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by Rick Pender 12.06.2010
Posted In: Classical music at 03:15 PM | Permalink | Comments (0)
 
 
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John Morris Russell to Head Cincinnati Pops

John Morris Russell has been named the new conductor of the Cincinnati Pops, succeeding the orchestra’s founder and long-time conductor Erich Kunzel, who passed away in September 2009. Russell will officially begin his tenure on Sept. 1, 2011, but he’s a familiar face around Music Hall because he served as associate conductor of the Cincinnati Symphony Orchestra from 1995 to 2006. In a midday news conference at Music Hall, Russell indicated that he will make his home in Cincinnati. He presently lives in Windsor, Ontario, where he is music director of the Windsor Symphony Orchestra, a post he's held for 10 years and intends to keep.

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by Steven Rosen 11.20.2008
Posted In: Visual Art at 11:48 AM | Permalink | Comments (1)
 
 

Defining Contemporary Art

The term "contemporary art" is supposed to have a specific — if changing — meaning. Originally, I first heard of it as a term for defining the seriously ambitious and new art of the post-World War II era, thus differentiating itself from the modern-art era, with its various movements, that preceded it in the earlier part of the 20th century. And by "new," one meant new in ideas, in material, in aesthetics and subject matter (or lack of). Some 60 years on, contemporary art increasingly means art of more recent times, or of artists alive today, or even art of the 21st century. That's legitimate change — evolution. But meanwhile, like such words as "loft" and "jazz," the term also has been co-opted as a cool-word marketing tool. Too often, people call any recent art "contemporary," as if it refers to the date a piece was created rather than the inspiration behind it.

To try to make sense of this, and to give those interested in art the tools to understand that contemporary art is more than just a commercial catchphrase, the Art Academy of Cincinnati has organized an ongoing series, "Making Sense of Contemporary Art," that is free and open to the public. This Sunday (Nov. 23) at 2 p.m., Matt Morris (an art critic for CityBeat) and Jean Feinberg (a critic and former curator) will be discussing the subject at the Academy, 1212 Jackson St. in Over-the-Rhine. Each will speak for roughly a half hour, with room for Q&A and then a reception.

 
 
by Danny Cross 09.11.2011
Posted In: Theater at 07:00 AM | Permalink | Comments (1)
 
 
ed stern (jan 2011)

Stern Endowment bodes well for Playhouse’s future

Supporters hope to raise $5 million to honor retiring artistic director

Ed Stern retires from the Cincinnati Playhouse in the Park next spring after 20 seasons, but his presence will be felt long after that thanks to funds that are being raised to honor him. The Edward Stern Endowment for Artistic Excellence will ensure the Playhouse’s future as a place where the nation’s finest directors, actors, designers and playwrights can produce remarkable work for Cincinnati audiences.

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by Jac Kern 01.31.2012
Posted In: Architecture, Arts community, Visual Art at 05:30 PM | Permalink | Comments (0)
 
 
 james lee bono

EcoSculpt Returns to Fountain Square


Remember last spring when the Square was taken over by environment-conscious art? EcoSculpt will be back April 13-29, exhibiting large-scale sculptures made entirely of recyclables.

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by Rick Pender 08.10.2011
Posted In: Theater at 12:48 PM | Permalink | Comments (0)
 
 
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Showboat: All Aboard for 2012

Even as the Showboat Majestic opens another show this summer (The Art of Murder by Joe DiPietro kicks off tonight and continues through Aug. 28), it’s time to announce the ’boat’s 90th season in 2012, featuring an all-American slate of musicals and comedies to please patrons aboard America’s last showboat, a National Historic Landmark. Here’s the 2012 season:

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by Rick Pender 03.11.2010
Posted In: Theater at 12:48 PM | Permalink | Comments (0)
 
 

Shakin' It Up at Cincy Shakes: Year 17

Cincinnati Shakespeare Company Artistic Director Brian Isaac Phillips, says, "Secrets can be good and bad." But there's one less secret today, now that he's announced the company's 17th season, eight productions, kicking off in July.

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by Rick Pender 11.21.2008
Posted In: Theater at 11:06 AM | Permalink | Comments (0)
 
 

Stage Door: CCM Takes a Trip Back in Time

If you're looking for a ride in the time machine this weekend, I recommend that you try to score a ticket for How to Succeed in Business Without Really Trying at the University of Cincinnati's College-Conservatory of Music (CCM). The 1962 Tony Award and Pulitzer Prize winner satirizes the corporate world of the early 1960s, and there are some echoes that sound pretty funny 56 years later.

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by Rick Pender 06.11.2009
Posted In: Theater at 11:35 AM | Permalink | Comments (0)
 
 

4 Theater Companies Announce New Seasons

Over the weekend, Ensemble Theatre of Cincinnati announced its 2009-10 season, and it’s full of works you’ve never heard of but will be glad that D. Lynn Meyers has picked. ETC generally offers premieres of works that have been presented elsewhere, but not locally, and she’s kicking off the season with a powerful piece, Moisés Kaufman’s 33 Variations (Sept. 2-20).

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by Steven Rosen 04.19.2010
Posted In: Visual Art at 09:05 AM | Permalink | Comments (1)
 
 
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Benefit Retrospective for Brian Joiner

Cincinnati's visual arts community is rallying around the seriously ill artist Brian Joiner to raise money for his medical expenses. This Friday from 5-10 p.m., a retrospective of his work — everything from note cards to a 30-foot work, featuring subjects like running women, a school of fish and his portraits, florals and landscapes — will be on display at the studio of Mary Barr Rhodes

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by Rick Pender 09.05.2012
Posted In: Theater at 09:12 AM | Permalink | Comments (0)
 
 
pamela myers

Outstanding Cast Assembled for Oct. 7 Workshop at Carnegie

Star-studded cast to perform darkly comic musical one-night only

There's a new piece of musical theater in the oven, and you'll be able to get a peak and a listen on Sunday, Oct. 7 at 7:30 p.m., when it has a one-night-only public performance at Covington's Carnegie Center. The evening will feature several local theater veterans including two with national reputations, so it's a very promising event. The Sandman is a new musical by Richard Oberacker and his writing partner Robert Taylor. They teamed to create Ace (which premiered at the Cincinnati Playhouse back in 2006), and Oberacker was the creative force behind Don't Make Me Pull This Show Over, a hit at the Cincinnati Fringe in 2008 and returned for a full production at Ensemble Theatre the following season.

The Sandman
is strange and darkly comic musical, drawn from a nightmarish fantasy by E.T.A. Hoffman, the author of the story of The Nutcracker and the personal inspiration for the opera The Tales of Hoffman. Oberacker, whose day job is as a music director with Cirque du Soleil in Las Vegas, will spend a week here to workshop the show about a month from now, and he will play piano for the performance on that Sunday evening.

A star-studded cast has been recruited, topped by Broadway veteran, Tony nominee and nationally respected musical performer
Pamela Myers. She'll play Frau Kaeseschweiss, an unusual nanny recruited to serve as a nanny the children of the Strauss family. Charlie Clark and Sara Mackie (both Cincinnati veteran theater professionals and familiar to ETC and Carnegie theater audiences) will play the parents, with Clark as an ingenious German clockmaker who sets in motion a series of bizarre and unnatural events when he meets the strange Dr. Copelius, played by Bruce Cromer. (Cromer is spending this month at Cincinnati Shakespeare as Atticus Finch in To Kill a Mockingbird). The devilish deal between them to save the Strauss's daughter's life takes a strange and chaotic turn and sinister forces at play are revealed — forces from which only the children may be able to save their parents. Another piece of good news: Busy local director Ed Cohen will be involved in staging the piece, which will utilize a number of projected illustrations to evoke the mood and setting.

Oberacker is excited by the quality of the cast assembled for the performance, especially with Myers' involvement. (Like him, both are Cincinnati natives and grads of UC's College-Conservatory of Music. She was the first musical theater grad in 1969; although he was a musical prodigy, conducting shows for community theaters while still in high school, he excelled in CCM's drama program, graduating in 1993.) In a recent email, he told me that Myers is playing "a titanic role that narrates the whole show" and added that it's "huge to have Pam in a role tailor made for her."


The Carnegie's website has the performance listed but no further information. If you want to be there, I suggest you call the box office and make your interest known: 859-957-1940.
 
 

 

 

 
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