Right now most theaters are readying shows that will be onstage in early September, so there's not a lot to see around town. But if you're looking for some dramatic entertainment on Sunday evening that will keep you outdoors, I suggest you head to the lawn at the Harry Whiting Brown Community Center in Glendale where Cincinnati Shakespeare Company's "Shakespeare in the Park" makes a stop at 7 p.m. –––
They're offering a stripped-down version of the tragic tale of Romeo and Juliet, using just eight actors (which means several performers play more than one role). You'll see some fine acting and a couple of well-staged fights. It might feel like a "back-to-school" special, what with the poetry and all, but even teens should enjoy the action and big emotions. Best of all, it's free (although your donation to the cause will be appreciated.)
Get details on the CSC web site.
If the last gasps of winter still have you shivering, you can warm up this weekend with some frothy musical theater at UC's College-Conservatory of Music, where Two Gentlemen of Verona is dancing its heart out. With a silly story (thanks to Shakespeare) and an eclectic score (from the guy who wrote the music for Hair), this 1971 show doesn't get staged very often. But you'll wonder why if you find yourself in Patricia Corbett Theater: Thanks to CCM 1995 grad Andrew Palermo, who's returned to direct and choreograph the show, the cast never stops dancing.
Don't fret about the story — changing affections, disguises, villains and heroes — just watch as the tale takes you from the university town of Verona to the urban Milano. The costumes (preppy white shirts and ties in the former, metropolitan chic black and Hip Hop in the latter) will tell you where you are. And the performers are all shining stars from CCM's musical theater program, several of them ready to move along to Broadway. This is the CCM musical people will continue to talk when the current season is over. Two Gentlemen runs longer than usual for a CCM show — two weekends (final performance is March 8) — but don't dally to get your tickets: By next weekend they'll all be claimed. Box office: 513-556-4183.
In case you haven’t been paying attention, the Carnegie Center in Covington has been producing some ambitious theater and following a course that others haven’t tried: It’s called collaboration. Joshua Steele, the managing director of theater for the arts center in a one-time Carnegie Library, has amplified his results by working with other arts institutions in the region — especially, but not limited to, the fine theater programs at area universities. Steele will announce his 2012-2013 this week, and it’s evident that he’s continuing this commendable course working with Dayton’s Human Race Theatre Company for the first time and building on a productive relationship with the Cincinnati Chamber Orchestra. He’s also engaged some top-notch freelance talent to ensure that productions will be memorable.
Steele, who previously co-founded the meteoric New Stage Collective with his friend Alan Patrick Kenny, is bringing the remarkable director back to town for his first return since NSC closed in April 2010. Kenny, who has been earning an M.F.A. in California and staging theater on the West Coast, will direct the regional premiere of the musical Xanadu (Aug. 11-26, 2012). This campy, tongue-in-cheek show, based on the 1980 move that featured Olivia Newton-John, is right up Kenny’s inventive alley, and should be a refreshing dash of onstage energy at summer’s end. (Auditions for this show will take place on May 22, 7-10 p.m. at the Carnegie. Actors interested in auditioning should contact Adrianne Eby, firstname.lastname@example.org)
The Human Race collaboration will be next. The Dayton
company, which performs regularly at the Loft Theater in that city’s downtown,
is premiering a new play by Michael Slade, Under a Red Moon, in late October.
The production will then move to the Carnegie for a three-weekend run (Nov.
2-18, 2012). Set in 1949, it’s a taut psychological thriller telling the story
of John George Haigh, Britain’s infamous “Acid Bath Killer.”
For the third consecutive year, Steele has lined up a joint, in-concert presentation of a well known musical with the Cincinnati Chamber Orchestra. After successful outings with the CCO for Carousel and The King and I, the late January 2013 production will be Camelot, the story of chivalry and the love triangle of King Arthur, Queen Guenevere and the knight Sir Lancelot. The lush Lerner and Loewe score will be conducted by the CCO’s music director Mischa Santora onstage with musicians from the orchestra.
Steele wraps up his four-production season with Jason Robert
Brown’s powerful musical Parade (April 5-21, 2013), staged by
local director-choreographer team Ed Cohen and Dee Anne Bryll, who will be
joined by music director Steve Goers (currently appearing in the Carnegie’s
production of Pump Boys & Dinettes).
Set in Atlanta in 1913, it’s about the intolerance and misunderstanding
swirling around the trial of a Jewish factory manager accused of murdering a
young girl in his employ. Cohen and Bryll staged an excellent community theater
production of the show with Footlighters Inc. in 2007, winning that season’s
outstanding community theater award. They also staged the Huck Finn musical Big River for the Carnegie with great
results in 2010.
It’s a great line-up, and I suspect audiences will be lining up in Covington for these productions.
The Manhattan Dolls will make a one-night tour stop at Know Theatre on Sunday evening at 7:30, performing their Swing-style revue of tunes from the 1930s and 1940s, "Sentimental Journey," in the Over-the-Rhine theatre’s Underground cabaret space. The trio of singers from New York City travel the world performing for military events, air shows, award ceremonies, parades, Jazz clubs and concert series.
If you're looking to get revved up for Halloween, I can think of no better choice than heading to Cincinnati Shakespeare Company this weekend for Giles Davies' first performance of Poe, a compilation of creepy stories from the master of the macabre.
Know Theatre has announced the 2012 Cincinnati Fringe Festival, kicking off May 29 and continuing through June 9. Festivities begin with the official CityBeat Fringe Kick-Off Party on May 29 at 6 p.m. (A suggested donation of $5 gets you in.) During the Festivals’ two-week run, 29 productions will receive multiple performances. Some shows are locally originated (14) and others are by touring artists (15) who travel to festivals around the United States. If everything selected actually happens (that’s seldom the case), there will be 10 plays, nine solo shows, four dance works and six multimedia/variety pieces.
Several award-winning groups popular with past Fringe audiences are set to return. One of the most popular performers from 2011, Kevin J. Thornton — his I Love You (We’re Fucked) had a sold-out run and returned for another stint last October — is back with Strange Dreamz. Thornton has appeared in the Capital Fringe, Indy Fringe, NYC Frigid Festival, Tucson Fringe Festival, Phoenix Fringe Festival, Orlando Fringe Festival, Kansas City Fringe Festival, and the Minnesota Fringe Festival.
Four Humors Theater from the Twin Cities is back for the fifth consecutive year, this time presenting Bombus and Berrylinne, or the Bumblebee and the Hummingbird. The group has previously produced Mortem Capiendum (Producer’s Pick of the Fringe, 2008), April Fools (2009), and Harold (Critic’s Pick of the Fringe, 2010) and the hilarious James Bond-inspired puppet show You Only Live Forever Once (2011).
The longevity honors will continue to be held by Cincinnati Fringe veteran group Performance Gallery, returning for their ninth year with Rodney Rumple's Random Reality. Past Cincinnati Fringe appearances include Images of a Beating Heart (2004), The Killer Whispers and Prays (2005), Godsplay (2006), Girlfight (2007), Fricative (2008), KAZ/m (2009), The Council (2010) and The Body Speaks (2011). Brad Cupples, the playwright for Performance Gallery’s 2010 entry, returns with Third Quarter Moon: A Complex Derivative Love Story.
We’ll see shows from established local companies, including Quake: A Love Story from New Edgecliff Theatre (they presented Darker in 2011) and Don't Cross The Streams: The Cease and Desist Musical, a stage musical from Covington’s Carnegie Visual & Performing Arts Center.
Two new local companies will present for the first time. Homegrown Theatre, led by local actress Leah Strasser will present an absurdist piece, The Doppelganger Cometh and Overtaketh, while Essex Theatre Arts Studio, founded by actors Bob Allen and Elizabeth Harris, will stage Love Knots, a series of shorts plays about love and romance by local playwright Phil Paradis.
There will be plenty of new acts, including Grim & Fisher (the award-winning A deathly comedy in full-face mask) from Portland, Ore., and Rebecca King (Storms Beneath Her Skin), a transgender artist from Chicago. New York artist Tanya O’Debra’s Radio Star has won awards in San Francisco, Montreal and New York City.
There will be dance performances by Houston-based dance company Psophonia (Delicious) and two local groups, MamLuft&Co.’s (Latitude) and Pones, Inc. (Project Activate). The latter is a collaborative and participatory performance that asks “How do you activate Cincinnati?” It’s the product of five local service organizations with 12 professional artists from a variety of disciplines.
Each evening after performances, artists, audience members, staff, and volunteers gather at Know Theatre’s Underground bar for the Fringe Bar Series featuring the “Channel Fringe Hard Hitting Action News Update.” Events there include Fringe previews, Fringe Olympics, Fringe-e-Oke, Fringe Prom, and the 22.5 hour play project.
This year marks the second year of FringeNext, offering three shows created and performed by high school students. Two are originating from the School for Creative and Performing Arts; the third is from Lakota West High School.
Individual tickets to shows are still $12. “Full Frontal” passes are $200, providing access to every event in the festival. “Flexible Voyeur” six-show passes are on sale for $60, the price equivalent of five tickets. “One Night Stand” passes are $35; that’s good for one weeknight (as many as three shows) and a drink at Know Theatre's Bar. Pre-sale single tickets will go on sale mid-May.
For more information about the performances or to purchase passes, check out www.cincyfringe.com or call (513) 300-KNOW (5669).
Halloween seems on its way to being celebrated as a classic holiday, so perhaps it's appropriate that Cincinnati Shakespeare Company has not one but two productions that specifically the give-me-goosebumps crowd.
It's easy to spend time writing about exciting new developments in our local theater scene. But who got things started?
It could be argued that F. Paul Rutledge was the guy who laid the foundation. He passed away a week ago at the age of 91. Rutledge was a theater pioneer in Cincinnati, and many people who shaped what we have today were inspired by him.
For several years Joshua Jeremian seemed to be onstage everywhere in Cincinnati. He was a regular in opera productions at UC’s College-Conservatory of Music, where he was pursuing a master’s degree and then an artist’s diploma (additional graduate-level training) as an opera singer. But he was glad to find performing opportunities with many Cincinnati perfroming arts institutions. In 2005 he played a pair of princes in Ensemble Theatre of Cincinnati’s holiday musical, Sleeping Beauty. (In fact, the big-voiced baritone was nominated for a 2006 Cincinnati Entertainment Award for his performance at ETC.)
For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.
Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)
Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.
After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow.
More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."
One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.
Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.