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by Mike Breen 02.13.2012
Posted In: Live Music, Local Music, Music Video at 11:17 AM | Permalink | Comments (0)
 
 
sparrowbellows

Squeeze the Day for Feb. 13

Sparrow Bellows' MOTR residency, plus This Day in Music with Country singers Waylon Jennings and … Jerry Springer?

Music Tonight: The every-Monday House Band for Over-the-Rhine club MOTR Pub this month is Sparrow Bellows, the gifted Rock & Roll crew featuring accomplished, veteran local musicians Sammy Wulfeck (Stapletons, Goose), Ric Hickey (long-running solo career, Telegram Sam, Speed Hickeys) and Brian Kitzmiller (Trojan Rabbit and his newest gig, playing with Granville, Ohio, rockers Black Owls, a regular MidPoint Music Festival highlight). The Bellows' energized take on Rock & Roll is compelling, showcasing the members' impressive instrumental abilities (they each are among the best in the city on their individual instruments), tight, memorable and creative songwriting and alluring progressive tangents, as well as great versatility (they're equally adept whether rocking out or dazzling with acoustics). The trio is currently working on new material for the follow-up to its excellent debut album. Hickey writes on the MOTR residency event page on Facebook that, after these MOTR shows, the band will be taking a break (one of those always vague and open-ended "indefinite hiatuses") and it's unclear when they'll be back. If you're going, tonight's show is free and starts around 9:30 p.m. The band's pals Goose are opening things up.

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by Mike Breen 04.17.2012
Posted In: Live Music, Local Music, Music Video, Music News at 12:48 PM | Permalink | Comments (0)
 
 
danielmartinmoore-joanshelley1-photobymichaelwilson

Emery Theatre Back in Business

Historic theater hosts 'Rock This Town' benefit and album release parties next weekend

It's looking like the historic Emery Theatre on the border of Over-the-Rhine and Downtown is back in business as a full-time functioning venue. Bands like Magnolia Mountain and Pop Empire have been using the Theatre to film music video projects and, next Saturday (April 28), the Emery hosts the "Rock This Town" benefit concert for CityLink, which helps resident "break the cycle of poverty" by providing employment training and other assistance. The event's music will be provided several groups of business people who can play instruments or sing (modeled on the "Suits That Rock" concerts that benefit the Carnegie Arts Center in Covington).

On April 27, the Emery will host a dual album release party/concert in honor of two new releases from the label Ol Kentuck, run by SubPop recording artist and Northern Kentucky native Daniel Martin Moore. One of the albums is a vinyl release of producer/guitarist/composer Ric Hordinski's Arthur's Garden (read more about the album here).

The other is the first release from a duo project consisting of Moore and singer Joan Shelley (pictured) titled Farthest Field. The event will also feature readings from authors Silas House and Marianne Worthington (who wrote one of the most engaging press releases for the album I think I've ever laid eyes on for the duo's debut; click the "Bio" pdf link on this page to read it).

It's a great time to check out the Emery circa 2012 because the concert is also free and open to the public. (Rock this Town's tickets range from $35-$100 — for a great cause, of course.)

Here are two video clips (shot by photographer Michael Wilson with help on the audio side from Pop Empire) promoting the concert, with music from Moore and Shelley's Farthest Field (officially available May 8).



 
 
by Mike Breen 12.02.2011
Posted In: Live Music, Local Music, Music Video at 02:58 PM | Permalink | Comments (0)
 
 
unknown

Weekend Squeeze for 12/3 & 4

Weekend concert previews with Hank 3, Unkown Hinson, Kenny Ozz-Fest, James Leg, Reel Big Fish and more

Music Saturday: If Herman Munster had decided he wanted to play stand-up Country/Rockabilly bass, he'd have a gig in the band of enigmatic performer Unknown Hinson offered to him immediately. Despite the high camp of UH's persona (his bio says he looks like "Dracula's nasty little brother who spent some hard years drinking and working as a carnival barker for a second-rate freak show"), the super-charged, funny-as-all-hell Honky Tonk he and his band pump out is seriously kick-ass. Billy Bob Thorton has called Unknown one of his favorite songwriters and a "genius picker," Simpsons creator Matt Groening has lauded his guitar playing (and comedic sensibility) and Hank Williams III has Unknown's face tattooed on his arm — all high (and kinda weird, fittingly) praise. Combined, the image and sound make for a thoroughly entertaining concert experience. Read more about Hinson (who voices the character Early Cuyler on The Squidbillies) from this week's CityBeat here. Unknown Hinson is at the Southgate House in Newport Saturday with The Lewis Brothers. Showtime is 9 p.m. Tickets are $15 in advance or $18 at the door. And bring all your gal pals — "womens likes it," or so I've heard. Give a listen to a li'l Hinson holiday cheer in the form of "Black and Blue Christmas" below.

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by mbreen 06.15.2011
 
 
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New Minor Leagues Single, Video

The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).

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by Mike Breen 03.06.2012
Posted In: Music History, Music Video, Music Commentary at 10:07 AM | Permalink | Comments (0)
 
 
mansonlie

This Date in Music History: March 6

Charles Manson's "debut" drops and Pink Floyd reunited?

On this day in 1970, a Cincinnati native (whose "celebrity" we do not celebrate locally, Nick Lachey-style) released one of the few albums we will gladly tell you to seek out and download illegally, should you need to hear it. Lie: The Love and Terror Cult, the "debut album" from singer/songwriter/cult leader/convicted murderer Charles Manson, was recorded on Sept. 11, 1967, and released just months before the murder trial of Manson and his "family." A year after the album was released, four Manson Family members (including Manson) were sentenced to death (in 1972, the sentences were reduced to life in prison after California abolished the death penalty in that state).

The album's original pressing reportedly only sold 300 copies, but subsequent reissues (proceeds from which were given to the families of Manson's victims) kept the notorious cult leader's weirdly experimental, psychedelic Folk Rock songs alive for future generations of musicians to cover. Guns N' Roses were the biggest band to ever cover one of Manson's songs. The convicted killer was an aspiring Rock Star who had schmoozed his way into the SoCal music scene of the late ’60s,  most notoriously befriending Beach Boys drummer Dennis Wilson (The Boys' reworked one of Manson's compositions on the 1969 album 20/20).

Other artists covering Manson over the years include Marilyn Manson (no relation) and wacky actor Crispin Glover.

Here's the song GNR recorded for its 1993 covers album The Spaghetti Incident?, "Look at Your Game, Girl."

Click on for Born This Day featuring Pink Floyd's David Gilmour and more …

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by Mike Breen 08.06.2012
Posted In: Live Music, Local Music, Music Video at 01:38 PM | Permalink | Comments (0)
 
 
mg_1146

Walk the Moon's 'MTV Unplugged' Debuts at MTV.com

Cincinnati band goes acoustic for MTV

As we told you last week, Cincinnati-spawned RCA Records recording artist (and Perez Hilton faves) Walk the Moon's session for the MTV series Unplugged debuted today at MTV.com (because God forbid the network find time in its schedule amongst the embarrassing stream of exploitative reality TV shows to run an actual music program). I'm fairly certain this is a first for a Cincinnati band (someone please correct me rudely and anonymously in the comments section if I'm wrong). The Palladia HD channel (part of MTV's family of networks) often broadcasts Unplugged episodes after they've run online. We'll keep you posted.

Here's a clip from the program (of the band doing "Tightrope" from its recently released major-label debut full-length). Click here to enjoy the entire show.


And here's an interview with the band tied to the sessions.

 
 
by Mike Breen 12.18.2015 52 days ago
Posted In: Live Music, CEAs, Music News, Local Music, Music Video at 02:21 PM | Permalink | Comments (0)
 
 
cea16 logo

Cincinnati Entertainment Award Nominees Announced (Updated)

Voting opens Monday for CityBeat’s 19th annual program honoring Greater Cincinnati musicians

On Jan. 31, 2016, the Cincinnati Entertainment Awards winners will be announced at the 19th-annual ceremony/show/party at Covington’s Madison Theater. Today we are happy to announce the nominees for the CEAs, which are presented by CityBeat and honor Greater Cincinnati’s rich and eclectic music scene. 

Again this year, the public was invited to submit nominee suggestions via an online ballot; a list of the top vote-getters in each category was given to members of the CEA nominating committee for consideration. The committee, which features local music writers, club owners, radio DJs and others, helped decide the final slate of nominees in the genre categories, as well as categories for Best Live Act, Singer/Songwriter and Best Music Vide  (which are open to all genres). Public vote decides the winner of a majority of the categories; the nominating committee determines the winner of the Critical Achievement categories (Album of the Year, New Artist of the Year and Artist of the Year). 


This year’s nominees include several artists who have previously been nominated (or won) CEAs, as well as numerous first-time nominees. Walk the Moon have scored two Artist of the Year CEAs in past years and return to the category after exploding internationally with its ubiquitous, Platinum-selling hit “Shut Up and Dance” and Talking is Hard album (both released towards the end of 2014). Singer/songwriter Jess Lamb, who kicked off 2015 by appearing as a contestant on American Idol (and is a previous CEA performer and nominee), earned five nominations, including her first Artist of the Year nod. Artist of the Year nominee Wonky Tonk (the Indie/Country guise of Jasmine Poole) also earned nominations in the Singer/Songwriter, Best Music Video and Country categories, following a 2015 that saw her Stuff We Leave Behind album earn widespread national acclaim. Perennial Hip Hop nominee Buggs tha Rocka, who has been working with indie Hip Hop legend Talib Kweli’s Javotti Media label and played the 2015 A3C Hip Hop fest in Atlanta and Cincinnati’s own Ubahn fest, earned his first Artist of the Year nomination. 


First-time CEA nominees this year include Country artist Taylor Shannon, Jazz player/composer Brad Myers, Metal newcomers Casino Warrior and jazzy Soul/Pop ensemble Krystal Peterson & the Queen City Band.


The New Artist of the Year category (as well as other promising new performers) will again be spotlighted at CityBeat’s Best New Bands showcase at Bogart’s on Jan. 16. This year’s New Artist of the Year nominees are Dawg Yawp, Coconut Milk, The Skulx, Go Go Buffalo, JSPH and Mutlimagic. New Artist nominees from the 18th-annual awards program returning to the CEA ballot this year in a big way include Leggy, Honeyspiders and Noah Smith. 


Public voting opens at noon on Monday, Dec. 21 here.


Bluegrass

Mamadrones

Ma Crow and the Lady Slippers 

The Missy Werner Band 

Rumpke Mountain Boys 

Comet Bluegrass All-Stars 

My Brother’s Keeper 


Country

Jeremy Pinnell 

Bulletville 

Dallas Moore

Wonky Tonk  

Noah Smith 

Taylor Shannon


Folk/Americana

Arlo Mckinley & The Lonesome Sound 

Willow Tree Carolers  

Buffalo Wabs and the Price Hill Hustle 

Young Heirlooms 

Honey & Houston 

Wilder


World Music/Reggae

Elementree Livity Project 

Baoku 

The Cliftones 

Queen City Silver Stars 

Mayan Ruins 

Know Prisoners 


Rock

Mad Anthony 

Wussy 

Alone at 3AM 

Lovecrush 88 

Honeyspiders

Zebras in Public 


Hard Rock/Metal

Electric Citizen 

Ethicist 

Moonbow

Lift The Medium 

Casino Warrior

LiViD 


Singer/Songwriter

Wonky Tonk (Jasmine Poole)

Jess Lamb 

Kate Wakefield  

Royal Holland (Matt Mooney) 

Dallas Moore 

Daniel Van Vechten 


Indie/Alternative

Motherfolk 

Us, Today 

Daniel in Stereo 

Jess Lamb 

The Yugos 

DAAP Girls 


Punk/Post Punk

Leggy 

The Slippery Lips 

Tweens 

Tiger Sex 

The Z.G.s 

Vacation 


Blues

Noah Wotherspoon Band 

Silver Pockets Trio 

Kelly Richey 

Sonny Moorman 

Johnny Fink and The Intrusion 

The Whiskey Shambles 


R&B/Funk/Soul

The Almighty Get Down 

Krystal Peterson and the Queen City Band 

The Perfect Children 

The Cincy Brass 

Freekbass & the Bump Assembly 

JSPH  


Jazz

Brad Myers 

Dan Karlsberg and the ’Nati Six 

The Faux Frenchmen 

Cincinnati Contemporary Jazz Orchestra 

Blue Wisp Big Band 

The Hot Magnolias 


Hip Hop

Napoleon Maddox 

Ilyas Nashid 

Sleep 

Buggs Tha Rocka 

Abiyah 

Mix Fox 


Electronic

Moonbeau 

Ethosine 

Black Signal  

Skeleton Hands 

Playfully Yours 

Umin 


Best Live Act

Tiger Sex 

The Whiskey Shambles 

The Yugos 

The Slippery Lips 

Buffalo Wabs and the Price Hill Hustle  

The Cliftones 

Honeyspiders 

Noah Smith  


Best Music Video

Molly Sullivan - "Before”

 


Jess Lamb - "Memories" 


Automagik – “Pop Kiss” 


Playfully Yours – “Colorvision”  


Puck – “Ruined”


Electric Citizen – “Light Years Beyond”


Wonky Tonk – “Denmark” 

"Denmark" by Wonky Tonk from Mopics on Vimeo.

Zebras in Public – “John Doe”


Critical Achievement Awards

Album Of The Year

Honeyspiders – Honeyspiders 

Us, Today - T E N E N E M I E S 

Dawg Yawp - Two Hearted 

Honey & Houston – Barcelona 

Jess Lamb - Circles 

Noah Wotherspoon Band – Mystic Mud 

Dan Karlsberg - The ’Nati 6

The Sundresses – This Machine Kills


New Artist Of the Year

Dawg Yawp

Coconut Milk

The Skulx

Go Go Buffalo

JSPH 

Mutlimagic


Artist Of The Year

Leggy 

Walk the Moon 

Jess Lamb

Noah Smith 

Wonky Tonk

Buggs tha Rocka 


UPDATE: The CEA ballot is now live. Start voting here.
 
 
by Mike Breen 03.19.2013
Posted In: Music Video, Local Music at 08:55 AM | Permalink | Comments (0)
 
 
snapshot

New Hip Hop Videos from Cincy's Puck and Valley High

Local Hip Hop acts drop visually and musically compelling new clips

A pair of Cincinnati Hip Hop acts have recently released music videos showcasing new material. Both are compelling, well-produced clips for solid new tracks.

Alternative Hip Hop group Valley High issued the video for "That One Too" at the start of the month. The clip was directed by SnowRowe (who plays keys in the group) and, according to the YouTube page, the track is from the Valley High or Die Tape, due for release today. The group is fronted by MCs Moxy Monster and M.O. Click here for more on Valley High.



Last year, area MC Puck released the high-pro video for "Gitit," the latest of several clips. Now, Puck has returned with a new track and video that's perhaps his strongest yet. "Jordan Vs. Bird" is built around a hook from a remix of the band Grouplove's song "Colours." The video was directed by Dan Gotti. Puck is offering a free download of the track via his Soundcloud page here. Find out more about Puck here.


 
 
by Mike Breen 02.14.2012
Posted In: Local Music, Music Video, Music News at 05:38 PM | Permalink | Comments (0)
 
 
badveins

Taft 'Ballroom' to Host Bad Veins Release Gig

Just announced venue The Ballroom at the Taft gives Taft Theatre versatility to bring more concerts to Cincy

I may be imagining it (the eternal optimist that I am), but it seems like ever since the Southgate House locked its doors at the end of 2011, many in the local booking world stepped up their game instantly. Though it's only been just over a month, it certainly doesn't feel as if the Greater Cincinnati concert market has been gutted by the loss of that one great club. And with several spots slated to open later this year (new venues from the brains behind the Southgate and Mad Hatter, plus whatever happens to the actual Southgate House building), it only looks to be getting better.

More good news on that front came out at the start of this week. On Feb. 10, an unexpected, big-time venue entered the mix — or rather, increased its presence in it. Downtown’s gorgeous Taft Theatre already this year announced some concerts by more “mid-level” groups like Trampled By Turtles and JJ Grey & Mofro, cult faves and Southgate alumni. Now, the Taft and promoter Music & Events Management Inc. are opening a new venue-within-a-venue that will allow the Taft to book artists who have outgrown small clubs but aren't quite ready for the big room.

The Ballroom at the Taft — located in the theater’s lower level — was designed to be, according to the press release, “a showcase style club venue that will play host to a variety of live entertainment events spanning all types of styles and genres.”

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by Deirdre Kaye 07.16.2012
Posted In: Live Music, Local Music, Festivals, Music Video at 03:01 PM | Permalink | Comments (1)
 
 
dscn1421

Bunburied Alive … and Lovin' It

Reflections on the final day of the inaugural Bunbury Music Festival

I’ve been to more festivals than I care to recall, but they mostly pale in comparison to Bunbury’s inaugural weekend. The planners of the three-day Cincinnati festival scored awesome bands for a first-year festival and the location couldn’t have been more spectacular, stretching from Sawyer Point to Yeatman's Cove along the riverfront.

Bonnaroo sucks because there are hardly any trees and therefore no shade — it’s like spending a weekend on the sun. While the fairly awesome, Memphis in May offers a similar riverside locale, but it’s also missing the shade and it fails to take full advantage of its riverfront property.

The Bunbury planners nailed it. Not only does Sawyer Point offer plenty of tree-covered walkways between stages, but also grassy knolls, flushing toilets and a great breeze.

And the Landor Stage! Whatever genius said, “Let’s put a stage at the base of the Serpentine Wall,” deserves a raise. The river and Big Mac Bridge were excellent backdrops for the bands lucky enough to play there and a great way to show off some of Cincy's charm to festival goers from afar. I saw Good Old War perform to a packed … "wall," and it was by far the coolest and most laidback of the shows I caught. Watching everyone lounge around on the huge concrete steps while listening to the trio play music and goof off was a great break from the shuffling and shifting crowds just a few feet behind us. The band's drummer did a pretty great impersonation of Harry Belafonte and sang “Day-o” for us, which worked well with the sunny sky and chilled-out vibes on the wall. Even better was how loud the crowd got when he sang, “Daylight come and me wanna go home.” Hardly anyone knew the rest of the words, but they had fun pretending. Good Old War was probably my favorite performance and Landor Stage was definitely my favorite place to hang out.

Another great way Bunbury made sure to represent the Cincinnati spirit was with tons of local food and beer. Not only did they have the big names, like Skyline and LaRosa’s, but they also brought in places like Taste of Belgium and beer from Hudy. (Sure, some UDF or Graeter’s would have also been nice, but it was only the first year.)

Speaking of food, I was overwhelmed by the lack of food I saw on the ground, neither dropped nor regurgitated. Cincinnati did an excellent job at keeping their park clean, even when they flooded it with feet. I was super proud (and relieved) to not have to step over any up-chucked chilli on my way various jaunts from one end of the park to the other.

And that’s a trek I made quite a few times, too. From The Tillers to Good Old War and then back to the far end to see Bad Veins, I spent a good deal of my Sunday slipping through the crowds to get from one end of the point to the other as quickly as possible. 

It was worth it, though, especially for The Tillers!

I own The Tillers’ first two albums, but I’d only seen them once before, at one of their usual spots — Northside Tavern. It was a night where they went on late and I happened to be with more introverted friends. It was a good show, but it lacked the oomph I experienced at Bunbury. Those boys were made to play in the sunshine and trees, that’s for sure. And Cincinnati made sure to show love to their hometown band. Hopefully, Mike, Sean and Aaron picked, bowed and bellowed their ways into some new hearts, as well. Their show sealed the deal on The Tillers being one of the many reasons why I love Cincinnati. We’re the kind of people where their kind of music can be properly loved and respected for exactly what it is and never expected to be anything more.

Those were the highlights of my day, but I’d say the whole experience was a good one. Musically, there were really only two downsides to the fest and they were both pretty personal. To begin with, I think Neon Trees really lose their appeal in the daylight. They are everything that’s glowing, neon or flashing. They sing songs that, when sung along to, require sassy facial expressions and overly dramatized hand gestures. These are things that are best done in the dark.

I also wasn’t thrilled with Death Cab for Cutie, though I know I’m in the minority on that one. Here’s the thing, though:  “I Will Possess Your Heart” is really freaking creepy and “I Will Follow You into the Dark” is the exact opposite of the kind of love I want. I’m fairly certain anyone who’s ever been the person least committed to a relationship will understand my sentiment.

Still. Those things were minor. Most important is that Sunday was a good day and Bunbury, in my summation, was a huge success.

Writer’s note: There were a few things I thought worth mentioning but not worthy of the effort of a more fluid insertion into the above review. I’d like to add the following whimsy, as long as I won’t be sacked. Otherwise, just leave it off. (Editor's note: These are hilarious. You get a raise — two free movie passes next week!)

• Apparently making cut-offs from Mom jeans is a fashion trend. I reject this.
• Next year I’d like to rent a boat and spend one afternoon experiencing Bunbury from the river with the rest of the freeloaders.
• Seriously. I’m really proud of you for not puking in public.
• To the lady in the wheelchair with her legs stuck directly out in front of her: Are you sure you couldn’t find an even less convenient position in which to ride? (Editor's note: This may be offensive; see me.)
• I saw a New Kids on the Block tattoo and I still have no idea how I feel about it.
• Can we try to get an ice company to sponsor a stage next year? I really hate my beverage lukewarm.
• I’d still prefer a festival that took place in December or January. (Name suggestions: Bit Nipple-y Concert Series and Freeze Your Balls Off Fest)

Click here for our photo gallery by Jesse Fox featuring over 150 shots from Bunbury weekend. And keep checking the music blog for more post-game coverage. Sorry for the delay — r tender li'l brains got a bit frieded dis weakened.
 
 

 

 

 
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