The news comes slightly more than
two weeks after CityBeat published a story looking at the many
problems presented by Ohio’s policy to privatize prisons (“Liberty for
Sale,” issue of Sept. 19).
“It was apparent throughout certain departments that DRC policy and procedure is not being followed,” the audit said. “Staff was interviewed and some stated they are not sure what to do because of the confusion between CCA policy and DRC policy. Some staff expressed safety concerns due to low staffing numbers and not having enough coverage. Other staff stated that there is increased confusion due to all the staffing transitions.”
The report says “there has been a big staff turnover,” and only one staff person was properly trained to meet Ohio Risk Assessment System standards. The audit found that a workplace violence liaison wasn’t appointed or trained. Inmates complained they felt unsafe and that staff “had their hands tied’” and “had little control over some situations.”
The local fire plan had no specific steps to release inmates from locked areas in case of emergency, and local employees said “they had no idea what they should do” in case of a fire emergency.
The audit also found all housing units provided less than the required 25 square feet on unencumbered space per occupant. It found single watch cells held two prisoners with some sleeping on the floor, and some triple-bunked cells had a third inmate sleeping on a mattress on the floor.
Searches in general seemed to be a problem for CCA. Documentation showed that contraband searches were only done 16 days in August. When the searches were done, the contraband was not properly processed to the vault and was sometimes left in desks. The private prison also could not provide documentation that proved executive staff were conducting weekly rounds to informally observe living and working conditions among inmates and staff.
These findings, although major, are only the tip of the iceberg: Inmates claimed laundry and cell cleaning services were not provided and CCA could not prove otherwise, recreation time was not always allowed five times a week in segregation as required, food quality and sanitization was not up to standards, infirmary patients were “not seen timely,” patients’ doctor appointments were often delayed with follow-ups rarely occurring, the facility had no written confined space program, the health care administrator could not explain or show an overall plan and nursing competency evaluations were not completed before the audit was conducted. Many more issues were found as well.
The one bright spot in the report is ODRC found staff to be “very professional, friendly and helpful during the audit.” Inmates were also “dressed appropriately and found to be wearing their identification badges.”
The findings shine some light into why ODRC Director Gary Mohr might have decided to stop privatizing Ohio’s prisons. On Sept. 25 — the same day the audit was mailed to Mohr’s office — Mohr announced his department would focus on sentencing reforms to bring down recidivism instead of saving costs by privatizing more prisons. The news came during the week CityBeat’s cover story on private prisons was in stands.
Mohr is one of many in Gov. John Kasich’s administration to have previous connections to CCA. He advised the private prison company “in areas of staff leadership, and development and implementing unit management,” according to the ODRC website. Donald Thibaut, Kasich’s former chief of staff and close friend, now lobbies for CCA. Ohio Attorney General Mike DeWine also helped CCA reopen its Youngstown facility in 2004 with a federal contract during his term as U.S. senator.
The report confirms a lot of what CityBeat found in its in-depth look at private prisons. The studies cited in CityBeat’s Sept. 17 story — including research by the American Civil Liberties Union of Ohio — found multiple issues in private prisons’ standards around the country. One study by George Washington University found private prisons have a 50 percent higher rate of inmate-on-staff assault and a 66 percent higher rate of inmate-on-inmate assault. The troubling numbers were attributed to lower standards at private prisons that keep costs low and profits high.
The lower standards are coupled with a private prison’s need to house as many inmates as possible, contrary to public interests of keeping re-entry to prisons low.
“It doesn’t make any difference to them whether or not a person eventually integrates back into society,” said Mike Brickner, communications and public policy director at ACLU. “Looking from a cynical approach, it actually helps them if that person (is convicted again) because they come back into their prison and they get money off them again.”
Poor living and health standards were also found in a Youngstown prison held by CCA in the 1990s. In 1997, the Youngstown prison was opened by CCA to house 1,700 of the nation’s most dangerous criminals. Within one year, 20 prisoners were stabbed, two were murdered and six escaped. The ensuing public outrage led to higher standards at the facility. The more stringent rules were credited for leading to the prison’s eventual closing as the facility was quickly made unprofitable for CCA.
Steve Owen, spokesperson for CCA, responded to the audit in a statement: “CCA is taking concrete corrective steps to ensure that this facility meets not only the ODRC's goals but our own high expectations for our facilities. We are working in partnership with the ODRC on a development plan, which will lay out a road map to meet our goals, and our team will meet bi-weekly with ODRC staff and officials until we have this matter resolved.”
But the staff at Maribelle’s eat + drink has nothing to hide; in fact, they want you to see their kitchen.
Maribelle’s, which used to be located on Riverside Drive, is set to reopen Thursday at a new location on Madison Road in Oakley. Owners Leigh Enderle and Mike Florea wanted to create a restaurant that felt comfortable and open, so they redesigned the space that used to house Hugo to look like a kitchen at home.
The walls are now painted pastel yellow and green, and wooden chairs stand against high tables (designed by local architect Terry Boling) that look like kitchen islands. The kitchen line is completely exposed, as is the bar — so diners won’t be left wondering how the staff operates or how clean the kitchen environment is.
“Transparency is the concept we’re going for,” says Enderle. “We want people to know where their food comes from and how it’s made. We want them to understand the sourcing and we want them to understand how much work goes into the restaurant, too.”
Chefs at Maribelle’s will use hormone-free meat and seasonal
local ingredients for their American-fare menu items priced $8-15. Their
chicken and turkey products will come from Gerber Farms of central Ohio, and
their beer list will include domestic lagers, porters and IPAs. The restaurant will be open Tuesday-Sunday.
Maribelle’s staff thinks that everyone has the right to know where their food came from, and they invite diners to ask questions about their meals.
“I care about what I eat. Not all the time, but I do care,” says Enderle. “I care about where things come from, and I care that the animals are treated well. At Maribelle’s, we want to make sure we know the story behind the ingredients that we’re getting, and we want to make sure it fits into our concept of transparency.”
Goo Goo Dolls have come a long way since they started in 1986 in the crumbling rust belt city of Buffalo, NY, where the band was probably started for no better reason than to kill time, make some music and hopefully get a few free beers from the clubs where they were lucky enough to get a gig. They have stayed together for over two decades and continue to create hits on the music charts. Their current single “All That You Are” is getting serious radio play and is featured in the newest installment of the Transformers franchise, Transformers: Dark of The Moon.
CityBeat spoke with vocalist and lead guitarist John Rzeznik about tour life, longevity, and the future of the popular group.
If you still want to find that particular item that is unique but is maybe from a local or up-and-coming designer and is of high quality, Cincinnati has quite a few options for you to peruse. If you so choose, use the following as a guide to help you along your way!
A new mediocre everything store! White people rejoice! Kenwood has FINALLY opened up the fancy new Kroger Fresh Fare. It's like regular Kroger but with more "market" and "organic" produce that is more expensive and appeals to the high-class folks that still have their jobs.
The afterparty is still going on as I write this, but, while we assess what happened last night at the 12th annual Cincinnati Entertainment Awards event at the Emery Theatre — the first sold-out show and quite possibly the best show in CEA history — here's who won what last night.
Today I was scanning the pop culture information super highway to catch up on the latest fads. What's cool, what's hott, what's in, what's not. As I clicked around I came across some newly published pictures of Jessica Simpson. As I gazed at her face with my bedroom eyes, they slowly transformed into bulging ping-pong balls. My F-stop quickly went from an f/8 to an f/1.4 in 1/500 of a second. The sight of this fat woman that was almost finished devouring Jessica Simpson's body, feet first, was on the front page of People magazine.
A couple of weeks ago, local indie publishing house Aurore Press released a book featuring memories and essays by people involved with the seminal local Punk club The Jockey Club. Stories for Shorty was feted with an in-store party at Shake It Records and a "Jockey Club Reunion" at the Southgate House, with reunited sets by The Thangs, The Reduced and SS-20 (who are still playing shows but were reportedly joined by original guitarist Pete Sturdevant). Check out some pics from the event here and be sure to pick up a book (while they last) to get a great impression of what Punk Rock was like in the Cincinnati area in the 1980s.
I missed my chance to put a submission in for the book, but I still wanted to write a few words about a club (and musical style) that meant a lot to my musical upbringing.
Il Volo — the popular Italian Opera trio from Sicily — features three teens with tenor voices so strong, they got America’s attention after one of the best guest performances in the history of American Idol, singing "O Sole Mio" last year. They formed in 2009 and were received very well in their native country, performing with some of the biggest international superstars in their short history. The group consists of Piero Barone, Ignazio Boschetto and Gianluca Ginoble. They are now set for their second U.S. tour which comes through Cincinnati tomorrow (Friday) night.
Il Volo is produced by long time industry veteran Tony Renis, who discovered the boys two years ago along with Grammy-winning producer Humberto Gatica (Michael Bublé, Josh Groban and Celine Dion).
CityBeat caught up with Gianluca Ginoble this week by phone to discuss his love of touring and how much he enjoys getting to do what he loves every day. He is just learning English but was able to provide a little insight into to the band’s grueling tour schedule. Check out Il Volo at Riverbend's PNC Pavilion on Friday.
CityBeat: I know you were introduced to opera from family members growing up in Italy. How important is family tradition to you?
Gianluca Ginoble: My family is the most important thing because my Grandpa is my inspiration. It was him that introduced me to this kind of music. But I love others as well, like Michael Buble and Frank Sinatra. I love Opera, but I also I love other kinds of music too. To me family is the most important thing.
CB: You guys are going to start a long tour being away from home. Is it hard being on the road being away from friends and family or what is the hardest part for you?
GG: When I am home, I can’t wait to do another tour because this is now my life. For me, it is like funny work because this is my passion. I am doing what I love to do, but when I am on tour I can’t wait to come back to my house and my home because I miss the family, my Grandpa. My Grandma died six months ago and for me it was an amazing pain. He was very important for me.
CB: I am sorry to hear that. Are there any places on the tour in the United States that you are specifically looking forward to playing, the location or the venue?
GG: Yes, yes, yes. My favorite city is Los Angeles. New York as well, but Los Angeles is the city of the dreams and the star, the Walk of Fame, the Oscars. For me it is the best city.
CB: What has been your rehearsal process for the tour? What has that been like for you?
GG: We have prepared with eight or nine hour rehearsals daily.
CB: Every day?
GG: Yes, because this is our first concert and we are preparing. When we have the soundcheck before the concert it is just 20 minutes or 30 minute,s so we have major rehearsals to get ready.
CB: How do you take care of your voices?
GG: Yes always, our voices are the most important thing.
CB: Do you ever see the band crossing over to pop music or do you think you will stay with Opera?
GG: I don’t know. We are open to many things. We did an American tour and it was wonderful, amazing because there were teenagers everywhere and in the U.S., in Miami, Los Angeles, New York and this is beautiful because it was our goal and this is a dream come true.
CB: Where do you see yourself or the band in 10 more years?
GG: I don’t know. I hope all this can continue in this way but life is unpredictable.
CB: What is your favorite song to sing and perform?
GG: "Smile," a Charlie Chaplin song.
CB: What can the fans look forward to in Cincinnati at the show?
GG: It is going to be a very beautiful show with more surprises. We have changed some things and I think it is going to be amazing. We have three new songs, which are a surprise.
CB: How do stay connected to your fans with Facebook or Twitter?
GG: Always, always. I update my fans, our fans. I am always doing “Greetings from …" I upload the pictures.
CB: What are you looking forward to the most on the tour?
GG: The most beautiful thing is to meet the fans. When I look at the people and they are happy and when they listen to our singing and we can make them happy, it is just beautiful.
The Denver Post reported Thursday that Metromix, a series of entertainment websites owned by Enquirer parent Gannett Co., is closing its localized websites in seven cities.
Metromix is closing its website operations in Denver, Atlanta, Cleveland, Minneapolis, St. Louis, Tampa and Washington, D.C. Each of the markets is where Gannett owns a television station but not a newspaper.