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by Mike Breen 07.31.2012
Posted In: Festivals, Live Music, Local Music, Music Video at 08:41 AM | Permalink | Comments (0)
 
 
letithappen

Warped Tour Hits Riverbend Today

The 18th annual Punk/Metal/Hip Hop/etc. traveling fest winds down after today's Cincy stop

The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."

The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).

Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.

The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official
Warped Tour app.

Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.



Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)

MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance

TBD STAGE:  Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight

TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco

TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst

ERNIE BALL STAGE:  iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.

KEVIN SAYS STAGE:  Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara

ACOUSTIC BASEMENT:   A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri

 
 
by Mike Breen 04.18.2012
 
 
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Virtual2pacalypse Now? When Jokes Come Alive

Was the hologram 2Pac a glimpse into the future of "live" music?

It's always a baffling moment for me when one of the things many of us have joked about happening in the future actually happens in the future.

"One day we'll just talk to the TV to change channels," we'd say, goofing around as we maneuvered the broomstick taped to the channel changer dial on (yes, ON) the television set so we wouldn't have to get off the couch to change it (more) manually.

"Wouldn't it be cool if, like, we could go see Kajagoogoo in Cleveland this weekend, but just broadcast to us in the garage so we can chug Milwaukee's Best and do Whip-Its while we watched it?" we'd say, knowing Mom would let us borrow the station wagon to go see the New Wave megastars in Cleveland when pigs can fly or we can carry around all the books in the library in our pockets!

Yeah, like that'll happen. But only because Kajagoogoo broke up years ago (and it did NOT end well). Last weekend, I was able to watch several artists perform at Coachella live, as it happened, while laying on my couch. Not naked, but also not sweating or getting run into constantly by some wasted "raver" in a purple Adidas jumpsuit shouting "Play 'Our House!'" while I'm trying to watch Madness.

I don't think the latest watershed the-silly-future-is-now moment — Tupac Shakur appearing at Coachella in hologram form alongside Snoop Dogg and Dr. Dre — was part of the live broadcast through YouTube. But enough people have seen footage of it now that it has become a super-high trending topic on our digital future-boxes with the interweb and the series of tubes and whatnot.

I've been a bit shocked that the gimmick has elicited way more "OMG" responses that "WTF" ones. It is a neato technological trick and certainly warrants a lots of "Well I'll be"-type responses, but I've been bewildered that most of the commentary has been in the range of "tearful amazement" and "pure awe." This is based on some serious Twitter research, which has revealed how people like Katy Perry ("I think I might have cried when I saw Tupac") and Rihanna ("#IWASTHERE #STORY4myGrandKidz") reacted. I can only assume the "little people" feel the same way and are equally impressed.

If you somehow haven't seen it, take a gander:



I've made jokes in print about things like a "Hip Hopera," using it as something beyond the realm of possibility because it would be so cheesy and ridiculous. It's happened numerous times since. Never that successfully, because, you know, it's a Hip Hopera.

I've used the dead-musician-
hologram gag similarly — a far-fetched concept to play upon the ridiculous rate of technological advancement today and the greed of the music biz that might one day enable all the great dead artists of our time to be brought back to life as holograms and go on tour. Older artists could go out as their vintage selves — The Rolling Stones circa Beggars Banquet or Wu-Tang Clan circa Enter the Wu-Tang (36 Chambers) (… and EVERYONE shows up). "Bands" could do multinational shows simultaneously. And the only people really getting paid to tour would be the A/V geeks hired to run the equipment.

It's such a bizarre concept; it's not supposed to ever actually come true. That's the kind of thing that makes jokes dated. And it's why The Jetsons still holds up. Robot maids — that shit's hilarious!

As dazzled as everyone seems to be by the projection of a dead rapper fake-performing (even shouting out "Coachella," though, to be fair, they could have cobbled that together from a sample from when Tupac used to play Frisbee Golf there on spring break), could there actually be a market for a hologram act to "tour"? (Note: Yes, I realize the Tupac at Coachella wasn't actually a "hologram," so shut it.)

Promoters, apparently, are going to find out if reports are true that Hologram2Pac might go on tour with Dr. Dre. Since the ghost cameo was the talk of the entire festival, Dre and Co. probably started planning it immediately. Especially after Shakur's mother gave her permission for the Coachella use and was reportedly amazed by how it came off.

That could be a fun special effect as part of someone else's act, but could it ever go to the next level? Will there ever be a tour reliant on a holographic headliner? Would people pay to see that? I'm not equating a DJ concert with a film projection of a dead person, but put, say, hologram Elvis on Daft Punk's stage — with Daft Punk — and would it double or triple the usual Daft Punk draw on tour?

I don't know if "The 1969 Beatles on Tour" or "Eddie Van Halen and His Fabulous Rotating Hologram Singers" would find an audience at this point. But I'm constantly amazed by what people love. Reality TV? Now That's What I Call Music compilations? Karaoke? Bon Iver? Every sitcom on CBS? We can do better.

If you would have told me while I was listening to 2Pac's All Eyez On Me album in 1996 (and, honestly, trying to figure out why so many considered the man a genius) that one day within the next two decades a dead Shakur would be the talk of some huge festival ("It's like that Lollapalooza thing, ’cept it don't travel"), I would have spit Milwaukee's Best out of my nose. (Yeah, I didn't mature much.)

I've watched as the concert experience — the actual, go-some-place-type of concert experience — has evolved in the past 20 years. The most talked about today is the phenomenon involving young people fiddling with their phones instead of "not paying attention" to the concert. I was, like many, annoyed/befuddled by the perceived lack of focus, but I realized something while watching Paul McCartney's Cincinnati concert at Great American Ballpark last summer that has helped me take a deep breath and just accept it.

Everyone enjoys music — listening to it, watching it performed, absorbing it — in different ways.

It was especially evident at the McCartney show because so many people had deep connections to the music being played, but they showed it — or expressed it — in different ways. I was intensely attentive and a bit internally emotional. I didn't talk a lot. My epiphany came when my girlfriend spoke to me while Sir Paul was introducing the next song. I could not imagine how insane someone must be to TALK while PAUL FREAKIN' MCCARTNEY WAS TALKING?!

And then I realized how stupid that was. My way of experiencing the show was different than hers or from the hammered 60-something couple dancing with their eyes shut or the beaming kids with their parents or the teen with the smartphone tweeting. They all had fun. And they'll all remember it (and those who don't as well will have photos to help).

So if Hologram2Pac is the next wave of live concert entertainment, I probably won't go to any of those concerts, but I won't make fun of people who do. Well, maybe just a little. Mostly because I won't be able to stop thinking about the early Saturday Night Live "fake commercial" promoting a concert residency, not long after Elvis died, starring Elvis' coat. That's one old music biz joke that hasn't come true. Yet. (Though EP did "tour" as video footage on big screens backed by a live band. And it did pretty damn well, from what I remember.)

Elvis Presley's Coat from Walter Williams on Vimeo


My recommendation is to do as I do, frustrated concertgoers. Accept our new hologram superstars. You never know — they might some day come to life and the world will be ruled by hologram images of great pop cultural icons originally crafted for beer commercials and personal appearances at car dealerships.

President Sinatra, I supported you all along.


(And now that I've made a joke about it, it has about a 600 percent better chance of happening.)
 
 
by Jeff Roberson 04.27.2012
Posted In: Live Music, Festivals at 01:10 PM | Permalink | Comments (1)
 
 
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MerleFest 2012: Finishing Day 1, Starting Day 2

Blind Boy Chocolate caps opening day; Frutland Jackson, Honeycutters kick off second day

Friday, Apr 27 - MerleFest Festival Grounds

Every morning I wake and thank baby Jesus I am a biped, agile and have been blessed with a no mess ability to pee standing up. And in a steady torrent. Just about anywhere without attracting attention (well, there was that county deputy in Abington, Va., a while back who got a bit riled). Middle age is good.

Here's a tip for you campers. Your welcome to stay up as late as you want, but if it's 3 a.m. and your talking like your in your living room, don't complain at 6 a.m. if I'm banging pots like I'm in my kitchen.

Oh, and you've pitched your tent in poison ivy.

Thursday after an early evening catnap (middle age) to the sounds of Daily and Vincent (meh — great Stanley Brothers style harmonies, lay off the Cracker Barrel shtick), I made my way over to to the Dance Tent to catch some Blind Boy Chocolate and the Milk Sheiks. This Asheville, NC, street ensemble features five guys doing hokum string/jug band/blues music from the late 1920's and early ’30s. Guys in newsie caps, mutton chops, bowler hats with tattooed ears (ouch, that had to hurt), nose rings — yep, total 20-sumpthin freaks.

Calling out tunes by long (and soon to be) forgotten Blues and string players from the early part of the last century, Blind Chocolate plays hard-driving, bawdy, syncopated, all-acoustic string music. Lyrically rich in double entendres, liquor and murder. This ain't the square dance stuff my Uncle Blake played and my dad danced to in parlors across the Cumberland Plateau during the Great Depression; this is the music found in jukes and bars and back room drinkeries and the kids love it. Every 10 years or so, string music comes back into fashion, and that, my friends, is a good thing. John Hartford is clapping from his grave. It's comforting to witness people giving over to the coherent dissonance of barely tunable instruments, played together and with vehemence. Banjolin, steel guitar, washtub bass, washboard and tenor banjo, three guys trading vocals, four guys shouting in unison and giving call-backs. Dwight Hawkins (Blind Boy Chocolate?) plays saw, bones and the short scale tenor banjo in a style I've never seen before. And does it really well. The banjolin player, Nicholas Marshall (one of the Milk Sheiks?), occasionally picks up a thoroughly modern looking mandolin, temporarily breaking the temporal enchantment. After a lull at the top of their long set as people wondered in and grew accustom to being ass-to-elbow, the crowd was jumping and yelling, kids from 8 to 80 whirled and shimmied.

After a few cups of coffee this morning (Friday), I headed over to the Americana stage to check out another Asheville based band, The Honeycutters. North Carolina has a rich history of Alternativecountryrootsrockamericana bands. From The Backsliders to the Avett Brothers, this state churns ’em out and the natives support band after great band. The Honeycutters fit the Avett Brothers mold of instantly likable songs and gifted melodies. It's got to be hard, after playing clubs and bars, to get up early enough to hit the stage by 9:30 a.m. The Honeycutters brought their 'A' game and delivered an instantly familiar and pleasant set. Just what my psyche needed after listening all night to my campground neighbors. The mandolin player plays in well-worn territory while acoustic guitar player Peter James fills the space with sweet crosspicking and occasionally lays into his guitar in a fashion somewhat reminiscent of early Paul K. Lead singer Amanda Anne Platt's beautiful alto fills the air — add in some tasteful three part harmonies and you have a AAA Radio winner.

From the Americana tent, my soul freshly refilled, I headed back over to the Cabin Stage for a set by Blues historian, storyteller and performer Frutland Jackson (Fruit Land). Hailing from Chicago, Frutland covers seamlessly and flawlessly all styles of blues from delta to north Mississippi to Chicago to Piedmont, all the while telling in a remarkably engaging and non-professorial way what distinguishes one style from another. I've seen plenty of Blues player who like to lecture during performances, and mostly I feel like shouting, "Shut the fuck up and play!" but Frutland had me wanting to bum rush the stage in awe and anticipation that he may answer some questions I have about Depression-era singers and groups. First set I've seen in a lonnnnng while that ended to soon. Most of his songs were originals done in a specific style with a voice that ranged from guttural to heartfelt tremble (think Ledbetter doing "Goodnight Irene"). Outstanding!

Some of the many things to do at MerleFest besides running from one stage to another trying to catch acts is sitting around and playing music with other attendees. Along with an open mic area, there are three tents set up where you sit down and play — Old Timey, Bluegrass and Anything Goes. The Anything Goes tent is like a hippy camp-out with one bazillion guitars around a raging fire in the middle of the night, playing Casey Jones minus the alcohol and LSD. The stuff nightmares are made of, but if you've never done this kind of thing, there's no reason to be a jaded asshole like me — grab your guitar and jump in. Everyone is clean and welcoming.

I sat around the Old Timey Tent as it had the least guitar-to-other-instrument ratios. (By the way, aspiring musicians — learn guitar to impress the girls or boys; learn something else for a working job.) A couple of old timers were letting fly on some fiddle tunes. Quite nice. The guitar player was strumming a pre-1935 Martin D18. I know about these things, and they tickle me pink.

Time for lunch!

 
 
by Brian Baker 07.09.2012
Posted In: Live Music, Local Music, Festivals, Music Video at 01:13 PM | Permalink | Comments (0)
 
 
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Bunbury Sleeper: Imagine Dragons

The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just four days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.

Our next "sleeper" is Imagine Dragons, performing Saturday at 5:15 p.m. on the Bud Light Stage.

Founded in Las Vegas four years ago by primary songwriter Dan Reynolds, Imagine Dragons went through a variety of permutations before settling on the current line-up (guitarist Wayne Sermon, bassist Ben McKee, drummer Daniel Platzman). Since 2009, Imagine Dragons has turned out a quartet of impressive EPs, including the just-released Continued Silence, featuring the YouTube sensation “It’s Time,” all of which is a preview for the fall release of the band’s debut full-length, Night Visions. A quick spin through Continued Silence — the band’s first work for Interscope since signing last year and, like the new album, produced by renowned British Hop Hop boardsman Alex Da Kid — is like panning in a creek bedded with gold nuggets; glints of Coldplay, Everclear, Train and any number of other chart-topping Pop icons, but with a discernibly beat-driven Indie edge. As epic as Homerian poetry set to a U2 soundtrack and as intimate as a candlelight dinner in the Nevada desert.

Tickets and full info on the Bunbury music festival can be found here. 

 
 
by Mike Breen 07.12.2013
Posted In: Live Music, Festivals at 09:24 AM | Permalink | Comments (0)
 
 
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Three Days of Bunbury Music Starts NOW

Everything you need to know about the second annual Bunbury fest at Sawyer Point

One of the Midwest’s best new music fests, Cincinnati’s own Bunbury Music Festival, presents its second annual event this weekend. With another stellar lineup for the three-day affair — including headliners like Fun., MGMT and Cincinnati-bred Indie Rock stars The National (whose latest album debuted at No. 3 on Billboard’s album chart), plus a great number of Greater Cincinnati’s top acts — a “sophomore slump” seems impossible. 

Be sure to arrive early and check out some of the lesser-known acts; there are a lot of up-and-coming gems to discover. Below is the full schedule (click here to auto-download a PDF version of the schedule from the fest.)

Shows run Friday-Sunday and start at 2 p.m. Gates open at 1 p.m. each day. Tickets are $65 or $130 for three-day passes. (Kids 10 and under are free with a paying adult.) Keep your wristband on; Bunbury allows re-entry, if you need to run to the car and pound a 40, er, grab a sandwich.

From BunburyFestival.com, here is what is and isn't permitted to bring to Bunbury:

What to Bring (Allowed Items)

  1. Sun Gear (e.g., sunglasses, sunscreen, etc.)
  2. Seating (e.g., folding chair, blanket, etc.)
  3. Bug Repellent (no Deet)
  4. Rain Gear (ponchos are best, but small, hand-held umbrellas are OK)
  5. Earplugs
  6. Baby strollers
  7. Empty water bottled (no glass) or Cambelbak
  8. Binoculars
  9. Wall mounted rapid charger (charging stations provide iPhone and mini-USB chords, but if you have your own chord, you won't have to wait)

What NOT to Bring (Prohibited Items)

  1. Weapons, fireworks or explosives of any kind
  2. Illegal substances (including narcotics) or drug paraphernalia
  3. Framed or large backpacks
  4. Glass containers of any kind or coolers
  5. Food, beverages or Cambelbaks that are full
  6. Carts, bicycles, skateboards, scooters, or personal motorized vehicles (including Segways). There is bike/scooter parking outside the event site
  7. Tents, large umbrellas or chairs that are NOT sand chairs (seat more than 9" off the ground)
  8. Pets (except service dogs)
  9. Any audio recording, professional camera or video equipment
  10. Moshing, crowd surfing, and/or stage diving
  11. Vending without a Bunbury license or permit
  12. Bills over $20. We won't accept them at the beverage booths.

Bunbury again has an official app for your smart phone to bring with you to the fest. Click here for the iPhone version  and here for the Android one .

There's more fun AFTER Bunbury at the Bunbury official after-parties, with loads of drink specials and no cover charge. Tonight, DJ Ice Cold Tony will spin at the official after-party at downtown's Igby's. Tomorrow, Bunbury performers Chairlift will DJ the after-party at aliveOne in Mt. Adams. And Sunday's after-party at downtown's The Righteous Room will have DJing by great Cincy Electro duo You, You're Awesome. (Friday and Saturday's parties start at approximately 11 p.m.; Sunday's starts at around 10 p.m.)

FRIDAY, JULY 12

MAIN STAGE: The Features (2:45 p.m.); Delta Rae (4:15 p.m.); Tegan and Sara (5:45 p.m.); Walk the Moon (7:45 p.m.); fun. (10 p.m.)

ROCKSTAR STAGE: Beat Club (2 p.m.); The Dunwells (3:30 p.m.); Red Wanting Blue (5 p.m.); Youngblood Hawke (6:45 p.m.); Devotchka (9 p.m.)

CINCINNATUS STAGE: Billy Wallace (2:45 p.m.); Pete Dressman (4:15 p.m.); Josh Eagle (5:45 p.m.); Jay Nash (7:45 p.m.)

BUD LIGHT STAGE: Public (2 p.m.); American Authors (3:30 p.m.); Everest (5 p.m.); Sky Ferreira (6:30 p.m.); Tokyo Police Club (8:30 p.m.)

LAWN STAGE:  Alone At 3am (2:45 p.m.); Old Baby (4:15 p.m.); We Are Snapdragon (5:45 p.m.); Seabird (7:15 p.m.)

AMPHITHEATER STAGE: The Mitchells (2 p.m.); Ohio Knife (3:30 p.m.); State Song (5 p.m.); Buffalo Killers (6:30 p.m.); Those Darlins (8 p.m.)

SATURDAY, JULY 13

MAIN STAGE: Empires (2:45 p.m.); Robert Delong (4:15 p.m.); Twenty One Pilots (5:45 p.m.); Cake (7:45 p.m.); MGMT (10 p.m.)

ROCKSTAR STAGE: X Ambassadors (2:00 p.m.); Civil Twilight (3:30 p.m.); Chairlift (5 p.m.); We Are Scientists (6:45 p.m.);  Divine Fits (9 p.m.)

CINCINNATUS STAGE: Margaret Darling (2:45 p.m.); Taylor Alexander (4:15 p.m.); Tim Carr (5:45 p.m.);  Christopher Paul Stelling (7:45 p.m.)

BUD LIGHT STAGE: Culture Queer (2 p.m.); Vacationer (3:30 p.m.); The Mowgli's (5 p.m.); Oberhofer (6:30 p.m.); Atlas Genius (8:30 p.m.)

LAWN STAGE: The Ready Stance (2:45 p.m.); The Bears Of Blue River (4:15 p.m.); Black Owls (5:45 p.m.); You, You're Awesome (7:15 p.m.)

AMPHITHEATER STAGE: New Vega (2 p.m.); Messerly And Ewing (3:30 p.m.); Ben Walz Band (5 p.m.); The Pinstripes (6:30 p.m.); Bear Hands (8 p.m.)

SUNDAY, JULY 14

MAIN STAGE: Joe Purdy (2 p.m.); Gregory Alan Isakov (3:30 p.m.); Camera Obscura (5 p.m.); Belle & Sebastian (7 p.m.); The National (9 p.m.) (Read CityBeat's interview with The National here.)

ROCKSTAR STAGE: The Knocks (2:45 p.m.); A Silent Film (4:15 p.m.); Night Terrors of 1927 (6 p.m.);  Yo La Tengo (8 p.m.)

CINCINNATUS STAGE: Ben Knight (2 p.m.); Jake Kolesar (3:30 p.m.); Mark Utley (5 p.m.); Channing & Quinn (7 p.m.)

BUD LIGHT STAGE: Gringo Star (2:45 p.m.); High Highs (4:15 p.m.); Savoir Adore (5:45 p.m.); Black Joe Lewis (7:45 p.m.)

LAWN STAGE: Mia Carruthers (2 p.m.); Bethesda (3:30 p.m.); The Harlequins (5 p.m.); DAAP Girls (6:30 p.m.)

AMPHITHEATER STAGE: The Upset Victory (2:45 p.m.); Green Light Morning (4:15 p.m.); The Hiders (5:45 p.m.); Daniel Martin Moore (7:15 p.m.)

Here is Bunbury's official Spotify playlist for the fest featuring many of the performers:

And, finally, here is the map of the Bunbury Festival grounds from bunburyfestival.com: