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by Mike Breen 12.14.2011
Posted In: Live Music, Local Music, Music Video at 12:15 PM | Permalink | Comments (0)
 
 
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New Dallas Moore Band Video for "Crazy Again"

On Aug. 30 of last year, local Country artist Dallas Moore and his band teamed up with longtime Willie Nelson guitarist Jody Payne (who grew up in Cincy) to celebrate the 61st anniversary of music icon Hank Williams’ historic recording sessions at Cincinnati’s Herzog recording facilities. The musicians gathered at the very spot Williams recorded (now the headquarters of the Cincinnati USA Music Heritage Foundation on Race St.) and hosted a live recording session/concert in front of a sold-out crowd. The show was recorded for the just-released live album, Hank to Thank: Live at Herzog Studio. Below is the music video for the album's first single "Crazy Again," which is already receiving airplay on Sirius/XM radio.

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by Amy Harris 08.25.2011
Posted In: Live Music, Interview at 01:04 PM | Permalink | Comments (0)
 
 
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Q&A with Alter Bridge

Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.

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by Leyla Shokoohe 08.09.2011
Posted In: Festivals, Live Music, Reviews at 04:42 PM | Permalink | Comments (1)
 
 
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Leyla at Lolla: Lollapalooza 2011 Day 1

EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.

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by mbreen 10.22.2011
Posted In: Live Music, Local Music, Music Video at 09:29 AM | Permalink | Comments (0)
 
 
spindrift blog

Squeeze the Day(s) for 10/22-23

Spindrift, Bettye LaVette and The Sounds, plus This Weekend in Music

Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a  9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.

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by Mike Breen 12.15.2011
Posted In: Live Music, Local Music, Music Video at 12:39 PM | Permalink | Comments (1)
 
 
plume giant

Squeeze the Day for 12/15

Eskimo Brothers, Plume Giant and Molly Sullivan, plus This Day in Music with Dr. Dre, Jimmy Cliff and The Clash

Music Tonight: Rootsy Connecticut-based trio Plume Giant performs at the Rohs Street Cafe in Clifton Heights with Columbus, Ohio's Deadwood Floats and Cincinnati's own Molly Sullivan (check out Sullivan's lovely, unique track "Bad Weather" here). Plume Giant released its self-titled debut EP last year, drawing praise from Seattle to New Haven, and travelled up and down the east coast in support. The Indie Folk trio — built around timeless songs, amazing three-part harmonies and pure, naked acoustic guitar/viola/violin backing — is taking on the Midwest this month, touring in advance of its first full-length, due this coming spring. Click here to listen to the EP and enjoy the Plume Giant song "Old Joe the Crow," performed live below.

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by Ill Poetic 09.10.2010
Posted In: Music News, Live Music at 10:22 AM | Permalink | Comments (0)
 
 

Atmosphere Returns to the Scene of the Rhyme

The last time Slug felt as sick and contradictive as this was the last time he played a show in Cinci. He and the other half of Atmosphere, DJ/producer Ant, haven’t played one since, save a Scribble Jam or two. But the last headlining show that Atmosphere played in Cincinnati was nearly seven years ago. If you’re an Atmosphere fan, then you’ve heard the various references to Top Cat’s and that show. As someone who was there, I remember it being just about as tragically awesome as Slug does, just from a different perspective.

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by Amy Harris 08.16.2013
Posted In: Live Music, Interview, Music Video at 01:31 PM | Permalink | Comments (0)
 
 
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Q&A with Eric Bass of Shinedown

Shinedown's Carnival of Madness tour hits PNC Pavilion Saturday night

Shinedown has been touring on its most recent album, Amaryllis, for the last two years and has just started its Carnival of Madness tour to complete touring on the record. It is the band's biggest, brightest and loudest tour yet. With each album, Shinedown's rocking sound shows bigger energy and different sides, as well as different looks. 

CityBeat was able to catch up with bass player Eric Bass to discuss life on tour and the close bond the band members have, even after all these years. Shinedown will be tearing up the PNC Pavilion at Riverbend on Saturday night on its Carnival of Madness tour stop with Papa Roach, In This Moment and Skillet. (The concert is sold out.)

CityBeat: You guys have really been successful with the last couple albums. You have been on the Billboard charts for over two consecutive years. Did you ever expect that would happen?

Eric Bass: Did I ever expect it? I always hoped it would happen, I guess. You work really hard. We have this thing we say: "Keep your head down, stay humble and move forward." We are blown away by the success. To be honest with you, if you had told the 17-year-old me this was what was going to be happening, he’d be ecstatic. I can’t say that I expected it to happen. We wanted it to happen. We worked really hard for it. We are not surprised, I guess you could say, because of the hard work. It is a true blessing to be able to do what we do and have the success we have had.

CB: The band has been touring constantly. How do you make time to write new songs on the road?

EB: We actually don’t write on the road. We like to separate the two. We go home when we are done with this tour. We will lock ourselves away for a year and write as many songs as we can. Then, when we are done with that, we will go out and tour again and complete the process. We wrote “Diamond Eyes” on tour because it was for a movie soundtrack. That was the first experience we had with that. It worked out and everything went well with it. We work really hard when we are on tour. We are a go-go-go all day long band with interviews, meet and greets and that sort of thing. So there is really not a lot of time to get in and be creative like that. We prefer to separate the two and that creates the situation where each record is pretty different from the others because they are different times and you are not overlapping time periods. You are separating into blocks. It makes the records really interesting. 

CB: I have photographed you on your last couple tours. Your shows have grown larger and larger with more pyro and turned into huge Rock shows. How did you guys prepare for Carnival of Madness?

EB: Well we started talking about it two or three months ago and we said, “It’s not going to be small.” That was the whole thing. We were going to make it as big as we could possibly make it. We are bringing our whole sound system with us. We are bringing our own lights. We are bringing our own pyro. We basically have carnival performers that are out with us. It is just a conscious, concerted effort to, every time, step your game up. We have sort of become known for that when we do these big headlining runs. We don’t want to disappoint anybody. People paid good money and want to see a great Rock show and that’s what they are going to get.

CB: You actually have carnival performers on stage with you?

EB: We actually do, yes. It’s going to be fun. I think everybody is going to really enjoy the show.

CB: The first show was this past weekend. How is it going so far?

EB: We are one down. We have the second one tonight. The first one was great. Internally, we found a couple things we could do differently, do a little bit better. We are definitely going to do that. The first show was great. The crowd was very receptive. It was awesome. I think tonight is going to be even better. Then the Cincinnati show, by that time, we will be well-oiled machines and veterans.

CB: Shinedown has a huge social media presence. Why is it important for you guys to stay connected to your fans in that way?

EB: Because the fans are the reason we get to do what we do. We never forget that. The fans are the boss, the most important thing. The fans buy the tickets, they buy the records. I have to say, and it’s going to sound cliché but it’s not meant to be, we have the best fans. Our fans are ridiculously loyal. We like to keep up with them. We actually know … you would be surprised how many fans we know. I’ll see fans at meet and greets that I will know from Twitter. We keep up with them and we know what’s going on. We like to hear what they have to say. They are going to let us know if something is not right. They will let us know if they don’t like something, if they like something. It’s a great tool to utilize as well. You get instant feedback on what you are doing.

CB: What are your hobbies outside of playing music all the time?

EB: It’s kind of funny. I say all my hobbies become my jobs. I produce records. I do a lot of songwriting. I engineer, mix records. A lot of my hobbies have become my job. 

I am a golfer. I enjoy golf a lot. More recently, I have started building model airplanes. I needed a quiet hobby I can sit in my house and do. It is something I have found solace in. It may be a little geeky, a little nerdy, but it is fun.

CB: You actually co-wrote “I’ll Follow You” correct?

EB: Yep

CB: I love that song. I know it is the new single and it is out, but what is the story behind the song?

EB: The story of the song is pretty interesting. The piano part I had for a couple years. I had been playing it in sound checks. We don’t write on the road, but if it’s something someone in the band hears, “Hey remember that. Record that.” We are pretty in tune with that sort of stuff. 

We were out on our acoustic tour that we did on the end of our last record cycle with Will Hoge, a great singer-songwriter from Nashville. Nobody had really said anything about the piano thing I had, so I thought maybe it will be good for Will. 

So I hit him up and said, 'On the next day off, I want to show you this piano piece I have got and we can write a song.' He gave me his number and said to give him a call. I gave him a call the day of, I called him like three times, never went to voicemail, never picked up. 

The next day, I was like, “I called you three times.” He said, “It never came through. I don’t know what happened.” That day at soundcheck, Brent was like, “What’s that thing you are playing?” I was like, “Man, I have been playing it for three years.” He finally woke up to it. We actually had the recording that day at sound check kind of going through the song. Some of the lyrics are actually in there from that first time we ever played it through, he and I. 

If you fast forward six months when we finally wrote it, finally sat down and wrote the song, it happened seamlessly. We wrote it in like two hours, the whole thing was done. Lyrically, it is about the person in your life who is your best friend, your spouse or your girlfriend, your boyfriend or someone really close to you, that person you will always be there for and they will always be there for you.

CB: The band took a different turn on the latest album, playing with the full orchestra. How did that concept come about?

EB: We talked about how Madness had a lot of string-sections stuff. We just talked while we were writing the record about how to make this record a little bigger and a little more grand. That was the first thing that came up, we need to do something with horns and full orchestra, rather than just string sections. 

It was fun. It was a blast to be in there to watch that stuff be recorded, watching your vision come to life was amazing. There is very little that we do that is not a conscious decision. We kind of see what we want to do next. We were talking about our next record the other day on the bus. We will probably start working on that next year. We already kind of got an idea for it of what we want it to be. It is pretty phenomenal to have this type and level of instruments on something you have worked on. You pinch yourself every once in a while because it’s so cool.

CB: You guys have been together for some time. Are you all still friends? Do you still hang out?

EB: It’s pretty funny, we love each other so much. We all still ride the same bus even though we don’t have to. We, all four of us, camp out in the same place. We work out together every day. We eat together every day. We really are brothers. We have our moments of getting agitated with each other and angry with each other. There is something different that I don’t see in a lot of bands we travel with. There are some, but they are few and far between. You get a group of people that genuinely like each other and genuinely get along. 

I can count on one hand the times I have been up in someone’s face in my band, that I have been that angry with someone. We just don’t get like that. We talk things out. If there is a problem, we sit down and we are very honest with each other. We don’t harbor any animosity toward each other for anything. 

“I’ll Follow You” is out right now and is a song Brent and I wrote. Everybody in the band is happy as hell about that because it is doing well. “Bully” is a song Brent and Zach wrote, and I was happy as hell that was doing well. A lot of people get caught up in the unimportant stuff, like who makes more money or what’s going on with this or who’s more popular in the band. We don’t care about that stuff. It’s about the band, the entire group. We all really care about each other. We hang out when we aren’t on tour. It is really a blessing.

CB: It is amazing you guys spend so much time together and it is still like that. There aren’t many people I could spend 24 hours a day with?

EB: We see each other more than we see our wives and girlfriends and our families. We are married. We have to get along. There is no way around it. You can tell on stage. We smile at each other on stage. We joke around. We throw picks at each other. It’s genuine. It’s not an act. You can tell bands on stage that don’t like each other, and you can definitely tell bands on stage that do, and we are one of those bands that really like each other. 

Click here for a full photo set by Amy Harris of the Carnival of Madness tour stop in Cleveland this past Tuesday.

 
 
by mbreen 10.05.2012
Posted In: Live Music, Local Music, Music News at 03:28 PM | Permalink | Comments (0)
 
 
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Southgate House Revival Opening on Hold

Weekend shows for anticipated Newport club's grand opening halted

The grand opening for the Southgate House Revival, the new venue from the former owners/operators of Newport's beloved Southgate House, has been canceled. The club was supposed to open tonight, but it has been announced that this weekend's shows (including tomorrow's album release party for The Newbees' latest) are to be rescheduled. We'll update with any information we hear as soon as possible, but it appears the CincyPunk Fest scheduled for next weekend is still on for now.

The Southgate House Revival's Facebook page made the announcement around 4 p.m. this afternoon. Here's the post:

"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.

We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.


Says Morrella: “We are sorry to have to delay sharing this
magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”

Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"

UPDATE: Here's the press release sent out:
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed.  This weekend’s shows had to be delayed due to a few last minute construction challenges. 

The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.

“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.”  “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.

The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen.  We thank them so much.  We look forward to seeing everyone next weekend for CincyPunk Fest.  We will announce rescheduled dates for these shows very soon.”


 
 
by Amy Harris 07.24.2012
Posted In: Interview, Live Music at 10:57 AM | Permalink | Comments (0)
 
 
motorhead

Q&A with Motorhead's Phil Campbell

Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.

CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.

CityBeat: What has been the craziest story from Mayhem so far for you guys?

Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment. 

CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?

PC: No not yet. We leave that for the end.

CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years. 

PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.

CB: What is your favorite guitar to play?

PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.

CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?

PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.

CB: Any regrets through the years?

PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.

CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?

PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.

CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?

PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.

CB: Do you ever play with them?

PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough. 

CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith? 

PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”

CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord. 

PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick. 

CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?

PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.

 
 
by Mike Breen 08.02.2012
Posted In: Live Music, Local Music at 10:19 AM | Permalink | Comments (1)
 
 
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Rewind: Why Parrotheads Hate Me

Celebrating the 12th anniversary of the CityBeat/Jimmy Buffett shitstorm

A dozen years ago, I was asked to come up with something for CityBeat's annual summer preview "Hot Issue." At the time, easy-groovin' singer/songwriter Jimmy Buffett was the king of Cincinnati's summer concert scene, selling out his shows in minutes and routinely winning the "Best Concert" award in CityBeat's "Best of Cincinnati" readers' poll. So I figured that, five years into CityBeat's existence, it was time to weigh in on the Parrothead phenomenon.

I've told the story of the backlash a few times in the past (apologies if you've heard it before). After the article was published, I received the most hate mail I've ever seen for a story appearing in the paper. My colleagues printed out the emails and wallpapered the area around my desk; it covered a good quarter of that room in the old CityBeat building on Seventh Street.

I expected some of it (and probably deserved some of it, too; as a young punk-ass writer, I was an even bigger dick then). But the sheer amount of correspondence was kind of a shock. I soon discovered it was the result of a cheap Buffett fan website that literally told its members to attack.

In the vein of anti-abortion activists publishing the names and home addresses of doctors who dare provide abortion services, the site ran Mike Breen's home address.

I probably would have filed a police report were it not for the fact that the site ran the wrong Mike Breen's home address. Some other poor Mike Breen in Cincinnati probably received a few house-eggings and tree-TPings (hopefully nothing worse).

I sent the site owner a polite note advising them that they had the wrong Mike Breen's address and invited them to publish CityBeat's business address for anyone who'd like to chime in with a letter. (They already had our email up there.) Eventually, they removed the innocent man's address.

Out of the 300 or so emails of protest sent, about 10% simply suggested that Buffett concerts are just good fun and I shouldn't criticize how people get their ya-yas out (fair enough). About 5% were supportive of my comments. Around 2% said they were indeed Parrotheads, but found my article amusing and felt the pilers-on were being stupid and taking it all too seriously (my favorites).

The rest of the emails were the opposite of Jimmy's good-time, laid-back vibe. Most just called me rude names (totally fine).
Some wished death on me (not cool!). The only one I remember with any kind of clarity was the note that said, "I hope your children are raped by drug dealers in Over-the-Rhine and get AIDS and die" (come near my family and I WILL cut your balls off).

Included in many of the death-wishes and "Fuck you, asshole!" comments were a few people who trumpeted Jimmy's great contributions to charity. I applaud that, as well as the efforts of the
Cincinnati Parrot Head Club, who also work good deeds into their good times. Buffett and I also share a lot of the same political/cultural/social views (I can find no evidence, but I'd be willing to wager that Jimmy's NOT anti-gay marriage and he is definitely a Democrat). I also thought it was kind of funny/cool that Jimmy got booted from an NBA game for passionately (and good-naturedly) sticking up to the refs that were giving his team (the pre-LeBron Miami Heat) the shaft.

I also thought it was really cool that Jimmy found Bill Paxton's fairly scathing parody of him (as "Coconut Pete") in the Broken Lizard film Club Dread to be hysterical. (On the DVD commentary track, the filmmakers say Buffett asked for permission to perform some of the parody songs on tour.)

Here's Paxton doing Coconut Pete's hit "Pina Coladaburg":


I'm unsure how Jimmy feels about South Park's much rougher treatment in the show's own parody (pictured above). (For the record, I think the spreading of quotes from and footage of Buffett fans being bigoted is really unfair, in a Breitbart kind of way.)

So, as I've matured, I've found at least five things I like about Buffett. If I drank, I bet he'd be fun to have a beer with and talk politics and sports. (Drop me a line, Mr. Buffett; I'll be designated driver!)

There are still tickets available for tonight's Buffett concert at Riverbend, which would have been impossible to imagine 12 years ago. When the Radiohead concert earlier this summer was announced, I had a chat with our publisher about how fast it would sell out. When it didn't, we bemoaned the fact that Buffett's show would still sell out in minutes. It didn't.

Is the Parrothead era over in Cincinnati?

Here, from the May 25, 2000 edition of CityBeat, are the "Ten Things I Hate About Buffett." Feel free to chime in with your Buffett support and call me a few names if you'd like. (But threats will be taken seriously this time around and if you come near my family … well, see above.)

I sincerely hope that, if you're going, you have a great time. Just be safe! I have to imagine that cops see Buffett visits as a good chance to make a few extra DUI arrests.
Like death, taxes, Who reunion tours and Wolfen sequels, one certainty every year in Cincinnati is a local summer appearance by the master of mediocrity, Jimmy Buffett. If you live here, it's as inevitable as the changing of the season: Buffett brings his plastic palm tree and awful music to Riverbend, and thousands of morons flock to see him.

We've resisted writing about this "phenomenon" in the past. It's kind of like making fun of Kathie Lee Gifford or Kenny G -- it's just too cheap and easy. Of course, CityBeat is nothing if not cheap and easy.

So, here, we bring you the only press you will ever read about Jimmy Buffett in this publication. Unless, of course, there's a shooting spree in the middle of the concert or Riverbend sinks into the river.

10) His music It's sorta tropical, sometimes Country-ish, sometimes "silly," and always boring. It's music for people who don't like music: background, laid-back fluff. It's easy listening for Boomers.

9) His lyrics

"Blew out my flip flop/Stepped on a pop top/Cut my heel, had to cruise on back home."

"So he took her to this movie called Body Heat/She said, 'The Junior Mints were mushy and the sex was neat.' "

"Fruitcakes in the kitchen/Fruitcakes on the street/Struttin' naked through the cross walk/In the middle of the week."

"Evolution can be mean/There's no 'dumb-ass vaccine.' "

Apparently not.

8) His album titles A White Sport Coat & A Pink Crustacean. Last Mango in Paris. Off to See the Lizard. This guy makes "Weird Al" look like Oscar Wilde.

7) He recorded a cover of "Purple People Eater" "Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini" is bound to be next.

6) He likes to sue aspiring restaurateurs Buffett's lawyers have gone after entrepreneurs for calling their new bistros things like "Margaritaville" and "Cheeseburger in Paradise." Hey, if they're that stupid ...

5) He was a fratboy No doubt. At the University of Southern Mississippi. Shocker!

4) He wrote and staged a musical (Don't Stop the Carnival) Rock stars shouldn't do that.

3) He tricked Brian Wilson into recording one of his songs "South American" on Wilson's Imagination record. Hasn't this man been taken advantage of enough?

2) His CDs don't even make good coasters I proudly own one Jimmy Buffett CD -- 1999's Beach House on the Moon, which I use on my desk to set my drink on. Damn things keep slippin' off.

1) Parrotheads Fans of Buffett use his summer concerts for an excuse to get completely obliterated and "partay." It's like Mardi Gras with tasteless people in stupid hats and Hawaiian shirts. Not so amazingly, his strongest cult is here in Cincinnati. Like we need some other cultural crisis to be embarrassed about.
 
 

 

 

 
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