Jonathan Tyler and the Northern Lights is a Dallas-based rock band with a great southern rock sound. The band is made up of frontman Jonathan Tyler, guitarist Brandon Pinckard, bassist Nick Jay, vocalist Emotion Brown and drummer Jordan Cain. They have released one album, Pardon Me, that includes the acclaimed song Gypsy Woman.
I caught up with the band after their early Sunday morning rocking performance at the Voodoo Experience Festival in New Orleans last weekend.
Cincinnati is not known as an Industrial music destination. Unlike San Francisco in the late ‘70s, Chicago in the mid-‘80s and Cleveland in the early ‘90s, the Queen City has never really enjoyed a love affair with the ever-morphing genre of all things dark, mechanical and dingy-sounding.
Ilan Kaim is the man who intends to change that.
If you wanted to, you could poke around online for about two minutes and come up with a fairly accurate list of songs Paul McCartney and his band will be playing in Cincinnati Thursday for the first major concert event at the Reds’ young Great American Ballpark. Actually, even the most casual fan could probably come up with 3/4 of the setlist off the top of their head. Despite the massive amount of classics in his catalog, there are some songs even Sir Paul knows (or thinks) he has to play.
The second round of announcements for this year's MidPoint Music Festival lineup was featured in this week's issue of CityBeat, on streets now. For those outside of Greater Cincinnati (or you lazy folks who don't want to walk to pick up a newspaper), here's the official press release:
For Immediate Release
Artist Announcement “Round 2” for MPMF.13
Original Pioneer Shuggie Otis to headline Washington ParkOpening Night
Cincinnati, Ohio, May 29, 2013 —Last month, after almost 40 years, Shuggie Otis, released a new album.
In September, MidPoint Music Festival (MPMF.13) will present Otis, one of the most mysterious figures in pop music history, as this year’s original pioneer. He will headline in Washington Park opening night with Cody ChesnuTT.
According to the New York Times (NYT), Otis’s album, “Wings of Love” (Epic/Legacy), which includes 14 previously unreleased tracks, is being packaged a alongside a reissue of his previous and most celebrated recording, “Inspiration Information,” from 1974.
“MPMF has always been known for the pioneering music we showcase, but I am especially excited and proud to present Shuggie Otis,” said Dan McCabe, artistic director of MPMF.13. “Unlike other original pioneers presented at past MPMFs like Ralph Stanley, Booker T. and Van Dyke Parks, Shuggie’s impact is only just now coming to light. Shuggie Otis speaks directly to the MPMF artist who often sacrifices success and notoriety for their art.”
On May 3, the first 13 artists were announced for the twelfth edition of the downtown Cincinnati festival happening September 26-28, 2013. Today, 14 additional artists are being released:
SHUGGIE OTIS/KURT VILE/ YOUTH LAGOON/
ON AN ON/ BATHS/ MURDER BY DEATH/ BLEACHED/ SATURDAY LOOKS GOOD TO ME/ SAN FERMIN/ SECRET COLOURS/ NAT BALDWIN/ WILD CUB/
THE SHILOHS/BIRDS OF CHICAGO
SHUGGIE OTIS: “He’s the unsung hero of blues and funk. His music is so potent that it only blossomed 30 years after it was first released.” - Questlove
“…a missing link between Sly, Jimi, Stevie, Prince and Frank Ocean." -Rolling Stone
KURT VILE: One of Coachella 2013’s 10 Must See Acts – Rolling Stone
“Wakin on a Pretty Daze” is a SPIN essential and a real testament to putting a great deal of effort into making something feel effortless.” - SPIN
YOUTH LAGOON: “8.7 / BEST NEW MUSIC. Wondrous Bughouse looks inward and discovers the endless possibilities of imagination and introspection.” -Pitchfork
ON AN ON: Broke new ground on their latest recording with accomplished producer Dave Newfeld (Broken Social Scene, Super Furry Animals, Los Campesinos!)
BATHS: Just yesterday (May 28, 2013) second album Obsidian named “Best New Music” by Pitchfork. Debut album Cerulean, blurs the line between post-modern pop and the LA beat scene and earned “Best Of” recognition from Pitchfork & The Onion’s A.V. Club.
MURDER BY DEATH: "They've cultivated a cult-like fan base via their unique sound, which mingles elements of country, indie rock and alternative music into collections of songs that are the sonic equivalent of 'No Country For Old Men.'"— PureVolume
BLEACHED: “…originally found cult status with their punk band Mika Miko. It's the ole "they've cleaned up, but are still same degenerates you know and love" trick. . – The Village Voice
SATURDAY LOOKS GOOD TO ME: The jubilant fun of Motown and Northern soul with a decidedly indie approach.
SAN FERMIN: A pastiche of post-rock, chamber-pop and contemporary classical composition.
SECRET COLOURS: Revel in being the bastard seed of the '60s psychedelia and '90s Britpop bloodlines.
NAT BALDWIN: Double bassist/singer-songwriter Nat Baldwin's spent years as the Dirty Projectors bassist and former disciple of free jazz legend Anthony Braxton.
WILD CUB: “…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period.” – KEXP
THE SHILOHS: The Vancouver foursome released full-length debut, So Wild earlier this year.
BIRDS OF CHICAGO: “They project organic gospel, hillbilly, folk and soul elements that bridge traditional and modern approaches." – Chicago Tribune
To view the whole list of artists for MPMF.13 to date, visit MPMF.com.
MidPoint Music Festival continues its 12-year tradition as the region’s frontline of music exploration, featuring an impressive and diverse lineup. Music fans everywhere flock to Cincinnati in September to be a part of this long running music event that started in Over-the-Rhine (OTR), the Cincinnati neighborhood that’s as cutting edge as the festival itself.
OTR remains a pivotal location, home to a number of MPMF.13 stages. OTR is on the National Register of Historic Places and was voted best Cincinnati Neighborhood in CityBeat’s Best of Cincinnati publication in 2011 and 2012. Since 2004 more than $255 million has been invested in the revitalization of OTR, including the $48 million renovation of Washington Park, which includes an outdoor music stage that serves as one of MPMF’s main stages.
Advance tickets are on sale now at www.mpmf.cincyticket.com. All-access passes are $69 and VIP passes are $169
Cincinnati’s MidPoint Music Festival has developed a reputation as the place to find your new favorite band. MidPoint's embrace of emerging artists reflects the same pioneering ethic of Cincinnati's celebrated music history and its present day music-makers. The MPMF storyline continues to be diverse, dynamic and adventurous. Stay up to date at MPMF.com, like its official Facebook page, or by following the festival on Twitter.
MPMF.13 is made possible thanks to the generous support of its sponsors, including Dewey’s Pizza and Biore.
Rockers Papa Roach hit the scene in 2000 with their most successful studio album, Infest. Six albums later, they are still headlining tours and festivals across the country including this weekend’s Rock on the Range in Columbus.
I was able to catch up with the man behind the music, Jacoby Shaddix, the lead vocalist. The two discussed the hard times and redemption that led to Papa Roach's most recent album, The Connection, released late last year.
Papa Roach plays Rock on the Range's Main Stage Saturday
afternoon, getting the night ready for Three Days Grace, Stone Sour and
The Smashing Pumpkins. Find full Rock on the Range details here.
CityBeat: What is your favorite Rock on the Range memory?
Jacoby Shaddix: Shit man, coming in headlining the second stage and utterly fucking demolishing it and being the only band asked back the next year to play the Main Stage and crushing it again.
CB: If you could trade places with anybody for one month who would it be?
JS: My wife.
JS: I just want both of us to live our lives in each other’s shoes for a month. I think we both would learn a lot. I know that it is not the super mega-kick ass Rock star answer, but that is some real shit.
CB: I know you wrote the last album through some of the toughest times of your life. Are any of the songs hard to play for you personally?
JS: No, they are just really good reminders. It is like I had to re-calibrate my life and re-focus myself on what my priorities were in my life and what was important to me and where I wanted to put myself five years from now and 10 years from now. All the decisions I made in the process of making this record I believe are some of the most important decisions that I’ll make in my lifetime. I think the songs are real good reminders of that desperate place that I once was.
CB: Well my favorite song on the album when it came out was “Where Did the Angels Go”…
JS: We had a No. 1 Rock track with that song, which was fucking awesome.
CB: Can you tell me the story behind the song?
JS: As we were making the record, me and my wife had split up at that time and I was strung out again. It is no secret that I have substance abuse issues and I was caught up again and I finally decided that enough is enough. I had to stop and that just utter desperation of hanging on to life by a thread and just feeling completely alone and so broken and not really knowing if I was going to be OK. I just finally realized how much my demons ate me alive and it was time to get myself back and that is where that song came from, utter desperation.
CB: Is it hard to be on the road and stay sober?
JS: Not this time around. It used to be really hard. I have a network of sober musicians I stay really close with and I have a support group through that.
It is finally clear to me in my life I can’t fucking drink, I can’t do drugs, because it eats me alive. I am finally on the road enjoying my life. I faced a lot of demons in the process of getting sober again and I finally put a lot of stuff to rest. I am trying to work on being in the moment, like some of that Buddhist-type culture philosophy — if I am not here now then what is the point? If I am not feeling the moment, then what is the point of my life. Just focusing on that, my spirituality makes all this other stuff that goes on out here on the road way more tolerable and way more fun.
CB: Have you ever had an experience that led you to believe in angels?
JS: I don’t necessarily have a grasp on the idea of angels. I have an understanding of people that have come like saviors in a sense, people that have been sent to me by my higher power to show me and guide me out of the darkness. I had to be broken down to realize I needed help.
CB: People have shown up at the right time?
CB: If you could ask one question to a psychic about your future what would you ask?
JS: I wouldn’t ask anything. I wouldn’t want to know. What do you want to know? Are you going to live different or some shit? I’d rather let it be. Let the future be what it is going to be.
CB: What does your perfect day look like?
JS: Perfect day — wake up next to my wife, sex right off the bat. Then go downstairs and cook breakfast for my kids, take them to school, go for a run, dance with my wife, go fishing with my brother-in-law in the bayou swamp, stretch out and warm up, play a Rock & Roll show, then fall asleep next to my wife. That sounds pretty fucking kick ass.
CB: I know your songs that you write are very autobiographical. Have you considered writing a book or a memoir in the future?
JS: Oh definitely, that is something I am going to definitely do in my life. 100 percent.
CB: No immediate plans?
JS: No immediate plans, but I have put pen to paper. It is something that I can craft as I go along.
CB: What can the fans expect this weekend at Rock on the Range?
JS: A fan that is on fucking fire. We have been doing these festivals, May is a big festival month, and we have been fucking annihilating audiences. We just devastated Carolina Rebellion, just ripped that shit up, we had a great show. Fort Rock in Florida, Rockville down in Florida. Memphis in May was awesome at the Beale Street Festival. That was rippin’. I just feel like we are tuned up and primed for these big festivals. I have to say, all these other bands, bring your fucking A-game because P Roach is coming to town and we have come to rip it.
CB: Memphis was awesome. I saw most of the set. It was awesome. It was great as always. I look forward to shooting you guys again. Smile for the camera on Saturday.
JS: Fuck yeah. Cool. We will see you Saturday.
This afternoon, the Facebook page of crucial, longtime MidPoint Music Festival supporters, Dewey's Pizza, announced the first handful of artists book to play this fall's MidPoint Music Festival. And, after early-bird discount tickets quickly sold out several weeks ago, the rest of the tickets are on sale now at mpmf.cincyticket.com.
The first batch of MPMF.13 performers is very representative of the bookings for MidPoint the past few years. You've got a Modern Rock legend, a few established acts, several current "buzz bands" and a few acts that, if past years' MPMFs are any indication, will be "buzz-worthy" by the time the festival rolls around, Sept. 26-28.
Here are the first 17 acts booked for MPMF.13, the 12th installment of the ever-growing music fest that utilizes various venues in Over-the-Rhine/Downtown. Below the list, you can check out a song by each artist on our first MPMF.13 playlist.
The Breeders (Dayton, Ohio)
One of the seminal bands of the "Alternative Revolution" in the ’90s, The Breeders are currently promoting the 20th anniversary, expanded reissue of their classic Last Splash album. Though the Dayton-based Deal sisters (Kelley of R. Ring and Kim of Pixies) have kept musically active since Last Splash, with outside projects and The Breeders, the world tour for the reissue is special because it reunites the Deals with the album's lineup — bassist Josephine Wiggs and veteran Dayton drummer Jim MacPherson, who also spent time with Guided By Voices. The Breeders are playing Last Splash in its entirety on the whole tour.
The Head and The Heart (Seattle, Wash.)
One of the top acts of the "Indie Folk" movement, The Head and the Heart formed in Seattle in 2009. An early, self-made recording the band sold at initial shows ended up becoming so popular, local record stores began stocking it and trying to keep up with the surprising demand. The recording began making the music industry rounds, leading to a bidding war for the band. They ended up signing to hometown label Sub Pop within about a year of forming. The group's self-titled album was released to critical acclaim in 2011. The band's warm, ear-grabbing sound has been used a lot on TV spots; you might recognize their "Lost in My Mind," which was the background music for the trailer for the big hit film, Silver Linings Playbook.
Warpaint (Los Angeles)
With an airy, mesmerizing take on Psych Pop, L.A. quartet Warpaint caught the attention of mad guitar genius John Frusciante, who offered to mix the band's Exquisite Corpse EP. That release and a successful CMJ festival appearance led to Warpaint's signing to the legendary Rough Trade imprint. The label released the album The Fool in October 2010 and the band went back to their relentless touring schedule, which included dates with the likes of The xx, Yeasayer and The Walkmen. The band is currently prepping a new LP.
Foxygen (New York, NY/Olympia, Wash.)
Foxygen is the engagingly adventurous duo of Sam France and Jonathan Rado, who formed the group as 15-year-olds in 2005 and self-released a dozen or so albums while learning to play as many instruments as possible. The band's skewered Art Pop (akin to that of MGMT) with retro-underpinnings has been drawing attention since the release of the Foxygen full-length debut for the respected Jagjaguwar Records, the Richard Swift-produced We Are the 21st Century Ambassadors of Peace & Magic, at the start of this year.
Cody ChesnuTT (Atlanta, Ga.)
Singer/songwriter Cody ChesnuTT first came to a lot of people's attention as the lead vocalist on "The Seed (2.0)," a fairly big single off of The Roots' Phrenology album in 2002. That drove a lot of Roots fans to ChesnuTT's full-length from the same year, The Headphone Masterpiece, though what they heard on that album — an underproduced, ambling collection of demo-sounding tunes that surfed a wide range of genres with ADD-like abandon. A decade later, ChesnuTT has returned with a new focus, showcasing a balanced approach based in vintage Soul (vocally, he's quite similar to Marvin Gaye) and Rock & Roll, on the full-length, Landing on a Hundred.
Daughter (London, UK)
Originating as the "one-woman-band" recording project of singer/guitarist Elena Tonra, Daughter — now a trio, which Tonra's husband on guitar and drummer Remi Aguilella — mixes an Indie Folk base with subtle electronics, creating an emotive sound that can be whisper-quiet one moment and epically lush another. After a self-titled EP, Mumford & Son's Communion label released The Wild Youth EP. Often compared to Cat Power due to Tonra's vocals, last year, the band signed to the 4AD label, a fitting choice given the legendarily ambient sound that defined the label's artists in its early years. The label released the trio's debut, If You Leave, in March of this year.
METZ (Toronto, Canada)
Relentless in its sonic attack, Canadian three-piece METZ recalls a lot of the punchier Post Punk bands of the ’80s/’90s, drawing comparisons to Big Black, The Jesus Lizard and any number of acts on the (early) Sub Pop and Dischord labels. After a few years of heavy touring, opening for like-minded bands Death from Above 1979, Mudhoney and NoMeansNo, the band signed with indie label legend Sub Pop, which released METZ's powerhouse self-titled debut last year.
Kishi Bashi (Norfolk, Va.)
Starting his career as a violinist for artists like Regina Spektor and of Montreal, Seattle-born multi-instrumentalist and singer/songwriter K Ishibashi went solo — under the less-confusing moniker Kishi Bashi — and began touring. Making engaging Indie Pop touched by Classical/Chamber influence, the Joyful Noise imprint released his first full-length album, 151A, last spring. There's a pretty good chance you've hear Kishi Bashi before, even if you didn't know it — his jaunty, Shins-ish single "Bright Whites" was used in a wide-running commercial for Windows 8.
Julianne Barwick (Brooklyn, NY)
Julianne Barwick makes angelic Ambient music based entirely on loops. The Southern-born experimental artist — signed to Asthmatic Kitty Records — creates her compositions by using a loop station and crafting elegant layers of sonic haze, using mostly piano, her voice, some percussion and guitar. Barwick — who recently announced her signing to Dead Oceans and a new album set for August — is an up-and-comer in the Avant Garde/New Music world, recently scoring an invite recently to Yoko Ono's Meltdown Festival in the U.K.
Spectrals (Yorkshire, U.K.)
Spectrals was originally the work of one dude, British singer/songwriter Louis Jones (with just a little help from his brother on drums). Spectrals' wandering sound touches on everything from Nuggets-esque Garage to swaying, elegant Pop (threaded with reverbed-out, Surf-ish guitar). Jones signed to the Slumberland label in the States, which released his first album, Bad Penny, in 2011. For Spectrals' latest, the Sob Story album, Jones, for the first time, had some help from other musicians (who aren't related to him).The album is due June 18.
Dent May (Oxford, Miss.)
Singer/songwriter Dent May makes unabashed Pop music, the kind that forces a smile on your face regardless of your troubles. The Mississippi resident singed with Animal Collective's Paw Tracks label in 2008 and released The Good Feeling Music of Dent May & His Magnificent Ukulele, which drew comparisons to the likes of The Beach Boys, The Turtles and Prefab Sprout. For last year's self-titled album, May put away the uke and decided it was time to dance. The album is a cooly eclectic collection of dynamic electronic Pop, retaining those classic Pop/Rock influences, but adding elements of Disco, Funk, R&B Electro.
Grandfather Child (Houston, Texas)
Grandfather Child was formed in Houston in 2009 by members of various other local bands. The group hit upon a compelling "formula," creating a kitchen-sink sound that is loaded with influence from R&B, Soul, early Rock & Roll and Gospel music, resulting in a pretty psychedelic vibe. The band is signed to New West Records, which released Grandfather Child's eponymous 9-track album last summer.
The Ghost Wolves (Austin, Texas)
With a blistering sound created by just two people — guitarist Carley and drummer Jonny Wolf (both sing) — The Ghost Wolves traveled many miles across the country to build a fan base one explosive show at a time. The group's debut was the raw and rugged In Ya Neck! EP, which showcased the Wolves' fuzzy take on stompin' Blues Rock expertly, like a two-piece version of The Cramps. The band is getting set to release its debut full-length, Man, Woman, Beast.
Jeecy and The Jungle (Detroit)
Known for their reportedly incredible like show, Detroit's Soul rockers Jeecy and the Jungle represent two sides of Detroit's music heritage, blending a modern-day Garage Rock energy with influence from classic Soul artists. Last summer, the band released its impressive five-track EP, Twist and Scream.
Caveman (New York, NY)
Caveman is an NYC quintet that makes atmospheric Indie Rock with the kind of soft-breeze effervescence found in everything from the best vintage "AM Gold" songs to Fleet Foxes. The band released its debut in 2010, CoCo Beware, built a following and signed to notable label, Fat Possum Records, which re-released the debut and also the recent self-titled full-length, which has been garnering great reviews.
Perfume Genius (Seattle, Wash.)
Perfume Genius is Mike Hadreas, a Seattle singer/songwriter and visual artist whose 2010 debut caught the attention of the Indie music press corps. Quickly signed to the esteemed Matador Records, Perfume Genius' latest is Put Your Back N 2 It, a gentle, intimate collection of spectral, folksy songs.
PHOX (Madison, Wisc.)
Slanted, sparse yet broad Indie/Folk/Pop band PHOX started turning heads this year with consistent touring and a knock-out appearance at South By Southwest. The band recently released its latest EP, Confetti, which also has a companion "video EP," featuring short films for every track that the group members made simultaneously with the musical recording.
We received word this afternoon that legendary Funk guitarist and Cincinnati native Phelps “Catfish” Collins succumbed to cancer today at the age of 66. Collins (along his younger brother Bootsy) was an architect of Funk as a member of James Brown’s JB’s, Parliament/Funkadelic (fellow P-Funk guitarist Gary Shider passed away just a couple of months ago) and Bootsy’s Rubber Band and was responsible for some of the greatest Funk guitar riffs every laid down.
A couple of weeks ago, I finally got to check out the muched-buzzed about band The Tillers, nominated for a Cincinnati Entertainment Award in the Folk/Americana category. Playing in the Southgate House's "lounge" room, the trio (playing stand-up bass, guitar, banjo and more) huddled around a single, vintage-looking, multi-directional mic and delivered their sweet, accomplished spin on traditional Folk, Country, Gospel and Blues.
Opening Cincinnati's summer concert season is always a difficult duty. A constantly fickle city in terms of their live music, Cincinnati crowds demand constant excitement and stroking from the band they are witnessing. Well, then what better band to choose for this tedious task than Kings of Leon?