Author's note: Let me preface this article by saying that my position on guns teeters along with current events. The recent struggle between a Cincinnati Police Officer and a misguided teen that resulted in the boy’s death is the perfect example of why gun ownership can never be taken lightly. The fact is guns were built as a tool for killing. That said, I believe that most gun owners understand the power of the gun they hold in their hands and do not take it lightly. People should certainly be allowed to own guns but they must understand each weapon's deadly potential.
Now that the economy has been kicking it snow sled style, I have been laid off from my wonderful job at a major Cincinnati corporation that makes jet engines. No, not Kroger! Silly! Now I find my days are free to do whatever I want! What do I choose to do you ask? Start a club of some sort that helps out the homeless of Cincinnati? Start a kick ass smart guy team of engineers to win the Automotive prize?
Goo Goo Dolls have come a long way since they started in 1986 in the crumbling rust belt city of Buffalo, NY, where the band was probably started for no better reason than to kill time, make some music and hopefully get a few free beers from the clubs where they were lucky enough to get a gig. They have stayed together for over two decades and continue to create hits on the music charts. Their current single “All That You Are” is getting serious radio play and is featured in the newest installment of the Transformers franchise, Transformers: Dark of The Moon.
CityBeat spoke with vocalist and lead guitarist John Rzeznik about tour life, longevity, and the future of the popular group.
Mesh, spikes, studs and leather have all been appearing in the past two years or so of runway, namely with designer Alexander Wang. I can't help but think of that amazing movie from the early '80s, Blade Runner, or Gotham City even. Also, the FIT Museum had an exhibit entitled Gothic: Dark Glamour earlier this Spring that I was fortunate enough to see. Is it a sign of the dark times? Or just another go around for '80s punk revival? Maybe it's both. Either way, I'd like to feature this fashion statement for inspiration today in all of its dark, glamorous and quirky ways.
As the tournament progresses, it challenges us to keep up with the evolving storylines — the sudden defeat of major players and the quiet emergence of those who have escaped notice, the silent assassins.
My day started on Court 3, a make-up match between the ninth seed Na LI (CHN), the first Grand Slam winner from China, and qualifier Johanna Larsson of Sweden, who, on the morning of this match, was celebrating her 24th birthday and in her debut here in Cincinnati.
Li has been in the spotlight, with two Slam finals last year, but at 30 years old, one has to wonder if she has peaked too late. She is six years older than her opponent, but today, it is best to focus on experience rather than age because she displays a potent blend of wisdom and execution as she forces her younger foe to work harder and harder for the points she wins on her serve, while Li cruises through her own service games. She breaks Larsson twice with surgically precise shot placement, moving Larsson around at will. When Li captures the first set 6-2, it is plain that she is firmly in command and using the match as practice because thanks to the suspension of play from the previous night, the winner here will end up playing again tonight.
Another holdover from the rain delay is the battle between Caroline Wozniacki (DEN) and Anastasia Pavlyuchenkova (RUS), which was called with Pavlyuchenkova already up a set (6-4) on the number six seed and former number one player in the world.
By the time I settled into the stands, Wozniacki was down 4-3 in the second and Pavlyuchenkova held to take a 5-3 lead. The Russian woman looked like a pounding brawler, but a couple of points dispelled that misconception. Pavlyuchenkova tempered her obvious strength with well-placed balls that unerringly found line and corners of the court just beyond Wozniacki’s reach. A hold from the higher seed set up an opportunity for Pavlyuchenkova to serve out the match, much to the chagrin of the vocal fans on the Grandstand who possibly hoped to be able to catch a glimpse of Rory McIlroy later in the evening. Alas, it was not to be. Pavlyuchenkova slammed that book shut, earning a spot opposite Petra Kvitova to compete for a coveted semifinal match, where maybe the fans might join her cause.
Next up on the Grandstand, Venus Williams and the three-seed Samantha Stosur (AUS), the reigning US Open champion. Venus has had to exert a great deal of effort along the way and would probably appreciate an easier match here, but with the formidability of Stosur and her compact, punchy power that’s highly unlikely.
It is apparent though that Venus wants to be the aggressor, as she stands on top of the baseline for Stosur’s first serve and a foot inside on the second. This allows her to get the jump and force Stosur off-balance. An early break and a tough hold for Venus, followed by a quick hold and a break for Stosur, and any hope for a quick two-setter are completely out the window. Even though Venus breaks right back on her opponent’s next two service games and ends up taking the first set 6-2, something in the way Stosur carries herself says, this isn’t close to being over.
On Center Court, Novak Djokovic and Marin Cilic (CRO) have already completed a set, which Djokovic took 6-3. Djokovic has had a fairly easy path thus far, especially his previous match, which ended when Davydenko retired after losing the first set 6-0, before last night’s rain. Today, he is a cat toying with his well-contained prey. Cilic is definitely in a tight corner with his back to the wall because before fans can blink, Djokovic is serving for the match with a 5-2 lead and just like that, it’s over. The cat has gobbled his prey up.
Stosur forced Venus to go back and forth with her on their way to a second set tiebreak, which she seized 7-2, but then Venus immediately broke her in the first game of the third set. As Venus reaches 3-1, most thoughts start to drift to a possible fantasy match-up of the Williams sisters in the final. Serena is set to start on Center Court and has dominated her court appearances thus far.
Television coverage of the end of the Venus-Stosur match means that Serena and Angelique Kerber (GER) are forced to wait.
A gritty battle for the final set goes to Venus (6-4) and we are tantalizingly closer to the dream.
Joe Morgan handles the coin toss to determine who serves to start the Serena-Kerber match. Serena serves and promptly gets broken, although she does seem too bothered. Her shots were either just a bit long or subject to the fickle fate of bounces off the net cord, which she will certainly adjust to as the match progresses.
Kerber, a much shorter player with reasonable power, works on moving Serena around and capitalizing on her error-prone play. There are flashes of Serena’s gifts – games where her serve, one of the best in the women’s game, cannot be touched – but those moments are fleeting. Instead, we see a Serena who has trouble timing her shots, sending swinging volleys into the net that should have been clear and rousing winners. She ends points staring off at either where the winner should have fallen or confused by the absurdity of this predicament she found herself in.
She seemed to be wondering where the real Serena Williams was, and she wasn’t alone. The only person not asking that question was Kerber, who took the match from whoever happened to be standing there in Serena’s lime-accented attire.
Final score: 6-4, 6-4.
(408): hey, what are you doing? my roommates are gone for the night... you should come over ;)
(650): nah, i'm gonna grab some food
Cincinnati heats up, but it does little to slow down the fans eager to follow their favorites all over the grounds of the Open. Another day of racing between matches to catch the highlights as a scattered flurry of notable pairings dot the landscape.
Jumping right in, I head over to Court 9 for a look at two players I caught on Day 1. American wild card Sloane Stephens against fellow wild card Italian Camila Giorgi who took out Francesca Schiavone with relative ease. Both women seemed sharp and ready in the opening round and this match promised more of the same.
Thanks to early double faults, Stephens breaks Giorgi for a 2-1 lead. Both players are striking the ball exceptionally hard. After a Stephens hold, Giorgi loses her concentration for a moment – a swinging volley on a shot that was going to drop long – and that leads to another break and a request to talk things over with her coach.
Stephens keeps her head down and gets to 5-1, before Giorgi is able to hold again, but it matters little once Stephens holds at love for a 6-2 first set.
Another outer court beckons me. Shuai Peng of China battles Italian Roberta Vinci on Court 7. Peng displayed great discipline in taking out last year’s finalist Jelena Jankovic in a marathon match Monday night, but she had no worries today. By the time I arrived, she had just broken to take a 5-3 lead. A quick hold gave her the first set.
Once again, I found myself seated near her coach on the bleachers.
Peng breaks quickly in the second set for a 2-1 lead and then just handles business to capture the match at 6-4. The only weak link in her game seems to be an inability to secure net volleys. This may haunt her as she moves further into the tournament.
Back on Court 9, Stephens is up 5-1. As with her first match, she’s clicking and looks extremely poised on the court. While Peng has a slight crack in her armor, Stephens appears to be a bit more fortified and ready for another round or two here.
Both women have strong and vocal fan bases as well who are excited to go on with them.
The second round of matches for the morning feature our first glimpses at the top seeds of the tournament.
Questions have dominated the discussion about the number two seed Novak Djokovic, facing off against Italy’s Andreas Seppi, with many seeking to compare his standing this year to where he was a year ago. Last August, he suffered just his second loss up to that point here against Andy Murray in the final. It was a run for the ages and his win at the US Open capped off a three-out-of-four Grand Slams and a world number one ranking.
Of course, now we see how the wear and tear of a long tennis season along with the constant media scrutiny can chip away at the resolve of even the best players. This year, Djokovic has seemed far more mortal, while still having an enviable record – he earned another Australian Open and looks poised to defend his US Open title.
During his first match here, fans got to observe how a top player works himself into a match and a tournament. For a comparable sports analogy might be fitting to look to boxing and the early rounds where the boxers are getting their bearings, moving and punching, but not for points or power yet, more to settle their nerves before establishing their game plans.
Djokovic was loose and a bit free-swinging initially, but he found his range on serve and then focused on picking the right opportunity to pounce on Seppi, who gamely fought through a few tough service games, but held his own. By the first set tiebreak though, Djokovic scored the min-break he needed to win 7-4 and the inevitability began to creep in for Seppi.
Over on the Grandstand, the number four seed Petra Kvitova (CZE) ran into a strong challenge from Mona Barthel of Germany who wisely decided early on to play a safe return game because Kvitova started off quite error-prone. Down 5-1, Kvitova looked listless and luckless as shot after shot either sailed out or flew of the net cord or the side of her racket. She kept at it though and picked her way back into the set before finally falling 6-4, but the last couple of games showed that if she found her hard-hitting form, she might be able to punch her way back into the match.
Djokovic found the next gear quickly and jumped up to a 5-1 lead in the second set, but Seppi dug in for a hold to make it 5-2, forcing Djokovic to serve it out. The final point of the match came on a soft volley into the open court and with a gentle smile for the fans, Djokovic, the winner last weekend in Toronto, was ready to move on.
Kvitova apparently was ready to prove my assumption correct. She pounded shots at Barthel, hard and heavy body blows and knocked her down in the second set 6-2. The match really was looking like a pair of boxers, one using finesse, the other a power puncher, somehow going toe-to-toe.
On Center Court, Sam Querrey, the American wild card, was preparing to face off against the number three seed from Great Britain, Andy Murray, last year’s winner and thanks to his runner-up spot at Wimbledon and then his Olympic Gold against Roger Federer (a replay of the Wimbledon final), a man on a mission to shatter the glass ceiling keeping him from the rare air of the top three ranking in the world and Grand Slam glory.
As I mentioned while covering Querrey’s previous match, he’s got skill and form to spare but he hasn’t found the intangible that will take him to the next level consistently. While watching the first set of his match against Murray, I found myself comparing him to one of the competing interns on that season of the medical drama House, when Dr. House was trying to pick a new diagnostic team. A host of talent and knowledgeable doctors and specialist raced and clawed their way through challenges to land a spot and Querrey’s one of those in the hunt in tennis, but Murray, well, he’s a bit like Foreman (Omar Epps), a former team player who hangs around, but everyone knows he’s just not quite ready to take over for House (ever). Of course, he can out-diagnose any pesky intern, any day of the week.
And like a classic episode of House, it’s only a matter of time before the intern falls.
Kvitova has to grind it out in the third set because Barthel has the nerve to stand in the center of the ring and trade punches with her. They go back and forth and there’s something surprising about Barthel’s tenacity, her pesky spirit that gains depth as the match goes on.
But she slips up on her way to a possible tiebreak, losing the third set 7-5, and sadly the match. Has Kvitova gotten herself on track though?
Unforced errors kill Querrey (6-2, 6-4). All that time I spent coming up with the House analogy, Querrey was guessing and guessing wrong. If there really had been a patient on the table, they would have died repeatedly and their next of kin would have earned millions in medical malpractice.
The dispute stems from a plot of land that, through some legal wrangling and a Joint Economic Development Agreement, Harrison Township officials say can only be used for industrial purposes that create jobs.
The Southwest Ohio Assembly Hall of Jehovah’s Witnesses wants to build a massive assembly hall that they say would be a draw to the 28,000 Jehovah’s Witnesses in the region and create jobs in surrounding service sector businesses.
The Hamilton County Rural Zoning Commission denied permission to the Jehovah’s Witnesses, citing fear over the impact to local businesses and traffic, causing the religious group to appeal the decision to the Board of County Commissioners.
Board President Greg Hartmann said commissioners would set a date in the coming weeks to arrive at a decision.
Coalition Opposed to Additional Spending and Taxes lawyer Chris Finney represented the Witnesses before the board.
Finney argued that the Zoning Commission was wrong to deny permission to build the assembly hall. He pointed to the positive economic impact such halls have had in other states and brought witnesses to testify about the potential impact it could have on Cincinnati.
According to a slide show presented before the board, the hall could result in $1.19 million in annual tax revenue and create 421 jobs in the service industry surrounding the site.
Being a religious institution, the hall would be tax-exempt and would be staffed by volunteers.
Harrison Township officials argued that the area was created under a special agreement that requires industrial use and that any businesses located there create jobs and enhance economic development.
Mayor Joel McGuire said the township had offered up other locations for the assembly hall, but the Witnesses were fixated on the one.
“That’s why we’re in the all-or-nothing situation we’re in because they insist on this particular spot as opposed to the many other locations where there’d be no problems at all,” McGuire said.
Cincinnati will see the regional premiere of The Book of Mormon a year from now. The winner of nine Tony Awards will be the highlight of Broadway in Cincinnati's 2013-2014 season at downtown's Aronoff Center for the Arts. It's set for a three-week run, Jan. 7-26, 2014. A show described as "the funniest musical of all time" that was created by the guys behind the satirical South Park TV series has enough raucous, off-color humor to melt away any winter chill that settles in following the holidays. It's about two naive and optimistic Mormon missionaries who tryto persuade residents of Uganda to follow their faith — but threatened by a maniacal warlord, the locals are more concerned with war, famine, poverty and AIDS than religion. The satire is laid on thick, and it's the kind of show that's bound to offend some people. Nevertheless, it's been a gigantic Broadway hit since it opened in March 2011; the tour that comes our way began back in August, so Cincinnati is an early stop.The season will have a number of familiar titles, including another three-week run for the Broadway hit Wicked (March 5-23, 2014). The Wizard of Oz musical has been running on Broadway for a decade. There will also be two Andrew Lloyd Webber musicals, a new production of his 1978 musical Evita (Feb. 18-March 2, 2014), based on the show's successful 2012 Broadway revival; as well as another chance to see Lloyd Webber's phenomenal hit, The Phantom of the Opera (April 30-May, 11, 2014).