Eclectic Cincinnati Reggae crew The Cliftones — one of the best Reggae outfits in the region — will be celebrating the release of their latest single, "Hold Steady," this Saturday with a show at Northside club Mayday. DJ Mowgli will also perform. Advanced tickets are available now for $7 here. The first 100 people through the door will receive a free download card giving access to the single.
Like the band's previously released single — "Hard Ground," released in January — The Cliftones once again have some legendary ears/mixing fingers involved with "Hold Steady." "Hard Ground" was mixed in D.C. by Jim Fox, who has worked with icons like Black Uhuru, Gregory Isaacs, Barrington Levy and Culture. For "Hold Steady," DJ Prophecy (known for work with Bassnectar and Glitch Mob) handled the mixing, while Dub legend Scientist handled mastering duties.
Here's the exclusive stream of "Hold Steady":
Cincinnati-bred, Brooklyn-based Indie Rock group The National has revealed the tracklisting and album cover for its forthcoming Trouble Will Find Me, due out on the 4AD label May 21. The album — The National's sixth — is just a part of a slew of activity on the horizon for the band.
A few weeks ago it was announced that The National would perform at the Tribeca Film Festival, where the road documentary Mistaken For Strangers will also premiere (on April 17). The flick was made by Tom Berninger, a Cincinnatian and lead singer Matt Berninger’s younger brother. Tom — who's called a "Heavy Metal and horror movie enthusiast" in the press materials — toured with The National as a first-time roadie and brought a camera along. The film will also screen at the NXNE fest in Toronto in late April/early May.
After the album release, of course, The National begin globe-trotting, touring the planet — including a sold-out headlining show at Barclays Center in Brooklyn and a slot at the Bonnaroo fest in Tennessee.
Here are details from the press release:
Trouble Will Find Me, The National’s new album will be released on 4AD on May 20th & 21st. This is the sixth studio album for the Brooklyn band, and follows 2010’s critical and commercial success High Violet. The album is the most self-assured collection of songs produced by The National in its 14-year career. In an interview with UK’s UNCUT Magazine, front man Matt Berninger described the songs as more “immediate and visceral” than their previous work. Trouble Will Find Me possesses a directness, a coherency and an approachability that suggests The National are at their most confident. The album will be available digitally, on disc, on 180gram vinyl and in a limited edition deluxe boxed vinyl version.
After a 22-month tour following the release of High Violet the band returned home. Regardless of plans to wait to record new music for another year or two, guitarist Aaron Dessner began working on sketches of new songs that the other members were too inspired by to not fully realize. Matt confesses, “For the past ten years we’d been chasing something, wanting to prove something. And this chase was about trying to disprove our own insecurities. After touring High Violet, I think we felt like we’d finally gotten there. Now we could relax—not in terms of our own expectations but we didn’t have to prove our identity any longer.” The results are simultaneously breakthrough and oddly familiar, the culmination of an artistic journey that has led The National both to a new crest and, somehow, back to their beginnings—when, says Aaron, “our ideas would immediately click with each other. It’s free-wheeling again. The songs on one level are our most complex, and on another they’re our most simple and human. It just feels like we’ve embraced the chemistry we have.” The album was recorded at Clubhouse in Rhinebeck, NY. Trouble Will Find Me was self-produced and mixed by Craig Silvey with additional mixing from Peter Katis and Marcus Paquin.
In advance of the release, the documentary Mistaken For Strangers will premiere at this year’s Tribeca Film Festival as the festival opener on April 17th. The film, directed by Tom Berninger, follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can’t help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates drama on the road. The film is a touching look at two very different brothers and an entertaining story of artistic aspiration.
Following the May 21st release of Trouble Will Find Me, The National will embark on a world tour. Highlights include Brooklyn’s Barclays Center, Bonnaroo Arts & Music Festival, the Greek Theatre in Los Angeles and Red Rocks Amphitheater. Tickets are on sale for most shows announced to date and more shows will be announced soon.
ABOUT THE NATIONAL
Formed in 1999, The National consists of vocalist Matt Berninger fronting two pairs of brothers: Aaron (guitar, bass, piano) and Bryce Dessner (guitar), and Scott (bass, guitar) and Bryan Devendorf (drums). Their first full-lengths, The National and Sad Songs For Dirty Lovers, and a crucial mini-album, Cherry Tree, preceded their signing to Beggars Banquet in 2004. Alligator (2005), included underground anthem “Mr. November,” and raised their profile as the National grew into an incendiary live band. Boxer (2007), featuring songs like “Fake Empire”, “Mistaken For Strangers” and “Start A War,” sold over three times as many copies as its predecessor. The National's 2010 release, High Violet sold over 600,000 copies and was widely recognized for its critical and commercial success around the world. Both individually and collectively The National’s members have been involved in countless artistic, charitable and socio-political pursuits.
TRACK LISTING- Trouble Will Find Me
1). I SHOULD LIVE IN SALT
3). DON’T SWALLOW THE CAP
5). SEA OF LOVE
7). THIS IS THE LAST TIME
10). I NEED MY GIRL
12). PINK RABBITS
13). HARD TO FIND
5/16: State Theater Ithaca, NY
5/26: Boston Calling/ City Hall Plaza Boston, MA
6/05: Barclay's Center Brooklyn, NY
6/06: Merriweather Post Pavilion Columbia, MD
6/07: Mann Center for Performing Arts Philadelphia, PA
6/08: The National Richmond, VA
6/10: Red Hat Amphitheatre Raleigh, NC
6/11: Stage AE Pittsburgh, PA
6/13: Lachine Canal Montreal, Canada
6/14: Yonge Dundas Square Toronto, Canada
6/15: The LC Pavilion Columbus, OH
6/13-16: Bonnaroo Music & Arts Festival Manchester, TN
6/21: Hurricane Festival Scheessel, Germany
6/22: Southside Festival Neuhausen ob Eck, Germany
6/25: Cirque Royal Brussels, Belgium
6/28: Live At The Marquee Cork, Ireland
6/30: Parco Della Musica Rome, Italy
7/01: City Sound Festival Milan, Italy
7/02: Salata Zagreb, Croatia
7/14: Bunbury Music Festival Cincinnati, OH
8/06: Roy Wilkins Auditorium St. Paul, MN
8/10: Greek Theatre Los Angeles, CA
9/17: Red Rocks Amphitheater Morrison, CO
For more information visit: http://www.americanmary.com/
Elementz, which uses the Hip Hop arts to engage local inner-city youth, is celebrating its eighth anniversary this Thursday with a special “open house” reception at the organization’s headquarters (1100 Race St., Over-the-Rhine) beginning at 5:30 p.m.
The event will feature numerous performances by artists who have been involved with and benefited from the Elementz program, from Hip Hop and R&B musicians to poets, street artists and dancers.
Advanced tickets are $10 (it's $12 at the door), which will go to help fund the center’s programming. Last year’s anniversary celebration drew around 300 people, according to elementz.org, where you can also find more info on the center and purchase advanced tickets. Elementz will be selling youth memberships for half off Thursday — for teens (13-18), a one-year membership can be obtained for $10; those 19-24 can join for just $20 a year.
Here's a quick video press release for the open house/party:
Local Rock/Soul/Pop crew The Guitars celebrates its newish release, Higher Action, tonight at Northside’s Mayday with special guests Animal Circles.
The recording is actually an expanded version of The Guitars’ phenomenal 2011 EP, High Action, with two bonus cuts — “El Alamein” and a cover of Billy Vera/The Remains’ “Don’t Look Back”— culled from an “Ultrasessions” live recording at local Ultrasuede Studios. The two cuts only serve to make the release stronger. The Guitars' songs have a timelessness — marked by non-pedestrian elements of Motown, Stax, The Box Tops and other vintage Soul Pop — that makes you feel, after just a couple of listens, that you've known these tunes all your life.
Oh, and in another tip of the vintage hat, this new Higher Action is being released on cassette by California indie label Burger Records (the label has put out material by The Black Lips, The GO, King Tuff and many others).
The Guitars are presently preparing to start recording new material with local artist/producer Brian Olive. Keep tabs on the band via their Facebook site here.
Here's the bonus-cut cover of The Remains’ “Don’t Look Back":
And here's the original release's addictive single, "Piltdown Man":
Under Steve Kemple, music reference librarian in the Popular Library, downtown's Main Library has begun doing some fascinating free programming to highlight the depth of its music collection — and just music in general. It already has an Experimental Music at the Library series, featuring live events such as a band from Oakland (Horaflora) that plays grapefruit, electric toothbrushes and balloons. At 7 p.m. on March 20, Hadron Collider will pair psychedelic light projections with feedback and drone noises.
But coming up first, the spotlight is on another of Kemple's ongoing music programs at the Main Library — Listen to This! — for which an audience is invited to listen to and discuss albums from the Library's collection. Past sessions have been devoted to Iranian music and Marvin Gaye. Next Wednesday from 7-8:30 p.m., Listen to This! features the traditional music of North Korea. So far, Kemple has only found one relevant album in the collection — North Korean Folk Songs — but it's a good one. And the hunt is on for more.
No word if Dennis Rodman will attend with or without his new best friend, but you're sure to have a good time — and become well-versed on North Korean music — if you do. The program will be held in the first-floor Popular Music Lounge.
Kemple's creative programming was just written up in the Library Journal.
Go here for more information.
Louisville's giant Forecastle music festival, taking place July 12-14 (the same weekend as Cincinnati's Bunbury Music Festival), today announced its preliminary lineup. Headliners include Avett Brothers, The Black Keys, The Flaming Lips, Animal Collective, Jim James, Crow Medicine Show, Grace Potter & the Nocturnals, Big Boi, Matt & Kim and Alabama Shakes. The festival is held annually at Louisville's Waterfront Park, though this year there will be special "off site" late night shows.
Below is the full lineup. For tickets (which go on sale Wednesday at noon) and complete information, click here.
The Black Keys
The String Cheese Incident
The Avett Brothers
The Flaming Lips
Old Crow Medicine Show
Grace Potter & The Nocturnals
The Forecastle Incident (with special guests)
Young the Giant
Matt & Kim
Sharon Jones & The Dap-Kings
The Joy Formidable
Kurt Vile & The Violators
Toro y Moi
Bob Mould Band
El-P & Killer Mike
Shovels & Rope
Alasdair Roberts & Friends
The 23 String Band
A Lion Named Roar
Hard to believe, but the annual South By Southwest music showcase/festival/conference in Austin, Tex., kicks off in only 11 days. As always, the huge event is featuring some artists from the Greater Cincinnati area. Two SXSW-bound local acts are playing kick-off shows soon to help raise some funds for the trip (the price of gas today makes traveling all the more difficult for independent acts).
• Great Cincy rockers The Harlequins are heading to Austin for SXSW for the first time. The band is slated to perform at the festival on March 16 with the esteemed Gringo Star. Frontman Michael Oliva says the group will be playing shows on the way to and from the festival in Louisiana, Georgia, Tennessee and Kentucky.
The Garage/Psych Rock trio — which is planning a new EP release in April — is performing its "bon voyage" show on March 7 at Over-the-Rhine's MOTR Pub with guests Stephen Paul Smoker. The show is free, but the band will be offering a limited edition screen print of the night's show poster (right over there, to the left) for $5. The band is also sweetening the pot by releasing a new single for free at the MOTR gig.
You can also help The Harlequins out by donating to their gas/van rental fund online. In keeping with their DIY ethic (the group got into the festival without any label or other backing, a rarity these days), the band is eschewing Kickstarter in favor of direct donations through their secure Paypal account, accessible on the trio's official site. Here's the link to donate. Below is a little video spiel if you need further convincing.
• Always dazzling Indie Pop locals The Seedy Seeds are returning to SXSW this year, journeying to Austin with pals The Ridges, a fantastic Athens, Ohio-based orchestral Indie Folk squad that has become a favorite in Greater Cincinnati thanks to regular show dates locally. The two bands will be performing shows together around the South and Midwest on their way to Austin.
The groups team up for a show at the Southgate House Revival on March 6. The Seedy Seeds are encouraging fans to purchase advanced tickets to the "Supercolossal Little Giant Ye Olde South by Southwest Sendoff Show"; for just $6, if you buy your tickets before "day of show," you will receive a hand-draw postcard from the Seedys while they are on the road. Click here to get your tickets now.
Here's a piece of groovy promo featuring both bands and the tour dates.
Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians' Desk Reference. For more on the project, visit its Facebook page here.
Wow, what a month. Extreme highs and lows, minimal sleep and a work schedule that would make an outsider believe I had an armed guard with a shotgun pointed at my back … which in some regard is true, except that I am playing both roles.
I am going to attempt to make this blog entry significantly shorter than the last because, as you may have guessed, I have more work to accomplish. The ever-looming deadline for South by Southwest (SXSW) is creeping up and preparations with everything surrounding the presence of Musicians’ Desk Reference at SXSW grow almost exponentially by the day.
This will be my fifth year attending the Austin, Tex., festival/conference (the largest music-related event in the US), and while it is my second time going without performing, I can already tell that this will be my busiest year ever. Taking meetings, handing out promo material and managing schedules for myself and my team are just a few of the things that will fill my week-long itinerary, all for the pursuit of introducing Musicians’ Desk Reference to some select individuals for endorsement.
While there are many different potential outcomes to this journey, I feel confident that my inevitable glass of top-shelf Kentucky bourbon at the end of the week will be a salute to success rather than a drowning of sorrows.
The obvious focus of this month, or at least what the intention was to focus on, was our Kickstarter campaign for Musicians’ Desk Reference (our upcoming music industry progression eBook for you newcomers). We still have a little over a week to go and time will tell what the final outcome is. My original goal was to have the funding reached by interested parties to eliminate the need for a third party publisher, ultimately keeping the cost down for the user.
In the event that this goal is not obtained in early March, never fear, as those who know me have probably deduced, I have several backup plans. Am I thorough? Yes. To the point that I am slightly neurotic? Probably. Regardless, nothing is going to stop the freight train that is Musicians’ Desk Reference. Nothing.
So in my attempt to clear my schedule for February to make way for this crowdfunding campaign, I actually ended up with a much busier month that originally anticipated. On top of all of our regular client work, The Counter Rhythm Group hosted our Locally Insourced Cincinnati Music Industry Trade Show, a fantastic show with Bad Veins, PUBLIC and The Ridges. We have been in negotiations with several of our clients for national support tours and we are in the midst of working a potentially huge licensing contract for a client.
In addition to a nationwide social media campaign and a getting ever so close to finishing the book, these past 28 days have seemingly become a marathon that we have just sprinted through. My next vacation is (literally) planned for 2015.
In closing I would like to take a second to thank not only those who have already donated to our Kickstarter, but also to those who (hopefully) will. There is still some time left (depending on when you read this; campaign ends on March 8), and sharing is something we are also encouraging folks to do. I would really like to try and go the independent route with this project, but I am prepared with other options in the end if that is not the case. At the least it has been quite a journey.
I also would like to thank those who have had to deal with my absentmindedness in (“normal,” non-music related) conversation over the past few weeks. I would like to say that this may change in the coming months, but knowing myself and how much I want to accomplish with Musicians’ Desk Reference, I would just plan on it for the next several months. It is by no means a way of stating that I do not care about what else is going on in the world, but should be viewed as a precursor to how significant I think this project can potentially be. I have dedicated literally half of my life to the music industry and I believe this is my biggest accomplishment to date.
Goodnight, and thanks for reading!