The term "contemporary art" is supposed to have a specific — if changing — meaning. Originally, I first heard of it as a term for defining the seriously ambitious and new art of the post-World War II era, thus differentiating itself from the modern-art era, with its various movements, that preceded it in the earlier part of the 20th century. And by "new," one meant new in ideas, in material, in aesthetics and subject matter (or lack of). Some 60 years on, contemporary art increasingly means art of more recent times, or of artists alive today, or even art of the 21st century. That's legitimate change — evolution. But meanwhile, like such words as "loft" and "jazz," the term also has been co-opted as a cool-word marketing tool. Too often, people call any recent art "contemporary," as if it refers to the date a piece was created rather than the inspiration behind it.
To try to make sense of this, and to give those interested in art the tools to understand that contemporary art is more than just a commercial catchphrase, the Art Academy of Cincinnati has organized an ongoing series, "Making Sense of Contemporary Art," that is free and open to the public. This Sunday (Nov. 23) at 2 p.m., Matt Morris (an art critic for CityBeat) and Jean Feinberg (a critic and former curator) will be discussing the subject at the Academy, 1212 Jackson St. in Over-the-Rhine. Each will speak for roughly a half hour, with room for Q&A and then a reception.
John Morris Russell has been named the new conductor of the Cincinnati Pops, succeeding the orchestra’s founder and long-time conductor Erich Kunzel, who passed away in September 2009. Russell will officially begin his tenure on Sept. 1, 2011, but he’s a familiar face around Music Hall because he served as associate conductor of the Cincinnati Symphony Orchestra from 1995 to 2006. In a midday news conference at Music Hall, Russell indicated that he will make his home in Cincinnati. He presently lives in Windsor, Ontario, where he is music director of the Windsor Symphony Orchestra, a post he's held for 10 years and intends to keep.
Even as the Showboat Majestic opens another show this summer (The Art of Murder by Joe DiPietro kicks off tonight and continues through Aug. 28), it’s time to announce the ’boat’s 90th season in 2012, featuring an all-American slate of musicals and comedies to please patrons aboard America’s last showboat, a National Historic Landmark. Here’s the 2012 season:
Cincinnati Shakespeare Company Artistic Director Brian Isaac Phillips, says, "Secrets can be good and bad." But there's one less secret today, now that he's announced the company's 17th season, eight productions, kicking off in July.
If you're looking for a ride in the time machine this weekend, I recommend that you try to score a ticket for How to Succeed in Business Without Really Trying at the University of Cincinnati's College-Conservatory of Music (CCM). The 1962 Tony Award and Pulitzer Prize winner satirizes the corporate world of the early 1960s, and there are some echoes that sound pretty funny 56 years later.
Over the weekend, Ensemble Theatre of Cincinnati announced its 2009-10 season, and it’s full of works you’ve never heard of but will be glad that D. Lynn Meyers has picked. ETC generally offers premieres of works that have been presented elsewhere, but not locally, and she’s kicking off the season with a powerful piece, Moisés Kaufman’s 33 Variations (Sept. 2-20).
Cincinnati's visual arts community is rallying around the seriously ill artist Brian Joiner to raise money for his medical expenses. This Friday from 5-10 p.m., a retrospective of his work — everything from note cards to a 30-foot work, featuring subjects like running women, a school of fish and his portraits, florals and landscapes — will be on display at the studio of Mary Barr Rhodes
It was reported today that the Ohio Arts Council will be facing a budget reduction of 47 percent, one the largest percentage cuts in the new state budget.
From the OAC web site:
As the state’s budget heads to Governor Strickland’s desk for his signature, Ohio Arts Council staff is diligently working with final budget numbers to calculate fiscal year 2010 grant awards. Because the state arts budget was not finalized until July 10, 2009, grant award announcements will not be available until around July 24.
At the June OAC Board meeting, the Board voted to provisionally approve all grants for one year, instead of two years for some programs, until a special emergency session of the Board can be held in August to determine the best course of action for agency programs and operations.
The final version of the FY2010/2011 budget ($13,188,578 for the biennium) will reduce OAC grants by 38 percent from the final FY2009 budget and 47 percent from the original FY2008/2009 appropriation ($24.9 million). This will have a significant impact on FY2010/2011 grant amounts, although actual percentage reductions will vary by program. Some programs will be put on hiatus. This drastically reduced budget severely limits the ability of the OAC to provide financial assistance to artists, arts organizations, schools and other entities engaged in cultural programming throughout the state.
"Ohio’s cultural sector is critically important to the economic recovery of our state. The OAC will continue to do its best to help support the arts and cultural organizations that are reeling from the effects of the economic downturn,” said OAC Executive Director Julie Henahan. “Even at this dramatically reduced level, OAC funding will help maintain jobs, support education programs and drive tourism in Ohio.”
Headquartered in Columbus, the OAC was founded in 1965 to "foster and encourage the development of the arts and assist the preservation of Ohio's cultural heritage."
For fiscal year 2009, the OAC granted $1,498,651 to Cincinnati-based artists and organizations.
Most of the large arts organizations in Cincinnati received some funding from the OAC for 2009, including Cincinnati Ballet, the Cincinnati Arts Association, Children's Theater of Cincinnati, Contemporary Arts Center, Urban Appalachian Council, Cincinnati Shakespeare Company, Kennedy Heights Arts Center, Media Bridges, Madcap Productions, Know Theatre of Cincinnati, Women Writing For (a) Change, Taft Museum, Cincinnati Boychoir and many more.
A total of 65 grants were awarded in Cincinnati for 2009. The five largest grants were:
Cincinnati Symphony Orchestra: $404,986
Playhouse in the Park: $144,817
Cincinnati Museum Association: $167,512
Cincinnati Opera: $100,142
Cincinnati Ballet: $91,966
To see all the grants awarded in Cincinnati, click here.
To learn more about the Ohio Arts Council, visit www.oac.state.oh.us.