Cincinnati’s King Records and its various subsidiary labels have been widely celebrated for its vital contribution to the development of popular music in the 20th Century. The legendary label’s groundbreaking, integrated roster of Roots, Bluegrass, R&B and Funk artists gave the world recordings that were integral to the development of Rock & Roll, Pop, Country and, though perhaps less obvious to some, Hip Hop.
Musical icon James Brown was King’s most well-known artist and without Brown’s Funk genius, it’s likely that Hip Hop wouldn’t sound the same today. Brown’s work is some of the most widely sampled in Hip Hop and one song in particular provided the backbeats for innumerable Rap songs over the years. That song, “Funky Drummer,” was recorded at King’s studios 45 years ago in Cincinnati’s Evanston neighborhood.
Samples of Clyde Stubblefield’s drum break on “Funky Drummer” have powered classic Hip Hop tracks by the likes of N.W.A. (“Fuck the Police”), Boogie Down Productions (“South Bronx”), Public Enemy (“Bring the Noise,” “Fight the Power”), LL Cool J (“Mama Said Knock You Out”), De La Soul (“The Magic Number”), Ice-T (“O.G. Original Gangster”), Dr. Dre (“Let Me Ride”) and countless others. That break’s influence has never waned, as Nicki Minaj, Lupe Fiasco, Mos Def and many more producers and artists continue to find inspiration from the funkiest of funky beats. (And its influence extends beyond Hip Hop, having been featured on The Stone Roses’ classic “Fool’s Gold,” and tracks by everyone from Sinead O’Connor and George Michael to Aphex Twin and Korn.)
Tomorrow (June 7), some ’80s/’90s Hip Hop greats will honor the 45th anniversary of Stubblefield’s recording of that beat with an outdoor concert/block party near the site where it was recorded (in the 1500 block of Brewster Ave. in Evanston). The Cincinnati USA Music Heritage Foundation, along with Eastwood Entertainment, Lando Chapman, City of Cincinnati and the Bootsy Collins Foundation, have joined forces to bring “The Alumni Tour,” featuring a variety of old-school Hip Hop greats, to town for the special event, dubbed “Lando’s Old School Block Party.”
The concert will feature performances by Kwame, Dana Dane, Special Ed and Chubb Rock, each of whom understand the power and influence of “Funky Drummer.”
Saturday’s celebration will also feature appearances by the JB-approved “Young James Brown,” King artists Phillip Paul and Otis Williams and the Funkmaster General himself, Bootsy Collins.
Showtime is 7 p.m. (gates open at 5 p.m.). Tickets are $25 and can purchased in advance here. (Only those 21-and-up are permited.)
Proceeds from the event will benefit the Cincinnati USA Music Heritage Foundation’s ongoing efforts to draw attention to and preserve the legacies of Cincinnati’s rich musical past. The organization continues to do great things to honor downtown’s former Herzog Studios (where Hank Williams and many others recorded iconic tracks) and the group is currently supporting efforts to save and preserve the original site of King Records’ facilities and also attempts to have a permanent marker placed at the site of the old Riverfront Coliseum (now U.S. Bank Arena) in memory of the 11 fans who lost their lives in 1979 trying to get in to see The Who perform (a tragic event that led to the betterment of concert safety procedures throughout the industry).
Boston’s Barrence Whitfield & the Savages have returned to Cincinnati in a big way this week. The R&B/Soul-rockin’ crew has several local ties, including employing prolific locally-based drummer Andy Jody on the skins. The group also features Peter Greenberg of pioneering Boston band DMZ (as well as The Lyres) and groundbreaking Cincy Garage rockers The Customs (fellow Custom Jim Cole records with the band but doesn’t play live). The Savages recorded two albums in the ’80s; their 1985 Rounder Records release, Dig Yourself, was their last until the group's recent reunion activities.
"I met Peter at The Customs reunion in 2008, drummed for them the following year, which led to him contacting me to record Savage Kings upon the reformation of the original Savages," Jody says about his initiation into the band.
The Savages are in town to record a new album, returning to Ultrasuede studios, where they recorded Savage Kings.
"We decided to record here, partly logistics and partly in tribute to King Records," Jody says, "and it was the same studio where The Customs cut (their trademark tune) 'Long Gone.' "
Last night, Whitfield & the Savages debuted some of the new material at Shake It Records. Shake It, the label, released the Savage Kings in the States; The Customs' "Long Gone" single was the first release on the Shake It imprint.
The Savages will be warming up for recording this weekend with a two-night stand (Friday and Saturday) at The Comet in Northside. Both shows are free and kick of at 10 p.m. (Friday a DJ warms things up and Saturday Customs-inspired local rockers The Long Gones fittingly open the show). Click here for more info on the band. Below is a live clip filmed in Paris last year.
And here's a clip (with performances and interviews) from the band's earlier days when they were featured on the BBC.
Today's a big one for synthesizer fans. You know partly what I'm talking about if you've visited Google today (see below). But today also marks the 30th anniversary of a drastic and controversial move by the UK Musicians' Union. The union proposed a ban on synthesizers and drum machines because, to quote South Park, "Thur takin' our jaabs!" This is 1982, mind you, when Synth Pop and New Wave were huge and Hip Hop was beginning to find its legs in the mainstream. Musician unions worldwide struggled to come to peace with the existence of electronic instruments, many proposing tax hikes on the instruments to discourage use (like the U.S. does with cigarettes now).
The UK union's support of a ban caused a splinter group to form — the Union of Sound Synthesists was created to protect Electronic musicians' rights (or anyone else who wanted to use a "non-traditional" electronic instrument).
The attacks on synthesizers and drum machines due to a fear that one day a computer will be able to make ENTIRE SONGS seems a little funny given today's electro-heavy musical landscape.
On this date in 1977, there was another attack on "electronic" (or perhaps more appropriately "electric") instruments. Jefferson Starship's planned concert at San Francisco's Golden Gate Park was cancelled by the city because it violated a ban on electric instruments being used in the public park. The greatest tragedy of the incident was that it partially inspired one of the worst songs ever made, Starship's "We Built This City" (the song was not written by the band, as many have cited; Elton John songwriting partner Bernie Taupin, J. Geils Band singer not-the-J.-Geils-Band's Peter Wolf, Martin Page and Dennis Lambert are to be credited/blamed for the tune).
Born This Day: Musical movers and shakers sharing a May 23 birthday include regional native and legendary vocalist Rosemary Clooney (1928); singer for ’80s Pop band Baltimora ("Tarzan Boy"), Jimmy McShane (1957); former MTV VJ Karen Duffy (1961); Radiohead drummer Phil Selway (1967); Maroon 5 drummer Matt Flynn (1970); modern Soul singer Maxwell (1973); singer/songwriter Jewel (1974); original blink-182 drummer Scott Raynor (1978); singer for Indie Pop girl group The Pipettes, Gwenno Saunders (1981); singer/songwriter Tristan Prettyman (1982); and Electronic music pioneer Robert Moog (1934).
First things first — it's pronounced "Mogue" (rhymes with "vogue"), not "Mooo-g."
After manufacturing theremins, Mr. Moog (who passed away in 2005) founded Moog Music and invented the Moog synth, one of the first widely used, commercially available synthesizers. Early Moog users like Wendy Carlos (who did the soundtrack to A Clockwork Orange with Moogs and helped Bob design the machines), Keith Emerson, John Cage and Rick Wakeman helped popularize the instruments.
The instrument can be heard on hundreds of thousands of popular tracks since Moog first showed off his concept in 1964 at the Audio Engineering Society's annual convention. Paste magazine picked its Top 10 "quintessential" Moog moments last year, which included tracks by Kraftwerk, Rush's "Closer to the Heart" and this one from the late Donna Summer.
Paste also made a cool list of the best of today's Moog boosters, including St. Vincent, Wilco and Mastodon.
Google today has one of its best "Google Doodles" yet. In honor of Bob Moog's 78th birthday, the search site features a fully playable Moog synth on its front page; you can even record your Moog squiggles!
Today Moog Music Inc. is donating 50 percent of all clothing and merchandise (though not instruments) sales proceeds to the Bob Moog Foundation. The online shop has some very cool new T-shirts and other goodies.
"Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,” said Mike Adams, Moog Music President & CEO, in a press release.
On this day in 1964, The Beatles had the top five singles on the Billboard Hot 100 chart. It's been said that it's an unrivaled feat that will likely never be duplicated but those sorts of records always seem to eventually be broken (especially in the the ever-evolving music biz). The kids on Glee will probably occupy the entire Top 20 this year sometime or Vanilla Ice will die and spark a massive revival, smashing any and all previous chart records.
Until then, here are those Beatles singles in their chart positions the week of April 4, 1964:
1) "Can't Buy Me Love"
2) "Twist and Shout"
3) "She Loves You"
4) "I Want to Hold Your Hand"
5) "Please Please Me"
The group had a remarkable 12 songs on the chart that week. The other songs in the Top 100 were "I Saw Her Standing There" (No. 31), "From Me To You" (No. 41), "Do You Want to Know a Secret" (No. 46), "All My Loving" (No. 58), "You Can't Do That" (No. 65), "Roll Over Beethoven" (No. 68) and "Thank You Girl" (No. 79).
The chart even contained two Beatles-inspired novelty ditties — "A Letter to The Beatles" by The Four Preps (No. 85) and The Carefrees' "We Love You Beatles" (No. 42).
Curren$y and Jill Scott.
On this date in 1967, Floridian Psychedelic Folk band Pearls Before Swine (a precursor to contemporary so-called "Freak Folk") began the three-day sessions for its debut album, One Nation Underground. The album would become a moderate success, selling nearly a quarter of a million copies.
One of the album's tracks, "(Oh Dear) Miss Morse," was the source of some controversy. The subversive chorus of the weird little song (essentially a banjo riff with some organ blips) consists of vocalist/songwriter Tom Rapp (and that organ) "singing" in Morse code the letters "F," "U," "C" and "K" (Dit Dit Dah Dit/Dit Dit Dah/Dah Dit Dah Dit/Dah Dit Dah).
And they would have gotten away with it, too, if it weren't for some meddling kids! Famous New York DJ Murray the K was busted after playing the song on the air when a few smarty-pants Boy Scouts reportedly recognized the code and called in to complain about the veiled obscenity (or maybe brag that they figured it out).
It's not the only song to feature secret Morse code messaging. Mike Oldfield's album Amarok (featuring, essentially, one hour-long track) came towards the end of his contract with Virgin Records in 1990. Oldfield sent a little note to his boss on the album; towards the end, there's a Morse code message that spells out "Fuck Off RB," referring to Virgin label chief Richard Branson.
The Rush song "YYZ" from the 1981 album Moving Pictures also features Morse coding, in a pretty ingenious manner. Drummer Neil Pert's rhythm on the song is based on Morse for "YYZ." The letters weren't especially controversial, though — they were simply the code for Toronto's airport (Rush is from the area).
Other instances of Morse code in popular music: Roger Waters' album Radio KAOS features several Morse messages; Kraftwerk used it throughout their 1975 track "Radioactivity" (it simply spells out the title); and The Clash's "London Calling" has choppy guitar feedback at the end of the song that spells out "S.O.S."
Here's the Pearls Before Swing tune. NSFW (if you work for a former Boy Scout or telegraph expert).
Born This Day: Musical movers and shakers sharing a May 7 birthday include late drummer for influential Rock bands New York Dolls and Johnny Thunders and the Heartbreakers, Jerry Nolan (1946); Disco diva ("Don't Leave Me This Way"), singer/songwriter and actress Thelma Houston (1946); masterful German Boogie Woogie pianist Axel Zwingenberger (1955); Motorhead guitarist Phil Campbell (1961); Swedish one-hit-wonder, son of Jazz legend Don Cherry and half-brother to Neneh Cherry, Eagle-Eye Cherry (1971); drummer for British Pop/Rock stars Arctic Monkeys, Matt Helders (1986); and British singer Martina Topley-Bird (1975).
Topley-Bird is probably best known as a crucial part of Trip Hop pioneer Tricky's early (and biggest) success as vocalist on his classic album, 1995's Maxinquaye. The album made Tricky a Pop star, something that he admittedly was not prepared for and which drove him a little nuts. He recently told U.K.'s The Guardian that, going into the album's release, "I thought I'd be an underground artist. I had no idea it was going to do that and I was not ready for it." He says he spent much of the rest of his career trying to become more of a cult artist than a superstar. And he succeeded.
Topley-Bird parted ways with Tricky in 1998 and has made a trio of solo album (and worked with Gorillaz and Massive Attack). But late last month, she rejoined Tricky in England to perform Maxinquaye in its entirety. Well, that was the plan, anyway. Tricky reportedly disappeared during parts of the performances, which didn't exactly live up the "play the full album" billing. In a review of the performance in Manchester, ClashMusic.com wrote that the Tricky concert ultimately became "the Martina Topley-Bird show, with the singer providing the only reliable musical seam throughout, in contrast to an erratic and seemingly disengaged Tricky."
Here's Martina Topley-Bird's "Anything" from her acclaimed debut solo album, Quixotic.
Though today he is known as one of the strangest characters on "celebreality" TV, Gary Busey was once thought to have the potential to be one of the greatest actors of his generation. On this date in 1978, The Buddy Holly Story — featuring Busey in the title role — premiered. The film covered Rock legend Buddy Holly's all-too-short life, up through when he died in a plane crash in 1959 at the age of 22. Busey was 34 when the film came out, but his portrayal was very strong. In fact, it earned him an Academy Award nomination for Best Actor.
Busey never quite had that kind of critical reception again, going on to appear in such films as D.C. Cab, Predator 2, Point Break and the upcoming Piranha 3DD. Busey is known to younger generations as the "out there" guy from Celebrity Rehab, Celebrity Fit Club and Celebrity Apprentice. Is there a Celebrity Mental Institution yet?
There is allegedly a "Buddy Holly Curse" that may explain Busey's jagged career path since starring as the singer. This site details some "proof" of the curse, including the deaths of many artists who had some connection with Holly (Eddie Cochran, Gene Vincent, Ronnie Smith, Cowboy Copas, David Box, Joe Meek and many others.)
Busey was involved in a serious, near-fatal motorcycle accident after he completed filming on the Buddy Holly movie. The film's screenwriter Robert Gittler committed suicide just prior to the movie's release. (The Who's Keith Moon made his last public appearance at a preview screening of The Buddy Holly Story; he was found dead the next day.)
Luckily, only Busey's career has suffered since the film and his close-call wreck. Here he is in his greatest role doing "Oh, Boy!" Busey was praised for singing his own parts instead of lip-syncing over Holly's originals. I have to agree with that praise. Maybe Gary needs to make a Rock & Roll album?
Born This Day: Musical movers and shakers sharing a May 18 birthday include one of the men most responsible for Rock & Roll ("Shake, Rattle and Roll"), Blues shouter Big Joe Turner (1911); founding guitarist with Art Punk greats Wire, Bruce Gilbert (1946); singer/songwriter/producer and pops of The Strokes' guitarist, Albert Hammond (1944); keyboard wizard for Prog kings Yes, Rick Wakeman (1949); cofounder of New Wave renegades Devo, Mark Mothersbaugh (1950); Country legend George Strait (1952); Power Pop/New Wave rocker "(I'd Go the) Whole Wide World") Wreckless Eric Goulden (1954); singer with Christian Rock band dc Talk, Michael Tait (1966); Hip Hop artist ("It Takes Two") Rob Base (1967); and two Easy Listening giants of two very different eras — Perry Como (1912) and Jack Johnson (1975).
Como and Johnson both had/have a very easy-going way about themselves, musically and personally. That opened them up for a pair of pretty funny parodies on television.
In 1981, the brilliant late-night sketch comedy show SCTV ran the skit "Perry Como: Still Alive," which presented the way laid-back host making a Disco comeback. Eugene Levy — known today as "the dad from American Pie" — does a brilliant borderline comatose Como.
Former surfer (because what else could he be?) and smooth Pop singer/songwriter Jack Johnson has gotten the business from another late-night NBC program. (Cargo shorts) Saturday Night Live's (soon to be gone?) Andy Samberg has played the super-mellow Johnson in a few sketches, notably as the host of his own talk-fest The Mellow Show. (Flip flops.) Here, "Jack" interviews fellow mellow yellows Dave Matthews and Jason Mraz, as well as Ozzy Obsourne (played pretty well by Mr. Matthews himself). (Vegan cookies.)
This particular version of "Many Rivers to Cross," featuring Greater Cincinnati greats Kelly Thomas and The Mudpies, has been haunting me all week (in a great way). It was recorded as the third episode in a brilliantly conceived yearlong project by Thomas and several of her creative pals, The Sacred Harp Sessions, in which she documents her musical inspirations in monthly installments.
"Many Rivers" is such a great song, with its uplifting and optimistic Gospel vibe shining through the lyrical desperation. Thomas and The ’Pies version might just be the best I've heard outside of Jimmy Cliff's original version (sorry, UB40). And I thought it kind of fitting for New Year's Eve (or, perhaps more fittingly, New Year's Day morning) because, although there is a bittersweet aura, Cliff wrote and sang about overcoming his heartbreak and moving on to cross many more rivers in his future. Though he's devastated that his "woman left … and … didn't say why," he knows he'll live through it thanks to his strong will and pride. If you had a tough 2012, make this your theme song on your way to a better 2013.
The Sacred Harp Sessions (produced, on the video end, by Alex and Tiffany Luscht of Mind Igniton) is an engaging passion project, with Thomas choosing songs, area musicians and even local studios she admires and appreciates. Ultimately, it's a tribute to the things that have made Thomas who she is today as an artist (and person).
In the accompanying videos, Thomas talks about what the songs mean to her, but the short films are not purely autobiographical — they can also be educational. The first episode, for example, discussed Cincinnati's King Records and the city's Hank Williams connection; Kelly recorded Williams' "Lost Highway" with Arlo McKinley at the location of downtown's former Herzog recording studio, believed to be the last standing building in which Williams recorded.
Episode 2 of The Sacred Harp Sessions found Thomas teaming up with Cincinnati Blues piano legend Ricky Nye at downtown studio Sound Images for a great take on Robert Johnson's "Come On In My Kitchen."
Click here to subscribe to Thomas' YouTube channel so you know when the latest installments drop and can watch and re-watch your favorites. And keep an eye on Thomas' website for any updates and for limited-edition free downloads of the latest tracks recorded for the project ("Many Rivers" is currently available).
Thomas is currently singing in three bands — her longtime Kelly Thomas and the Fabulous Pickups crew, the classic Country outfit The Tammy WhyNots and The Lonesome Sound (which formed recently after the aforementioned Hank Williams sessions). She'll be starting off 2013 with free shows with all three acts — The Fabulous Pickups join Sassy Molasses at Northside Tavern Jan. 4, on Jan. 5 The Tammy WhyNots play with Tex Schramm and The Radio King Cowboys and Doctor Bombay and The Atomic Bachelor Pad at Over-the-Rhine's MOTR Pub and The Lonesome Sound has a gig on Jan. 12 at downtown's Taqueria Mercado.
On this date in 2006, Taylor Hicks won that year's American Idol karaoke contest, laying waste to runner-up Katharine McPhee. Soul Patrol!!!
McPhee would bounce back and is currently starring in the hit network TV show Smash. Hicks, of course, went on to superstardom, scoring major hits with songs like … oh, wait. What ever did happen to that guy? Best guess: manager of a suburban Applebee's somewhere?
Post-Idol, Hicks did score a role in the traveling production of Grease and his self-titled album went platinum, but Hicks was dropped from his label in 2008 and hasn't been heard from much since.
Last night, a fella named Phillip Phillips (no lie! that's his name!) won this year's American Idol, beating a lady named Jessica Sanchez. I must confess I've not watch one second of American Idol this year (or the year before, or the year before, etc.), but reading The New York Times story on him from today, it appears Phillips actually can play guitar pretty well and covered songs by Damien Rice and The Box Tops when he was allowed to chose his own material to perform.
Will Philly Phillips be a star, post-Idol? These things are hard to predict (ask Taylor Hicks), but it seems — from my admittedly peripheral view — that Phillips is more David Gray or Dave Matthews than Clay Aiken or Adam Lambert.
Born This Day: Musical movers and shakers sharing a May 24 birthday include creative Jazz saxman Archie Shepp (1937); American music icon Robert Allen Zimmerman, better known as Bob Dylan (1941); big-voiced and bigger-haired R&B diva Ms. Patti LaBelle (1944); producer and guitarist (with Stevie Nicks, Linda Ronstadt, Warren Zevon and others) Waddy Wachtel (1947); singer/songwriter and eldest daughter of Johnny Cash's, Rosanne Cash (1955); frontman for Soul/Funk group Cameo ("Word Up"), Larry Blackmon (1956); former keyboardist for Beastie Boys pals Luscious Jackson, Vivian Trimble (1963); bassist for Redd Kross and current member of old-school Punk supergroup OFF!, Steve McDonald (1967); guitarist for rockers The Black Crowes, Rich Robinson (1969); and singer/songwriter and Country artist Mike Reid (1947).
Born in Altoona, Penn., Reid attended Penn State, where he excelled on the football field. The tackle finished fifth in Heisman Trophy voting his senior year (1969) and earned a Bachelor's degree in music.
In the 1970 NFL draft, Reid was the Cincinnati Bengals' top first-round selection (seventh overall). Known for his pass-rushing, Reid was a dominant defensive player selected All-Pro at his position in 1972 and 1973 (both years he made the Pro Bowl, as well). In ’74, an injured Reid posted lower numbers and retired at the end of the season as the Bengals all-time leader in sacks with 49. (Remember, the Bengals had only been a team since 1968.)
During the off-season, Reid played piano with orchestras in Utah and Dallas, as well as the Cincinnati Symphony Orchestra. With some help from Larry Gatlin, he was ready to go into music full-time after retiring from professional football. Focused on songwriter, Reid won his first Grammy in 1984 for writing Ronnie Milsap's "Stranger in My House." We would go on to write several songs that hit No. 1 on the Country charts, including "Walk On Faith," the only No. 1 he also performed.
Reid's songs were recorded by the likes of Etta James, Conway Twitty, Willie Nelson, Alabama, George Jones, Wynonna, Lee Greenwood, Kenny Rogers, Shelby Lynne, Shania Twain, Oak Ridge Boys, Collin Raye, Alabama and Tim McGraw over the years. But his "time capsule" tune has to be his 1992 hit with Bonnie Raitt, "I Can't Make You Love Me," his biggest Pop chart success.
Reid is a member of the Nashville Songwriters Hall of Fame. In honor of his 65th birthday, here's Reid's biggest song sung by himself, followed by a pretty chilling more recent version by Justin Vernon of Bon Iver.
Thirty five years ago today, the original Apple Computer — now called Apple I — was introduced. This week it was revealed that Apple's market value hit $600 billion. Only one other company — Microsoft — has ever reached that value level (it's now back down to a paltry $255 billion, according to the Associated Press).
Not even its creator could have known that the little box designed and hand-built by Steve Wozniak (with entrepreneurial spiritual guidance by Steve Jobs) would lead to multiple revolutions, including in the worlds of technology, telecommunications, media, music and likely hundreds of other fields.
Who knows where those fields would be today were it not for Apple. One thing that certainly would not exist today is the following song tribute to Jobs by New York City-based progressive House DJ/producer AzR featuring only sounds and tones from an Apple computer (aside from some Jobs quotes). Every time I hear that "chirp," I think my iPod connector cable is going haywire.
Born This Day: Musical movers and shakers sharing an April 11 birthday include early Jazz musician Nick LaRocca (1889); Pop and Jazz music's first African-American personal manager (and also a noted Jazz bassist) John Levy (1912); composer of Rock classic "Louie Louie," Richard Berry (1935); original member of The Specials (and singer in Special Beat with The English Beat's Ranking Roger) Neville Staple (1955); late singer/guitarist for one hit wonders Big Country ("In a Big Country") Stuart Adamson (1958); co-founder of Gin Blossoms (who later committed suicide after leaving the band) Doug Hopkins (1961); British Soul/Pop vocalist Joss Stone (1987); and singular actor/musician Vincent Gallo (1962).
Gallo is best known as an indie film actor with a public persona so over the top, many find him obnoxious. Though he's never had a mainstream breakthrough (in part thanks to his refusal to go the Nic Cage route and make shitty, big-budget craptaculars just for the paycheck), he remains one of America's great underrated actors. And his stellar feature Buffalo ’66 (in which he starred and directed and wrote) is one of the best twisted RomComs of all time, second perhaps only to Billy Wilder's The Apartment. Hopefully he'll make another masterpiece at some point. But his experimental streak seems pretty domineering.
Gallo has been as adventurous in his musical work as he has in celluloid. When Gallo moved to NYC in the ’70s, he played in a band with art legend Jean Michel Basquiat and later performed in other groups and as a solo artist. He continued to write music for his films (notably Brown Bunny and Buffalo) and has put out a few releases on U.K. electronic/experimental label, Warp Records.
Gallo has directed music videos (including John Frusciante's "Going Inside") and appeared in several clips as well, the most famous being Jay-Z's "99 Problems."
In 2005, Gallo curated a weekend of show at the All Tomorrow's Parties festival in the U.K., booking Yoko Ono, Frusciante (Gallo, coincidentally, toured in 2001 with a band that included Frusciante's Chili Peppers replacement, Josh Klinghoffer) and Yoko Ono (Gallo and Ono's son Sean Lennon also made an album around that time that has yet to be released).
Here's the first song on his 2001 solo album When, "I Wrote This Song For the Girl Paris Hilton" (for no clear reason).
On this date in 1942 — months away from Christmas 1941 and Christmas 1942 — classic crooner Bing Crosby recorded what remains the best-selling single of all time, "White Christmas." Crosby first performed Irving Berlin's classic for radio on Christmas Day, 1941. On May 29, 1942, Crosby reportedly recorded the song — with the John Scott Trotter Orchestra and Ken Darby Singers — in 18 minutes. It was released on July 30 that year as part of a collection of platters from the film Holiday Inn. The song caught on and hit the top of the charts in October of ’42, where it stayed through Christmas. The single was re-released and hit the chart-tops again in ’45 and ’46.
The single has sold over 50 million copies worldwide. The
closest runner-up in the all-time biggest selling singles race is Elton
John's tribute to Princess Diana, the re-recording of his "Candle in
the Wind" from 1997, which has sold around 33 million.
That original version is not the one we hear endlessly to this day around the holiday season. After the original master recording was damaged, Crosby and the same crew of musicians re-recorded "White Christmas." That's the version you know/love today. Here's the original version of "White Christmas." Happy holidays!
Born This Day: Musical movers and shakers sharing a May 29 birthday include keyboardist and founder of progressive German "Kraut Rock" kings Can, Irmin Schmidt (1937); Jackson sibling and singer Rebbie Jackson (1950); former New Wave pioneer-turned-legendary-film composer Danny Elfman (1953); Jackson sibling and Playboy model (and singer?) La Toya Jackson (1956); singer for British Metal band Wolfsbane and temporary Iron Maiden vocalist Blaze Bayley (1963); former Oasis guitarist/songwriter/occasional singer Noel Gallagher (1967); bassist for modern British Rock legends The Verve, Simon Jones (1972); singer/dancer with Pop group Spice Girls, Melanie "Mel B" Brown (1975); co-founder of Hard Rock hitmakers Papa Roach, David Buckner (1976); and frontman for Swedish Garage Rock superstars The Hives, Howlin' Pelle Almqvist (1978).
With his ceaseless energy and hilarious, sometimes nonsensical between-song bantering, Almqvist is the reason Spin magazine once called The Hives "the best live band in the world." (The mag also called him one of the "50 Greatest Frontmen of All Time.")
The Swedes have a new album due out a week from today (June 5) called Lex Hives. According to a press release, the title comes from "the ancient Roman practice of enacting a system or body of laws and accepting them as a standard. Thus, the 12 songs on Lex Hives make up the holy laws after which all life from now on must be lived." Obey!
Here's a video clip of the band performing the new album's first single, "Go Right Ahead." Click here for a preview stream of the full album courtesy of The Guardian.