On this day 18 years ago, Kurt Cobain decided he was done with life and ended it with a single shotgun blast to the head. While it's fun to play the "What if?" game with brilliant artists who died too soon — like, "Would John Lennon have followed Yoko's lead to become a Dance music superstar?" or "Would James Dean be doing stereotypical 'cool old guy' roles today if he was still around?" — it is, of course, a pointless exercise.
But crystal-ball wonderings of a person who actually knew the artist? That's at least a little more interesting. Spin has a piece this morning about the vague musings of Cobain's widow, musician/actress Courtney Love, in an interview a year ago with Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge. Love told Yarm, "We'd probably live on the Upper West fuckin' Side now and have three fuckin' kids. We might even have a divorce, like both be on our third marriage. I don't fuckin' know. He might be a playwright, (or have) his latest show in MoMA." (Read more here and check out the links featuring other Cobain remembrances.)
I like to think the couple would have starred in a really bad Everybody Loves Raymond-type sitcom on CBS. But mostly I wish Cobain would have stuck it out. As they say a lot nowadays, "It gets better."
I was lucky enough to see Nirvana a couple of times before Kurt made that impossible — once at Shorty's, the tiny subterranean club on Short Vine in Corryville, with about 50 people in attendance and once at Dayton's Hara Arena (see: poster above) with … quite a bit more people in attendance. Both shows were memorable. I think I got kicked out of Shorty's because some guy wanted to stab me that night (long story). (Nirvana played a few times in our area in those get-in-the-van-and-go, pre-stardom days, including a show at Clifton Heights bar Murphy's Pub. They were scheduled to play with the great AmRep band The Cows at the Top Hat in Newport but their van allegedly broke down on their way. I remember it well ’cause this local band opened up.)
In Dayton (memorable in hindsight because Cobain would be dead within a year), Kurt thought former drummer Chad Channing (who lived in Ohio then) was in the audience. The band called for Channing to come up and play "School" with them, but he never showed. Turns out, he wasn't there.
The band did play "School" later in the set and dedicated it to Channing. Check out the audio below.
Click on for Born This Day featuring Peter Case, Pharrell and Joe Meek.
While not necessarily “weird,” when fans discovered that bad-ass, longtime local Blues artist Kelly Richey had started a side-business as a “life coach,” undoubtedly a few thought they misheard or misread. It’s not really a logical step from stunning Blues guitarist and vocalist to personal life coach for hire.
Likewise, when I first got an email about the new lineup of Richey’s band, I did a double take. Again, not that it was particularly unusual news — I just didn’t see it coming. (The music world could use a lot more moments like that.)
Joining Richey in the new version of KRB is experienced drummer Jyn Yates from Kentucky and Chris Sherman, the guiding force behind popular local Funk group Freekbass (and his new duo project, Freekbot).
While Sherman (who goes by his stage name, Freekbass) is best known for his huge Funk grooves, dabbling in modern EDM and rather flamboyant stage outfits at times, Richey’s sound skates the line between hard Blues and Rock; the most flash from her live shows come from out of her fingers as she plays and mouth as she sings.
On the surface, the pairing seems on par with Buckethead joining Bonnie Raitt’s band or Flea sitting in with Stevie Ray Vaughan. In other words, it should be quite interesting to hear what the trio comes up with. The first single, “Fast Drivin’ Mama,” offers a hint — the song is a rocking slice of riffing Blues Funk. It’s not drastically different from Richey’s usual sound, but the groove is appropriately huge.
Here's the debut single/video for "Mama":
The new KRB trio was assembled to record the next Kelly Richey Band album, which the musicians have been working on at Shangri-La Studios in Lexington, Ky. The album — Sweet Spirit — is scheduled for release March 1, followed by tour dates that will take them from Florida to Canada.
The trio’s debut show is Saturday in Northern Illinois (Mishawaka, to be exact), but local fans won’t have to wait long to check out the new KRB. The group performs on Jan. 11 at Legends Nightclub in Cheviot. Showtime is 8 p.m. and there is a $10 cover at the door.
Cincy-based, ukulele-friendly Folk Pop duo Shiny and the Spoon are gearing up for the release of its first full-length album, Ferris Wheel. The record officially drops Aug. 13, when the twosome (Amber Nash and Jordan Neff) hosts a release party at the Southgate House with guests the Rubber Knife Gang, Lisa Walker (of Wussy) and The Hiders. But yesterday, Nash and Neff posted a “teaser” of Wheel on YouTube, featuring a medley of the album’s tracks. Check it out below.
The Afghan Whigs' upcoming live reunion shows have generally been in Europe, largely at festivals, save a couple of U.S. shows (in New York City and at Lollapalooza in Chicago and All Tomorrow's Parties in Jersey). Today it was announced that the group's official first show back after 13 years will take place later this month, May 23, at the Bowery Ballroom in New York. Tickets go on sale this Friday in noon, if you're up for a roadtrip. Joseph Arthur opens the show.
It will be the first Afghan Whigs show since Sept. 29, 1999, when the Whigs played a private show at an NYC club called Hush.
If you can't make it to New York in 15 days, two weeks from tonight The Afghan Whigs will make their first public appearance together as a reunited group on Late Night with Jimmy Fallon. The band will be the musical guest on the program's May 22 episode.
Still no word on a Cincinnati date (Chicago's the closest so far). Keep your fingers crossed, local Whigs fans. Keep an eye on the band's official site for the latest Whigs updates. (I've been loving the "On This Date" in Whigs' history; today in 1990, FYI, the band played at Foufones Electroniques in Montreal.)
Fallon wasn't on yet when the Whigs were around previously, but here's a playlist of many of The Afghan Whigs' TV appearances over the years.
Cincinnati born and bred legend Bootsy Collins is known for his collaborations, from James Brown, George Clinton and Deee-Lite to more recent (and more unusual) hookups, like William Shatner, Charlie Daniels and Dr. Cornel West. But his latest collabo might be his strangest — and most fun — yet. Last night, Collins joined The Roots, DEVO's Mark Mothersbaugh, Biz Markie and Erykah Badu on Late Night with Jimmy Fallon for a little jam session with the cast of the trippy, hip kids' show, Yo Gabba Gabba.
The Eli Young Band brings a taste of Red Dirt music to the forefront of Country music. The band has an upbeat and distinct sound that has caught on quickly on a national scale. EYB saw mild success through the years touring on Jet Black and Jealous and hit a major stride with its most recent album, Life At Best, featuring the hits “Even If It Breaks Your Heart” and ACM "Song of the Year," “Crazy Girl.”
The Eli Young Band has now reached a new height, opening Kenny Chesney’s current tour (which is hitting mostly stadiums). CityBeat was able to catch up with band drummer Chris Thompson to get the band’s feeling on its new found success and life on tour with Kenny. The tour comes to Cincy tonight at Riverbend Music Center for a sold-out stop (the tour moves to Crew Stadium in Columbus on Saturday night). It is truly the most impressive tour in Country music.
CityBeat: How did the tour come about with Kenny Chesney?
Chris Thompson: A lot of people don’t know this but Kenny is really involved in who he picks to go on tour with him. In a lot of other tours, a record label will put someone on the bill or management will partner up with other management to find a tour that works with that kind of artist, but Kenny is super hands-on.
Two years ago at the Academy of Country Music Awards, we were nominated for "Song of the Year" and so was Kenny, and we actually beat him, we won the category. I guess shortly after, there was a text going around from Kenny to his management, “Who are these guys that beat me?” and “I want to find out more about them.” He started getting into our music and shortly after we got the phone call that we were invited to go out on tour with him.
It’s just a huge honor. Like I was saying, he hand picks the folks that are out here on the road with him. It’s the biggest tour in Country music and we are just happy to be here.
CB: I was there the night you guys won the "Song of the Year" award. I was so happy for you guys. I know you have worked very hard over the years. What was the highlight of CMA for the band this year in Nashville?
CT: We were only there for a couple hours really. We flew in that morning and did a signing for two or three hours and then had a couple meetings. Then, we were out of town.
We have been going to CMA Music Fest for seven or eight years now. Back in the day we would stay for three or four days and play a show or two and be able to hang and meet as many people as we could. It seems like more and more nowadays, especially with the tours we have been on and our headlining tours, we are only able to get in for a day and get out.
It is always fun to do the signings because you meet people from all over the country and from all over the world really who love Country music. They are so excited to meet you. They are die hard fans. They bring pictures from five years ago when we met. It’s just cool that Country music does that. We are the only genre of music that has anything like that where fans can go and interact directly with the artists and have one-on-one face time with them.
CB: Tell me a little bit about “Drunk Last Night,” the new single.
CT: I think “Drunk Last Night” is a lyric we can all relate to. When we all first heard the song, we were like, “Yes, this is a song for us."
A lot of people hear a title and automatically think it’s a drinking song. We went through some of that with “Crazy Girl.” A lot of people saw the title and went “Oh, I know what this song is about,” and I think they were wrong.
I think people will find this is not the standard drinking song. It is all about, I hate to sum it up as drunk dialing, but it is kind of like the thought of doing that and alcohol feeding that desire a little bit more than in daily life.
It is also a song that we went in the studio and recorded (and) as soon as we finished the session, we could go out and play (it) live right now because it’s a great track, it’s rocking, it’s in our wheelhouse and we actually did. We started playing it at the very beginning of the Chesney tour before it was even picked as a single. The crowd really seemed to dig it and now here it is, going to be a single. Good stuff.
CB: Do you guys know or do you have a feeling when you have a hit or when you hear a hit presented to you?
CT: Yeah. I think sometimes you hear a song, sometimes people say the song gives them chills and they know that’s the one. Sometimes you get that feeling in your gut. When you hear a song sometimes, you write a lyric and you feel that, it is almost like that feeling of falling in love. Your chest kind of swells.
When multiple people feel that way at the same spot or for the same song, then I don’t know if anybody can guarantee a hit, but you know that it is at least a lyric or a song that people can relate to and I think typically good songs are universal in that sort of way.
CB: I loved your “The Cuss Jar” video — I could buy a house if I implemented that process. I wanted to know if you had bought anything fun with the money?
CT: No, actually I think that era ended. The jar got too full and I think we used that jar for laundry money one day when we stopped somewhere on the road and had a few days off and emptied the whole thing for band and crew’s laundry. Then we got too lazy to keep up with it.
CB: What has been your craziest tour story recently?
CT: I think playing Cowboys Stadium in Dallas on the Chesney tour was probably the craziest thing because we are from Dallas and we have played every tiny bar around the stadium. To just get up on stage at the biggest stadium in America was totally wild. All of our families were there; it was craziness.
CB: That’s such a special moment, I am sure you have plenty of those all the time. Do you do anything special yourself to keep the tour memories? Do you take photos or journals? Some bands blog or journal and do things to keep it fresh.
CT: Yeah, we have been fortunate on this tour, since the beginning of this year, we have had a guy out on the road with us that has started doing social media. Mainly he is taking pictures. Since January, this whole thing has been documented and we really appreciate that.
It is definitely hard for us to get good photos when we are on stage playing, when we are really in the moment, because we are playing, so he is out there doing that. This is the biggest tour we have ever done and just the momentum that this year is building, we are just happy about that.
CB: What does a typical day look like for you?
CT: On the Chesney tour when we are doing stadiums like we are doing today, we will go out and do a tailgating event, at 1 or so in the afternoon, we will all get into some golf carts and we will go out to where all the fans are tailgating and they will bombard us with jello shots and beer bongs and the local foods they have.
We hang out with them for an hour or two then we will start doing radio events where we will play a couple songs acoustic, sitting on our bus or backstage for various winners. Then we will do a meet and greet for about 60-100 people. Then, we will grab a bite to eat around then. Then we hit the stage and rock out for about an hour.
After that, we will go hang out with some radio folks or some friend that are in town and wind down about the time Kenny hits the stage so we can watch him. It’s pretty cool. It’s pretty unreal.
CB: If you could trade places for anyone for about a month, who would it be?
CT: Right now it feels like we are living the dream. I think the four of us are really happy with what is going on in our careers right now. We have had some national success. It feels like we have broken out of being a regional band and it feels like we are on the cusp of something more than that. It’s a great time for Eli Young Band and it is important for us to enjoy this. I probably wouldn’t want to trade places with anyone right now.
CB: What can the fans look for from you guys tonight in Cincinnati?
CT: We try to always bring a high-energy show. We were playing a show last night and there was this older gentleman almost in front row sitting in his chair arms crossed and it looked like he wasn’t really enjoying himself. About halfway through our set he leaned over to his wife and he points at us and he goes, “Those guys are workin’ up there.” Then he smiled real big.
We want to bring that energy. We want to get on stage and have a good time and fire up the crowd. We go on right after Kacey Musgraves. Kacey is real cool and laidback and all that when she does her thing and it’s great. Then we get to come in and kick the audience in the butt a little bit.
During our set we have some new music in there and some cover songs I think gets the crowd up and clapping. After that Eric (Church) comes up and burns it down. Then Kenny Chesney comes out and the place goes nuts.
• Originating in Michigan and now based in the Pacific Northwest, Punk Rock trio The Spits pattern "their own new-millennial take on Punk after heroes like NOFX and The Ramones, but also tapping into the ‘70s Synth Wave dissonance that distinguished bands like Wire and Spizzenergi and presenting a theatrical component as engaging as Devo in their prime," according to CityBeat's Brian Baker. Read Brian's preview here then head to Mayday in Northside tonight for the 9 p.m. show. Admission is $10 and Useless Eaters and Subsets open.
Here's the band rocking San Francisco this spring.
• The annual Bosom Ball presented by local Pop radio station Q102 returns to Covington's Madison Theater tonight. The event, a benefit for the American Cancer Society and the Susan G. Komen Foundation, this year features ZZ Ward, Labrinth, American Authors, Serena Ryder and Walk Off the Earth. Doors open at 6 p.m. (there is also an all-ages "Sound Check Party" with American Authors that runs 4-5 p.m.; the Bosom Ball is open to ages 21 and up only). Admission is $30. Click here for more info and check out a few of the performers below.
• The Jubilee Peace Fest celebrates its fifth anniversary this year, returning to the Grailville Retreat and Organic Farm in Loveland, Ohio, starting today and going through Sunday. The fest — which runs 6 a.m.-10 p.m. each day — features “yoga workshops, meditation practices, cooking classes, health and fitness seminars, spiritual activism … kirtan and more, with national (and) internationally known teachers, musicians, authors, artists and chefs unfolding the path to world peace,” according to the official event page on Facebook. The festival is organized in conjunction with the non-profit World Peace Earth, whose mission is “educating, encouraging, researching and promoting a loving lifestyle to create a virtuous, kind, gentle, respectful and spiritual relationship between all beings and the earth, contributing to world peace.”
You’d be forgiven for thinking the musical lineup is all soft New Age music but, while that is represented, the Peace Fest boasts a surprisingly eclectic collection of performers, playing everything from Hip Hop and Rock to Experimental and World music. Sticman of one of best contemporary Hip Hop groups around, Dead Prez, is one of the big names performing, joining acts like Canadian “Neo-Folk World Rock ‘Country & Eastern’ Fusion” troupe HuDost, Rock band ThePeace, popular Hip Hop collaborator (and organic gardening proponent) DJ Cavem and Cincinnati native Amy Ferguson. Visit jubileepeacefest.com for a full rundown of the fest’s offerings and here for ticketing info.
DJ Cavem's Healthy Hop:
• The international Red Bull Thre3Style DJ competition returns to the area this week with a slight twist. Tonight at downtown nightclub Play, five DJs from area colleges will compete as part of the Thre3Style U competition, which is open to only full-time college student DJs. The competing turntablists are University of Cincinnati’s DJ HD and DJ EFEX, Northern Kentucky University’s DJ Underground, University of Dayton’s DJ Web and Miami University’s DJ Gabe C. Former Red Bull Thre3Style victor Apryl Reign and Kiss 107 FM’s DJ Sab are among the judges. The event is free and kicks off at 10 p.m. (Note: Play has some pretty strict dress restrictions.)
• Bogart's in Corryville presents a night of Electronic Dance music, headed up by Boulder, Colorado's Big Gigantic, the duo of Dominic Lalli and Jeremy Salken, who've built a huge following with their unique "Livetronica" stylings. New Zealand native (now based in Australia) and funky DJ up-and-comer Opiuo opens the show at 9 p.m.
I may be imagining it (the eternal optimist that I am), but it seems like ever since the Southgate House locked its doors at the end of 2011, many in the local booking world stepped up their game instantly. Though it's only been just over a month, it certainly doesn't feel as if the Greater Cincinnati concert market has been gutted by the loss of that one great club. And with several spots slated to open later this year (new venues from the brains behind the Southgate and Mad Hatter, plus whatever happens to the actual Southgate House building), it only looks to be getting better.
More good news on that front came out at the start of this week. On Feb. 10, an unexpected, big-time venue entered the mix — or rather, increased its presence in it. Downtown’s gorgeous Taft Theatre already this year announced some concerts by more “mid-level” groups like Trampled By Turtles and JJ Grey & Mofro, cult faves and Southgate alumni. Now, the Taft and promoter Music & Events Management Inc. are opening a new venue-within-a-venue that will allow the Taft to book artists who have outgrown small clubs but aren't quite ready for the big room.
The Ballroom at the Taft — located in the theater’s lower level — was designed to be, according to the press release, “a showcase style club venue that will play host to a variety of live entertainment events spanning all types of styles and genres.”