snow days.
More than 175,000 claims have been filed over winter damage, potentially making this winter one of the costliest in decades.
Robot suits could make mixed martial arts email@example.com.
Aside from Shakespeare's works, the coming season will offer stage versions of two beloved American classics: a new adaptation of F. Scott Fitzgerald’s Jazz Age classic The Great Gatsby and the regional premiere of Louisa May Alcott’s Little Women. Daphne du Maurier's thriller, The Birds (familiar to many as a 1963 film by Alfred Hitchcock) will show up in a 2009 adaptation by Irish playwright Conor McPherson (known for numerous works staged locally, including St. Nicholas, The Weir, Port Authority, Shining City and The Seafarer). Next January will bring forth Samuel Beckett’s profound comedy, Waiting for Godot featuring veteran actors Joneal Joplin and Bruce Cromer, and the season concludes in June 2015 with the Cincinnati debut of the Tony-award winning, West-End smash hit comedy, Richard Bean's One Man, Two Guvnors, a 2011 play based on Carlo Goldoni's 1743 comic masterpiece, The Servant of Two Masters.
Tickets for the
2014-2015 season went on sale earlier this month, resulting in a
record-breaking first day of sales on Feb. 3. Single
tickets are now on sale. For more information, go to cincyshakes.com or call the box office at 513-381-2273, x1.
On Wednesday the department of theater and dance at Northern Kentucky University also announced its productions for the 2014-2015 academic year, a mix of classics and contemporary works. The year kicks off in late September with the ancient Greek tragedy The Bacchae by Euripedes. The fall semester also includes the hit 2003 Tony Award-winning musical Hairspray in October-November and, in November-December, Philip Dawkins' Failure: A Love Story, the magical story of three sisters in 1928 Chicago who live and die in a rickety home by the Chicago River. In February, launching the spring semester, NKU will stage the epic musical Les Misérables, the popular masterpiece that affirms the human desire to achieve redemption. The academic year's theater productions will conclude with the 17th Biennial Year End Series Festival of New Plays. During April, the "YES" festival, as it's shorthanded, will present three world-premiere plays which have not yet been selected. Info: theatre.nku.edu or 859-572-5464.
According to an article in LA Weekly, Cincinnati-based McDonald's franchisee Lou Groen invented the Filet-O-Fish sandwich in 1962. Apparently, he was having an issue selling his burgers to our huge Catholic population during Lent.
So he called up McDonald's founder Ray Kroc and explained his dilemma, suggesting they try selling a fish sandwich instead. Kroc said OK, but only if they also tested his invention: the Hula Burger, a slab of grilled pineapple and cheese on a cold bun. Kroc and Groen had a contest to see which would sell better. The fish sandwich won and fast-food fish sandwiches were born to the happiness of pescetarians, Catholics and cows nationwide. Wonder what would have happened if the pineapple burger won?
Read the whole article here.
The Queen City is hosting a plethora of Mardi Gras parties this coming week (you can read about some here), and our local bakeries and restaurants are dishing up some serious New Orleans flavor.
On Sunday, Findlay Market will have a Mardi Gras parade led by Lagniappe, plus live Cajun and Zydeco music all day. There will also be a traditional lowland seafood boil beginning at 12:30 p.m. And on Fat Tuesday (4 p.m. March 4), BrewRiver GastroPub is doing a Louisiana-style crawfish boil with a special Abita tapping (Abita is a New Orleans brewery).
But if you want to host your own party, you'll need some provisions. The centerpiece of any Mardi Gras party is, well, booze. Second would be beads, probably. But then after that, most certainly comes the King Cake.
A King Cake is a round cake, typically made with twisted strands of cinnamon-dough, and sprinkled with super gaudy purple, green and gold sugar. Sometimes there's white icing under the sugar coating, and sometimes people toss Mardi Gras beads on top of the cake for good measure. Generally, there's a little baby figurine hidden inside the cake and whoever finds it gets good luck (unless they choke on it...).
King Cakes are traditionally served during King Cake season, starting with the Epiphany (Jan. 6), which commemorates when the three kings/Magi came to visit baby Jesus, and ending on Fat Tuesday, the day before Lent — the six-week Christian practice of self-denial and repentance leading up to Easter. So King Cakes are named as such for baby Jesus, the King, and have a representation of him hidden inside.
Nowadays, if you're less religious, the cake is a colorful symbol of Mardi Gras and a necessary edible Mardi Gras decoration. And if you're looking to pick one up, these local bakeries have your back:
If you know of more bakeries, leave them in the comments!
And if you're feeling super Martha-Stewarty, here's a recipe to make your own.