Word has been trickling out over the past few weeks about a new Country music festival in Cincinnati, organized by Bunbury Music Festival founder Bill Donabedian. Today, the first four artists slated to appear at the inaugural Buckle Up Music Festival were announced. The festival is set for the weekend after Bunbury — July 18-20 — and will use the same grounds at Sawyer Point/Yeatman’s Cove along the Ohio River. (Think of it as Bunbury’s version of Coachella’s Stagecoach fest.)
The lineup will feature “upwards of 80 performers” and include both modern, commercial Country acts and variations on the Country theme — “folk, bluegrass, Americana, roots rock and more,” according to the press materials — something the initial lineup announcement reflects.
Legendary Country act Alabama (which for many years used the controversial Confederate Flag in its artwork, years before Kanye decided to reclaim it) and current Country hitmakers the Eli Young Band will be joined by up-and-comers J.T. Hodges (whose music has been described as “Country Soul with some Rock N’ Roll”) and eclectic Brooklyn-based Americana trio The Lone Bellow, which performed last November at Cincinnati’s 20th Century Theater (read CityBeat’s preview here).
The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
Last night, music fans at venues in four cities around the region (Newport, Columbus, Indianapolis and Lexington) got a sneak peek at some of the artists slated to appear at this year’s Bunbury Music Festival, which returns to Cincinnati’s riverfront parks July 11-13.
Last night, fans at the launch events tweeted out some of the lineup as it was announced (and some smart ass started a fast-spreading rumor that Vampire Weekend was playing; they are not). This morning, the lineup was released to the general public. It was previously announced that Fall Out Boy, Paramore and New Politics would be bringing their summer tour to Bunbury; those groups are scheduled to play the fest on July 12.
Here are the local and national artists that will be joining them at Bunbury’s third annual event (an additional headliner will be announced soon):
The Flaming Lips
Young the Giant
Fitz and the Tantrums
Red Wanting Blue
The Lighthouse and the Whaler
Fly Golden Eagle
Lamps and Voids
Family and Friends
Let It Happen
Kopecky Family Band
G.Miles and the Hitmen
Brent James & the Vintage Youth
The Fanged Robot
The Upset Victory
J. Roddy Walston & The Business
Lily & Madeleine
Brick + Mortar
Yellow Paper Planes
Aaron Lee Tasjan
Here Among the Mountains
Bronze Radio Return
Daniel in Stereo
Today is the last day to buy Bunbury tickets at their current rate; the prices increase at midnight. Right now, $130 gets you a three-day pass ($325 if you’d like the VIP experience) and one-day tickets are $55.
By all accounts (from people who actually attended or performed), last month’s huge Bunbury Music Festival was one of the best-run fests of its kind this area has ever seen. Organizer Bill Donabedian no doubt scored some tips from the operators of the big annual Blues celebration, the volunteer-driven Cincy Blues Fest, which has been doing the “well-run music festival” thing at Sawyer Point Park along the riverfront for many years now.
This weekend, the Cincy Blues Fest — one of the finest Blues events in the Midwest — returns to Sawyer Point to celebrate its 20th anniversary. That's a remarkable two decades of providing Greater Cincinnati live music lovers with some of the finest Blues being made locally, regionally and nationally, a rare and impressive achievement for any music festival.
This year’s main stage national headliners are especially strong — Webb Wilder on Friday and Duke Robillard on Saturday — but the Cincy Blues Fest always has a ton of interesting and engaging artists performing throughout the fest’s multiple stages.
Aside from the lineup featuring a few higher quality headliners than the past couple of years (like Robillard, Wilder, Trampled Under Foot, Super Chikan, Sista Monica, etc.), this year’s 20th anniversary celebration isn’t really being overblown, likely because the Cincy Blues Society and the army of volunteers that work the fest always do such an amazing job running the event; it’s already quite special, no matter what birthday the fest is celebrating.
One of my favorite elements of the Blues Fest is its undying support for our local players and singers. This year, Cincy Blues Challenge winners Chris Yakopcic and the Noah Wotherspoon Band have main-stage slots (they’ll also go to Memphis this winter to compete for Cincinnati in the International Blues Challenge). Yakopcic performs at 5:45 p.m. Friday, while Wotherspoon and Co. play at the same time Saturday (following a band of students associated with the Blues in the Schools program, for which the fest raises money).
The three side stages — always creatively
programmed — have a heavy local presence. Friday, visit the “Blues: The
Next Generation” stage for sets by younger area acts like the Wade
Baker Trio, Brian Keith Wallen Band, Scotty Bratcher and (again!) Noah
Wotherspoon and his band. The “Next Gen” stage starts at 5:15 p.m.
Friday "The Next Generation of Blues" stage lineup
5:15 p.m. Wade Baker Trio
6:20 p.m. Jellico Motel
7:05 p.m. Brian Keith Wallen Band
8:10 p.m. Carson Diersing Band
9:25 p.m. Scotty Bratcher
10:40 p.m. Noah Wotherspoon Band
As the name suggests, the St. Vincent DePaul Local Stage is chock full of local talent. Friday, the stage features Bad Men on a Mission, Them Bones, the Doug Hart Band, Leroy Ellington’s Blues Band and Blue Sacrifice.Saturday, catch the Blue Birds Big Band, the Gradual Taylor Band, the Leo Clarke Band, The Juice, Chuck Brisbin & the Tuna Project and Balderdash.
And perhaps the fest’s most notable and
renowned side stage, the unique Boogie Woogie Piano Hall of Fame Stage,
on Saturday will feature appearances by Jimmy Rogers, Todd Hepburn, Liz
Pennock & Dr. Blues and Ricky Nye, plus players from across the
planet. The Boogie Woogie stage closes out with a “grand finale jam”
just before midnight.
Saturday Boogie Woogie Piano Hall of Fame Stage lineup
4:30 p.m. Jimmy Rogers
5:10 p.m. Todd Hepburn
5:50 p.m. Liz Pennock & Dr. Blues
6:50 p.m. Ricky Nye
7:40 p.m. Mark Braun
8:30 p.m. Rob Rio
9:20 p.m. Cynthia Girtley
10:10 p.m. Bob Seeley
11:00 p.m. Fabrice Eulry
11:50 p.m. Grand Finale Jam
Here are the lineups for the Budweiser Main Stage this weekend:
Friday Budweiser Main Stage lineup
5:45-6:45 p.m. Chris Yakopcic
7:00-8:15 p.m. Super Chikan
8:30-10:00 p.m. Sista Monica
10:15-11:45 p.m. Webb Wilder
Saturday Budweiser Main Stage lineup
5:00-5:30 p.m. Blues in the School (BITS) Band
5:45-6:45 p.m. Noah Wotherspoon Band
7:00-8:15 p.m. Southern Hospitality
8:30-10:00 p.m. Trampled Under Foot
10:15-11:45 p.m. Duke Robillard
Tickets are $20 each day (two-day passes are
available Friday at the gates for $30), or grab yours early through
brownpapertickets.com for a $5 discount. Or you can join the Cincy Blues
Society (cincyblues.org), the creators and managers of Cincy Blues
Fest, to receive an even deeper discount.
Be sure to pick up a copy of this week's CityBeat, which includes a pull-out guide for the Cincy Blues Fest, with artist bios, schedules and more. For further ticket info, updates, details on the new Cincy Blues Fest mobile app and much more, visit cincybluesfest.org.
The Lebanon-based up-and-comers at the All-Nighter Studio want to set your everlovin' music mind spinning this upcoming weekend. They've brought together an impressive array of jammy, funky, folksy and twangy groups for a two-day music festival they're calling Greentree Groove.
In late March 2010, All Time Low began recording their fourth studio album with producers John Fields and Matt Squire. It will be the band's first album released through Interscope Records.
I caught up with Alex after Bamboozle to discuss the band’s controversies this summer and their upcoming album.
CB: I have read that the band was named for a New Found Glory song, “Head on Collision.” Can you tell me the story about it?
Alex: It was right when we were starting the band, we had a list of terrible, terrible band names and we didn’t pick any of them. We ended up taking a line from the song that caught our ear and went with it.
CB: I recently spent some time photographing them and they were great guys.
Alex: Yeah they are good dudes.
CB: You have started recording your next album. When can we expect it?
Alex: As of right now we are shooting for an early 2011 release. We are about halfway finished with it and we need to figure out what to call it and go through all the steps to get it out.
CB: Can you talk about any of the new songs that you are excited about?
Alex: We are excited about them all and it doesn’t make sense to go into specifics because it is too early.
CB: You have recently had some controversy with Six Flags on this tour. Are you past it?
Alex: We’re past it. We had an issue there and Six Flags security didn’t handle a situation well. They didn’t like the fact that I voiced my opinion about it and have asked us never to come back, which is fine with me since I never want to step foot in there again.
CB: Is it that one or all Six Flags?
Alex: All Six Flags
CB: I’ve seen you a couple times and I see all
these young girls at your show and they are crazy about you guys. A lot
of them are really young, how do you stay out of trouble with the fans?
Alex: What do you mean?
CB: Well, they are obviously not 18.
Alex: We are not really in the business of having relations with our fans so I am not sure it is a problem.
CB: I photograph bands all the time and people
usually think rap concerts are dangerous, but I swear that your shows
have the most dangerous fans with the screaming little girls.
Alex: They are violent little kids and they are our fans. We love them.
CB: Who would be your dream band to go on tour with?
Alex: I would love to tour with Weezer and Blink 182 would also be an obvious choice.
CB: What has been your craziest Bamboozle tour story?
Alex: A negative one would be the Six Flags incident. We also got pretty crazy on Jack’s birthday and I destroyed several TV’s in the hotel. I lived the life of a rock star for a night which was a lot of fun.
CB: What did Jack do?
Alex: Jack was right alongside with me. It was his birthday and everyone was together.
CB: Who would be your favorite Indie band?
Alex: I don’t know. Phoenix is really good and Silversun Pickups are pretty sweet.
CB: Fill in the blank. I can’t go to sleep unless I …
CB: What is up next for the band?
Alex: We are going back to California to finish the album and then we are going overseas to do some festivals in Japan and do a show in Malaysia. We’ll be back in the US in the fall for a tour.
Boys Like Girls is a pop punk band from Andover, Massachusetts who gained mainstream recognition when they released their self-titled debut album Boys Like Girls. The group was formed in the final months of 2005, when vocalist Martin Johnson wrote a handful of songs he wanted to record. He recruited bassist Bryan Donahue and drummer John Keefe. Keefe brought along lead guitarist Paul DiGiovanni.
Boys Like Girls officially released their second album, Love Drunk, on September 8, 2009 and has been touring all year to support it. "Two Is Better Than One," featuring female country singer Taylor Swift was released off Love Drunk as the fourth single. Before performing in Cincinnati, the band and local radio had a contest where the winner from a local high school was chosen to sing Taylor Swift’s part in “Two Is Better Than One” live onstage at Riverbend with the band during Bamboozle.
I caught up with John and Bryan before their set at Bamboozle to discuss the tour and their recent trip performing on the Miss USA pageant.
CB: How has it been on the tour so far?
John: We have been having a great time with a bunch friends hanging out and playing music all day. Good times to start the summer.
Bryan: Every day is like the 4th of July. Lots of grilling and basketball every day and hanging with friends.
CB: What has been your biggest life change since you had your big hits?
John: Just being on the road non-stop is the biggest change. It is weird when we go home.
Bryan: When we go home it is awkward and it is hard to get into a routine. Doing laundry and grocery shopping is weird.
CB: What is the story behind the song, “The Great Escape?”
John: It is a story about getting out of high school and going to pursue other things.
Bryan: Taking the next step in your life. New job, new career, going to college, whatever the big change is in your life and how you are taking the next steps.
CB: What is your favorite song to perform live?
John: It changes all the time. Playing a hit song like starting the set with “Love Drunk” is awesome.
CB: It is the best feeling when they sing along, right?
John: Yes, it is so awesome.
CB: You recently performed on the Miss USA pageant. What was that experience like?
John: It was a dream, come true.
Bryan: Like kids in a candy store with the most beautiful women in the United States. We showed up the day before for rehearsal and they actually had to separate us from the girls. We were introducing ourselves to be polite and someone came up and told us to leave them alone. We were bummed.
CB: What is the biggest pet peave on the road?
John: We all pretty much get along, maybe someone being late and we are waiting when we need to be somewhere.
Bryan: A messy bus is bad, four, five, six guys with all their crap everywhere. It gets bad and we have to clean it up. It gets clausterphobic. A clear house means a clear mind.
CB: What has been your most memorable moment so far as a band?
Bryan: Nothing that trumps anything else. We’ll always remember the first time we hear our songs on the radio. We were all together when we heard “The Great Escape” on the radio. Martin was driving the van and we started screaming .We thought he was going to flip the van. Basically, anything we do together as a band is memorable.
CB: Who were your biggest musical influences?
John: It is across the board. Aerosmith and Nirvana were big influences.
Bryan: My dad was a bass player and he turned me on to a lot of really great music. I had to use his equipment when I started at 12 years old since I couldn’t buy my own stuff. My dad walked me through how to fix a string. I thought I had broke the bass and he calmed me down and said it was just a string and walked me through it. He bought me a lot of great music and was my biggest influence.
CB: I recently saw a band called “The Trouble with
Boys” and they are really young kids who rock out. I am always amazed
at how supportive their families are with their music. I guess your
parents were pretty supportive along the way.
Bryan: In the beginning they weren’t, but they are now. It took awhile for them to understand that I wasn’t going to college and that I was going to pursue music. They are very proud now. Parents are usually proud no matter what their kids do though.
CB: Who are your favorite Indie bands?
John: Great Big Planes and Cady Groves are on the tour and I have been checking them out.
Bryan: I was just handed a CD that is pretty cool called, “Colors.” I feel like it is summer and I should have more new music.
CB: What do you like to listen to in the summer?
Bryan: I like the classics. I am a big Joe Walsh fan. It is funny because I hate the Eagles, but I am in a big Joe Walsh phase right now.
Cady Groves is a 20 year old Oklahoma native who is touring with the Bamboozle Roadshow this summer. She is a multi-talented singer songwriter who has recently signed to RCA records.
I caught up with Cady after her set to discuss her current EP, The Life of a Pirate and what is up next for her as she forms her full band and begins recording her next album.
CB: You are the only girl on the tour. How has that been going?
Cady: I love it. The cool thing about being the different person is being the different person. Every other band can sort of mesh together. I am the girl and the outsider and that is fine with me. Everyone wants to be a gentleman and help me out.
CB: When you date, do you prefer to date musicians?
Cady: I try to be professional. I am not promiscuous at all. I was in a relationship with a musician before all of this happened, but we are just friends now. I could date a fan. I could date anyone. I just really need to have a connection with the person. I really like to be in love though.
CB: You write all your own music about personal experiences. What is your writing process?
Cady: I have a really weird writing process. I have an entire melody in my head with no music to it before I hum it to a guitar. I can hear it in my head. I usually sing all the time into a recorder. I write songs all the time. I actually made up one today.
CB: What is it about?
Cady: It is about my loyalty to people and how it sometimes gets me hurt.
CB: You were recently at SxSW. Do you have any crazy stories from there?
Cady: I got pretty crazy one night when I shouldn’t have. I am usually a stay at home person, but I had fun one night. It was a good night. I think some guy wrote I love Cady Groves on his chest but that is not that crazy.
CB: What is up next for you?
Cady: We have 2 weeks left in the tour and then I have 3 weeks off after that when I will be forming my full band. We will practice and meet lots of producers. Right before this tour I signed with RCA so I haven’t had a chance to hang out with them and get everything started. I will go to NYC, LA and Nashville to get started with them. After that I will be going back out on tour with Stereo Skyline on the “Stuck on Repeat” tour.
CB: Will you be coming back through the area?
Cady: Yes I think we will.
CB: I like the album title. Is there a story behind the pirate?
Cady: It kind of goes along with my life experiences. I have been on my own for awhile. I had a really bad habit of moving around. It is a bad habit that I am trying to break. I would live somewhere for a few months like in my car or on someone’s couch. I would get two jobs and try to make myself be complacent, but once I was, I would just leave. I would get up in the middle of the night and just drive 24 hours and start over. When you think about it, it is a horrible thing to do. It was making life a lot harder and more complicated than it needed to be. It was the life of a pirate. I kept leaving and living in my car. Just moving around.
CB: How long ago was it?
Cady: It was a couple years ago.
CB: So you were right out of high school?
Cady: No, I graduated high school super early when I was 16 and went to college.
CB: Where did you go to college?
Cady: I actually went to culinary school in Vegas. I love it and I think I want to move back there.
CB: Who would be your dream collaboration?
Cady: I want to collaborate with Alanis Morissette. I want my album with RCA to be half as good as “Jagged Little Pill.” I was the youngest of 7 kids. I was really shy and was 4 years old when my mom bought the CD the day it came out. We would ride in this huge van. I was always quiet as a kid. I had long curly hair and I would hide under the seat of the van and then I would just come out from under a chair and sing the whole album. My Mom thought it was the funniest thing. I still will pop in the CD and sing it at the top of my lungs.
Great Big Planes is a new Indie band on the scene
from Tom Rivers, NJ. The band played their first show last Sept, 2009.
Their self-titled album is currently available and features the song
The band consists of Josh Moran- Lead Vocals/Guitar, Patrick Campion- Lead Guitar, and Chad Sabo on Bass and Acoustic Guitar. I caught up with the band after their set at Bamboozle on their bus to talk about their experiences on their first national tour.
CB: You recently came back from Vegas, any crazy stories out there?
Chad: Why don’t you take this one since you were the big winner?
Josh: I won a little bit of money so we had a party at the Hard Rock in a villa.
CB: With the money?
Josh: No, we were with all the bands from the tour. It was fun for everyone to get together.
CB: It doesn’t sound that crazy?
Chad: It was crazy. We had Playmates there. We had a poolside cabana. It was like a Hangover suite.
CB: Anytime playmates are involved it is a good time.
CB: Who is your dream band to tour with?
Patrick: All of us probably have the same answer. I guess Radiohead is a big one for all of us.
Chad: I like Billy Joel a lot. It is not the same genre but I like him a lot.
CB: What is your favorite Indie Band?
Josh: No one really right now. I love Smashing Pumpkins, Led Zeppelin, The Cure, Radiohead, Third Eye Blind, and The Verve.
Chad: We are into the 90’s stuff right now.
CB: I like the song “Lost One.” What is the story behind it? Where did it come from?
Josh: I was kind of going through a transition phase in my life. I didn’t know where I was headed. I was coming out of a tumultuous relationship. It is about letting go and trying to find a place to call home.
CB: What is your favorite song to perform live?
Josh: It is not one of my own. It is “High and Dry” by Radiohead.
CB: You guys just got started last year. What is the biggest thing that has changed in your life since you started out?
Patrick: The bus really. We have never had this luxury before.
Chad: This is our first tour and going National.
Josh: It is the first time we have toured with bands outside our scene. Hanson has been on part of the tour and they have been great. People automatically only think of them as “MmmBop,” but their new album is out and it is awesome. You should check it out. They have changed so much and are super talented.
CB: Finish the sentence I can’t go to sleep unless I’ve…
Chad: I watch Sports Center and make sure I know the scores of my favorite teams.
Patrick: I have to take off my socks before going to bed and sleep barefoot.
Josh: Not naked, just no socks?
Patrick: No, not naked just barefoot.
Josh: I can’t go to sleep unless I’ve shot the air assault gun outside. Last night we were shooting Third Eye Blind.
Check out Great Big Planes at http://www.myspace.com/greatbigplanes
LMFAO is a Grammy-nominated electro-hip hop group from Los Angeles, California that consists of DJ/rappers Redfoo (Stefan Gordy) and Sky Blu (Skyler Gordy). Both artists are related to Berry Gordy; Redfoo is the son of the Motown Records founder and Sky Blu is his nephew.
Their first single was titled "I'm in Miami Bitch” which peaked at #51 on the Billboard Hot 100. LMFAO also provided the opening theme to Kourtney and Khloé Take Miami and Jersey Shore. They last visited Ohio on tour with the Black Eyed Peas in early 2010.
I sat down with the two of them for an interview backstage at Bamboozle to discuss the tour and the upcoming album.
CB: You guys grew up really close to the recording industry. Did it give you an idea what to expect in the business?
RF: You know maybe on the business side, but not as far as touring. When we grew up our family was out of the business. The touring is new with things like being on the bus. We have adjusted really well. Now the bus is now like our home.
CB: What is your favorite track to perform live?
RF: The songs are like tools that will help you out in any situation.
CB: They make me smile.
SB: Smile tools.
RF: When you are at a party you have to play "Shots" to get the party started. Toward the end of the party you may want to say something nice to a girl so you may play, “Scream My Name.”
CB: It is like a progession through the night. Like a soundtrack.
RF: After "Shots" you would play, “Get Crazy.” They are like tools. So when we perform and we want to talk to the sexy ladies we sing “Scream My Name.”
CB: Craziest tour story with the Black Eyed Peas?
SB: Will got stuck one time up in the air during their performance.
CB: Did you guys rescue him?
SB: I was going to, but I didn’t want to put my drink down. The stage hands took care of him.
CB: You are working on a new album. When can we expect it?
RF: The new album is in the works. We are finally getting some momentum on it. Hopefully it will be out around November.
CB: Do you write your own stuff?
RF: Yes we have a lot of concepts that we are working on. It is a process to lay out the tracks. We have a studio on the bus and one at our house now in LA.
CB: You guys live together- roomies?
RF: Yes, we actually have a lot of houses and a lot of girlfriends.
CB: What are your party rules?
RF: You have to bring some Nachos.
SB: Nachos are girls that are “Not Yours,” not your ex, not your current girl, they are like pot luck. You have to take a shot when you walk in. You have to have a TBR- Take Back Room. It can be a bathroom but that can cause problems. These are the party rules.
CB: Who were your musical influences?
RF: Rick James
RF: JB- James Brown
SB: Red Hot Chilis
CB: What do you wish you knew five years ago that you know now?
SB: I wish I knew to put more stock into Apple.
RF: I wish I had read this book Going Against the Grain. It talks about how grains are not good for you. It is a revolutionary book. It explains how they are not edible in nature. I just stopped eating grains and lost 25 lbs in a month.
CB: Not just carbs
RF: No, you can have carbs like fruit and potatoes, just no grains like bread, pasta or anything made with corn. We even switched alcohol. Ciroc has grapes and Petron is a plant so they are approved.
SB: It is funny because in “Shots” those were the two we named.
This holiday weekend is shaping up to be a scorcher, so be sure to add sweatbands to your “things to bring to Taste of Cincinnati” list (along with your Tums and earplugs). Below are some local music suggestions for Sunday's Taste.
Another pretty good day overall. The temperature was a little higher, as was the humidity, and even when the clouds moved in and things seemed perhaps a little iffy, the good weather prevailed and all was right for the second day of Bunbury, v.3.
The day began as it ended the previous evening, with some quick face time with volunteer excelsior and one of the scene's most gifted guitarists, Jacob Heintz. A Bunbury blessing from Jacob is the first step in a great day. And before I'd even gotten to the gate, I was called out by Brandon Weaver, owner/operator of Iron Wing Studio in Covington, who hosted my interview with Seabird last year; he's got a great facility and he's a really nice guy, so if you're looking for a place to paint your sonic masterpiece, give him a call.
I wasn't really committed to seeing anything until relatively late in the schedule, so I decided to just float around the stages for the first few slots and maybe do a little sampling from each. It was a pretty successful plan, as it turned out.
My first stop was the Warsteiner Stage to check out Miner, but the guy at the mic introduced the group as the Family Band, so apparently there was a Miner adjustment. Hahahahahahaha. I'm laughing because I know you're not. At any rate, the rather large band sounded a lot like our own Josh Eagle and the Harvest City, if they'd been juiced up on My Morning Jacket. They were quite good.
Next it was a quick jaunt down to the Amphitheater Stage to see Brent James & the Vintage Youth. What started out as super tight bar boogie a la Aerosmith evolved into a super smart Rock show that drew on any number of potent influences, all of which were on full display when James and the Youth rolled out an absolutely jaw-dropping cover of Johnny Cash's "Folsom Prison Blues," a blazing blend of Bon Jovi dramatics and Georgia Satellites off-the-rails jamarama. Equally impressive was James' soulful swagger on "Needle to the Groove," and imagine my surprise when James called out his band, which includes regional wunderkind Ricky Veeneman, who won the 1999 Jimi Hendrix National Guitar Competition (when he was 15, by the way) and bassist Matt Gandenberger, who provided four-string assistance on a couple of tracks on Ricky's 2003 album, Change. James noted that the band would be opening for ZZ Top at the Horseshoe Casino in the near future, so here's a note to ticketholders — don't skip the opener.
After the Vintage Youth, I wandered down to the Main Stage to take in a little of Crass Mammoth's set. After a handful of songs, they struck me as gritter, punkier Modest Mouse with a Classic Rock vein and melodic Pop undercurrent that guitarist/vocalist Joseph Crowe characterized as "the cute part of the show." And once that was concluded, the north Georgia trio went right back to raw and ripping mode. There's a good chance that Crass Mammoth made as many new fans today as they drew from their fervent existing fan base.
From there, it was back to the Warsteiner Stage for an uplifting and raucous set from the pride of Hartford, Connecticut, Bronze Radio Return. Although there was more than a hint of Mumford and Sons/Lumineers Folk/Pop to BRR's presentation, there were also Rock elements ranging from The Black Crowes to Tom Petty to shades of Crash Test Dummies. The band drew a relatively big crowd and a good many of them were already fans, as evidenced by the large number of people singing along with nearly every song. Bronze Radio Return's frontman, Chris Henderson, was engaging and very much the band's ringmaster, their material was anthemic and joyful and I would love to see what the band would do with a long form set.
At this point, I decided to get my wander on and just roam the Bunbury grounds getting a taste of the musical talent that had been assembled for Day 2. First, there was New Politics down at the Main Stage, which reminded me of Neon Trees with a considerably heavier bottom and a Hip Hop heart. Next up was Bonesetters, a great Americana/Indie Rock band from Indianapolis that shimmered in the heat of the Lawn Stage with a palpable Jim James/Ryan Adams/Eef Barzelay vibe. Then it was back over to the Warsteiner Stage to catch a few songs from Nashville's Fly Golden Eagle, an atmospheric Roots/Soul/Psych Rock aggregation that grooves and jangles and totally lives up to the title of their 2011 album, Swagger. They've toured with Alabama Shakesm Dr. Dog and Arctic Monkeys and garnered comparisons to Lips both Black and Flaming, Beck and the Black Crowes, and that adds up to a band that needs to come on back.
After digging a few FGE songs, I drifted down to the Amphitheater Stage to enjoy local-girl-made-good Jesse Thomas, who's gotten her songs placed on Shameless and Hart of Dixie. The L.A. resident/Covington native has a tang and twang that suggests Patty Griffin, Kathleen Edwards and Shawn Colvin, and that ain't bad company no matter how you slice it. Jesse drew a pretty healthy hometown crowd and she made the most of her first festival appearance, Bunbury or otherwise.
After Jesse Thomas' spirited set, it was a short stroll over to the Lawn Stage to experience the full frontal assault of Nashville's Modoc, who I got into by way of a story I did earlier in the year on Melvin Dillon and his vinyl-only label Soul Step Records. Modoc was one of Melvin's early signings when he approached the band about pressing vinyl on their excellent debut full-length. In the studio, Modoc make a mighty racket that crashes happily at the intersection of Led Zeppelin and Southern Rock, but everything that the band does so well in the sterile confines of the recording booth are amplified a dozen times and set ablaze like Jimi Hendrix's Stratocaster. Thunderous riffs, razor wire slide leads, pummeling bass lines and a drum sound heavy enough to drill through solid bedrock, Modoc does it all with a wink/nod sense of humor and a joyful passion that comes through with every note. They've played a couple of MidPoints (they’ll be back for this year’s MPMF) and they're building a pretty sizable following, if their Bunbury turnout was any indication. And as frontman Garry Crisp so eloquently put it, "We love Cincinnati. It's got sin in it twice!" Right back atcha, G-Dawg.
I managed to see at least some of Jane Decker's set. I'd talked to Jane and bassist Mitch Winsett two years ago when Belle Histoire was still a viable concern, but the band has since scattered to the wind and Jane has stepped away from a band configuration to make her mark as a solo artist. Her Bunbury set was supposed to be a full band gig, but something happened in the days before the festival and she wound up on the Lawn Stage singing to the acoustic guitar accompaniment of Sean (just Sean, apparently), her songwriting partner on a good deal of the album that is currently being mastered for an imminent release. Jane auditioned for The Voice last season and was bounced because the judges didn't know what to do with her. As I sat listening to her acoustic set at Bunbury, her incredibly poppy songs stripped to the essentials of Jane's beautiful Dolores O'Riordon-tinted voice and the simple counterpoint of Sean's tasteful acoustic soundtrack, I cannot imagine what Adam Levine wasn't hearing. Any of the songs Jane presented in her acoustic set could be produced up to megahit proportions and go toe-to-toe with Lorde, Arianna Grande, or whoever is the flavor of the moment. It certainly seems like Jane's moved beyond The Voice incident (the failure being theirs and not hers), and is ready to pursue her dream and make a skadillion dollars without Blake Shelton's help.
Molly Sullivan won the Singer/Songwriter CEA back in January and every time she puts herself in front of an audience, she offers a little more evidence to support that honor. She has an amazing vocal range, from midnight howl to 3 a.m. hush and she has the uncanny ability to shift from melodic Folk/Pop beauty to dissonant Jazz artfulness while retaining the thread of her creative identity. Molly's set at the Acoustic Stage was simply fantastic, further proof that her CEA win was no fluke and is likely to be followed by a few more similar triumphs down the line.
Over at the Main Stage, it wasn't too hard to see why Paramore is the current darling of high-octane Pop Rock. The band was physically moving air during their powerful and obviously well received set; their drums pounded their way into your rib cage and altered your heartbeat to a different time signature. I stuck around for a handful of songs but ultimately opted for an early exit in order to find some prime real estate on the Serpentine Wall.
Tonight would be Foxy Shazam's second appearance at Bunbury, and they had their work cut out for themselves. No one who witnessed their gig at the inaugural Bunbury two years ago will ever forget it; frontman Eric Nally imploring the Reds' Joey Votto to "hit the motherfucker out of the park," and Sky White tossing his keyboard into the crowd and then leaping in after it, continuing to play while the audience held it and him aloft. Oh, and they played a lot of great music. And therein lies a common misperception, that the band's onstage antics are somehow going to detract from their musical performance. This notion is typically floated by people who have never seen Foxy Shazam work an audience like a skilled pickpocket while simultaneously putting on a dazzling Rock show.
As advertised, Foxy presented their new album Gonzo in its entirety for the first 30 minutes of the set, with bassist Daisy Kaplan on guitar and guitarist Loren Turner on bass (it was a device they used to jump start the writing process and they decided to maintain the set up for the live translation). Where The Church of Rock and Roll was more of an immediate album, Gonzo is a work that reveals its gifts slowly, and those albums always seem to wind up being fan favorites. The packed Wall showed their appreciation for Gonzo with a fevered response to each of the album's nine songs.
Of course, it wouldn't be a Foxy show without Nally's brilliant non sequitur patter — like "The only difference between me and a scholar is how much we paid for what we know," and "If it was legal to shoot people, I'd be dead." The real showstopper came in the second half of the set, when Foxy hauled out the back catalog and Kaplan and Turner returned to their regular roles. By this time, trumpeter/vocalist Alex Nauth had tossed his horn into the light rigging a half dozen times, White had played his keys with his ass and Nally had somersaulted, vaulted, balanced and slid all over the stage.
After blowing through high voltage turns on "Holy Touch" and "I Like It" (where Nally adlibbed, "Let me see your butthole, baby," something I'm fairly certain I never heard Barry White utter), among others, Nally introduced the band's last song of the evening thusly: "This next song, this last song, is about time travel. I wrote it next week." And with that, Foxy Shazam roared headlong into "Unstoppable," the anthemic 2010 hit from their self-titled album. As the band neared the end of the song, Nally called for cigarettes from the crowd; grabbing one from a pack, he lit it with a lighter thrown on the stage and called for the lights to be killed. As "Unstoppable" faded to its squalling conclusion, Nally blew sparks out of the end of the cigarette into the darkness on the stage, and then shrieked, "You're all pregnant!" He dropped the mic, the lights came up and that was the end. As unlikely as it seemed less than an hour before, Foxy Shazam had indeed cleared the bar they'd set two years ago. As the late Jack Palance used to intone on a weekly basis, "Believe it … or not."
I hung around after Foxy to chat with ClassX Radio’s Eddy Mullet whose daughter had a little trouble with rude doofuses, but he handled it with aggressive diplomacy. We were talking about our plans for the end of the evening, and I was tempted to bail on Fall Out Boy to get home and get started on these reviews, while Eddy seemed ready to call it a day as well. But at the last moment I decided to catch at least a few songs from the last band of the day, and announced it with the unfortunate phraseology, "I think I'll go check out a little Boy." Eddy's daughter Jess went, "Uhhh. …" Point taken.
So we all headed off toward the Main Stage area, me to find a good viewing position and them to see if the exit next to the stage was open (it wasn't). Having come this far, Eddy decided to stick around as well, and so we all lingered for a bit to witness the Pop/Punk majesty of Fall Out Boy. I've always liked the Wentz/Stump dynamic, perhaps not enough to passionately explore their output, but more than enough to appreciate the fact that they've elevated the conversation in the genre. But as Shakespeare noted, the play's the thing, and Fall Out Boy do the thing pretty well.
Bookended by festival closers that were and would be visual orgasms of color and light (Empire of the Sun on Friday, Flaming Lips on Sunday), FOB chose to make their presentation the spectacle, playing their hits and beyond with an expansive flair without forgetting that they were compact and energetic Punk-tinted Pop songs. About midway through the set, an already adrenalized crowd went ballistic when Paramore's Hayley Williams stepped out to duet with the band on "Sugar, We're Goin Down," and the frenzy just continued from there. Patrick Stump played to the hometown crowd by giving a shout out to "our friends in Foxy Shazam," which was nice, and later Stump asked how many parents were in the audience, and reminisced how his father would take him to Punk shows in Chicago when he was a teenager, and as a tribute to all the DNA-linked chaperones in attendance, peeled off a sweet version of "We Are the Champions," followed with an incendiary spin through "Save Rock and Roll."
At that point, we took our leave to beat the rush; as I was headed toward my car, I could hear the strains of "My Songs Know What You Did in the Dark," and I was really glad I'd stuck around to experience Fall Out Boy in this perfect setting.
• On Bunbury Day 2, I began the day by filling the gastank with a carton of Island Noodles (with the teriyaki chicken, thank you), an amazing repast that lasted well into the evening, when I had a slightly less amazing but incredibly delicious Kobe Dog from Dutch's booth. Both are highly recommended (but the noodles are less likely to stop your heart; on the other hand, we're walking it off, are we not?)
• Saturday had a much different crowd vibe than Friday, due to the headliners for the evening, Paramore and Fall Out Boy. Usually I run into a half dozen friends and acquaintances before I've decided on which lunch and what beer to chase it. But it wasn't too long before I ran into Brent and Kat, the scene's most visible couple. They mentioned they were going to catch an unannounced set by Billy Catfish, and Kat said that she had noticed a distinct similarity between Billy's eyes and Brent's eyes. To that end, she noted that if Brent kicks it, she's going to ask Billy out. To which Brent replied, "If Kat dies, I'll ask Billy out, too." Together in everything, as it should be. Not long after, I crossed paths once again with another prince of the realm, The Ready Stance's Wes Pence and his son Wyatt, on the lookout for action of every imaginable variation. If you don't know Wes, there is a great gaping void in your life. And if you don't know The Ready Stance, same thing. As Dr. Steven Brule says, “Check it out.”
• I had seen photographer extraordinaire (and CityBeat alum) Sean Hughes having a little difficulty getting into the photo pit at the Warsteiner Stage with his pass on Friday (for the love of Annie Leibowitz, do you people know who he is?), and I told him that I was about to come over and throw my weight around. Not influence — I have none of that anywhere — but my actual weight. I can create a fatass distraction like nobody's business. On Saturday, Sean noted that he could have used my help later the day before, but I reminded him, "I can't be where you are, you have to be where I am, that's how my fatassery works." Then he saw girls in the misting station and said, "People getting wet … that's my thing," and off he went. Another prince? Most assuredly.
• At the Modoc show, I caught up with Soul Step Records owner/operator Melvin Dillon and his lovely sister Wendy. I figured I'd see Melvin there; he's a big fan of Modoc, having sought them out specifically to press the vinyl version of their self-titled debut LP. Melvin mentioned that he's currently working with a big name local band (I won't jinx the deal by announcing anything … yet) to do the vinyl version of their new album. Stay tuned. It will be epic.
• Once again, ran into Eddy Mullet, only this time with two daughters in his entourage; his youngest daughter Cassie was along for the ride on Saturday. Not quite the music fan that her sister Jess has become, Cassie did have a full-bore good time at the Foxy Shazam extravaganza, so she may be making some forays into the local music world with dear old dad in the near future. Or maybe not. Kids will always find their own way.
MPMF news and musings: Three-day wristbands are running low (get 'em here now, quick-like). If you miss your chance (or are broke like me), there are ways to win freebies. (It's the luck of the draw, so don't bank on it, but definitely worth a shot!)
The fine folks at local club conglomerate 4EG (which operates The Pavilion, The Lackman, Keystone, Righteous Room and several other bars around town) is giving away 10 MPMF 3-day passes. Click here for details. And seek out the CityBeat booth at Oktoberfest this weekend, harass our employees and sign up for s chance to win a pair of fancy-schmancy VIP tickets. (You can find the official Oktoberfest guide in the CityBeat on streets right now.)
And now, with the countdown down to just seven days, here are our daily MidPoint Music Festival 2012 picks …
Laetitia Sadier (France)
Fans of French Post Rock favorites Stereolab need no introduction to Laetitia Sadier. She was the co-founder of Stereolab and also founded Monade in the mid ’90s. Along the way, she was also a frequent collaborator, working with everyone from The High Llamas and Blur to Common and Mouse on Mars. In 2010, Sadier went solo, releasing The Trip on Stereolab’s U.S. label, Drag City Records. This summer, she followed up the record with Silencio, a dynamic album that runs from lush, orchestrated pieces to quirkier electronic Pop to warm Tropicalia, all driven by Sadier’s trademark sensual coo.
You'll Dig It If You Dig: Nico, Jane Birkin, Stereolab. (Mike Breen)
Laetitia Sadier performs at the Contemporary Arts Center on Thursday, Sept. 27, 11 p.m. Here's her new video for the Silencio tune "Find Me the Pulse of The Universe."
Denney and the Jets (Nashville, TN)
Denney and the Jets may be one of Nashville’s most mysterious bands. A Google search reveals almost no biographical information about them, just plenty of references to the quote on their Tumblr page. (“One warm night in July an angel came to me and said, ‘There is nothing I can do for you. Nashville is dead and so is Rock ’N Roll.’ ”), which brings up an interesting question: Do you need to know anything/everything about a band to enjoy their music? As far as Chris Denney and his Jets are concerned, the answer would seem to be a resounding “Hell no.”
UPDATE: Since the official guide went to press, we dug up (i.e. got a press release with) info on the group. From their PR:
Frontman Chris Denney began writing songs in the Spring of 2008, recruiting Wes Traylor (Natural Child), and Jake and Jamin Orrall (of JEFF The Brotherhood) to be the very first of his Jets. After each member parted ways to pursue their own individual careers, Chris signed on Daniel Pujol (eponymously of PUJUOL) and Joe Scala. After Pujol's departure, Denneysolidified the lineup by adding longtime friend Sean Cotton on lead guitar, Joe's little brother Evan Scala and most recently bringing in Ric Alessio on keys and sax. Denney and The Jets have turned songwriting into a full realized communal process and have grown in to one of the South's finest.
After releasing a 7" single and EP (a limited Cassette only release) on JEFF The Brotherhood's Infinity Cat Recordings, the band returns with their new 5-song Self-Titled EP on Miami, FL-based label Limited Fanfare Records -- Recorded in the Spring of 2012 with Producer/Engineer Andrija Tokic (Alabama Shakes, The Parting Gifts) -- with "Close The Blinds" recorded at Cleft Music by Nashville legend, Loney Hutchins. The result is an insanely fiery batch of tunes that Nashville Cream calls "[Straight-up rock and roll music] — not bastardized, compromised, corrupted or contaminated."
Dig: Bob Dylan and Paul Westerberg get drunk on bathtub gin and listen to Chuck Berry and the Beach Boys. (Brian Baker)
Denney and the Jets play MidPoint on Saturday, Sept. 29, at 11 p.m. at the Cincinnati Club. Dig the vintage swagger on this track, "Fun Girls."
LOCAL LOCK PICK
Jody Stapleton and the Generals (Cincinnati, OH)
Jody Stapleton has always had an ear for the past and a finger on today's pulse. With the Stapletons a decade ago, Stapleton made Psych-fueled Garage Rock that sounded vaguely phase shifted from another time and yet completely fresh, a talent that earned them CEA awards for Best New Act and Rock Band of the Year in 2001 and 2003 respectively. With his new outfit, Jody Stapleton and the Generals, Stapleton is similarly tapped into bygone days, this time the sunshine-on-your-shoulder days of '70s AM radio Pop, combined with a modern sensibility and approach.
Dig: Paul Westerberg listening to a transistor radio tuned permanently to 1973. (BB)
Jody and the Generals perform Thursday, Sept. 27, at Main Event, 11 p.m.. Here's a few tunes from the band's recent debut release.
Click here for full MPMF details via the official MidPoint site.