As people were busy contemplating the chance of the original Guns N’ Roses reteaming for their Rock and Roll Hall of Fame induction early next year, news came down that a Cincinnati Entertainment Awards "Hall of Fame" band (and one beloved, influential and respected worldwide) will definitely be reuniting in 2012. The Afghan Whigs will play their first show in 13 years on May 27, 2012, in London for the All Tomorrow's Parties festival offshoot, I'll Be Your Mirror. The band will also perform a headlining show at I'll Be Your Mirror USA 2012, playing the fest Sept. 22 in Asbury Park, NJ. Tickets go on sale in early January. On the downside (for Ohio Rock fans), the Whigs replace Guided By Voices at the September show; according to the IBYM release, GBV has broken up (again) and canceled all 2012 dates (despite being on track to release an album of new material early next year). Check out the full press release below. UPDATE: GBV, according to their publicists, have NOT broken up (again); they have merely canceled a few shows.
What are your favorite memories from the Southgate House?
On Monday night/Tuesday morning this week, as news that the popular Newport music venue would cease to exist (in its current state, at least) leaked out, I watched a steady stream of comments on Facebook respond to the news with a mix of stunned disbelief and sad nostalgia, as fans of the club shared some of their best stories and memories.
Many people were quite emotional, and I wondered why I wasn't having similar feelings. Since the late ’80s, I had been a frequent visitor to the club, and, over the entire span of my 20 years writing about music in Greater Cincinnati, I have consistently covered events at the venue. I was not totally unmoved by the sudden announcement, but I certainly wasn't as shaken as others appeared to be.
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
Music Tonight: Rootsy Connecticut-based trio Plume Giant performs at the Rohs Street Cafe in Clifton Heights with Columbus, Ohio's Deadwood Floats and Cincinnati's own Molly Sullivan (check out Sullivan's lovely, unique track "Bad Weather" here). Plume Giant released its self-titled debut EP last year, drawing praise from Seattle to New Haven, and travelled up and down the east coast in support. The Indie Folk trio — built around timeless songs, amazing three-part harmonies and pure, naked acoustic guitar/viola/violin backing — is taking on the Midwest this month, touring in advance of its first full-length, due this coming spring. Click here to listen to the EP and enjoy the Plume Giant song "Old Joe the Crow," performed live below.
"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.
We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.
Says Morrella: “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed. This weekend’s shows had to be delayed due to a few last minute construction challenges.
The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.
“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.” “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.
The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Local singer/songwriter/multi-instrumentalist S.R. Woodward is not your average clean-cut, guitar-strumming, doe-eyed heartthrob. No, this guy is far too weird for that racket. Combining slightly-flat-yet-charming harmonies sung in a baritone warble with peppy, synthesized musical backing tracks, he’s a troubadour of minimalist ditties that lie somewhere between cheeky and heartfelt.